Vendelin, Carmen & Kate KrasinBiblio.com
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2016ref. 121185Pomegranate. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 96 pages. Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 0764975579 . Pomegranate hardcover
2011ref. 88835Museum; Yale University Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 140 pp. ; 166 ills. -- with a bonus offer--; Cosmopolitan Routes situates 20th-century Latin American art as an evolving discourse of individual impulses universal themes and shared ideas. It further illustrates the parallels between works produced in Latin America and the artistic movements that have come to define modern and contemporary art on a global level. Showcased in detail are nearly 100 masterworks from Houston collections ranging from early Modernist and postwar pieces to contemporary creations by artists from Uruguay Brazil Venezuela and Mexico. From the Constructive Universalism of Uruguayan artist Joaquín Torres-Garcia to the figurative and Surrealist work of artists such as Remedios Varo Leonora Carrington and Pedro Friedeberg a host of diverse movements are represented. All of the works demonstrate the depth and quality of Latin American artistic expression as well as the spirit of diversity and exploration involved in the quest for collecting art. . 2011. 0300169930 . Museum; Yale University Press (Distribution) hardcover
2010ref. 835306Museum; Yale University. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 268 pages; 246 illus. -- with a bonus offer--; This handsome book presents highlights from one of America’s preeminent private collections of Old Master drawings assembled over the past fifteen years by Julie and David Tobey. Ranging in date from the 16th through the 18th century some 70 drawingsmany previously unpublishedare featured including works by brilliant draftsmen such as Correggio Parmigianino Giulio Romano Bernini Poussin Guercino Ribera Canaletto and Tiepolo. Impressive in their variety of subjects the drawings include figure studies historical and mythological narratives landscapes vedute botanical drawings motifs copied from or inspired by classical antiquity and designs for painted compositions. All the works are illustrated in color and accompanied by numerous comparative illustrations; brief biographies of each artist are also included. . 2010. 0300155247 . Museum; Yale University hardcover
ref. Z1-K-023-01763Springer. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Springer unknown
1996ref. SBBI-mon0000083125Macmillan Education 1996. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Macmillan Education paperback
1997ref. 102982U. D. New. 1997. Paperback. 8486897289 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 324 pages; a number of color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee U. D. paperback
2009ref. 86916Caja De Ahorros De La Inmaculada. New. 2009. Hardcover. 849686927X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- INCLUDES CD-ROM. Text in Spanish. 446 pages with many illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee -- with a bonus offer . Caja De Ahorros De La Inmaculada hardcover
ref. EXE-213Paris, Société des Cent Bibliophiles, 1901. In-8°, maroquin bleu nuit, importante composition florale Art Nouveau mosaïquée sur les plats, dos à nerfs orné de même, doublures de maroquin bordeaux mosaïquées de fleurs et décorées d’un jeu de cercles dorés, gardes de soie fleurie, tête dorée, couverture, étui (Kieffer). 170 lithographies en couleurs d’Alexandre Lunois dans le texte. Tirage limité à 125 exemplaires, tous sur vélin, celui-ci est ENRICHI D'UNE SUITE DES LITHOGRAPHIES reliée en fin de volume.
ref. 58068Venedig, Johann von Köln u. Johann Manthen, 27. August 1478. Fol. Mit eingemalten Alinea-Zeichen alternierend in Rot und Blau sowie eingemalter Kopfzeile in Rot und Blau. 228 nn. Bll. (das erste weiß; Rom. Type mit griech. Einsprengseln, 37 Zeilen, Blindgepr. Ldr. d. 20. Jhds. auf 5 Bünden m. goldgepr. Rückentitel.
1933ref. 9014Detroit USA: Unpublished 1933. Inscribed with drawings and doodles by the artistic super-couple Frida Kahlo and Diego Rivera at the unveiling of Rivera's newly completed masterpiece the Detroit Industry Murals at the city's Institute of Art early in 1933. With these drawings into a child's autograph album made a few days before their departure for New York City Kahlo and Rivera marked the close of a period of great artistic achievement for them both. Just three days before these drawings were created Rivera finished his industrial frescoes and Kahlo completed her anguished sequence of Detroit canvases which are considered to be among her greatest works. In the drawing that she executed for Lydia Cohen in this album Kahlo depicts a cat seen from behind placidly sitting and looking away from both artist and the album's owner. Next to this she has written 'To Lidia with the love of Carmen Rivera' - signing herself with her formal married name as she did on her Detroit paintings. According to Helga Prignitz-Poga only one other depiction of a cat is known in Kahlo's work Self Portrait with Thorn Necklace lending special significance to this image. Rivera's first contribution to the album shows in portrait format a full length image of a woman whose face is seen in profile wearing boots and what may be a feathered Aztec skirt next to a little gate or perhaps a swimming pool ladder. This is signed 'Diego Rivera' and undated. Five leaves later Rivera has drawn a wild yet instantly recognisable portrait head of himself seen in profile as in voluble full flow using blue-black ink and inscribed it: 'Diego Rivera. Detroit March 16 1933.' Together Kahlo and Rivera spent much of 1932 and early 1933 in Detroit where Rivera was commissioned to create a series of frescoes for the Detroit Art Institute which would draw upon the city's industrial heritage. It is generally acknowledged that while in the city both artists hit 'a career peak' as Rivera completed his DIA mural and Kahlo worked intensely on a series of portraits dealing with her personal struggles. Later Rivera remembered how: 'Frieda began work on a series of masterpieces which had no precedent in the history of art. Never before had a woman put such agonized poetry on canvas as Frida did at this time in Detroit.' Whilst they lived in the city the couple were feted and entertained by Detroit's elite. Kahlo in particular responded provocatively to her American hosts: 'the expansive Rivera speaking Spanish and French and demanding all the attention with the petite and caustic Kahlo dressed in colorful Mexican costumes. At Henry Ford's sister's home Frida talked on about the wonders of communism. At a dinner at Henry Ford's she asked the anti-semitic industrialist if he was Jewish.' One of the other elite Detroit households who entertained Kahlo and Rivera was the Cohen family parents of Lydia -or Lidia - Cohen who on the evening of March 13 1933 persuaded Kahlo and Rivera to inscribe her little album. This album captures a pivotal moment in art history. PROVENANCE: Lydia Cohen and by descent. LYDIA COHEN'S ALBUM: Black roan with amateur tape repairs to the backstrip and loss at the head and tail of the spine; 55 paper leaves alternating pink yellow and gree in colour; c75 inscriptions. Lydia Cohen has written her name on the front flyleaf and her schools in Detroit: William T Sampson School; George Brady School; Roosevelt Elementary; Durfee Middle School. The entries into the album do not follow chronological order but dot around between 1922-1934 with contributions from school teachers friends musicians mostly English and sometimes written and drawn in Hebrew. Kahlo's contribution appears first followed by Rivera's pair of drawings all three inserted between other signed pages. A second Spanish speaker seems to have been present that night spent with the Cohens Kahlo and Rivera on March 16. 1933. They have written: 'El idioma es corto y la palabra tosca para hablar de las vellezas tullas mejor recibe mi galarte via en il idioma quero lo el alma entiende' 'The language is short and the word is crude to speak of the tullas' virtuousness it is better to receive my reward via the language that the soul understands' - perhaps suggesting they were also a creative figure and signed 'Y Ay'. The album is housed in a custom-made drop-back solander box with natural wool lining. Please contact Christian White Rare Books Ltd for more information or images of this item 1933 Unpublished unknown
