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2016ref. 121554Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened – with a bonus offer-- . 2016. 0972449795 . Museum paperback
2016ref. 120004Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. -- with a bonus offer-- . 2016. 0972449795 . Museum paperback
1966ref. 52186New York: Free Press. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine clean & unmarked tight to spine - 347 pages -- with a bonus offer-- . 1966. Free Press paperback
1980ref. 85601Gütersloher Verlagshaus Gerd Mohn. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 120 pages. -- with a bonus offer-- . 1980. Gütersloher Verlagshaus Gerd Mohn paperback
ref. 85602Gütersloher Verlagshaus Gerd Mohn. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. Text in German. VOLUME 1 published 1976: 341 pages; VOLUME 2 published 1980: 472 pages. Both volumes well -illustrated. -- with a bonus offer-- . N.D. Gütersloher Verlagshaus Gerd Mohn hardcover
1957ref. 51092New York: International Universities Press. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block pristine pages tight to spine - Corresponds to / earlier edition of ASIN: B000IXMI2W - 328 pages; 120 illustrations. -- with a bonus offer-- . 1957. International Universities Press hardcover
2012ref. 100419Nan A. Talese. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 18 illus. -- with a bonus offer--; An intimate memoir recalling a young photographer's relationship with Marilyn Monroe just months before her death with extraordinary photographs some of which have never been published. "With the precision of a surgeon Schiller slices through the façade of Marilyn Monroe in his unflinching memoir. Revealing and readable it’s a book I couldn’t put down." —Tina Brown When he pulled his station wagon into the 20th Century-Fox studios parking lot in Los Angeles in 1960 twenty-three-year-old Lawrence Schiller kept telling himself that this was just another assignment just another pretty girl. But the assignment and the girl were anything but ordinary. Schiller was a photographer for Look magazine and his subject was Marilyn Monroe America's sweetheart and sex symbol. In this intimate memoir Schiller recalls the friendship that developed between him and Monroe while he photographed her in Hollywood in 1960 and 1962 on the sets of Let's Make Love and the unfinished feature Something's Got to Give the last film she worked on. Schiller recalls Marilyn as tough and determined enormously insecure as an actress but totally self-assured as a photographer’s model. Monroe knew how to use her looks and sexuality to generate publicity and in 1962 she allowed Schiller to publish the first nude photographs of her in over ten years which she then used as a weapon against a studio that wanted to have her fired—and ultimately succeeded. The Marilyn Schiller knew and writes about was adept at hiding deep psychological scars but she was also warm and open candid and disarming a movie star who wished to be taken more seriously than she was. Accompanying the text are eighteen of the author’s own photographs some never previously published. Many writers have tried to capture her essence on the page but as someone who was in the room a young man Marilyn could connect with and trust Schiller gives us a unique look at the real woman offscreen. "In this short splendid memoir Lawrence Schiller offers us another cut on the scintillating diamond that is Marilyn Monroe. In clear honest straightforward prose Schiller allows us to dwell in the heart of another time. He captures Marilyn both in photographs and words and in so doing he gives us intimate access into one of the great stories of the 20th century: the complicated cocktail of joy and sadness that goes along with both beauty and fame." —Colum McCann . 2012. 0385536674 . Nan A. Talese hardcover
ref. 13703New York: Frederick Ungar Publishing Co. . As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer--; 013703 . 1961. 0804468184 . Frederick Ungar Publishing Co. paperback
1977ref. 37146New York New York U.S.A.: Ungar Pub Co. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - Book Description: . most important contributions to the history of ideas in modern times. This English-German parallel text edition includes a long analytical introduction and extensive notes." -- with a bonus offer--; T-Schiaem; Schiller F.C.S.; Translated with an Introduction By Reginald Snell On the Aesthetic Education of Man In a Series of Letters AESTHETICS EARLY WORKS 1800 PHILOSOPHY . 1977. 0804468192 . Ungar Pub Co paperback
1983ref. 15266Fairlawn New Jersey U.S.A.: Clarendon Press. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer--; 015266; AESTHETICS EARLY WORKS 1800 PHILOSOPHY . 1983. 019815786X . Clarendon Press paperback
2016ref. 124015Scheidegger and Spiess. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened – with a bonus offer-- . 2016. 385881766X . Scheidegger and Spiess paperback
1885ref. 252654Philadelphia: George Barrie 1885. hardcover. very good. 18 volumes 10 volumes of Goethe and 8 volumes of Schiller. Profusely illustrated with numerous head and tail pieces 648 in-text illustrations 128 full-page wood engravings and over full-page mounted steel engravings. 4to 3/4 black morocco over green silk moire boards decoratively gilt spine top edges gilt. Philadelphia New York & Boston: George Barrie 1885. A fine set with some slightly rubbed spines. George Barrie unknown
1885ref. 252654Philadelphia: George Barrie 1885. hardcover. very good. 18 volumes 10 volumes of Goethe and 8 volumes of Schiller. Profusely illustrated with numerous head and tail pieces 648 in-text illustrations 128 full-page wood engravings and over full-page mounted steel engravings. 4to 3/4 black morocco over green silk moire boards decoratively gilt spine top edges gilt. Philadelphia New York & Boston: George Barrie 1885. A fine set with some slightly rubbed spines. George Barrie unknown books
ref. Z1-I-004-01327RareBooksClub.com. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. RareBooksClub.com unknown
ref. Z1-C-032-01703BiblioLife. Used - Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages poor pictures errant marks etc. that were either part of the original artifact or were introduced by the scanning process. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. BiblioLife unknown
ref. 124114California Trend Graphics 1968. . Silkscreen printed on linen sheet size: 101.5 cm x 76 cm framed and glazed overall size: 104.5 cm x 79 cm x 3 cm. Pictorial black and white map of London by artist David Schiller with 'London' in the red white and blue in the side panel. Many 1960s band names venues bars and locations shown in small signs including: The Rolling Stones Beatles Donovan Buckingham Palace Tower of London The Scotch etc. David Schiller was one of the finest practitioners of rock art producing album covers and posters for many 1960's bands and creating many important Fillmore posters for most of the great psychedelic rock bands of the 1960's. California, Trend Graphics, 1968. unknown
1960ref. 70401New York: Frederick Ungar Publishing Co. Fine. 1960. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - Corresponds to ASIN: B0007I8GQ0 -- 450 pages Frederick Ungar Publishing Co. hardcover
ref. 4833One large folding facsimile plate. 16 pp. Small 8vo orig. printed wrappers stitched as issued and bound in modern wrappers. Berlin J.A. Stargardt 1859. One of a very few surviving copies of this bookseller’s catalogue of a significant portion of the library of Friedrich von Schiller 1759-1805 the German poet philosopher historian and playwright. In 1851 the bookseller and auctioneer Stargardt acquired this part of Schiller’s library from his son Karl. It proved difficult to sell and in 1859 he produced the present catalogue selling the collection in 1860 to the Hamburg bookseller I.S. Meyer. Meyer also had difficulties selling the collection and in 1862 he held a lottery which was won by a merchant named Helmcke who received the 156 books and the manuscript list as his prize. Helmcke gave the collection to the Hamburger Stadtbibliothek in 1867 where it was absorbed into the general collections and the duplicates dispersed. In 1905 the remaining 114 volumes were reassembled and shelved separately. The engraved folding plate is a facsimile of a manuscript list of the books in Schiller’s hand. Fine copy preserved in a green morocco slipcase. ⧠Roland Folter Deutsche Dichter- und Germanistenbibliotheken 664. unknown
ref. 4833One large folding facsimile plate. 16 pp. Small 8vo orig. printed wrappers stitched as issued and bound in modern wrappers. Berlin J.A. Stargardt 1859. One of a very few surviving copies of this bookseller’s catalogue of a significant portion of the library of Friedrich von Schiller 1759-1805 the German poet philosopher historian and playwright. In 1851 the bookseller and auctioneer Stargardt acquired this part of Schiller’s library from his son Karl. It proved difficult to sell and in 1859 he produced the present catalogue selling the collection in 1860 to the Hamburg bookseller I.S. Meyer. Meyer also had difficulties selling the collection and in 1862 he held a lottery which was won by a merchant named Helmcke who received the 156 books and the manuscript list as his prize. Helmcke gave the collection to the Hamburger Stadtbibliothek in 1867 where it was absorbed into the general collections and the duplicates dispersed. In 1905 the remaining 114 volumes were reassembled and shelved separately. The engraved folding plate is a facsimile of a manuscript list of the books in Schiller’s hand. Fine copy preserved in a green morocco slipcase. ⧠Roland Folter Deutsche Dichter- und Germanistenbibliotheken 664. unknown books
ref. 06937West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. Barry Moser's Remarkable Wonderful Wizard of Oz One of the Great Pennyroyal Press Books - Limited to 350 Copies Signed by Moser MOSER Barry illustrator. PENNYROYAL PRESS. BAUM L. Frank. The Wonderful Wizard of Oz. Illustrated by Barry Moser. With an Appreciation by Justin G. Schiller. West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. One of 350 numbered copies this being No. 153 signed by Barry Moser. Large quarto 12 7/8 x 11 7/8 inches; 327 x 302 mm. 6 blank 5 1 blank 1 1 blank 1 1 blank 3 1 blank 1-7 8-268 1 1 blank 1 colophon 1 blank 8 blank pp. Illustrated with sixty-two wood engravings by Barry Moser. Printed in five colors by Harold P. McGrath on Mohawk Letterpress paper in Van Dijck type. The hand composition was executed at the Press by P. Chase Twitchell with calligraphy by Yvette Rutledge of Hayward California. Bound by David Bourbeau at the Thistle Bindery in Barcham Green Dewint paper over boards the front cover embossed with the title design and lettered in gilt the rear cover similarly embossed and lettered in blind; beige cloth endpapers. A mint copy. Housed in the original beige cloth clamshell case the lower corners slightly bumped. A very fine copy in a near fine clamshell case. Moser's Wonderful Wizard of Oz is among the most imaginative productions of the Pennyroyal Press. Rather than attempting to imitate W.W. Denslow's celebrated illustrations for the 1900 first edition Moser created an entirely new visual interpretation of Baum's story through sixty-two finely worked wood engravings combining traditional book illustration with distinctly contemporary imagery and satirical allusion. Moser deliberately populated Oz with visual references to twentieth-century American life and politics. As he later explained: "Few texts lend themselves to contemporary parody as well as does the Wizard of Oz." Having previously portrayed Richard Nixon as Humpty Dumpty in his Through the Looking-Glass Moser found in Baum's story an even broader opportunity for political and cultural satire directing what he described as "humorous but none-the-less serious darts" at the Reagan administration corporate America and the Moral Majority. Among the most celebrated examples is his transformation of the Wicked Witch into Nancy Reagan. The photographs vividly demonstrate the range of Moser's conception: the familiar inhabitants of Oz are transformed into startlingly individual characters while other illustrations introduce consciously modern elements into Baum's fantastic landscape. The resulting book is not simply an illustrated edition of Baum but a distinctly 1980s reinterpretation of an American classic. Laid in is the separately published companion pamphlet: Barry Moser Forty-Seven Days to Oz: A Chronicle of the Studies for the Illustrations for The Wonderful Wizard of Oz. West Hatfield: Pennyroyal Press 1985. First edition. Octavo 9 x 6 inches; 229 x 153 mm. 32 pp. The pamphlet provides Moser's own day-by-day account of the creation of the sixty-two illustrations. As he explains in his Author's Note the text was taken directly from the day book in which he recorded the progress of his work making it an especially appropriate accompaniment to the finished volume. The completed book is an impressive example of the modern American private press at its most ambitious: Baum's great American fantasy interpreted by one of the foremost American book illustrators and wood engravers of the late twentieth century conceived illustrated printed and bound as a unified work of book art. Dwyer Pennyroyal 43. West Hatfield, Massachusetts: Printed by Harold McGrath at The Pennyroyal Press, 1985 unknown
ref. 06937West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. Barry Moser's Remarkable Wonderful Wizard of Oz One of the Great Pennyroyal Press Books - Limited to 350 Copies Signed by Moser MOSER Barry illustrator. PENNYROYAL PRESS. BAUM L. Frank. The Wonderful Wizard of Oz. Illustrated by Barry Moser. With an Appreciation by Justin G. Schiller. West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. One of 350 numbered copies this being No. 153 signed by Barry Moser. Large quarto 12 7/8 x 11 7/8 inches; 327 x 302 mm. 6 blank 5 1 blank 1 1 blank 1 1 blank 3 1 blank 1-7 8-268 1 1 blank 1 colophon 1 blank 8 blank pp. Illustrated with sixty-two wood engravings by Barry Moser. Printed in five colors by Harold P. McGrath on Mohawk Letterpress paper in Van Dijck type. The hand composition was executed at the Press by P. Chase Twitchell with calligraphy by Yvette Rutledge of Hayward California. Bound by David Bourbeau at the Thistle Bindery in Barcham Green Dewint paper over boards the front cover embossed with the title design and lettered in gilt the rear cover similarly embossed and lettered in blind; beige cloth endpapers. A mint copy. Housed in the original beige cloth clamshell case the lower corners slightly bumped. A very fine copy in a near fine clamshell case. Moser's Wonderful Wizard of Oz is among the most imaginative productions of the Pennyroyal Press. Rather than attempting to imitate W.W. Denslow's celebrated illustrations for the 1900 first edition Moser created an entirely new visual interpretation of Baum's story through sixty-two finely worked wood engravings combining traditional book illustration with distinctly contemporary imagery and satirical allusion. Moser deliberately populated Oz with visual references to twentieth-century American life and politics. As he later explained: "Few texts lend themselves to contemporary parody as well as does the Wizard of Oz." Having previously portrayed Richard Nixon as Humpty Dumpty in his Through the Looking-Glass Moser found in Baum's story an even broader opportunity for political and cultural satire directing what he described as "humorous but none-the-less serious darts" at the Reagan administration corporate America and the Moral Majority. Among the most celebrated examples is his transformation of the Wicked Witch into Nancy Reagan. The photographs vividly demonstrate the range of Moser's conception: the familiar inhabitants of Oz are transformed into startlingly individual characters while other illustrations introduce consciously modern elements into Baum's fantastic landscape. The resulting book is not simply an illustrated edition of Baum but a distinctly 1980s reinterpretation of an American classic. Laid in is the separately published companion pamphlet: Barry Moser Forty-Seven Days to Oz: A Chronicle of the Studies for the Illustrations for The Wonderful Wizard of Oz. West Hatfield: Pennyroyal Press 1985. First edition. Octavo 9 x 6 inches; 229 x 153 mm. 32 pp. The pamphlet provides Moser's own day-by-day account of the creation of the sixty-two illustrations. As he explains in his Author's Note the text was taken directly from the day book in which he recorded the progress of his work making it an especially appropriate accompaniment to the finished volume. The completed book is an impressive example of the modern American private press at its most ambitious: Baum's great American fantasy interpreted by one of the foremost American book illustrators and wood engravers of the late twentieth century conceived illustrated printed and bound as a unified work of book art. Dwyer Pennyroyal 43. West Hatfield, Massachusetts: Printed by Harold McGrath at The Pennyroyal Press, 1985 unknown books
1923ref. 178667Hellerau: Avalun 1923. hardcover. Illustrated by Lovis Corinth with 12 original b/w lithographs 7 full-page. 107pp of German text printed in stylized font and rubricated throughout. Folio vellum-backed marbled boards t.e.g. Boards lightly shelfworn otherwise a fine copy but lacking the original slipcase. Hellerau: Avalun-Verlag 1923. Limited edition - one of 130 copies total printing of 280 signed in pencil by Corinth on the limitation page. Avalun unknown
1923ref. 178667Hellerau: Avalun 1923. hardcover. Illustrated by Lovis Corinth with 12 original b/w lithographs 7 full-page. 107pp of German text printed in stylized font and rubricated throughout. Folio vellum-backed marbled boards t.e.g. Boards lightly shelfworn otherwise a fine copy but lacking the original slipcase. Hellerau: Avalun-Verlag 1923. Limited edition - one of 130 copies total printing of 280 signed in pencil by Corinth on the limitation page. Avalun unknown books
1971ref. 85597New York Graphics Society / Lund Humphries. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. Corresponds to ISBN: 0853313245. Volume 1: Christ Incarnation; Childhood; Baptism; Temptation; Transfiguration; Works and Miracles.473 pages; 585 illustrations. Volume 2: The Passion of Christ. 692 pages; 816 illustrations. -- with a bonus offer-- . 1971. 0853313245 . New York Graphics Society / Lund Humphries hardcover
1923ref. 50388Berlin: Hoveve ha-Shirah ha-Ivrit 1923. Deluxe limited first edition. Hardcover. g to vg. 1/200. Quartos. Vol.1: 364 pp. Vol.2: 333 pp. Vol.3: 329 pp. Vol. 4: 185 pp. Full modern vellum boards with gilt lettering and decorative tooling on the front covers. Gilt ruling on the spines. Top edges of book block in gilt. Each volume housed in a custom tan cloth slipcase with a gilt-lettered brown leather label pasted on the spine. Yellow ribbon markers. All volumes of this deluxe limited edition are hand-numbered and signed in pencil by both Bialik and Budko at the bottom of colophon on the final page. This is copy #14 in Hebrew numerals from a total of 200 copies. Woodblock devices preceding title pages. All title pages with decorative woodblock borders in black. Illustrated frontispiece portrait lithograph after an etching of Bialik by artist Max Lieberman 1848-1935 signed in pencil underneath. This set is comprised of all of the original writings of the acclaimed Hebrew-language poet and writer Hayyim Nahman Bialik 1873-1934 until 1923. Also included are two of his more significant translations; Cervantes' "Don Quixote" and Friedrich Schiller's "William Tell". The first two volumes contain all of Bialik's poems "Shirim" Vol.1 and prose writings "Sipurim Divrei Sifrut" Vol.2. The third volume contains his translation of Don Quixote illustrated throughout with b/w reproductions after images from the 1859 Barcelona edition of Don Quixote including an illustrated frontispiece portrait of Cervantes. Bialik's translation of the famed novel was first published in Odessa in 1912 and was the first edition in Hebrew. The final volume contains his translation of William Tell first appearing here and not subsequently issued individually until three years later in 1926. Table of contents at the rear for the first two volumes. The finely printed deluxe edition contains woodcut designs and illustrations throughout by acclaimed artist Joseph Budko 1888-1940. These include countless decorative woodblock initials and borders for all volumes as well as decorative vignettes as tailpieces. Most notable are Budko's b/w woodcut illustrations in the first two volumes totaling 25 images including 4 larger full page images in vol.2. This set is special in that 10 of the illustrations in vol.2 are signed underneath in pencil by Budko. Text throughout in Hebrew. Slipcases with a few light smudges. Bindings with some minor to light foxing smudges and/or markings to the covers. First and fourth volumes with some rubbing along the spines. Volumes 1-3 with some minor cracking along the hinges of the spine which has been repaired. First and third volumes with starting at interior covers and loosening of the binding. Interiors quite clean overall with only the most sporadic minor smudges and small stains to a few pages. Images throughout vibrant and clean. Light foxing and smudges to a few of the interior covers. Minor age toning to edges of pages throughout. Bindings protected in modern mylar. Slipcases in near fine bindings in very good- interiors in good to very good condition overall. "El ingenioso hidalgo don Quijote de la Mancha". Barcelona Tomás Gorchs 1859. Hebrew title: כתבי ח.נ. בי×ליק ומבחר תרגומיו. ×רבעה ×¡×¤×¨×™× Author: בי×ליק ×—×™×™× נחמן Publication: ברלין חובבי השירה העברית תרפ״ג Alternate transliteration: Chovevei Hashira Ha'ivrit Hovevei Ha-shira Ha-ivrit. Hoveve ha-Shirah ha-Ivrit hardcover books
