9440 resultados
1885ref. 252654Philadelphia: George Barrie 1885. hardcover. very good. 18 volumes 10 volumes of Goethe and 8 volumes of Schiller. Profusely illustrated with numerous head and tail pieces 648 in-text illustrations 128 full-page wood engravings and over full-page mounted steel engravings. 4to 3/4 black morocco over green silk moire boards decoratively gilt spine top edges gilt. Philadelphia New York & Boston: George Barrie 1885. A fine set with some slightly rubbed spines. George Barrie unknown
ref. 0365484881.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. A9781346171999Hardback. New. hardcover
1910ref. 339351910. SCHILLER Friedrich. Works. Edited by Nathan Haskell Dole. Boston: Francis A. Nicholls & Company circa early 20th century. Ten volumes. Octavo contemporary three-quarter blue crushed morocco gilt raised bands gilt-decorated spines marbled endpapers top edges gilt uncut and partially unopened. $1000.Limited Lyceum Edition of Schillers works number 263 of only 750 sets numbered for sale in the United States with numerous full-page illustrations throughout including full-color frontispieces.Includes the poems a life of Schiller by Heinrich Düntzer and the aesthetical and philosophical essays. This set specially bound for Ernst Mahler who helped transform Kimberly Clark into one of the largest paper corporations in the world.Interiors fine. Minor wear to corners of handsome bindings. A near-fine set. hardcover
1910ref. 339351910. SCHILLER Friedrich. Works. Edited by Nathan Haskell Dole. Boston: Francis A. Nicholls & Company circa early 20th century. Ten volumes. Octavo contemporary three-quarter blue crushed morocco gilt raised bands gilt-decorated spines marbled endpapers top edges gilt uncut and partially unopened. $1000.Limited Lyceum Edition of Schillers works number 263 of only 750 sets numbered for sale in the United States with numerous full-page illustrations throughout including full-color frontispieces.Includes the poems a life of Schiller by Heinrich Düntzer and the aesthetical and philosophical essays. This set specially bound for Ernst Mahler who helped transform Kimberly Clark into one of the largest paper corporations in the world.Interiors fine. Minor wear to corners of handsome bindings. A near-fine set. hardcover books
ref. 1346171998.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 100-18102Sheet Music. Good. Good condition with wear and markings. unknown
ref. 06937West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. Barry Moser's Remarkable Wonderful Wizard of Oz One of the Great Pennyroyal Press Books - Limited to 350 Copies Signed by Moser MOSER Barry illustrator. PENNYROYAL PRESS. BAUM L. Frank. The Wonderful Wizard of Oz. Illustrated by Barry Moser. With an Appreciation by Justin G. Schiller. West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. One of 350 numbered copies this being No. 153 signed by Barry Moser. Large quarto 12 7/8 x 11 7/8 inches; 327 x 302 mm. 6 blank 5 1 blank 1 1 blank 1 1 blank 3 1 blank 1-7 8-268 1 1 blank 1 colophon 1 blank 8 blank pp. Illustrated with sixty-two wood engravings by Barry Moser. Printed in five colors by Harold P. McGrath on Mohawk Letterpress paper in Van Dijck type. The hand composition was executed at the Press by P. Chase Twitchell with calligraphy by Yvette Rutledge of Hayward California. Bound by David Bourbeau at the Thistle Bindery in Barcham Green Dewint paper over boards the front cover embossed with the title design and lettered in gilt the rear cover similarly embossed and lettered in blind; beige cloth endpapers. A mint copy. Housed in the original beige cloth clamshell case the lower corners slightly bumped. A very fine copy in a near fine clamshell case. Moser's Wonderful Wizard of Oz is among the most imaginative productions of the Pennyroyal Press. Rather than attempting to imitate W.W. Denslow's celebrated illustrations for the 1900 first edition Moser created an entirely new visual interpretation of Baum's story through sixty-two finely worked wood engravings combining traditional book illustration with distinctly contemporary imagery and satirical allusion. Moser deliberately populated Oz with visual references to twentieth-century American life and politics. As he later explained: "Few texts lend themselves to contemporary parody as well as does the Wizard of Oz." Having previously portrayed Richard Nixon as Humpty Dumpty in his Through the Looking-Glass Moser found in Baum's story an even broader opportunity for political and cultural satire directing what he described as "humorous but none-the-less serious darts" at the Reagan administration corporate America and the Moral Majority. Among the most celebrated examples is his transformation of the Wicked Witch into Nancy Reagan. The photographs vividly demonstrate the range of Moser's conception: the familiar inhabitants of Oz are transformed into startlingly individual characters while other illustrations introduce consciously modern elements into Baum's fantastic landscape. The resulting book is not simply an illustrated edition of Baum but a distinctly 1980s reinterpretation of an American classic. Laid in is the separately published companion pamphlet: Barry Moser Forty-Seven Days to Oz: A Chronicle of the Studies for the Illustrations for The Wonderful Wizard of Oz. West Hatfield: Pennyroyal Press 1985. First edition. Octavo 9 x 6 inches; 229 x 153 mm. 32 pp. The pamphlet provides Moser's own day-by-day account of the creation of the sixty-two illustrations. As he explains in his Author's Note the text was taken directly from the day book in which he recorded the progress of his work making it an especially appropriate accompaniment to the finished volume. The completed book is an impressive example of the modern American private press at its most ambitious: Baum's great American fantasy interpreted by one of the foremost American book illustrators and wood engravers of the late twentieth century conceived illustrated printed and bound as a unified work of book art. Dwyer Pennyroyal 43. West Hatfield, Massachusetts: Printed by Harold McGrath at The Pennyroyal Press, 1985 unknown books
ref. 06937West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. Barry Moser's Remarkable Wonderful Wizard of Oz One of the Great Pennyroyal Press Books - Limited to 350 Copies Signed by Moser MOSER Barry illustrator. PENNYROYAL PRESS. BAUM L. Frank. The Wonderful Wizard of Oz. Illustrated by Barry Moser. With an Appreciation by Justin G. Schiller. West Hatfield Massachusetts: Printed by Harold McGrath at The Pennyroyal Press 1985. One of 350 numbered copies this being No. 153 signed by Barry Moser. Large quarto 12 7/8 x 11 7/8 inches; 327 x 302 mm. 6 blank 5 1 blank 1 1 blank 1 1 blank 3 1 blank 1-7 8-268 1 1 blank 1 colophon 1 blank 8 blank pp. Illustrated with sixty-two wood engravings by Barry Moser. Printed in five colors by Harold P. McGrath on Mohawk Letterpress paper in Van Dijck type. The hand composition was executed at the Press by P. Chase Twitchell with calligraphy by Yvette Rutledge of Hayward California. Bound by David Bourbeau at the Thistle Bindery in Barcham Green Dewint paper over boards the front cover embossed with the title design and lettered in gilt the rear cover similarly embossed and lettered in blind; beige cloth endpapers. A mint copy. Housed in the original beige cloth clamshell case the lower corners slightly bumped. A very fine copy in a near fine clamshell case. Moser's Wonderful Wizard of Oz is among the most imaginative productions of the Pennyroyal Press. Rather than attempting to imitate W.W. Denslow's celebrated illustrations for the 1900 first edition Moser created an entirely new visual interpretation of Baum's story through sixty-two finely worked wood engravings combining traditional book illustration with distinctly contemporary imagery and satirical allusion. Moser deliberately populated Oz with visual references to twentieth-century American life and politics. As he later explained: "Few texts lend themselves to contemporary parody as well as does the Wizard of Oz." Having previously portrayed Richard Nixon as Humpty Dumpty in his Through the Looking-Glass Moser found in Baum's story an even broader opportunity for political and cultural satire directing what he described as "humorous but none-the-less serious darts" at the Reagan administration corporate America and the Moral Majority. Among the most celebrated examples is his transformation of the Wicked Witch into Nancy Reagan. The photographs vividly demonstrate the range of Moser's conception: the familiar inhabitants of Oz are transformed into startlingly individual characters while other illustrations introduce consciously modern elements into Baum's fantastic landscape. The resulting book is not simply an illustrated edition of Baum but a distinctly 1980s reinterpretation of an American classic. Laid in is the separately published companion pamphlet: Barry Moser Forty-Seven Days to Oz: A Chronicle of the Studies for the Illustrations for The Wonderful Wizard of Oz. West Hatfield: Pennyroyal Press 1985. First edition. Octavo 9 x 6 inches; 229 x 153 mm. 32 pp. The pamphlet provides Moser's own day-by-day account of the creation of the sixty-two illustrations. As he explains in his Author's Note the text was taken directly from the day book in which he recorded the progress of his work making it an especially appropriate accompaniment to the finished volume. The completed book is an impressive example of the modern American private press at its most ambitious: Baum's great American fantasy interpreted by one of the foremost American book illustrators and wood engravers of the late twentieth century conceived illustrated printed and bound as a unified work of book art. Dwyer Pennyroyal 43. West Hatfield, Massachusetts: Printed by Harold McGrath at The Pennyroyal Press, 1985 unknown
ref. 3755732866.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976ref. 637407Bern, Haupt, (1976). M. 1 Portr. 576 S. Bibl.-Lwd. m. Rsign. St. a. Vorsatz. (Beiträge zur Wirtschaftspolitik 25).
2013ref. BN349160Winklers Verlag 2013. 2013. Wirtschaftslehre für Berufliche Oberschulen in Bayern: Sozialwesen: Schülerband Wirtschaftslehre für Berufliche Oberschulen in Bayern: Sozialwesen: Schülerband Schiller Günter Christa Pichler Reinhold Madritsch u. a. Winklers Verlag unknown
1995ref. Q-0805032827Henry Holt & Co 1995-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Henry Holt & Co paperback
ref. 1502443147.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1951163p. Illustrated with lithographs by Charles Hug; designed by Walter Diethelm; printed and bound by Fretz Freres; hand-set in Diethelm Antiqua type (first use); Zerkall rag paper; half brown linen, gold-stamped natural wood sides. 4to. 7 1/2 x 10 1/2 inches. Original slip case. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf.Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the illustrator, Charles Hug. Fine copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42
1951ref. 1302Illustrated by Charles Hug. Translated from the german in the meter of original by Theodore Martin with an introductory essay by Thomas Carlyle.Edition tirée à 1500 exemplaires. Celui-ci N°670.Zurich, for the members of the limited editions club 1951. 157 pages.Reliure demi-toile sous emboîtage. Pas de rousseur. Très bon état. Format in-4° (27x20).
1999ref. 100313Norwalk:: Heritage Press. As New. 1999. Hardcover. Translated from the German in the meter of the original by Theodore Martin. Introduction by Thomas Carlyle. Illustrated by Rafaello Busoni. A reprint edition. "Sandglass" laid in. As new in like slipcase. Still in original shrinkwrap which has been opened along the spine edge. . Heritage Press, hardcover books
1952ref. 95470Norwalk:: Heritage Press. Near Fine. 1952. Hardcover. Translated from the German in the meter of the original by Theodore Martin. Introduction by Thomas Carlyle. Illustrated by Charles Hug. A reprint edition. "Sandglass" laid in. Fine in a near fine slipcase. . Heritage Press, hardcover books
1952ref. 232296Easton Press 1952. leather_bound. Very Good. 10x6x1. Full brown leather with gilt board design and page edges. Three raised bands to the spine. Clean has a good binding no marks or notations. Includes the Easton Press Notes from the Archives sheet and an unused Easton Press bookplate. Easton Press hardcover books
1952ref. 007153New York: Heritage Press 1952. Fine in worn glassine and a Fine slipcase. Rafaello Busoni. Decorated cloth in slipcase. Translated from the German by Theodore Martin. Illustrated by Rafaello Busoni. A different edition than that of the Limited Editions Club. Heritage Press hardcover books
1951ref. 2720Zurich: Ltd. Editions Club 1951. Hardcover. Orig. decorated beige boards brown cloth spine with crossbow in gilt front cover. Fine in fine brown slipcase. 163 pages 27 x 20 cm. Illustrated by Charles Hug. Translated from the German in the meter of the original by Theodore Martin. With an Introduction by Thomas Carlyle. Limited edition copy 440 of 1500. Signed by Charles Hug. Typography planned by W. Diethelm and printed by the Fretz Brothers Zurich. The illustrations were lithographed on stone by Mr. Hug. NEWMAN & WICHE 216. Ltd. Editions Club hardcover books
1952ref. 114757New York: Heritage Press 1952. Very Good. Reprint. Illustrated by Rafaello Busoni. Very good. Spine browned. Heritage Press unknown books
1952ref. 231088New York: Heritage 1952. Hardcover. Illustrated by Rafaello Busoni. Very hardcover in similar slipcase. Reprint. Text clean. Name inside front cover. Speckled edges of pages. Spine light brown. Edges and corners on slipcase rubbed. Heritage hardcover books
1951ref. 017747Zurich: Limited Editions Club 1951. Hardcover. Bookplate on the verso of the front free endpaper. Fine in a Fine slipcase. Charles Hug. Large octavo 7-1/2" x 10-1/1" in quarter brown Swiss linen over boards covered with a natural wood veneer spine lettered in gilt front cover decoration stamped in gilt; 168 pages. Translated from the German in the Meter of the Original by Theodore Martin. With an Introductory Essay by Thomas Carlyle. Illustrated with lithographs drawn on the stone by Swiss painter Charles Hug. Copy #39 of 1500 SIGNED by the illustrator on the colophon page. Monthly Letter laid in. Limited Editions Club hardcover books
