127 resultados
ref. 329571 page in8 - à son chiffre gravé par Stern à Paris -
ref. 329601 page in8 -
ref. 329641 page in8 - à son chiffre gravé par Stern à Paris -
ref. 329651 page in8 - avec enveloppe -
1948ref. 141028N.p.: N.p. 1948. Draft script for an unproduced musical. Several annotations in manuscript ink throughout. Originally published in the Saturday Evening Post and based on a short story by Dana Burnet. A senator is slated to give the keynote speech at the upcoming Democratic National Convention with many young people in attendance to protest the war. Following the advice of his assistant he ends up giving a speech from his heart and ends up nominated for president. Set in Philadelphia. Rust titled wrappers. Title page present dated June 1948 with credits for playwright Dana Burnet and librettist Shirley Solomon. 120 leaves with last page of text numbered 7:3. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1985ref. 7949Manila: Shangkuan Press & School Supply. Very Good with no dust jacket. 1985. Hardcover. Shangkuan Press & School Supply Manila 1985 no further printing statement red boards Very Goodsome edgewear and bumping to the boards/no dust jacket 160 pages OPERA MONGOLIAN HISTORY CHRISTIANITY OPERA; A7227 Shlf; 8vo 8" - 9" tall; 160 pages . Shangkuan Press & School Supply hardcover
ref. 11173Letter One: 20 Woodstock Road Bedford Park Chiswick; 1 May 1926. Letter Two: The George Hotel South Molton North Devonshire; 22 September 1941. Letter One: 2 pp 12mo. 23 lines. Good. Docketed '3.5.26 copd.' He thanks him for his letters and has 'sent the verses to Sanderson'. The copies of the 'Quilter publications' that Bennett needed for the writing of an article in the 'Music Teacher' have not arrived. Asks for information on a 'volume of songs by Sibelius'. 'If they are available could they be included in the Quilter parcel'. He is 'writing about Sibelius for publication in July & want to be as complete as possible'. Letter Two: 2 pp 4to. 23 lines. Good with staple holes to one corner. The 'question of rights as between author & composer . seems a problem without solution. One thing seems certain - that though indifferent music can ruin good words not even the best words can save indifferent music. Which is an annoying state of things for authors.' He considers it 'an excellent thing' that 'relative rights for broadcasting & gramophone are fixed. So much discussion is avoided.' He had rather 'the royalty proportions for "Freedom" were not discussed further' and will sign the agreement Boosey is sending him. Born in Farnham Harry Rodney Bennett was a children's author a writer of educational textbooks and the librettist of Quilter’s 1936 light opera Julia Love at the Inn. Letter One: 20 Woodstock Road, Bedford Park, Chiswick; 1 May 1926. Letter Two: The George Hotel, South Molton, North Devonshire; unknown
1951ref. 814New York: The Living Theatre 1951. First edition. Fine. Octavo. Rice paper wrappers printed and decorated in black. 16pp. A fine copy of an often fragile and scarce item. First edition. A program for The Living Theatre's December 2 1951 production of Stein's play at the Cherry Lane Theatre in NYC. The play/opera was originally written in 1938 but unproduced until November 1951 at Beaver College a small college outside of Philadelphia. It was a hit. Essays "Vanguard and Theatre" by Paul Goodman "Lines Before the Curtain" by Alfred Kreymborg and "Note Written on Stone" by Carl Van Vechten precede the playbill. The directors are Julian Beck and Judith Malina the actors include Donald Marye Robert King Moody Remy Charlip and Constance Mobley among distinguished others. A photo exhibition by Van Vechten entitled "Gertrude Stein and the Theatre" was presented in the lounge on the second floor of the theatre. The Living Theatre unknown
ref. 012823Eugène Scribe (1791-1861), écrivain, librettiste. L.A.S., sd [1852?], 3p in-8. A Arsène Houssaye (1814-1896), alors directeur du Théâtre-français. Belle lettre dans laquelle il demande de repousser la reprise de sa pièce, La Camaraderie, le lendemain de ce courrier, malgré la demande de Napoléon III de reprendre la pièce. Il y a en effet une soirée de charité où la pièce sera jouée et il voudrait que la pièce soit d'abord reprise lors de cette soirée où elle sera jouée par Mme Volnys et Mlle Anaïs. [169b]
1820ref. 2508040020A La Lyre Moderne Rue Vivienne No 6 A Paris 1820. Hardcover. Good. Folio; 34 cm. Bound in contemporary leather backed red boards. Corners bumped. Hardcover. 1 score 255 177 pages. Toning. Scattered spotting. "Represente pour la premiere fois a Nimes par les Comediens sous la direction de Mr. A. Singier le 31 Decembre 1818" - on title page. Italian libretto by Lorenzo Da Ponte based on La folle journe our Le mariage de Figaro / Beaumarchais - Grove Dictionary of Music. This is an oversized or heavy book which requires additional postage for international delivery outside the US. A La Lyre Moderne, Rue Vivienne, No 6, A Paris hardcover
1880ref. 8623Théodore Michaelis 19,5 x 28,5 Paris 1880 In-8, s.d., [circa 1880], reliure à la bradel demi-vélin ivoire de l'époque, titre noir au dos, blason de la famille d'Avezac de Castéra gravé en noir en tête, plats marbrés, pages de titre illustrées, 320 pp. Armide avait été représentée par l'Académie Royale de Musique le 15 février 1686. Edition conforme aux exemplaire et manuscrits de la bibliothèque du théâtre de l'Opéra. Exemplaire du compositeur René de Castéra (1873-1955) qui fut un des membres actifs de la Schola Cantorum fondée par Charles Bordes et Vincent d'Indy. Dos en vélin noirci, bonne reliure, rousseurs notamment sur les premières et dernières pages. Peu fréquent.(BeauB45) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
1880ref. 8623Théodore Michaelis 19,5 x 28,5 Paris 1880 In-8, s.d., [circa 1880], reliure à la bradel demi-vélin ivoire de l'époque, titre noir au dos, blason de la famille d'Avezac de Castéra gravé en noir en tête, plats marbrés, pages de titre illustrées, 320 pp. Armide avait été représentée par l'Académie Royale de Musique le 15 février 1686. Edition conforme aux exemplaire et manuscrits de la bibliothèque du théâtre de l'Opéra. Exemplaire du compositeur René de Castéra (1873-1955) qui fut un des membres actifs de la Schola Cantorum fondée par Charles Bordes et Vincent d'Indy. Dos en vélin noirci, bonne reliure, rousseurs notamment sur les premières et dernières pages. Peu fréquent.(BeauB45) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
1870ref. SP39-0142-14198Colombier 1870. Hardcover. Good. Libretto in French. 1870 Colombier Paris 7 1/2 x 11 inches tall beige cloth hardcover appears recently rebound with refreshed marbled endpapers 4 371 pp. Intermittent light foxing throughout especially to front and rear prelims. Moderate soiling and edge-chipping to front prelims including title page which has a blue Columbier publisher's stamp at the bottom. Moderate to heavy edge chipping to last 10 pages especially lower tips not impacting text. Otherwise a very good copy of this scarce imprint handsomely bound. ~SP39~ 4.0P Les brigands The Bandits is an opera bouffe or operetta by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halevy. Meilhac and Halevy's libretto lampoons both serious drama Schiller's play The Robbers and opera comique Fra Diavolo and Les diamants de la couronne by Auber. The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa the brigand chieftain notes: 'Everybody steals according to their position in society.' The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere both in French and in translation. Les brigands has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling carabinieri whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen financiers receive satiric treatment. The satire counterpoints lively musical romps and the frequent use of Italian and Spanish rhythms; 'Soyez pitoyables' is a true canon and each act finale is a well-developed whole. A 1983 New York Times article theorized that the music of the piece influenced Bizet in writing Carmen and noted that the librettists for this work supplied Bizet's libretto but standard Offenbach references do not mention any such influence. Colombier hardcover
ref. BN262840Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert unknown
ref. 014934[Sarah Bernhardt] Emile Blavet (1838-1924), écrivain, librettiste. L.A.S., Hôtel de Bade, sd, 2p 1/2 in-12. Incroyable et étonnante lettre à l'actrice Sarah Bernhardt (1844-1923) : « Vous me disiez hier que vous m'aimiez bien. Et moi donc ! Seulement, chez vous, cela date de quelques semaines, et c'est de l'amitié pure. Chez moi, cela date de deux ans (devinez à quelle époque) et c'est. tout autre chose ! J'ai été bien bien discret, nest-ce pas ? [.] en tout cas, mon indiscrétion est bien inoffensive, puisque vous partez, que je pars, que nous nous sommes dit un long adieu et que nous nous reverrons pas de plusieurs mois, qui sait même de plusieurs années, jamais peut-être. Je suis au lit, très-souffrant. Vos derniers mot d'hier m'ont mis sans dessus-dessous. Ce qui me désespère c'est d'être à l'hôtel. Si vous saviez l'infirmerie que je rêve !. mais bah ç je crois que je serais plus malade encore. Adieu, ma chère Sarah, bon voyage et soyez heureuse. Moi-même je le serais aussi si j'avais la certitude que vous pensez parfois sans trop de déplaisir à certain toqué qui vous aimait bien. De coeur. ». Très belle d'un amoureux éconduit au moment de la séparation [362]
1880ref. 8618Théodore Michaelis 20 x 28,5 Paris 1880 In-8, s.d., [circa 1880], reliure demi-basane fauve, dos à cinq nerfs, pièce de titre de cuir rouge, titre doré, "A. Luigini" doré en pied, plats marbrés, pages de titre illustrées, 347 pp. Atys avait été représentée par l'Académie Royale de Musique en août 1677. Edition conforme aux exemplaire et manuscrits de la bibliothèque du théâtre de l'Opéra. Exemplaire du compositeur et violoniste Alexandre Luigini (1850-1906), qui a été chef d'orchestre de l'Opéra-Comique à Paris. Dos frotté, coins en bon état, rousseurs. Peu fréquent.(BeauB45) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
1880ref. 8618Théodore Michaelis 20 x 28,5 Paris 1880 In-8, s.d., [circa 1880], reliure demi-basane fauve, dos à cinq nerfs, pièce de titre de cuir rouge, titre doré, "A. Luigini" doré en pied, plats marbrés, pages de titre illustrées, 347 pp. Atys avait été représentée par l'Académie Royale de Musique en août 1677. Edition conforme aux exemplaire et manuscrits de la bibliothèque du théâtre de l'Opéra. Exemplaire du compositeur et violoniste Alexandre Luigini (1850-1906), qui a été chef d'orchestre de l'Opéra-Comique à Paris. Dos frotté, coins en bon état, rousseurs. Peu fréquent.(BeauB45) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
ref. 2518810 January 1993 with address label of ‘ERIC CROZIER OBE / 4 THE TIMBERYARD / GREAT GLEMHAM / SAXMUNDHAM / SUFFOLK’. See his entry in the Oxford DNB. 1p foolscap 8vo. In fair condition lightly aged and creased. Folded twice for postage. The address is printed on a small golden label affixed at the top left corner. Addressed to ‘Dear Mr. Catry’ and signed ‘With all best wishes - and thank you for writing! / Sincerely / Eric Crozier.’ He asks him to forgive a typed letter as he is ‘convalescing from a heart-attack and still not very good at hand-writing. / The opera I must enjoyed producing was I suppose my very first - Smetana’s THE BARTERED BRIDE in 1943 in a new English version made by Joan Cross and myself which stayed in the repertoire at Sadler’s Wells and Covent Garden for twenty years.’ He recalls that it was first staged ‘during the black-out to audiences starved of colour and gaiety: our first audience included the Czech government in exile - President Benes Jan Masaryk and others - and on the second night they took the whole theatre for their fellow-countrymen to see what all Czechs regarded as their national opera’. The rest of the letter concerns his next production Britten’s ‘Peter Grimes’ ‘a world-wide event’ premiered at Sadler’s Wells in 1945 ‘and one year later I staged the American premiere with Leonard Bernstein as conductor at Tanglewood. I worked with Britten and Montagu Slater the librettist throughout the writing and composition of that great work which has had I would guess a greater international success than any other English opera all through the past fifty years. It is still being staged - Rostropovich will conduct performances of it at the Barbican this March.’ 10 January 1993, with address label of ‘ERIC CROZIER, OBE / 4 THE TIMBERYARD / GREAT GLEMHAM / SAXMUNDHAM / SUFFOLK’. unknown
ref. 329772 pages infolio - un peu poussièreuse en bas de page et en marge gauche -
ref. 2325612 October 1953. On London letterhead of 'The King and I' Williamson Music Limited 14 St George St W.1. 1p 4to. In fair condition lightly aged. Folded once. The printing of the letterhead in red and black extends along three edges with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot including Rodgers Hammerstein and 'Louis Dreyfus British formerly American'. The note addressed to 'Mr. MacQueen Pope' at his Coventry Street address reads: 'Dear MacQueen Thank you for your book I know that I shall read it with great pleasure. We had the opening you predicted and I am very glad that you were not wrong. All the best to you.' 'The King and I' was written as a vehicle for Gertrude Lawrence who starred in the original Broadway run opposite Yul Brynner. The original London production opened on 8 October 1953 at the Theatre Royal Drury Lane and featured Valerie Hobson as Anna and Herbert Lom as the King. MacQueen-Pope was the Drury Lane publicist hence his ability to make a prediction about the production's success. 12 October 1953. On London letterhead of 'The King and I', Williamson Music Limited, 14 St George St, W.1. unknown
ref. 329313 pages in8 - sans date - et 2 pages in8 -
1960ref. 100218February 26 1960. 1960. Very good. - Over 85 words typed on his personal 10-1/2 inch high by 7-5/8 inch wide stationery with his name embossed at top left. The well-known musical theater composer & director writes to the political activist and perennial socialist candidate for president Norman Thomas expressing his pleasure that Thomas attended the United World Federalists' luncheon for Lord Attlee. "I hope that you will continue to take an active interest in our work to establish a world at peace under the just effective and enforceable world law through a strengthened United Nations". Signed "Oscar Hammerstein". Folded for mailing with minor creases to the corners else near fine. Best known for his collaborative works with Richard Rodgers the American musical theater producer lyricist and director Oscar Hammerstein II 1895-1960 won 8 Tony Awards and 2 Academy Awards. Described by Stephen Sondheim as an "experimental playwright" Hammerstein collaborated with Rodgers on "Oklahoma!" "Carousel" South Pacific" "The King and I" and other works that focused on stories and character instead of lighthearted entertainment. Hammerstein was a prominent member of the United World Federalists advocating for a democratic world government. A Presbyterian minister the recipient Norman Thomas 1884-1968 was a political activist and pacifist. He ran as the Socialist Party candidate for President in 6 elections from 1928 to 1948. February 26, 1960.
1794ref. 215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown books
1794ref. 215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown
ref. 18291Paris, Baudry ; Hippolyte Souverain (Lyon, imprimerie typographique et lithographique de Louis Perrin), 1842 ; 2 tomes in-8, demi-chagrin rouge à coins, dos à nerfs décoré et doré aux petits fers, titre doré, tête dorée, tranches juste ébarbées (Bruyère) ; [4], 415 pp., frontispice dessiné par Louis Perrin, lithographié en rouge, ocre, noir et argent ; [4], 494 pp., frontispice identique au tome Ier, mais tiré en vert, vieux rose, noir et argent, nombreux ornements typographiques (bandeaux, lettrines, culs-de-lampe).