Émile de Najac - Lorient le 14 décembre 1828, Paris le 11 avril 1889, Librettiste - Raoul Toché - Musique de Emile JonasLivre Rare Book
130 Ergebnisse
1883Best.-Nr. 469551883 Paris, A. Allouard - 1883 - Edition Originale - In-12 - Reliure 1/2 chagrin à coins, frottée -132 pages - Envoi manuscrit des 2 auteurs à Henri Michaud - infimes rousseurs - bon exemplaire
Best.-Nr. 020306Édouard-Joseph-Ennemond Mazères (1796-1866), écrivain, librettiste, collaborateur d'Eugène Scribe, haut-fonctionnaire, préfet. L.A.S., sd [ce lundi 29], 1p in-8. « Puisque madame Demandre veut bien encore de moi, cher Monsieur, je me rendrai avec grand plaisir à ce nouveau [mot illisible] de Franche Comté ; je viens de demander, afin de n'y pas manquer, la permission de rompre un autre engagement déjà pris pour le même jour et je suis tout heureux de l'avoir obtenue. A mercredi dont et toujours tout à vous. Ed Mazères ». [486]
Best.-Nr. BN262840Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert unknown
1820Best.-Nr. 2508040020A La Lyre Moderne Rue Vivienne No 6 A Paris 1820. Hardcover. Good. Folio; 34 cm. Bound in contemporary leather backed red boards. Corners bumped. Hardcover. 1 score 255 177 pages. Toning. Scattered spotting. "Represente pour la premiere fois a Nimes par les Comediens sous la direction de Mr. A. Singier le 31 Decembre 1818" - on title page. Italian libretto by Lorenzo Da Ponte based on La folle journe our Le mariage de Figaro / Beaumarchais - Grove Dictionary of Music. This is an oversized or heavy book which requires additional postage for international delivery outside the US. A La Lyre Moderne, Rue Vivienne, No 6, A Paris hardcover
1845Best.-Nr. 94059[Ca. 1845]. 5 x 4,5 cm. Feinkartonpassepartout.
Best.-Nr. 014131Victor Prilleux (1814-1876), chanteur, librettiste. L.A.S., vendredi 11 janvier 1867, 3p in-12. Au compositeur Léon Gatayes (1805-1877). Belle lettre pour le remercier d'un article. Il souhaite le rencontrer. Il mentionne aussi le ténor Jules Monjauze (1825-1877). [129-2]
1970Best.-Nr. 88709Editions du CNRS, coll. « le Choeur des muses. Corpus des luthistes français » 1970 In-4 cartonnage pleine toile grise 27,7 cm sur 21,5. 359 pages. Très bon état d’occasion.
1985Best.-Nr. 7949Manila: Shangkuan Press & School Supply. Very Good with no dust jacket. 1985. Hardcover. Shangkuan Press & School Supply Manila 1985 no further printing statement red boards Very Goodsome edgewear and bumping to the boards/no dust jacket 160 pages OPERA MONGOLIAN HISTORY CHRISTIANITY OPERA; A7227 Shlf; 8vo 8" - 9" tall; 160 pages . Shangkuan Press & School Supply hardcover
1867Best.-Nr. 1298Philadelphia: Ledger Job Printing Office 1867. 8vo. 220 x 145 mm. 8 ¾ x 5 ¾ inches. 21pp. Stitched single gathering on ivory stock inserted within glued cover of blue-gray paper of same weight. Libretto is solid and relatively unsoiled; substantial closed tear runs halfway up the back cover at the binding fold. Front cover shows post-publication stamp of “Henry McCaffrey Music Publisher Baltimore.” Printing unknown. This libretto accompanied performances of Norma by the Richings English Opera Company. The predominance of New York City in the advertising inside the front and rear covers points to Manhattan but Philadelphia seems to be the spot as the Philadelphia Daily Evening Bulletin of November 15 1867 declares in its “Amusements” column on that day that “The opera of Norma was given last evening at the Academy of Music by the Richings troupe in a very acceptable manner.” . Ledger Job Printing Office unknown books
1867Best.-Nr. 1298Philadelphia: Ledger Job Printing Office 1867. 8vo. 220 x 145 mm. 8 ¾ x 5 ¾ inches. 21pp. Stitched single gathering on ivory stock inserted within glued cover of blue-gray paper of same weight. Libretto is solid and relatively unsoiled; substantial closed tear runs halfway up the back cover at the binding fold. Front cover shows post-publication stamp of “Henry McCaffrey Music Publisher Baltimore.” Printing unknown. This libretto accompanied performances of Norma by the Richings English Opera Company. The predominance of New York City in the advertising inside the front and rear covers points to Manhattan but Philadelphia seems to be the spot as the Philadelphia Daily Evening Bulletin of November 15 1867 declares in its “Amusements” column on that day that “The opera of Norma was given last evening at the Academy of Music by the Richings troupe in a very acceptable manner.” . Ledger Job Printing Office unknown
Best.-Nr. 18291Paris, Baudry ; Hippolyte Souverain (Lyon, imprimerie typographique et lithographique de Louis Perrin), 1842 ; 2 tomes in-8, demi-chagrin rouge à coins, dos à nerfs décoré et doré aux petits fers, titre doré, tête dorée, tranches juste ébarbées (Bruyère) ; [4], 415 pp., frontispice dessiné par Louis Perrin, lithographié en rouge, ocre, noir et argent ; [4], 494 pp., frontispice identique au tome Ier, mais tiré en vert, vieux rose, noir et argent, nombreux ornements typographiques (bandeaux, lettrines, culs-de-lampe).
1978No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked slightly rubbed boards and no bumping to corners. 69pp. Periodical magazine with feature articles on Who was John the Baptist, Peter Semenov in Central Asia, Lorenzo da Ponte : Mozart's Librettist, the Sea Otter and history, the historical novel and the French Romantics, Queen Adelaide - a portrait, Greenwich and Standard Time plus book reviews and letters.
1867Best.-Nr. 1264535, Cité Bergère, La Lune, impr. imprimerie Internationale de Towne, 9, rue d'Aboukir 1867 Journal en un double feuillet de 4 pages 50 cm sur 33. Pliure centrale et fendu sur toute sa longueur, et pages légèrement effrangées. État correct d’occasion.
Best.-Nr. 013247Pol Mercier (1819-1874), écrivain, librettiste. L.A.S., sd [1851?], 1p in-8. A l'écrivain Jules Janin (1804-1874). Sympathique lettre dans laquelle il lui annonce que mademoiselle Bertin, une jeune fille du Théâtre Français recommandée par Janin, jouera dans sa prochaine pièce avec Regnier, Maillart, Judith et Fix. Il s'agit probablement de Christian et Marguerite, comédie jouée en mars 1851. Dans ce cas, il aura oublié un acteur : Monrose. [306-2]
Best.-Nr. boz_002625Paul Jules Barbier Pouvoir signé par le poète, dramaturge et librettiste, Paul Jules Barbier. Dimensions : 24 x 17 cm.
2026Best.-Nr. LRB33001892Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 610 pagine. Volumi da 1 a 2 di un'opera in più volumi rilegati in un solo libro. / Volumes 1 to 2 of a multi-volume work bound together in a single book. Italiano : Ristampa su richiesta. Edizione originale : 1786. Opera in italiano. Questo volume presenta il libretto e la partitura completa dell'opera "Olimpiade: Drama Seria" di Giovanni Paisiello basato sul testo di Pietro Metastasio. L'opera composta nel 1786 è un esempio significativo del repertorio operistico del XVIII secolo caratterizzato dalla maestria melodica di Paisiello e dalla profondità drammatica del libretto di Metastasio. L'opera è strutturata in tre atti e combina elementi tragici e comici riflettendo le convenzioni teatrali dell'epoca. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1786. Text in Italian. This volume presents the libretto and full score of the opera "Olimpiade: Drama Seria" by Giovanni Paisiello based on the text by Pietro Metastasio. Composed in 1786 the opera is a notable example of 18th-century operatic repertoire distinguished by Paisiello's melodic mastery and the dramatic depth of Metastasio's libretto. The opera is structured in three acts and combines tragic and comic elements reflecting the theatrical conventions of the period. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2021Best.-Nr. BIBSD0047469532021. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1843 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian Pages 237. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
Best.-Nr. boz_004823P.H. Raymond-Duval Pouvoir signé par P.H. Raymond-Duval, librettiste. Dimensions : 24 x 17 cm.
Best.-Nr. 2325612 October 1953. On London letterhead of 'The King and I' Williamson Music Limited 14 St George St W.1. 1p 4to. In fair condition lightly aged. Folded once. The printing of the letterhead in red and black extends along three edges with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot including Rodgers Hammerstein and 'Louis Dreyfus British formerly American'. The note addressed to 'Mr. MacQueen Pope' at his Coventry Street address reads: 'Dear MacQueen Thank you for your book I know that I shall read it with great pleasure. We had the opening you predicted and I am very glad that you were not wrong. All the best to you.' 'The King and I' was written as a vehicle for Gertrude Lawrence who starred in the original Broadway run opposite Yul Brynner. The original London production opened on 8 October 1953 at the Theatre Royal Drury Lane and featured Valerie Hobson as Anna and Herbert Lom as the King. MacQueen-Pope was the Drury Lane publicist hence his ability to make a prediction about the production's success. 12 October 1953. On London letterhead of 'The King and I', Williamson Music Limited, 14 St George St, W.1. unknown
2026Best.-Nr. LRB31030805Paris: Editions Recreasoft 2026 Langue : Français. Environ 590 pages. Français : Réimpression à la demande. Édition originale : 1907. Ouvrage en français. Partiture pour piano et chant avec mise en scène incluant les indications scéniques. OEuvre majeure du répertoire lyrique français basée sur les contes fantastiques d'E.T.A. Hoffmann. Version complète en trois actes essentielle pour les chercheurs en musique et les amateurs d'opéra. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1907. Text in French. Piano-vocal score with stage directions. A cornerstone of French operatic repertoire inspired by E.T.A. Hoffmann's fantastical tales. Complete three-act version essential for music scholars and opera enthusiasts. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
Best.-Nr. 3563205701.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3385097975.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2026Best.-Nr. LRB33004842Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 526 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1870. Opera in italiano. Questa riproduzione moderna di Gli Ugonotti Les Huguenots: opera in five acts di Meyerbeer Giacomo 1791-1864 composer; Scribe Augustin Eugène 1791-1861 librettist; Deschamps Émile 1791-1871 librettist; Maggioni Manfredo J. librettist; Romer Frank 1810-1889 translator rende accessibile un testo antico o raro per la consultazione la ricerca bibliografica e le collezioni specializzate. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1870. Text in Italian. Opera in five acts composed by Giacomo Meyerbeer with libretto by Eugène Scribe and Émile Deschamps. This edition features the Italian translation by Manfredo J. Maggioni. The story set in 16th-century France follows the Huguenots blending historical drama with grand operatic elements. A cornerstone of French grand opera it continues to be celebrated for its musical and theatrical impact. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
Best.-Nr. 986Sans date - reliure - Heugel et Cie, Editeurs - Théâtre National de l'Opéra-Comique, dirigé par Léon Carvalho - Ouvrage non daté (circa 1890) - In-4 (28 x 19,5 cm) reliure demi-basane, filets et titre dorés au dos - 344 pages - Opéra-comique de Henru MEILHAC et Philippe GILLE. Musique de Jules MASSENET - A PROPOS : Opéra présenté pour la première fois le 19 janvier 1884. Partition piano-voix, édition Heugel & Cie, présentant les numéros de planches 7067 et 1386
1880Best.-Nr. 8623Théodore Michaelis 19,5 x 28,5 Paris 1880 In-8, s.d., [circa 1880], reliure à la bradel demi-vélin ivoire de l'époque, titre noir au dos, blason de la famille d'Avezac de Castéra gravé en noir en tête, plats marbrés, pages de titre illustrées, 320 pp. Armide avait été représentée par l'Académie Royale de Musique le 15 février 1686. Edition conforme aux exemplaire et manuscrits de la bibliothèque du théâtre de l'Opéra. Exemplaire du compositeur René de Castéra (1873-1955) qui fut un des membres actifs de la Schola Cantorum fondée par Charles Bordes et Vincent d'Indy. Dos en vélin noirci, bonne reliure, rousseurs notamment sur les premières et dernières pages. Peu fréquent.(BeauB45) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
