121 résultats
réf. boz_004939Camille du Locle. Lettre autographe signee. Lettre adressee a un ami proche afin de lui donner de ses nouvelles. Etat : Bel etat malgre la presence de zones tachees. Dimensions : 21.2 x 13.5 cm. 6 pages. Camille du Locle est un librettiste, impresario et directeur d'opera francais ne le 16 juillet 1832 a Orange et mort le 9 octobre 1903 a Capri en Italie.
1884réf. boz_003558Camille Du Locle. Lettre autographe signee. Etat : Tres bel etat de conservation. Dimensions : 18 x 11,3 cm. 4 pages. Camille du Locle est un librettiste, impresario et directeur d'opera francais ne le 16 juillet 1832 a Orange et mort le 9 octobre 1903 a Capri en Italie.
réf. 349651 page in4 - bon état -
réf. 986Sans date - reliure - Heugel et Cie, Editeurs - Théâtre National de l'Opéra-Comique, dirigé par Léon Carvalho - Ouvrage non daté (circa 1890) - In-4 (28 x 19,5 cm) reliure demi-basane, filets et titre dorés au dos - 344 pages - Opéra-comique de Henru MEILHAC et Philippe GILLE. Musique de Jules MASSENET - A PROPOS : Opéra présenté pour la première fois le 19 janvier 1884. Partition piano-voix, édition Heugel & Cie, présentant les numéros de planches 7067 et 1386
2026réf. LRB33005457Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 526 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1890. Opera in italiano. Opera semiseria in quattro atti di Friedrich von Flotow con libretto di W. Friedrich. Questa partitura per pianoforte e voce rappresenta un'opera fondamentale del repertorio lirico romantico caratterizzata da melodie accattivanti e una trama sentimentale. Adatta per studenti di musica ricercatori e appassionati di opera. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1890. Text in Italian. This modern reproduction of Marta: opera semiseria in quattro atti by Flotow Friedrich von 1812-1883 composer; Friedrich W. ca. 1820-1879 librettist makes an old or rare text available for consultation bibliographic research and specialized collections. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2021réf. BIBSD0047469532021. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1843 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian Pages 237. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
1867réf. 1298Philadelphia: Ledger Job Printing Office 1867. 8vo. 220 x 145 mm. 8 ¾ x 5 ¾ inches. 21pp. Stitched single gathering on ivory stock inserted within glued cover of blue-gray paper of same weight. Libretto is solid and relatively unsoiled; substantial closed tear runs halfway up the back cover at the binding fold. Front cover shows post-publication stamp of “Henry McCaffrey Music Publisher Baltimore.” Printing unknown. This libretto accompanied performances of Norma by the Richings English Opera Company. The predominance of New York City in the advertising inside the front and rear covers points to Manhattan but Philadelphia seems to be the spot as the Philadelphia Daily Evening Bulletin of November 15 1867 declares in its “Amusements” column on that day that “The opera of Norma was given last evening at the Academy of Music by the Richings troupe in a very acceptable manner.” . Ledger Job Printing Office unknown
2026réf. LRB33001892Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 610 pagine. Volumi da 1 a 2 di un'opera in più volumi rilegati in un solo libro. / Volumes 1 to 2 of a multi-volume work bound together in a single book. Italiano : Ristampa su richiesta. Edizione originale : 1786. Opera in italiano. Questo volume presenta il libretto e la partitura completa dell'opera "Olimpiade: Drama Seria" di Giovanni Paisiello basato sul testo di Pietro Metastasio. L'opera composta nel 1786 è un esempio significativo del repertorio operistico del XVIII secolo caratterizzato dalla maestria melodica di Paisiello e dalla profondità drammatica del libretto di Metastasio. L'opera è strutturata in tre atti e combina elementi tragici e comici riflettendo le convenzioni teatrali dell'epoca. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1786. Text in Italian. This volume presents the libretto and full score of the opera "Olimpiade: Drama Seria" by Giovanni Paisiello based on the text by Pietro Metastasio. Composed in 1786 the opera is a notable example of 18th-century operatic repertoire distinguished by Paisiello's melodic mastery and the dramatic depth of Metastasio's libretto. The opera is structured in three acts and combines tragic and comic elements reflecting the theatrical conventions of the period. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 2325612 October 1953. On London letterhead of 'The King and I' Williamson Music Limited 14 St George St W.1. 1p 4to. In fair condition lightly aged. Folded once. The printing of the letterhead in red and black extends along three edges with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot including Rodgers Hammerstein and 'Louis Dreyfus British formerly American'. The note addressed to 'Mr. MacQueen Pope' at his Coventry Street address reads: 'Dear MacQueen Thank you for your book I know that I shall read it with great pleasure. We had the opening you predicted and I am very glad that you were not wrong. All the best to you.' 'The King and I' was written as a vehicle for Gertrude Lawrence who starred in the original Broadway run opposite Yul Brynner. The original London production opened on 8 October 1953 at the Theatre Royal Drury Lane and featured Valerie Hobson as Anna and Herbert Lom as the King. MacQueen-Pope was the Drury Lane publicist hence his ability to make a prediction about the production's success. 12 October 1953. On London letterhead of 'The King and I', Williamson Music Limited, 14 St George St, W.1. unknown
1845réf. 94059[Ca. 1845]. 5 x 4,5 cm. Feinkartonpassepartout.
réf. boz_004823P.H. Raymond-Duval Pouvoir signé par P.H. Raymond-Duval, librettiste. Dimensions : 24 x 17 cm.
réf. boz_002625Paul Jules Barbier Pouvoir signé par le poète, dramaturge et librettiste, Paul Jules Barbier. Dimensions : 24 x 17 cm.
réf. 12301Without date or place. 1p. 16mo. On a piece of watermarked laid paper 17 x 10.5 cm. Fair on lightly-aged paper with a manuscript correction 'tracts' to 'tracks'. In three numbered stanzas Farnie's version being in effect an entirely new poem: 'This Fish was indeed Oh! A Woolwich Torpedo But Oh! But Oh! The big whale did not know.' 'Les noces d'Olivette' was first performed in Paris in 1879; Farnie's English language adaptation starring Florence St. John was performed at the Strand Theatre in London from 1880 to 1881. This version without date or place does not correspond to any of the six versions listed on COPAC. Without date or place. unknown
1794réf. 215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown
1794réf. 215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown books
1770réf. 39686Paris: Pierre-Robert-Christophe Ballard 1770. 7 works in 1 volume 8vo. 8 1/2 x 5 3/8 inches. Contemporary French citron morocco gilt red and green morocco titling pieces all edges gilt silk ribbon bookmark with royal arms of France on sides. Provenance: Marchal bookplate French opera libretti for performances for Louis XV and his court at Fontainebleau in 1770 beautifully bound in contemporary citron morocco gilt. Operas by some of the most successful composers and librettists of the 18th century are represented especially Sedaine and Grétry. OTHER WORKS BOUND IN THIS VOLUME: 1 ANSEAUME Louis 1721-1784 librettist and André-Ernest-Modeste GRÉTRY 1741-1813 composer. Le tableau parlant comédie-parade en un acte et en vers mêlédariettes; représentée devant Sa Majesté à Fontainebleau le 7 novembre 1770. Paris: Pierre-Robert-Christophe Ballard 1770. 2 FENOUILLOT DE FALBAIRE Charles-Georges 1727-1800 librettist and André-Ernest-Modeste GRÉTRY 1741-1813 composer. Les deux avares comédie en deux actes en prose mêlédariettes ; représentée pour la première fois à Fontainebleau devant Sa Majestéle samedi 27 octobre 1770. Paris: Pierre-Robert-Christophe Ballard L. Cellot printer 1770. 3 FUSE'E DE VOISENON Claude-Henri de 1708-1775 and Charles-Simon FAVART 1710-1792 librettists and set designers and André-Ernest-Modeste GRÉTRY 1741-1813 composer. Lamitié àlépreuvecomédie en deux actes et en vers mêlée dariettes; représentée devant Sa Majesté àFontainebleau le 13 novembre 1770. Paris: Pierre-Robert-Christophe Ballard 1770. 4 MASSON DE PEZAY Alexandre-Fre'de'ric-Jacques 1741-1777 librettist and Josef KOHAUT 1736-1793 composer. La closière ou Le vin nouveau opéra-comique en un acte mêlédariettes; représenté devant Sa Majesté à Fontainebleau le 10 novembre 1770. Paris: Pierre-Robert-Christophe Ballard 1770. 5 SEDAINE Michel-Jean 1719-1797 librettist and Egidio DUNI 1709-1775 composer. Les sabots opera comique en un acte mêlédariettes représenté devant Sa Majesté à Fontainebleau le 10 octobre 1770. Paris: Pierre-Robert-Christophe Ballard 1770. 6 SEDAINE Michel-Jean 1719-1797 librettist and Pierre-Alexandre MONSIGNY 1729-1817 composer. On ne savise jamais opéra-comique en un acte en prose mêlée dariettes; représenté devant Sa Majesté à Fontainebleau le 14 novembre 1770. Paris: Pierre-Robert-Christophe Ballard 1770. Cioranescu 8138 Le tableau parlant 1769 ed. 28314 Lamitié àlépreuve 28483 Les deux avares 43676 La closière ou le vin nouveau 59750 On ne savise jamais de tout 1761 ed. 59765 Les sabots 1768 ed. and 59767 Thémire. Pierre-Robert-Christophe Ballard unknown books
réf. 18291Paris, Baudry ; Hippolyte Souverain (Lyon, imprimerie typographique et lithographique de Louis Perrin), 1842 ; 2 tomes in-8, demi-chagrin rouge à coins, dos à nerfs décoré et doré aux petits fers, titre doré, tête dorée, tranches juste ébarbées (Bruyère) ; [4], 415 pp., frontispice dessiné par Louis Perrin, lithographié en rouge, ocre, noir et argent ; [4], 494 pp., frontispice identique au tome Ier, mais tiré en vert, vieux rose, noir et argent, nombreux ornements typographiques (bandeaux, lettrines, culs-de-lampe).
1970réf. 88709Editions du CNRS, coll. « le Choeur des muses. Corpus des luthistes français » 1970 In-4 cartonnage pleine toile grise 27,7 cm sur 21,5. 359 pages. Très bon état d’occasion.
réf. 11173Letter One: 20 Woodstock Road Bedford Park Chiswick; 1 May 1926. Letter Two: The George Hotel South Molton North Devonshire; 22 September 1941. Letter One: 2 pp 12mo. 23 lines. Good. Docketed '3.5.26 copd.' He thanks him for his letters and has 'sent the verses to Sanderson'. The copies of the 'Quilter publications' that Bennett needed for the writing of an article in the 'Music Teacher' have not arrived. Asks for information on a 'volume of songs by Sibelius'. 'If they are available could they be included in the Quilter parcel'. He is 'writing about Sibelius for publication in July & want to be as complete as possible'. Letter Two: 2 pp 4to. 23 lines. Good with staple holes to one corner. The 'question of rights as between author & composer . seems a problem without solution. One thing seems certain - that though indifferent music can ruin good words not even the best words can save indifferent music. Which is an annoying state of things for authors.' He considers it 'an excellent thing' that 'relative rights for broadcasting & gramophone are fixed. So much discussion is avoided.' He had rather 'the royalty proportions for "Freedom" were not discussed further' and will sign the agreement Boosey is sending him. Born in Farnham Harry Rodney Bennett was a children's author a writer of educational textbooks and the librettist of Quilter’s 1936 light opera Julia Love at the Inn. Letter One: 20 Woodstock Road, Bedford Park, Chiswick; 1 May 1926. Letter Two: The George Hotel, South Molton, North Devonshire; unknown
1985réf. 7949Manila: Shangkuan Press & School Supply. Very Good with no dust jacket. 1985. Hardcover. Shangkuan Press & School Supply Manila 1985 no further printing statement red boards Very Goodsome edgewear and bumping to the boards/no dust jacket 160 pages OPERA MONGOLIAN HISTORY CHRISTIANITY OPERA; A7227 Shlf; 8vo 8" - 9" tall; 160 pages . Shangkuan Press & School Supply hardcover
réf. BN262840Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert Wystan Hugh Auden 1907-1973: Seine opernästhetische Anschauung und seine Tätigkeit als Librettist Kölner Beiträge zur Musikforschung Barbara Engelbert unknown