Elizabeth GaskellBiblio.com
1624 resultados
1856ref. feb502051856: First French Edition of Cranford Used. For more details please contact me Hachette
1997ref. feb916371997: First Chinese Edition of Cranford 克蘭弗德 Used. For more details please contact me Foreign Language Publishing
1927ref. feb421661927: First Finnish Edition of Cranford Cranfordin seurapiiri Used. For more details please contact me Hedman Walfrid
1953ref. feb505031953: Rare Japanese Edition of Cranford 女ã ã‘ã®ç”º Used. For more details please contact me Kadokawa Bunko
1946ref. 100117921Nouvelles éditions latines 1946 in12. 1946. Broché.
1986ref. RO60108779Penguin Books. 1986. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 362 pages. Quelques annotations au crayon dans le texte?. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1948ref. 427351London : G.C. Harrap 1948. Reprinted. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat stained dulled and rubbed as with age. Illustrated end-papers. Remains quite well-preserved overall. Physical description; 255 pages : illustrations ; 23 cm. Notes; ""The first impression of this edition . was published in 1940 and most of it was destroyed by enemy action . Reprinted 1948."" Subjects; 1800-1899. Manners and customs. England Social life and customs 19th century ; Fiction. English fiction 19th century. London : G.C. Harrap hardcover
ref. 12448458like new. unknown
ref. 12419983like new. unknown
1954ref. mon0000195414Rockliff Publishing 1954-01-01. Hardcover. Good. in x in x in. Ex-Library usual stamps and markings. Hardback/Hardcover. Rockliff Publishing hardcover
ref. 12350130like new. unknown
ref. 466944Heron Books. Hardcover. Good. Elizabeth Gaskell's portrait of kindness compassion and hope. Heron Books hardcover
1930ref. blb08744London: MacMillan and Co. 1930. 1st thus. Hardcover. Near Fine. Finely bound in 3/4 navy blue leather over boards with a patterned cloth. Same design to endpapers. Top edge bright gilt and spine elaborately tooled with gilt two maroon leather title boxes and four other panels. Some minor rubbing to edge of leather where it meets spine. Book still Near Fine with no markings or flaws inside and only the minor aforementioned to outside. Filled with line drawings by Hugh Thomson - title page printed in black and red with red rulings. Very nice later printing - stated as 1930 on the title page - of the first edition with Hugh Thomson illustrations. MacMillan and Co. hardcover
1904ref. RO60107216Bernhard Tauchnitz, Leipzig. 1904. In-16. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur acceptable. 295 pages. Quelques annotations dans le texte. Nombreuses pages non coupées.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1892ref. 953T53London: Macmillan and Co. Limited 1892-1893. First edition. Cloth. Very Good. 7.5" by 5". Hugh Thomson. Two smart volumes of these illustrated novels from English writers Elizabeth Gaskell and Mary Russell Mitford. Two volumes. Both illustrated throughout with in-text images from Hugh Thomson an Irish illustrator best known for his pen-and-ink illustrations. With an introduction to each text from Anne Isabella Lady Ritchie the eldest daughter of William Makepeace Thackeray and an English writer. This set contains: Cranford 1892. Fourth impression. An episodic novel following a cast from the fictional town of Cranford based on the small Cheshire town of Knutsford in which Elizabeth Gaskell grew up. Written by Elizabeth Cleghorn Gaskell often referred to as Mrs Gaskell was an English novelist biographer and short story writer. Our Village 1893. First edition. A collection of about one hundred literary sketches of rural life the vivid series was based upon life in Three Mile Cross a hamlet in the parish of Shinfield south-east of Reading in Berkshire where she lived. Written by Mary Russell Mitford an English essayist novelist poet and dramatist. In the original full green cloth binding with gilt. Externally sound with rubbing and minor bumping to the extremities. Light fading to the spines with splits in the cloth to the head and tail of the spine. Hinges starting but firm with the front endpaper of Cranford loosening. Internally firmly bound. Pages are very bright with light scattered spotting. A contemporary ink inscription to the front endpaper. Very Good Macmillan and Co., Limited hardcover
1891ref. 27824London: Macmillan and Co 1891. Large paper copy. With a Preface by Anne Thackeray Ritchie and Illustrations by Hugh Thomson. 1 vols. Large 8vo. Original brick red cloth. Spine faded label a little rubbed else very good. Large paper copy. With a Preface by Anne Thackeray Ritchie and Illustrations by Hugh Thomson. 1 vols. Large 8vo. Macmillan and Co unknown
1891ref. 27824London: Macmillan and Co 1891. Large paper copy. With a Preface by Anne Thackeray Ritchie and Illustrations by Hugh Thomson. 1 vols. Large 8vo. Original brick red cloth. Spine faded label a little rubbed else very good. Large paper copy. With a Preface by Anne Thackeray Ritchie and Illustrations by Hugh Thomson. 1 vols. Large 8vo. Macmillan and Co unknown books
1895ref. 6453London: Macmillan 1895. Later printing. Near Fine. Early reprint of the 1891 first Thomson illustrated edition. A Near Fine copy. Octavo 7 1/2 x 5 inches; 191 x 127 mm. Frontispiece xxx 297 1 pp. With 110 black and white illustrations in the text. Occasional foxing or staining especially on pp. 16/17; 104/105; 144/145 and 270/271. Bound in an 'Exhibition' binding by Zaehnsdorf executed in 1897 stamp-signed in gilt on front turn-in. Full crimson crushed levant morocco covers bordered in gilt and decoratively tooled in gilt and pointille in an elaborate floral design front cover lettered in gilt. Spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt ruled board edgeswide and elaborate gilt decorated turn-ins ochre silk liners and end-leaves top edge gilt others uncut. The rear liner has the Zaehnsdorf 'Exhibition' stamp in gilt. Joints expertly and almost invisibly repaired one corner a little bumped still a very early and excellent example of a Zaehnsdorf 'Exhibition' binding housed in a red morocco edged felt-lined red cloth slipcase. Elizabeth Gaskell 1810-1865 was an important proto-Feminist writer who often tackled unorthodox subjects in her novels. Cranford for example is an episodic book concerning a country village community of lower and middle class unmarried older women and the social changes coming to an industrializing Victorian Britain. "The greatest charm of Cranford which has kept it unfailingly popular is its amused but loving portrait of the old-fashioned customs and 'elegant economy' of a delicately observed group of middle-aged figures in a landscape" Oxford Companion to English Literature. "Elizabeth was an active humanitarian; her novels convey many messages about the need for social reconciliation for better understanding between employers and workers and between the respectable and the outcasts of society. Her writing was carefully researched and she took particular care in reproducing northern dialects accurately" Gaskell Society. Gaskell was part of a wide literary circle: she was friends with Charlottee Bronte and John Ruskin and clashed with Charles Dickens when he edited Cranford for serialization in the magazine Household Words. In this lovely copy are images by Hugh Thomson 1860-1920 famed at the turn of the century for illustrating works by luminaries including Jane Austen and William Shakespeare. The Austro-Hungarian-born Joseph Zaehnsdorf 1816-1886 trained with binders in Stuttgart and in Vienna before moving to Germany Switzerland France and eventually settling London. He worked for various shops before opening his own bindery in 1842. In the face of industrializing production Zaehnsdorf embraced craft and eventually gained recognition for his talent. He was known for his precise finish and elegant design. The firm would continue in his son John William's capable hands; it employed binders like Louis Genth Roger de Coverly and Sarah Prideaux. Family run until 1947 it was eventually acquired by Asprey of London in 1983 Gertz. Near Fine. Macmillan unknown
1895ref. 6453London: Macmillan 1895. Later printing. Near Fine. Early reprint of the 1891 first Thomson illustrated edition. A Near Fine copy. Octavo 7 1/2 x 5 inches; 191 x 127 mm. Frontispiece xxx 297 1 pp. With 110 black and white illustrations in the text. Occasional foxing or staining especially on pp. 16/17; 104/105; 144/145 and 270/271. Bound in an 'Exhibition' binding by Zaehnsdorf executed in 1897 stamp-signed in gilt on front turn-in. Full crimson crushed levant morocco covers bordered in gilt and decoratively tooled in gilt and pointille in an elaborate floral design front cover lettered in gilt. Spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt ruled board edgeswide and elaborate gilt decorated turn-ins ochre silk liners and end-leaves top edge gilt others uncut. The rear liner has the Zaehnsdorf 'Exhibition' stamp in gilt. Joints expertly and almost invisibly repaired one corner a little bumped still a very early and excellent example of a Zaehnsdorf 'Exhibition' binding housed in a red morocco edged felt-lined red cloth slipcase. Elizabeth Gaskell 1810-1865 was an important proto-Feminist writer who often tackled unorthodox subjects in her novels. Cranford for example is an episodic book concerning a country village community of lower and middle class unmarried older women and the social changes coming to an industrializing Victorian Britain. "The greatest charm of Cranford which has kept it unfailingly popular is its amused but loving portrait of the old-fashioned customs and 'elegant economy' of a delicately observed group of middle-aged figures in a landscape" Oxford Companion to English Literature. "Elizabeth was an active humanitarian; her novels convey many messages about the need for social reconciliation for better understanding between employers and workers and between the respectable and the outcasts of society. Her writing was carefully researched and she took particular care in reproducing northern dialects accurately" Gaskell Society. Gaskell was part of a wide literary circle: she was friends with Charlottee Bronte and John Ruskin and clashed with Charles Dickens when he edited Cranford for serialization in the magazine Household Words. In this lovely copy are images by Hugh Thomson 1860-1920 famed at the turn of the century for illustrating works by luminaries including Jane Austen and William Shakespeare. The Austro-Hungarian-born Joseph Zaehnsdorf 1816-1886 trained with binders in Stuttgart and in Vienna before moving to Germany Switzerland France and eventually settling London. He worked for various shops before opening his own bindery in 1842. In the face of industrializing production Zaehnsdorf embraced craft and eventually gained recognition for his talent. He was known for his precise finish and elegant design. The firm would continue in his son John William's capable hands; it employed binders like Louis Genth Roger de Coverly and Sarah Prideaux. Family run until 1947 it was eventually acquired by Asprey of London in 1983 Gertz. Near Fine. Macmillan unknown books
ref. 1257762184.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 469140Walter Scott Publishing. Hardcover. Good. Cranford by Elizabeth Gaskell. Illustrated hardback. Undated but around 1900. Pasted-in award label from the Stepney Jewish School dated 1907. Walter Scott Publishing hardcover
ref. 472372Henry Altemus. Hardcover. Good. Attractive pocket size edition of this classic first published as a book in 1853. Here in a US reprint from a publisher in Philadelphia who printed an eclectic collection of books in a uniform library edition that changed its binding regularly. A little research suggests this copy was published in 1896. It is undated. Henry Altemus hardcover
ref. 5323591like new. unknown
ref. 5323591-nnew. unknown
1892ref. 13754London: MacMillan And Co. 1892. 3rd Edition. 3/4 Calf Binding. Very Good. 12mo. 297pp. Beautiful 3/4 turquoise crushed morocco binding over walpaper covers. Spine in 4 uneven compartments with red morocco spine label. Florets and gilt rule decoration on spine. Covers bordered in single pallet gilt rule. Marbled endpapers and top edge gilt. Unsigned fine binding with original cover and spine bound in at rear of volume after adverts page. This victorian classic edition with the illustrations by Hugh Thomson. MacMillan And Co. unknown
