130 risultati
rif. 329591 page in12 - à son chiffre gravé par Stern à Paris -
rif. 329601 page in8 -
rif. 329611 page in8 - à son chiffre gravé par Stern à Paris -
rif. boz_005145Camille du Locle. Lettre autographe signee. Etat : Presence de legeres traces d'encre et de rousseurs. Dimensions : 17.7 x 11 cm. 4 pages. Camille du Locle est un librettiste, impresario et directeur d'opera francais ne le 16 juillet 1832 a Orange et mort le 9 octobre 1903 a Capri en Italie.
1884rif. boz_003558Camille Du Locle. Lettre autographe signee. Etat : Tres bel etat de conservation. Dimensions : 18 x 11,3 cm. 4 pages. Camille du Locle est un librettiste, impresario et directeur d'opera francais ne le 16 juillet 1832 a Orange et mort le 9 octobre 1903 a Capri en Italie.
rif. boz_004939Camille du Locle. Lettre autographe signee. Lettre adressee a un ami proche afin de lui donner de ses nouvelles. Etat : Bel etat malgre la presence de zones tachees. Dimensions : 21.2 x 13.5 cm. 6 pages. Camille du Locle est un librettiste, impresario et directeur d'opera francais ne le 16 juillet 1832 a Orange et mort le 9 octobre 1903 a Capri en Italie.
rif. 986Sans date - reliure - Heugel et Cie, Editeurs - Théâtre National de l'Opéra-Comique, dirigé par Léon Carvalho - Ouvrage non daté (circa 1890) - In-4 (28 x 19,5 cm) reliure demi-basane, filets et titre dorés au dos - 344 pages - Opéra-comique de Henru MEILHAC et Philippe GILLE. Musique de Jules MASSENET - A PROPOS : Opéra présenté pour la première fois le 19 janvier 1884. Partition piano-voix, édition Heugel & Cie, présentant les numéros de planches 7067 et 1386
rif. 349651 page in4 - bon état -
2026rif. LRB33005457Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 526 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1890. Opera in italiano. Opera semiseria in quattro atti di Friedrich von Flotow con libretto di W. Friedrich. Questa partitura per pianoforte e voce rappresenta un'opera fondamentale del repertorio lirico romantico caratterizzata da melodie accattivanti e una trama sentimentale. Adatta per studenti di musica ricercatori e appassionati di opera. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1890. Text in Italian. This modern reproduction of Marta: opera semiseria in quattro atti by Flotow Friedrich von 1812-1883 composer; Friedrich W. ca. 1820-1879 librettist makes an old or rare text available for consultation bibliographic research and specialized collections. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2021rif. BIBSD0047469532021. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1843 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian Pages 237. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
1715rif. 8104London: Printed for the Author . 1715. First Edition. Full contemporary sheep. Fair copy; covers present but detached; binding scuffed & scraped; spine abraded; internally bright. Folio. There are two allegorical engraved divisional titles and a general engraved title. By the age of 22 Croft was already an established composer. He had published several sonatas for violin and was also represented in The Harpsichord Master in 1700. He worked in the theatre of the period for which he composed several overtures and act tunes notably for Courtship a la Mode at Drury Lane . He received a number of appointments finally taking the post as organist at Westminster Abbey in 1708. Though still not 30 years old he had established himself as one of the foremost musicians in the UK and the logical successor to Purcell. The work offered here are two odes he wrote to accompany his receiving the Doctor of Music degree from Oxford. He had them printed and sold them from his home in Westminster. The odes were an expensive undertaking and a lavish piece of book production. The text and music are entirely engraved by Thomas Atkins. DNB V 113 - `14; Highfill IV 50 - 52. Printed for the Author .... unknown books
1867rif. 1298Philadelphia: Ledger Job Printing Office 1867. 8vo. 220 x 145 mm. 8 ¾ x 5 ¾ inches. 21pp. Stitched single gathering on ivory stock inserted within glued cover of blue-gray paper of same weight. Libretto is solid and relatively unsoiled; substantial closed tear runs halfway up the back cover at the binding fold. Front cover shows post-publication stamp of “Henry McCaffrey Music Publisher Baltimore.” Printing unknown. This libretto accompanied performances of Norma by the Richings English Opera Company. The predominance of New York City in the advertising inside the front and rear covers points to Manhattan but Philadelphia seems to be the spot as the Philadelphia Daily Evening Bulletin of November 15 1867 declares in its “Amusements” column on that day that “The opera of Norma was given last evening at the Academy of Music by the Richings troupe in a very acceptable manner.” . Ledger Job Printing Office unknown
1867rif. 1298Philadelphia: Ledger Job Printing Office 1867. 8vo. 220 x 145 mm. 8 ¾ x 5 ¾ inches. 21pp. Stitched single gathering on ivory stock inserted within glued cover of blue-gray paper of same weight. Libretto is solid and relatively unsoiled; substantial closed tear runs halfway up the back cover at the binding fold. Front cover shows post-publication stamp of “Henry McCaffrey Music Publisher Baltimore.” Printing unknown. This libretto accompanied performances of Norma by the Richings English Opera Company. The predominance of New York City in the advertising inside the front and rear covers points to Manhattan but Philadelphia seems to be the spot as the Philadelphia Daily Evening Bulletin of November 15 1867 declares in its “Amusements” column on that day that “The opera of Norma was given last evening at the Academy of Music by the Richings troupe in a very acceptable manner.” . Ledger Job Printing Office unknown books
2026rif. LRB33001892Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 610 pagine. Volumi da 1 a 2 di un'opera in più volumi rilegati in un solo libro. / Volumes 1 to 2 of a multi-volume work bound together in a single book. Italiano : Ristampa su richiesta. Edizione originale : 1786. Opera in italiano. Questo volume presenta il libretto e la partitura completa dell'opera "Olimpiade: Drama Seria" di Giovanni Paisiello basato sul testo di Pietro Metastasio. L'opera composta nel 1786 è un esempio significativo del repertorio operistico del XVIII secolo caratterizzato dalla maestria melodica di Paisiello e dalla profondità drammatica del libretto di Metastasio. L'opera è strutturata in tre atti e combina elementi tragici e comici riflettendo le convenzioni teatrali dell'epoca. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1786. Text in Italian. This volume presents the libretto and full score of the opera "Olimpiade: Drama Seria" by Giovanni Paisiello based on the text by Pietro Metastasio. Composed in 1786 the opera is a notable example of 18th-century operatic repertoire distinguished by Paisiello's melodic mastery and the dramatic depth of Metastasio's libretto. The opera is structured in three acts and combines tragic and comic elements reflecting the theatrical conventions of the period. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
rif. 2325612 October 1953. On London letterhead of 'The King and I' Williamson Music Limited 14 St George St W.1. 1p 4to. In fair condition lightly aged. Folded once. The printing of the letterhead in red and black extends along three edges with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot including Rodgers Hammerstein and 'Louis Dreyfus British formerly American'. The note addressed to 'Mr. MacQueen Pope' at his Coventry Street address reads: 'Dear MacQueen Thank you for your book I know that I shall read it with great pleasure. We had the opening you predicted and I am very glad that you were not wrong. All the best to you.' 'The King and I' was written as a vehicle for Gertrude Lawrence who starred in the original Broadway run opposite Yul Brynner. The original London production opened on 8 October 1953 at the Theatre Royal Drury Lane and featured Valerie Hobson as Anna and Herbert Lom as the King. MacQueen-Pope was the Drury Lane publicist hence his ability to make a prediction about the production's success. 12 October 1953. On London letterhead of 'The King and I', Williamson Music Limited, 14 St George St, W.1. unknown
1845rif. 94059[Ca. 1845]. 5 x 4,5 cm. Feinkartonpassepartout.
rif. boz_004823P.H. Raymond-Duval Pouvoir signé par P.H. Raymond-Duval, librettiste. Dimensions : 24 x 17 cm.
rif. boz_002625Paul Jules Barbier Pouvoir signé par le poète, dramaturge et librettiste, Paul Jules Barbier. Dimensions : 24 x 17 cm.
rif. 12301Without date or place. 1p. 16mo. On a piece of watermarked laid paper 17 x 10.5 cm. Fair on lightly-aged paper with a manuscript correction 'tracts' to 'tracks'. In three numbered stanzas Farnie's version being in effect an entirely new poem: 'This Fish was indeed Oh! A Woolwich Torpedo But Oh! But Oh! The big whale did not know.' 'Les noces d'Olivette' was first performed in Paris in 1879; Farnie's English language adaptation starring Florence St. John was performed at the Strand Theatre in London from 1880 to 1881. This version without date or place does not correspond to any of the six versions listed on COPAC. Without date or place. unknown
1948rif. 141028N.p.: N.p. 1948. Draft script for an unproduced musical. Several annotations in manuscript ink throughout. Originally published in the Saturday Evening Post and based on a short story by Dana Burnet. A senator is slated to give the keynote speech at the upcoming Democratic National Convention with many young people in attendance to protest the war. Following the advice of his assistant he ends up giving a speech from his heart and ends up nominated for president. Set in Philadelphia. Rust titled wrappers. Title page present dated June 1948 with credits for playwright Dana Burnet and librettist Shirley Solomon. 120 leaves with last page of text numbered 7:3. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1948rif. 141028N.p.: N.p. 1948. Draft script for an unproduced musical. Several annotations in manuscript ink throughout. Originally published in the Saturday Evening Post and based on a short story by Dana Burnet. A senator is slated to give the keynote speech at the upcoming Democratic National Convention with many young people in attendance to protest the war. Following the advice of his assistant he ends up giving a speech from his heart and ends up nominated for president. Set in Philadelphia. Rust titled wrappers. Title page present dated June 1948 with credits for playwright Dana Burnet and librettist Shirley Solomon. 120 leaves with last page of text numbered 7:3. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1794rif. 215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown
1794rif. 215352London: Debrett; Longman; Debrett; Debrett 1794. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Three quarters blue polished calf gilt spine t.e.g. Upper cover detached. All but the last title first editions. 80; 6 42; 4 61 3; 4 32 pp. 1 vols. 8vo. Debrett; Longman; Debrett; Debrett unknown books
rif. 18291Paris, Baudry ; Hippolyte Souverain (Lyon, imprimerie typographique et lithographique de Louis Perrin), 1842 ; 2 tomes in-8, demi-chagrin rouge à coins, dos à nerfs décoré et doré aux petits fers, titre doré, tête dorée, tranches juste ébarbées (Bruyère) ; [4], 415 pp., frontispice dessiné par Louis Perrin, lithographié en rouge, ocre, noir et argent ; [4], 494 pp., frontispice identique au tome Ier, mais tiré en vert, vieux rose, noir et argent, nombreux ornements typographiques (bandeaux, lettrines, culs-de-lampe).
1970rif. 88709Editions du CNRS, coll. « le Choeur des muses. Corpus des luthistes français » 1970 In-4 cartonnage pleine toile grise 27,7 cm sur 21,5. 359 pages. Très bon état d’occasion.
