Jules BarbierLivre Rare Book
129 results
1884ref. boz_004826Jules BARBIER. Lettre autographe signée. Dimensions : 13,6 x 21 cm. 1 page. Etat : Bon état de conservation.
2026ref. LRB27031500Paris: Editions Recreasoft 2026 Langue : Français. Environ 536 pages. Français : Réimpression à la demande. Édition originale : 1902. Ouvrage en français. Partition piano-vocal imprimée et manuscrite pour la tragédie lyrique Armide composée par Christoph Willibald Gluck sur un livret de Philippe Quinault. Cette oeuvre en cinq actes est un chef-d'oeuvre du répertoire baroque français mêlant mise en scène et musique. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1902. Text in French. Printed and manuscript piano-vocal score for the lyrical tragedy Armide composed by Christoph Willibald Gluck with a libretto by Philippe Quinault. This five-act work is a masterpiece of French Baroque repertoire combining stage direction and music. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1936ref. boz_003160André BARDE. Lettre autographe signée adressée à Mr MOTHILLON, en date du 23 juin 1936 Dimensions : 16,3 x 11,9 cm État : Voir photos pour plus de détails. Nombre de pages : 1 page André BARDE André Barde, nom de plume d'André Bourdonneau, est un librettiste et dramaturge français, né le 17 juillet 1874 à Meudon, mort le 24 août 1945 dans le 8ᵉ arrondissement de Paris.
ref. 17512'Birmm: i.e. the Theatre Royal Birmingham Oct. 13: 1824'. The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal Birmingham. 1p. 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition with light signs of age and wear. Bunn begins his letter: 'My dear Sir The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness' which he offers to reciprocate 'whenever in my power'. It is unclear which version of a pantomime of the Battle of Waterloo is being referred to here but the Duke of Wellington is said to have enjoyed the 1824 production at Astley's Amphitheatre in London and its revivals see Bradby James and Sharratt 'Performance and Politics in Popular Drama'. 'Birmm: [i.e. the Theatre Royal, Birmingham ] | Oct. 13: 1824'. unknown
