Matthisson, Friedrich vonAntiquariat.de
1358 risultati
1787rif. 6974EBMannheim, in der neuen Hof- und akadem. Buchhandlung (Karl Maisenbacher), 1787. Klein-8°. 16 cm. 180 (4) Seiten. Halblederband der Zeit mit goldgeprägtem Rückentitel und grünem Farbschnitt. [2 Warenabbildungen]
2003rif. 009704Paris Editions Hervas 2003 Fort in-4 Cartonnage toilé et étui illustré éditeur
1955rif. 66174ABWankdorf / Bern., Spiral Press., 1955. 35 x 35 cm. 20 ungezählte Blatt in Doppelbögen. OKarton., 66174AB Auflage 900 Exemplare. Es fehlt die vierseitige Inserateinlage, sonst gutes bis sehr gutes Exemplar.
1968rif. 476Paris, Maeght éditeur, 1968. In-folio (380 x 280 mm) en feuilles, 32 pages, couverture illustrée, chemise et étui cartonnés tabac portant une étiquette imprimée sur le premier plat. 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page. 7 fac-simile de dessins dont 1 en double page et 8 reproductions en noir. Poèmes de René Char et d'André Frénaud. TIRAGE ORIGINAL. 1 DES 150 EXEMPLAIRES NUMÉROTÉS SUR VÉLIN DE RIVES, SIGNÉ PAR BAZAINE. Important numéro de DLM consacré à l'exposition de 74 aquarelles et dessins de BAZAINE à la Galerie Maeght en mars 1968. Deluxe edition numbered and signed by Jean Bazaine, first printing.
1863rif. 62343CBEdinburgh, Nimmo Verlag, [1863]. Klein-8°. 17,5 x 12,5 cm. XXIV, 496 Seiten. Dekorativer blind- und goldgeprägter Lederband der Zeit mit Rundum-Goldschnitt und dekorativen Vorsätzen. [4 Warenabbildungen]
1835rif. 22638ABZürich, Schulthess'sche Buchhandlung, 1835-1853. 8°. (2) VII, 144 S.; (2) VII, (1) 206 (2) S.; (2) VII, 248 S.; (2) 160 S.; (4) 240 S.; (6) 215 S. Mit 6 lithogr. Frontisp. u. 2 lithogr. Tafeln. Blindgepr. Leinenbände der Zeit mit Rückenvergoldung u. dreiseitigem, marmoriertem Schnitt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild 6 Teile in 2 Bänden. 2. Aufl.
1902FIRST EDITION of the poems of Jordi de Sant Jordi (c. 1397-1424), a contemporary of Ausi‡s March and one of the most important medieval Catalan poets. XIV, 56 pp. ONE OF ONLY 12 NUMBERED COPIES PRINTED ON EXTREMELY FINE JAPANESE PAPER, THE ONLY LARGE-PAPER COPIES. 8vo. Publisher's pritned wraps. FINE AND BRIGHT. Of the greatest rarity.
1835rif. 22638AB2. Aufl. 6 Teile in 2 Bänden. Zürich, Schulthess'sche Buchhandlung 1835-1853. 8°. (2) VII, 144 S.; (2) VII, (1) 206 (2) S.; (2) VII, 248 S.; (2) 160 S.; (4) 240 S.; (6) 215 S. Mit 6 lithogr. Frontisp. u. 2 lithogr. Tafeln. Blindgepr. Leinenbände der Zeit mit Rückenvergoldung u. dreiseitigem, marmoriertem Schnitt.
1972rif. 486-2Paris, Maeght éditeur, 1975. In-folio (380 x 280 mm) en feuilles, 32 pages, couverture illustrée, chemise et étui cartonnés portant une étiquette imprimée sur le premier plat. 10 LITHOGRAPHIES ORIGINALES EN COULEURS dont 3 en double page. 4 fac-similés de dessins. 19 reproductions en noir et blanc. Texte de Marcel Jouhandeau "Essai sur moi-même" et poèmes de Claude Esteban. TIRAGE ORIGINAL. 1 DES 150 EXEMPLAIRES NUMÉROTÉS SUR VÉLIN DE RIVES, SIGNÉ PAR BAZAINE. Rare et beau. Important numéro de DLM consacré à Bazaine. Deluxe edition numbered and signed by Jean Bazaine, first printing.
1981rif. LIT9521MIn-4°. Pleine reliure vélin ivoire de l'éditeur, décorée sur le premier plat d'une peinture originale signée de Ansaldi. Les illustrations d'Ansaldi, 1 sur double page et 7 hors texte, ont été reproduites en sérigraphies et rehaussées au pochoir dans les ateliers de l'éditeur. Chaque page entourée d'un encadrement dessiné par l'illustrateur et rehaussé à la main. Un des vélin d'arches pur chiffon numérotés ( numéro 587 ).
rif. 116661 page portant la pensée à lencre noire (310 x 210) (adresse imprimée en bas « 11 bis, avenue Léopold II - Paris XVIe ») + 1 lettre autographe à lencre or, 2 pp. sur 2 feuilles, la première avec entête imprimée en relief « Moulte de Parte », les 2 portant adresse imprimée en bas « 11 bis, avenue Léopold II - Paris XVIe ».Pli horizontal sur les 3 documents, superbe ensemble, magnifique écriture très graphique.
rif. 1232Huile sur papier de couleur, signée en bas à droite (50/65 cm). Bon état.
1766rif. 3800BBLondres (d.i. Paris)., o.Vlg., 1766. 8°. (1) Bl., (4) XX, 184 S., (1) Bl. Mit 7 gest. Tafeln u. 6 gest. Textvignetten von De Longueil nach Eisen u. de Wille (fils) sowie 2 gest. Noten-Tafeln. Marmorierter Lederbd. der Zeit auf 5 Bünden mit Stehkanten- u. reicher Rückenvergoldung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 3800B
1709rif. 13299DBLeipzig, Bey Thomas Fritsch, 1709-1710. 8°. 17 x 11,5 cm. Titelblatt in Rot und Schwarz, 317 Seiten (1), [4] Blatt und Titelblatt in Rot und Schwarz, [11] Blatt, 360 Seiten, 4 Blatt. Einfacher, neuer Pappband, gebunden. [3 Warenabbildungen]
1913rif. 66053CBMünchen, Georg W. Dietrich, [1913]. 4°. 28 x 22 cm. [6] Blatt, 96 Seiten, 28 zwischengebundene Tafeln. Original-Ganzlederband mit goldgeprägtem Deckel- und Rückentitel sowie Deckelillustration, Kopfgoldschnitt und Lesebändchen. [6 Warenabbildungen]
1766rif. 3800BBLondres (d.i. Paris)., o.Vlg., 1766. 8°. (1) Bl., (4) XX, 184 S., (1) Bl. Mit 7 gest. Tafeln u. 6 gest. Textvignetten von De Longueil nach Eisen u. de Wille (fils) sowie 2 gest. Noten-Tafeln. Marmorierter Lederbd. der Zeit auf 5 Bünden mit Stehkanten- u. reicher Rückenvergoldung.
1907rif. 505518New York: Jos. W. Stern & Co 1907. Softcover. Good. Later printing. Folio. Two nested bifoliums making eight pages. Owner name on the front cover outer bifolium separated at the fold offsetting to the back cover and on the verso of the front cover moderate edgewear to the outer bifolium creasing to the top of the inner bifolium still a good complete copy. For voice and piano. Plate number 5151-4. The back cover features a sample of "With You in Eternity" by Arthur J. Lamb and Alfred Solman. Bob Cole was a popular African American songwriter known for his work on A Trip to Coontown which is considered the first musical production created and owned entirely by African Americans. James W. Johnson was an African American writer who eventually moved on from show business to become a leader of the NAACP and served as U.S. consul in Venezuela and Nicaragua under President Theodore Roosevelt. The front cover features a photo of both Cole and Johnson with the caption "Cole & Johnson. Who keep the world a-singing." OCLC locates five holdings of this title. The Shoo-Fly Regiment is an important early African American musical that told the story of African American soldiers during the Spanish-American War. In a review of a book by scholar Paula Marie Seniors which analyzes the work of Cole and Johnson Paige McGinely explains that Seniors' analysis "aims to demonstrate that the spectacles of black patriotism showcased in Shoo Fly Regiment were direct refutations of Theodore Roosevelt's 'Rough Rider' white-supremacist imperialist mentality. By suggesting the possibility of coalitions among people of color the world over Shoo Fly Regiment staged a direct critique of both racist and imperialist projects steered by the United States" an analysis made all the more interesting given that Johnson eventually developed a connection to Roosevelt. Though "Who Do You Love" is merely a love song written in dialect it is nonetheless less a part of this historically and culturally significant musical. Jos. W. Stern & Co unknown
1907rif. 505518New York: Jos. W. Stern & Co 1907. Softcover. Good. Later printing. Folio. Two nested bifoliums making eight pages. Owner name on the front cover outer bifolium separated at the fold offsetting to the back cover and on the verso of the front cover moderate edgewear to the outer bifolium creasing to the top of the inner bifolium still a good complete copy. For voice and piano. Plate number 5151-4. The back cover features a sample of "With You in Eternity" by Arthur J. Lamb and Alfred Solman. Bob Cole was a popular African American songwriter known for his work on A Trip to Coontown which is considered the first musical production created and owned entirely by African Americans. James W. Johnson was an African American writer who eventually moved on from show business to become a leader of the NAACP and served as U.S. consul in Venezuela and Nicaragua under President Theodore Roosevelt. The front cover features a photo of both Cole and Johnson with the caption "Cole & Johnson. Who keep the world a-singing." OCLC locates five holdings of this title. The Shoo-Fly Regiment is an important early African American musical that told the story of African American soldiers during the Spanish-American War. In a review of a book by scholar Paula Marie Seniors which analyzes the work of Cole and Johnson Paige McGinely explains that Seniors' analysis "aims to demonstrate that the spectacles of black patriotism showcased in Shoo Fly Regiment were direct refutations of Theodore Roosevelt's 'Rough Rider' white-supremacist imperialist mentality. By suggesting the possibility of coalitions among people of color the world over Shoo Fly Regiment staged a direct critique of both racist and imperialist projects steered by the United States" an analysis made all the more interesting given that Johnson eventually developed a connection to Roosevelt. Though "Who Do You Love" is merely a love song written in dialect it is nonetheless less a part of this historically and culturally significant musical. Jos. W. Stern & Co unknown books
1913rif. 526712New York: Jos. W. Stern & Co 1913. Softcover. Good. Presumably the first edition. Cover illustration by Dorothy Dulin. Folio. Single bifolium with a single-sheet-insert making six pages. Light dampstaining to the top margin of page two a bit of fading to the top of the front and back covers dampstaining to page five but the contents remain bright and edgewear including some small tears and nicks still a good or better copy with a lovely cover illustration. For voice and piano with a supplement of the score on page five composed for "male or mixed quartet" providing 1st tenor 2nd tenor baritone and bass. Plate number 7580-4. There were multiple front covers with the same illustration but with different photographs this copy has a photograph of William Redmond of "That" Quartet. The back cover features a sample of "Daddy Has A Sweetheart And Mother Is Her Name" by Gene Buck and Dave Stamper. R.W. Lardner better known as Ring Lardner was a celebrated satirical author in his time and admired by the likes of F. Scott Fitzgerald Ernest Hemmingway and Virginia Woolf. OCLC locates five holdings of this piece. Jos. W. Stern & Co unknown
1913rif. 526712New York: Jos. W. Stern & Co 1913. Softcover. Good. Presumably the first edition. Cover illustration by Dorothy Dulin. Folio. Single bifolium with a single-sheet-insert making six pages. Light dampstaining to the top margin of page two a bit of fading to the top of the front and back covers dampstaining to page five but the contents remain bright and edgewear including some small tears and nicks still a good or better copy with a lovely cover illustration. For voice and piano with a supplement of the score on page five composed for "male or mixed quartet" providing 1st tenor 2nd tenor baritone and bass. Plate number 7580-4. There were multiple front covers with the same illustration but with different photographs this copy has a photograph of William Redmond of "That" Quartet. The back cover features a sample of "Daddy Has A Sweetheart And Mother Is Her Name" by Gene Buck and Dave Stamper. R.W. Lardner better known as Ring Lardner was a celebrated satirical author in his time and admired by the likes of F. Scott Fitzgerald Ernest Hemmingway and Virginia Woolf. OCLC locates five holdings of this piece. Jos. W. Stern & Co unknown books
1766rif. 13066Paris, Humblot (Imprimerie de Quillaux), 1766 ; 4 tomes, in-12 ; plein veau fauve marbré, dos à nerfs décoré et doré, pièces de titre et de tomaison grenat, filet sur les coupes, tranches rouges cirées (reliure de l'époque) ; XLIV, 408, IX, (3) ; XVI, 455 ; (4), II, 400 ; (4), 399 pp., frontispice allégorique de Ch. Eisen gravé par De Longueil et 4 vignettes de titre par Watelet.
rif. awd-107S. l., s. d., Rémy Maure éditeur. In-4 en feuilles, couverture rose à rabats, emboîtage toilé jaune et moutarde de l’éditeur (40 pp.). Tirage non spécifié. 12 pointes sèches signées de l’artiste. Bon état.
rif. GF252876 pages in4 + tapuscrit -
rif. 21396Montréal, Hibou éditeur, 1999-2004. 2 vol. in-folio, 461 pp. + 495 pp., cartonnage éditeur illustré, étui éditeur illustré pour le 1er vol., cartonnage et jaquette illustrés, étui illustré pour le 2nd (petits frottements et taches à l'étui du 2nd vol., 2 minuscules déchirures à la jaquette).
1920rif. 65336ABHannover. Leipzig. Wien. Zürich., Paul Stegemann Verlag., 1920. 23,3 x 15,5 cm. 44 S., 2 Blatt. Typographisch gestalteter OKarton., 65336AB Erstes bis fünftes Tausend. Umschlag etwas lichtrandig und an Kanten und Rücken etwas berieben. Papier teils leicht nachgedunkelt. Gutes Exemplar. Gedruckt als 50-51. Band der Sammlung Die Silbergäule.
