9 418 résultats
réf. 4833One large folding facsimile plate. 16 pp. Small 8vo orig. printed wrappers stitched as issued and bound in modern wrappers. Berlin J.A. Stargardt 1859. One of a very few surviving copies of this bookseller's catalogue of a significant portion of the library of Friedrich von Schiller 1759-1805 the German poet philosopher historian and playwright. In 1851 the bookseller and auctioneer Stargardt acquired this part of Schiller's library from his son Karl. It proved difficult to sell and in 1859 he produced the present catalogue selling the collection in 1860 to the Hamburg bookseller I.S. Meyer. Meyer also had difficulties selling the collection and in 1862 he held a lottery which was won by a merchant named Helmcke who received the 156 books and the manuscript list as his prize. Helmcke gave the collection to the Hamburger Stadtbibliothek in 1867 where it was absorbed into the general collections and the duplicates dispersed. In 1905 the remaining 114 volumes were reassembled and shelved separately. The engraved folding plate is a facsimile of a manuscript list of the books in Schiller's hand. Fine copy preserved in a green morocco slipcase. ❧ Roland Folter Deutsche Dichter- und Germanistenbibliotheken 664. unknown books
1960réf. 70401New York: Frederick Ungar Publishing Co. Fine. 1960. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - Corresponds to ASIN: B0007I8GQ0 -- 450 pages Frederick Ungar Publishing Co. hardcover
réf. 4833One large folding facsimile plate. 16 pp. Small 8vo orig. printed wrappers stitched as issued and bound in modern wrappers. Berlin J.A. Stargardt 1859. One of a very few surviving copies of this bookseller’s catalogue of a significant portion of the library of Friedrich von Schiller 1759-1805 the German poet philosopher historian and playwright. In 1851 the bookseller and auctioneer Stargardt acquired this part of Schiller’s library from his son Karl. It proved difficult to sell and in 1859 he produced the present catalogue selling the collection in 1860 to the Hamburg bookseller I.S. Meyer. Meyer also had difficulties selling the collection and in 1862 he held a lottery which was won by a merchant named Helmcke who received the 156 books and the manuscript list as his prize. Helmcke gave the collection to the Hamburger Stadtbibliothek in 1867 where it was absorbed into the general collections and the duplicates dispersed. In 1905 the remaining 114 volumes were reassembled and shelved separately. The engraved folding plate is a facsimile of a manuscript list of the books in Schiller’s hand. Fine copy preserved in a green morocco slipcase. ⧠Roland Folter Deutsche Dichter- und Germanistenbibliotheken 664. unknown
réf. 06937West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. Barry Moser's Remarkable Wonderful Wizard of Oz One of the Great Pennyroyal Press Books - Limited to 350 Copies Signed by Moser MOSER Barry illustrator. PENNYROYAL PRESS. BAUM L. Frank. The Wonderful Wizard of Oz. Illustrated by Barry Moser. With an Appreciation by Justin G. Schiller. West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. One of 350 numbered copies this being No. 153 signed by Barry Moser. Large quarto 12 7/8 x 11 7/8 inches; 327 x 302 mm. 6 blank 5 1 blank 1 1 blank 1 1 blank 3 1 blank 1-7 8-268 1 1 blank 1 colophon 1 blank 8 blank pp. Illustrated with sixty-two wood engravings by Barry Moser. Printed in five colors by Harold P. McGrath on Mohawk Letterpress paper in Van Dijck type. The hand composition was executed at the Press by P. Chase Twitchell with calligraphy by Yvette Rutledge of Hayward California. Bound by David Bourbeau at the Thistle Bindery in Barcham Green Dewint paper over boards the front cover embossed with the title design and lettered in gilt the rear cover similarly embossed and lettered in blind; beige cloth endpapers. A mint copy. Housed in the original beige cloth clamshell case the lower corners slightly bumped. A very fine copy in a near fine clamshell case. Moser's Wonderful Wizard of Oz is among the most imaginative productions of the Pennyroyal Press. Rather than attempting to imitate W.W. Denslow's celebrated illustrations for the 1900 first edition Moser created an entirely new visual interpretation of Baum's story through sixty-two finely worked wood engravings combining traditional book illustration with distinctly contemporary imagery and satirical allusion. Moser deliberately populated Oz with visual references to twentieth-century American life and politics. As he later explained: "Few texts lend themselves to contemporary parody as well as does the Wizard of Oz." Having previously portrayed Richard Nixon as Humpty Dumpty in his Through the Looking-Glass Moser found in Baum's story an even broader opportunity for political and cultural satire directing what he described as "humorous but none-the-less serious darts" at the Reagan administration corporate America and the Moral Majority. Among the most celebrated examples is his transformation of the Wicked Witch into Nancy Reagan. The photographs vividly demonstrate the range of Moser's conception: the familiar inhabitants of Oz are transformed into startlingly individual characters while other illustrations introduce consciously modern elements into Baum's fantastic landscape. The resulting book is not simply an illustrated edition of Baum but a distinctly 1980s reinterpretation of an American classic. Laid in is the separately published companion pamphlet: Barry Moser Forty-Seven Days to Oz: A Chronicle of the Studies for the Illustrations for The Wonderful Wizard of Oz. West Hatfield: Pennyroyal Press 1985. First edition. Octavo 9 x 6 inches; 229 x 153 mm. 32 pp. The pamphlet provides Moser's own day-by-day account of the creation of the sixty-two illustrations. As he explains in his Author's Note the text was taken directly from the day book in which he recorded the progress of his work making it an especially appropriate accompaniment to the finished volume. The completed book is an impressive example of the modern American private press at its most ambitious: Baum's great American fantasy interpreted by one of the foremost American book illustrators and wood engravers of the late twentieth century conceived illustrated printed and bound as a unified work of book art. Dwyer Pennyroyal 43. West Hatfield, Massachusetts: Printed by Harold McGrath at The Pennyroyal Press, 1985 unknown
1923réf. 178667Hellerau: Avalun 1923. hardcover. Illustrated by Lovis Corinth with 12 original b/w lithographs 7 full-page. 107pp of German text printed in stylized font and rubricated throughout. Folio vellum-backed marbled boards t.e.g. Boards lightly shelfworn otherwise a fine copy but lacking the original slipcase. Hellerau: Avalun-Verlag 1923. Limited edition - one of 130 copies total printing of 280 signed in pencil by Corinth on the limitation page. Avalun unknown books
1923réf. 178667Hellerau: Avalun 1923. hardcover. Illustrated by Lovis Corinth with 12 original b/w lithographs 7 full-page. 107pp of German text printed in stylized font and rubricated throughout. Folio vellum-backed marbled boards t.e.g. Boards lightly shelfworn otherwise a fine copy but lacking the original slipcase. Hellerau: Avalun-Verlag 1923. Limited edition - one of 130 copies total printing of 280 signed in pencil by Corinth on the limitation page. Avalun unknown
1971réf. 85597New York Graphics Society / Lund Humphries. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. Corresponds to ISBN: 0853313245. Volume 1: Christ Incarnation; Childhood; Baptism; Temptation; Transfiguration; Works and Miracles.473 pages; 585 illustrations. Volume 2: The Passion of Christ. 692 pages; 816 illustrations. -- with a bonus offer-- . 1971. 0853313245 . New York Graphics Society / Lund Humphries hardcover
réf. L3 box712 a22vGertrud Schiller: Ikonographie Der Christlichen Kunst Band 5: Die Apokalypse des Johannes. Textteil & Bildteil Two books. In German. Gutersloher Verlagshaus Gerd Mohn 1990 1991. Hardcover 474 pages Textteil 792 pages Bildteil. Gutersloher Verlagshaus Gerd Mohn hardcover
1923réf. 50388Berlin: Hoveve ha-Shirah ha-Ivrit 1923. Deluxe limited first edition. Hardcover. g to vg. 1/200. Quartos. Vol.1: 364 pp. Vol.2: 333 pp. Vol.3: 329 pp. Vol. 4: 185 pp. Full modern vellum boards with gilt lettering and decorative tooling on the front covers. Gilt ruling on the spines. Top edges of book block in gilt. Each volume housed in a custom tan cloth slipcase with a gilt-lettered brown leather label pasted on the spine. Yellow ribbon markers. All volumes of this deluxe limited edition are hand-numbered and signed in pencil by both Bialik and Budko at the bottom of colophon on the final page. This is copy #14 in Hebrew numerals from a total of 200 copies. Woodblock devices preceding title pages. All title pages with decorative woodblock borders in black. Illustrated frontispiece portrait lithograph after an etching of Bialik by artist Max Lieberman 1848-1935 signed in pencil underneath. This set is comprised of all of the original writings of the acclaimed Hebrew-language poet and writer Hayyim Nahman Bialik 1873-1934 until 1923. Also included are two of his more significant translations; Cervantes' "Don Quixote" and Friedrich Schiller's "William Tell". The first two volumes contain all of Bialik's poems "Shirim" Vol.1 and prose writings "Sipurim Divrei Sifrut" Vol.2. The third volume contains his translation of Don Quixote illustrated throughout with b/w reproductions after images from the 1859 Barcelona edition of Don Quixote including an illustrated frontispiece portrait of Cervantes. Bialik's translation of the famed novel was first published in Odessa in 1912 and was the first edition in Hebrew. The final volume contains his translation of William Tell first appearing here and not subsequently issued individually until three years later in 1926. Table of contents at the rear for the first two volumes. The finely printed deluxe edition contains woodcut designs and illustrations throughout by acclaimed artist Joseph Budko 1888-1940. These include countless decorative woodblock initials and borders for all volumes as well as decorative vignettes as tailpieces. Most notable are Budko's b/w woodcut illustrations in the first two volumes totaling 25 images including 4 larger full page images in vol.2. This set is special in that 10 of the illustrations in vol.2 are signed underneath in pencil by Budko. Text throughout in Hebrew. Slipcases with a few light smudges. Bindings with some minor to light foxing smudges and/or markings to the covers. First and fourth volumes with some rubbing along the spines. Volumes 1-3 with some minor cracking along the hinges of the spine which has been repaired. First and third volumes with starting at interior covers and loosening of the binding. Interiors quite clean overall with only the most sporadic minor smudges and small stains to a few pages. Images throughout vibrant and clean. Light foxing and smudges to a few of the interior covers. Minor age toning to edges of pages throughout. Bindings protected in modern mylar. Slipcases in near fine bindings in very good- interiors in good to very good condition overall. "El ingenioso hidalgo don Quijote de la Mancha". Barcelona Tomás Gorchs 1859. Hebrew title: כתבי ח.נ. בי×ליק ומבחר תרגומיו. ×רבעה ×¡×¤×¨×™× Author: בי×ליק ×—×™×™× נחמן Publication: ברלין חובבי השירה העברית תרפ״ג Alternate transliteration: Chovevei Hashira Ha'ivrit Hovevei Ha-shira Ha-ivrit. Hoveve ha-Shirah ha-Ivrit hardcover
1792réf. 100156BB1792 . Leipzig: Georg Joachim Göschen 1792 1793. Kl.-8°. 420 3 410 2 394 12 336 2 S. Broschuren deren Umschlag auf der Vorderseite ein griechisches Bildnis auf der Rückseite drei von neun Musen dargestellt sind wurden integral in Halbleder eingebunden. Je 1 Lesebändchen. Goldgeprägtes Rückenschild mit- Filletten. Monogramm oberhalb des Kapitals unten. altersgemäss gebräunt; etwas angestaubt und teils stockfleckig; Bände 2 3 4 Kapitale oben Ecken leicht eingedrückt; Rücken wenig beschabt; Buchdeckel innen und aussen mit Leimschatten; Band 1 Buchdckel innen kleiner roter Tintenfleck; Schnitt von Band 4 stockfleckig Text in Fraktur. Friedrich Schiller 1759-1805 deutscher Dichter Philosoph und Historiker. Hier sind einige kleinere Übertragungen von Vergil und Ariost in Versform veröffentlicht. Seitenzahlen in Klammern enthalten Verlags- Angebote von G. J. Göschen. unknown
réf. 31215o.J. - Bitte beachten: Privatverkauf ohne Steueranteil.
1832réf. 951948Weimar. 1832-1833. Folio. 318 x 201 mm. (Einband berieben, Ecken etwas bestoßen, Rücken ausgeblichen; wenige Seiten papierbedingt minimal fleckig, im Ganzen recht gut erhalten) [7 Warenabbildungen] [152] einseitig bedruckte Blätter, und ein kleineres Blatt mit Programmänderung zum 07. Mai 1833. Handgefertigter flaschengrüner Pappeinband der Zeit (330 x 214 x 32 mm) mit handgeschriebenem Rückenschild. Moderne hellbraune Ganzleinwandkassette (358 x 22
1902réf. 240124001Boston Massachusetts: Francis A. Niccolls & Co 1902. Limited Edition Illustrated edition. Hardcover 3/4 Fine Morocco. Fine. SPECTACULAR & RARE ANTIQUE EDWARDIAN COMPLETE 10-VOLUME SET OF THE WORKS OF FRIEDRICH SCHILLER IN ORIGINAL 3/4 MOROCCO FINE BINDING IN STUNNING FINE CONDITION. EACH VOLUME OF THIS SET OF ONLY 150 COPIES CONTAINS A BEAUTIFUL HAND-COLORED FRONTISPIECE PHOTOGRAVURE OF A MUSEUM PAINTING OVERALL CONDITION: FINE & UNREAD BOOK INFO 1902 - The Works of Friedrich Schiller edited by Nathan Haskell Dole. Each volume is translated from the original German into English by different expert translators. Published in 1902 in Boston Massachusetts by Francis A. Niccolls & Co. as part of its exquisite Connoisseur Edition of only 150 copies of which this is 58/150. Collated and complete in 10 volumes. In original 3/4 dark green sumptuous morocco leather binding. Each volume contains 5-6 high-quality photogravures and a hand-colored frontispiece being inserted in front of its corresponding original black and white photogravure. The frontispieces are exceptionally hand-tinted. Octavo 9" x 6". Original and strikingly beautiful Edwardian 3/4 dark green morocco over marbled paper. Three-ribbed spine with gilded compartment floral decoration bordering and lettering. Top edges gilt other edges rough cut. Hand-made marbled endpapers. Thick archival-quality paper used for the leaves. Over 52 photogravures of paintings each with a captioned tissue guard describing the featured painting. ABOUT THE AUTHOR Johann Christoph von Schiller 1759 – 1805 is considered to be one of Germany's most important classical playwrights. During the last seventeen years of his life 1788–1805 Schiller developed a productive if complicated friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. Together they founded the Weimar Theater which became the leading theater in Germany. Their collaboration helped lead to a renaissance of drama in Germany. In September 2008 the German-French TV channel Arte conducted a poll among its viewers to determine the greatest European playwright "King of Drama". Schiller was voted in second place after Williiam Shakespeare. CONDITION REPORT: FINE & UNREAD The spines are square hinges and joints firm and pages tight. Many sections of the volumes are VERY tightly bound and remarkably appear unopened. Multiple leaves are not fully cut and joined together in these sections. The gilding appears to be completely intact. The spines are gently sun-lightened. The volumes show only light rubbing to extremities from minimal shelf wear over the past 120 years. The boards are colorful and clean with sumptuous supple leather. The Aesthetical and Philosophical Essays Volume I has a light red mark on its fore-edge and Volume II of this work has more rubbing than the other volumes so could be considered NEAR FINE. All of the volumes' interiors are clean with bright untoned pages with no writing or foxing or offsetting from the plates. Each volume has a decorative former owner bookplate on the front pastedown. There may be the scarce mark or sign of handling in places. An exquisitely bound and spectacular copy in remarkable condition for 120-year-old volumes in ORIGINAL fine morocco of a limited set of only 150 with stunning-photogravures and exceptional hand-colored frontispieces. A set that any bibliophile and collector of fine antiquarian sets would be proud to prominently display in his or her collection. . Francis A. Niccolls & Co hardcover
1778réf. 63128Leipzig, Weidmanns Erben und Reich, 1776-1778. 8°. VIII, 632; XII, 740 S., Mod. Pgmt.-Bde. m. gepr. Rückenschild.
1902réf. 13583Boston: Francis A. Niccolls & Company 1902. First Edition. Hardcover. Edition Magnifique limited to twenty-six lettered copies this being G. Twenty-four volumes. Edited by Nathan Haskell Doyle. Full burgundy morocco sides and spines elaborately decorated in gold with Art Noveau motifs top edges gilt others uncut red and white morocco doublures decorated in gold pearl silk moire endpapers. Frontispieces and plates in three states one colored. Spines uniformly darkened some wear to extremities a few of the hinges a bit tender. Four volumes show small loss to the head of the spine; one has the cover partially detached. In all two very elegant complete sets with matching letters. ; Octavo. Francis A. Niccolls & Company hardcover
1900réf. 129287Boston: Francis A. Niccolls c.1900. Finely bound example of the Connoisseur edition of the works of Schiller number 34 of only 150 sets printed. Octavo 10 volumes bound in full red morocco ornate gilt tooling to the spine with pastedowns of red leather borders and central green morocco panel with floral decorations at the corners and a central gilt sprig of flowers plates in two states printed on laid paper with deckled edges. Bookplates on versos of the moire green silk endpapers of New York industrialist John K. MacGowan. In fine condition. An exceptional set. Friedrich Schiller was a German playwright poet and philosopher. During the last seventeen years of his life Schiller developed a productive if complicated friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision. Francis A. Niccolls hardcover
1839réf. 002486London: Richard Bentley 1839 1839. THIRD EDITION FOURTH PRINTING of the first revised edition of Shelley's masterpiece and the last to contain an illustration with the first printing of the engraved frontis and additional engraved title-page dated 1831. The frontis depicting the creature coming to life. Bound in contemporary 1/2 tan calf blind tooled spine hand written paper spine label. Early repair to front hinge text clean and bright some minor foxing or offsetting to the engraved frontis and title-page overall still a GOOD copy of a book becoming increasingly difficult to find. According to RBH only 4 copies of this printing have appeared at auction in the last 25 years. In her introduction Shelley contextualizes the creation of her tale: "It proved a wet ungenial summer and incessant rain often confined us for days to the house. Some volumes of ghost stories translated from the German into French fell into our hands. 'We will each write a ghost story' said Lord Byron; and his proposition was acceded to" This printing was apparently issued with and without the additional engraved frontis dated 1831. We can only assume that additional copies of the 1831 frontis had finally run out with this printing. OCLC/WorldCat locate 9 copies of the 1839 edition 7 without the engraved frontis and only 2 with. London: Richard Bentley, 1839 unknown
1839réf. 005001London: Richard Bentley 1839 1839. THIRD EDITION FOURTH PRINTING of the first revised edition of Shelley's masterpiece and the last to contain an illustration with the first printing of the engraved frontis and additional engraved title-page dated 1831. The frontis depicting the creature coming to life. Bound in the publisher's original blind stamped straight grained brown/maroon cloth engraved bookplate of Arnold Henry Robson to front pastedown. Spine expertly relined inner hinges strengthened spine and cover edges slightly sunned text clean and bright some minor foxing or offsetting to the engraved frontis and title-page overall still a GOOD copy of a book becoming increasingly difficult to find. According to RBH only 4 copies of this printing have appeared at auction in the last 25 years. In her introduction Shelley contextualizes the creation of her tale: "It proved a wet ungenial summer and incessant rain often confined us for days to the house. Some volumes of ghost stories translated from the German into French fell into our hands. 'We will each write a ghost story' said Lord Byron; and his proposition was acceded to" This printing was apparently issued with and without the additional engraved frontis dated 1831. We can only assume that additional copies of the 1831 frontis had finally run out with this printing. OCLC/WorldCat locate 9 copies of the 1839 edition 7 without the engraved frontis and only 2 with. London: Richard Bentley, 1839 hardcover
