THÉOCRITELivre Rare Book
679 resultados
ref. 210601 volume in-8° relié demi-veau caramel, dos lisse décoré de guirlandes et entrelacs floraux, 3 f., XVLII, 501 p., 1 f. (Texte grec et traduction française) - Rousseurs développées et traces de frottement en reliure sinon très bon état
1900ref. 54013BBParis, Edouard Pelletan 1900. In-8°. 48 p., illustré. Broché, couverture rempliée.
ref. 1141Paris : Editions René Kieffer, relieur d'art, 1923. LES BOIS ET LES PÂTURAGES, EXEMPLAIRE DE LA BIBLIOTHÈQUE PERSONNELLE DE RENÉ KIEFFER
ref. 6146Paris, A. Quantin 1884 In 12 demi chagrin fauve, faux titre, titre, 192 pages, texte encadré en rose et nombreuses vignettes en couleurs rehaussées d'or Bon exemplaire
ref. 17567Paris, Tériade éditeur, 1945. In-folio, 112 pp., maroquin noir de Françoise Lévy-Bauer, composition mosaïquée de box noir et havane ornée de filets havane et reproduisant le frontispice au premier plat, dos lisse, doublure de box noir ornée d'un filet doré à encadrement de maroquin noir et havane, doublure de box noir, couverture gaufrée originale et orné d'une feuille d'or également gaufrée, étui bordé de même maroquin (décharges).
ref. 17965Paris, Maximilien Vox, 1946. In-4, 163 pp., en feuilles, couverture originale gaufrée, emboîtage de l'éditeur comportant un médaillon gaufré du même motif que la couverture (frottements, légères décharges)
1931ref. 100158569Classiques Garnier 1931 in12. 1931. Broché.
1884ref. dq427Quantin A. Broché 1884 In-12 (9.5x14.5 cm), broché, 192 pages, traduction de J.-A. Guillet, gravures de Méaulle, texte ornés d'un encadrement représentant un frontispice de temple, culs-de-lampe ; pliures au dos, coiffes frottées, légères pliures sur les plats un peu salis, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1900ref. ta221Pelletan Cahiers sous chemise 1900 In-4 (23,5 x 29,5 cm.), en feuilles et cahiers sous chemise rempliée, XII & 41 pages, texte grec et traduction nouvelle de André Bellessort, illustrations deux tons de Marcel Pille, gravées par E. Froment fils, tirage total à 350 exemplaires, le nôtre est un des 25 exemplaires (n°11) in-4 réimposé, sur Japon ancien à la forme, accompagné d'une double suite (sur chine et sur japon), signées par Marcel Pille ; quelques traces à la chemise, très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
ref. 1270Union Bibliophile de France, Paris, 1946. Un volume in-4 en feuilles sous chemise crème illustrée et emboîtage cartonné marron de l'éditeur, 163 pages, typographie de Maximilien Vox. Petites tâches sur la chemise, emboîtage défraîchi, intérieur frais, l'un des 970 (le n°221) sur vélin pur fil de Lana.
1995Mm 135x210 Collana "Storia e Società". Volume in rilegato in tela, sovraccoperta originale a colori, viii-272 pagine. Copia pari al nuovo, mai frequentata. Spedizione in 24 ore dalla conferma dell'ordine.
ref. 14843La Grèce Antique amoureuse d'après Longus-Platon, Théocrite,Bion et Moschus,Sapho,Anacréon in 12 broché 115x190mm, fauxtitre,frontispice,titre,168 pages,1 page de table,2 pages de catalogue.Non coupé,illustrations hors texte de Paul BALLURIAU.Paris Librairie Borel 1902 Dos cassant
ref. 19216BAYEUX,GROULT(XVIIIe s.) ,IN8 broche,annotations manuscrites,15p.,couvertures factices epoque
2008ref. 38293Éditions Paléo Jaquette en très bon état Couverture souple Clermont-Ferrand 2008
1896ref. ST16988Paris: Édouard Pelletan 1896. No. 9 OF 25 COPIES from a total run of 350 WITH AN ORIGINAL WATERCOLOR by Georges Bellenger and two extra suites of illustrations signed by E. Froment. 295 x 228 mm. 11 5/8 x 9". 3 p.l. xi 4 16-41 9 pp. 1 leaf blank. French translation by André Bellessort. Prefaced by a letter from Anatole France. ELEGANT HONEY BROWN MOROCCO GILT BY LORTIC fils covers with Greek key frame central panel enclosed by interlocking frames of brown and gilt rules embellished with gilt volutes and flowers oblique palmette cornerpieces raised bands spine compartments with centerpiece formed by drawer-handle tools and palmettes gilt lettering wide turn-ins with palmette frame purple watered silk endleaves marbled paper flyleaves all edges gilt. Original paper wrappers bound in. Preserved in a calf-lined marbled paper slipcase. Text in two alternating decorative frames tailpiece at end and 12 illustrations three of them full-page by Georges Bellenger engraved by E. Froment this copy with two additional suites of the 15 engravings one on japon one on chine bound at rear and WITH AN ORIGINAL WATERCOLOR of two nymphs tormenting a faun SIGNED BY GEORGES BELLENGER. Parallel text in Greek and French on facing pages. Front flyleaf with engraved armorial bookplate. Carteret IV 377. ◆A couple of tiny dark spots to front board title page with three small spots of foxing but A VERY FINE COPY clean and fresh internally with generous margins the watercolor on bright stock and the binding unworn. From one of the leading publishers of luxury editions during what Ray calls "the golden age of bibliophiles" this is an excerpt from the "Idylls" of Theocritus in a binding from an esteemed Parisian workshop. Marcellin Lortic 1852-1928 was trained by his father Pierre 1822-92 one of the great binders of 19th century Paris; the firm was known for their superb interpretations of traditional styles. Flety notes that unlike his father Lortic fils handled all aspects of a binding himself as designer binder and gilder. He was an eccentric workaholic living alone in his workshop and devoting his life to his craft. According to Flety "his bindings appeared in numerous libraries of great collectors of his time" who showed their satisfaction and appreciation with persistent loyalty. Protective of his reputation--and also loathe to work with others--he refused to hire an apprentice/successor choosing instead to sell his equipment and tools when he was no longer able to work. Our text follows in the tradition of an ancient Greek poetic form comprising a conversation between two lovers often unsurprisingly with amorous content--in the present case seduction leading to marriage. The style was adopted by and enjoyed a vogue among Symbolist poets like Paul Verlaine in the 19th century. The illustrations--alive with nymphs fauns and other mythological creatures--are the work of Georges Bellenger 1847-1918. He exhibited landscapes and still life paintings in the Paris Salon but was best known for his lithographs. He received a commendation from the Société des Artistes Français in 1889. Édouard Pelletan unknown books
1896ref. ST16988Paris: Édouard Pelletan 1896. No. 9 OF 25 COPIES from a total run of 350 WITH AN ORIGINAL WATERCOLOR by Georges Bellenger and two extra suites of illustrations signed by E. Froment. 295 x 228 mm. 11 5/8 x 9". 3 p.l. xi 4 16-41 9 pp. 1 leaf blank. French translation by André Bellessort. Prefaced by a letter from Anatole France. ELEGANT HONEY BROWN MOROCCO GILT BY LORTIC fils covers with Greek key frame central panel enclosed by interlocking frames of brown and gilt rules embellished with gilt volutes and flowers oblique palmette cornerpieces raised bands spine compartments with centerpiece formed by drawer-handle tools and palmettes gilt lettering wide turn-ins with palmette frame purple watered silk endleaves marbled paper flyleaves all edges gilt. Original paper wrappers bound in. Preserved in a calf-lined marbled paper slipcase. Text in two alternating decorative frames tailpiece at end and 12 illustrations three of them full-page by Georges Bellenger engraved by E. Froment this copy with two additional suites of the 15 engravings one on japon one on chine bound at rear and WITH AN ORIGINAL WATERCOLOR of two nymphs tormenting a faun SIGNED BY GEORGES BELLENGER. Parallel text in Greek and French on facing pages. Front flyleaf with engraved armorial bookplate. Carteret IV 377. ◆A couple of tiny dark spots to front board title page with three small spots of foxing but A VERY FINE COPY clean and fresh internally with generous margins the watercolor on bright stock and the binding unworn. From one of the leading publishers of luxury editions during what Ray calls "the golden age of bibliophiles" this is an excerpt from the "Idylls" of Theocritus in a binding from an esteemed Parisian workshop. Marcellin Lortic 1852-1928 was trained by his father Pierre 1822-92 one of the great binders of 19th century Paris; the firm was known for their superb interpretations of traditional styles. Flety notes that unlike his father Lortic fils handled all aspects of a binding himself as designer binder and gilder. He was an eccentric workaholic living alone in his workshop and devoting his life to his craft. According to Flety "his bindings appeared in numerous libraries of great collectors of his time" who showed their satisfaction and appreciation with persistent loyalty. Protective of his reputation--and also loathe to work with others--he refused to hire an apprentice/successor choosing instead to sell his equipment and tools when he was no longer able to work. Our text follows in the tradition of an ancient Greek poetic form comprising a conversation between two lovers often unsurprisingly with amorous content--in the present case seduction leading to marriage. The style was adopted by and enjoyed a vogue among Symbolist poets like Paul Verlaine in the 19th century. The illustrations--alive with nymphs fauns and other mythological creatures--are the work of Georges Bellenger 1847-1918. He exhibited landscapes and still life paintings in the Paris Salon but was best known for his lithographs. He received a commendation from the Société des Artistes Français in 1889. Édouard Pelletan unknown
1900ref. 002013Paris Pelletan, 1896 et 1900
ref. 22090Texte grec avec en regard la trad.de A. Belessort .Précédé d'une lettre de Sicile de A. France . 1891 . Edit. Pelletan , In 8° relié 1/2 maroquin à gros grains lie-de-vin à coins .Dos à nerfs orné de caissons dorés .Tête dorée .Couvertures conservées (Reliure de Champs) XI ,46 pp.Illustrations de Georges Bellanger gravées sur bois par Froment .
ref. 23280En faux-titre : l'Oaristys du berger de Sicile. Lyon. Louis Perrin. 1846. Grand in-8 (26x19). 52 pages. Broché, couverture brune imprimée encadrée d'un filet romantique.
ref. 75348Edouard Pelletan 1896 livre 24,5*16,5 41 pages
ref. 11578Paris, Edouard Pelletan, 1896 . in-8. 5ff.-41pp.-4ff. n. ch.- 12 gravures dont 4 à pleine page. Plein vélin ivoire à recouvrement, dos lisse, tête dorée, titre en long estampé en rouge. Couvertures et dos conservés. Etui bordé en chagrin rouge. Exemplaire en parfait état dans une reliure d'une parfaite exécution.
1896ref. 7453Paris, Édouard Pelletan, 1896. 244 x 164 mm, (2) ff. blancs, (4) ff. dont faux-titre et titre, 1 ill. n/b gravée sur bois en pleine page, 46-4) pp., (3) ff. blancs, ill. n/b in-texte et 5 ill. n/b en pleine page. Texte grec et français en vis-à-vis. Broché sous couvertures rempliées, dos cassé sur 7 cm, dos et couvertures empoussiérés, en partie dérelié. Tirage à 400 exemplaires numérotés, ex. N° 161, 1 des 100 exemplaires numérotés de 81 à 180, in-8 raisin, sur vélin à la cuve des papeteries du Marais filigrané sans le tirage à part sur chine fort de toutes les gravures annoncées au justificatif.
1896ref. 54012BBParis, Edouard Pelletan 1896. In-8°. 48 p., illustré. Broché, couverture rempliée.
ref. 93693Meisenheim am Glan, Anton Hain, 1976.
