?a Heinrich Hoffmann von FallerslebenBiblio.com
10 437 résultats
réf. 0366443542.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1993réf. D04KS1198Museum Fur Das Furstentum Luneburg No Date 1993. 1st Edition. SOFTCOVER. Large Quarto size 4to in plain grey glossy card covers. 64pp colour plates etc. Edition of 500 copies only. Text in German with a printed full English transcript loosely inserted __CONDITION : An extremely well preserved almost AS NEW copy very small spot of slight surface rub to rear cover adjacent to spine faint rub to spine tips and bottom front corner tip. . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Museum Fur Das Furstentum, Luneburg paperback
1860réf. 31595Lowell: J. Merrill 1860. Very good plus. Uncommon American moral story for children loosely modeled on Hoffmann's STRUWWELPETER. The tale of Peter who cared more for apples nuts and cakes than he did for his lessons and how he was taught to know better through judicious application of humiliation taunting and public disgrace. As with many American stories in this moralizing mode Peter escapes the most gruesome final torments suffered by the classic Hoffmann bad examples and learns his lesson: "For when a fault is repented of and mended it ought not to be spoken of any more; and whoever teazes another about it after that is doing wrong themselves". Number 7 in the Cousin Grace's Pretty Story Book series. Rare; OCLC locates no holdings. 6'' x 4''. Original yellow wrappers. 11 1 pages including covers. Illustrated with engravings on every page. Contemporary inscription in pencil along edge of first page. Soil to covers; lighter soil and foxing throughout. Minor edgewear. J. Merrill unknown
1910réf. 844A49London: Frederick Warne & Co. c1910. Hardback. Good. 6" by 4". Not Stated . An uncommon guide to board and card games by Edmond Hoyle a new modern edition. A new revised edition of this game guide by Edmond Hoyle dated from a copy held at the British Library catalogued on Copac. An uncommon copy.A rule book of numerous popular card and board games including whist chess draughts and poker among others. With some illustrations in text.With additional sections by Professor Hoffman pseudonym for Angelo John Lewis. In the original publisher's printed boards binding. With shelf wear chipped and rubbed to extremities of boards considerable loss to back strip exposing binding material. Internally firmly bound. Pages bright and clean. Good Frederick Warne & Co. hardcover
réf. 65609-A-59056J. Vlieger Amsterdam 1880. Origineel papieren omslag met afbeelding in kleur op voor- en achterplat. Zes paginagrote litho's in kleur van de twee verhalen 'De geschiedenis van Hans-kijk eens in de lucht' en 'De ijsselijke geschiedenis van den klimmer'. -lichte schade aan de rug omslag verkleurd wat inkepingen in de randen van het omslag hoekjes gestoten. Lithografie: Gebr. Braakensiek J. Vlieger, Amsterdam, [1880] unknown
1860réf. 35786New York: McLoughlin Brothers 1860. Fine. First edition of this McLoughlin Brothers STRUWWELPETER-esque title describing children of different temperaments. 4.5'' x 3.5''. Original pictorial wrappers saddle-stitched. Illustrated with four full-page two-color illustrations. 10 pages. A sharp copy. McLoughlin Brothers unknown
réf. 101703Fürth Jos. Hesse 1926. . Reizvolle Ausgabe mit ungewöhnlicher Einbandgestaltung ." Rühle 38 -/10. - Diese Ausgabe enthält acht der zehn Geschichten in veränderter Zusammenstellung und Reihenfolge: Struwwelpeter. Die Geschichte vom Suppen-Kaspar. Die Geschichte vom Daumenlutscher. Die Geschichte vom bösen Friederich. Die Geschichte vom Hanns Guck-in-die-Luft. Die Geschichte vom Zappel-Philipp. Die gar traurige Geschichte mit dem Feuerzeug. Die Geschichte von den schwarzen Buben. Nicht vorgesehen sind somit: Prolog; Die Geschichte vom wilden Jäger; Die Geschichte vom fliegenden Robert. - Deckeltitel in Sütterlin Innentext in Fraktur. - Diese ungewöhnlich großformatige Variante für uns bis auf das bei Rühle verzeichnete Berliner Exemplar nicht nachweisbar. - Bindung lose Kanten bestoßen; etwas fleckig zwei Krickelstellen von Kinderhand. Trotz der Gebrauchsspuren im Ganzen ordentliches Exemplar dieser sehr seltenen Ausgabenvariante Fürth, Jos. Hesse, [ 1926]. unknown
réf. STLE0059Frankfurt und Leipzig d.i. Wien bei Weimar und Schladebach 1792. Kl.-8°. XXX2 232 S. Mit e. kl. Holzschnitt-Vignette. Späterer stummer Pappband m. marmor. Überzugspapier. Einbd. geringf. berieben im Text durchgeh. leicht gebräunt aber sauber u. kaum abgegriffen Nachsatz fachgerecht erneuert. Holzmann/Boh. 4 11458 u. vgl. Wurzbach 9 161ff.; Brandl 110; Durstmüller 1 255; Petrik Bibliographia Hungariae 2 141. Das anonym erschienene Werk wurde vermutlich von Johann Martian Weimar auch Weymar zu dieser Zeit Buchdrucker in Wien gedruckt. Sein verfasser L. A. Hoffmann 1760-1806 war eine der umstrittensten Personen der Ära Josephs II. vom eifrigen Autor zahlreicher Schriften im Sinne der josephinischen Reformen wurde er unter Leopold II. u. Franz II. zum glühenden Verfechter der Reaktion. Frankfurt und Leipzig [d.i. Wien?], bei Weimar und Schladebach 1792. unknown
1898réf. 31334München Munich: Braun & Schneider 1898. Near fine. Delightful and bizarre anthology of stories presented in broadsides in a comic-like format including a cameo by STRUWWELPETER. The MÜNCHENER BILDERBOGEN were "important documents in the development of comic strips and cartooning" Hansen and over their 50 year run influenced Europe's visual culture with their humor and caricature. Contributors to the series included Lothar Meggendorfer Wilhelm Busch and Adolf Oberlander. This issue number 50 features broadsides 1177-1200 including a delightful glimpse of the year 1900 featuring futuristic trains motorcars and a sky full of balloons by Arpad Schmidhamer who would go on to illustrate the iconic "Totentanz der Politik" comic. 13.25'' x 8.75''. Original hand-colored pictorial boards. Illustrated with hand-colored panels. 96 pages printed one side only. Binding with mild edgewear and a bit of soil. Interior clean and bright. Braun & Schneider unknown
réf. 1934-06Bln. Reimer 1827. 2 Theile in 1 Bd. XVI 451 S. OBrosch. Berieb. durchgeh. leicht stockfl. Bln., Reimer 1827. unknown
réf. 027388New York.: Dodd Mead & Company. First printing. Undated 1932. . Hard with Dust Jacket. Good in poor dust jacket. 4to. 10". Good in poor dust jacket. DJ missing quarter of rear panel and most of rear flap and with a little loss to spine and edges as pictured. Covers lightly sunned. A touch warped. Very mild foxing to endpapers. 206pp. 0 Dodd, Mead & Company. unknown
1876réf. 31579New York: McLoughlin Brothers 1876. Very good plus. First edition of this STRUWWELPETER-esque story of a very naughty boy and the consequences of his actions. Part of McLoughlin's "Father's Series" "instructive little stories" each with "particularly apt and pleasing" color illustrations Publisher's Trade List. OCLC locates only 5 copies. 6'' x 5''. Original color pictorial wrapper saddle-stitched. Eight color illustrations. 8 pages. Small early owner's name to inner front and rear wrapper "Willie King." Light soil to wrappers with a couple expert tiny spine repairs. Occasional mild soil and light pencil marks to leaves. Colors bright. McLoughlin Brothers unknown
1680réf. 3358Jenae Jena: Sumtibus Johannis Jacobi Bauhoferi Bauhöfer Johann Jacob 1680. Second edition first published in 1667. Four works bound in one volume. Contemporary vellum binding with title inked on the spine and a faint shelfmark vignette. Contemporary owner’s inscription on the first title page. Handwritten content on the final blank leaf of the last work. Rear free endpaper is missing. Tiny wormholes throughout with more noticeable effects toward the rear including the rear binding panel. Rear panel slightly stained. Despite the wormholes overall in fine condition. Illustrated with five large almost full-page and full-page woodcuts and five smaller woodcut illustrations and a large folding plate. Illustrated with five large almost full-page and full-page woodcuts and five smaller woodcut illustrations and a large folding plate. Second edition first published in 1667. Four works bound in one volume. Contemporary vellum binding with title inked on the spine and a faint shelfmark vignette. 8 196 p. and 1 folding plate. A scarce and early illustrated comparative study on global religions including American and Asian beliefs through a Lutheran lens—is bound alongside three foundational Lutheran texts. Umbra in Luce or Shadow in Light: Agreement and Disagreement of Profane Religions with Christian Truth originally presented in 1667 as an academic disputation at the University of Jena is a comparative theological study authored by Christian Hoffmann under the guidance of Johann Ernst Gerhard. This work examines Judaism Islam Samaritanism as well as Chinese Hindu and Mongolian beliefs uniquely incorporating references to indigenous American and Mexican religions. Hoffmann describes these American beliefs as “shadowed” reflections of divine truth presenting them through a distinctly Lutheran lens. The text with its Samaritan title Ṭelal be-nahar "shadow in light" features a diverse set of typefaces—Arabic Hebrew and Greek—and includes exotic woodcut inserts a folding plate and text illustrations of various coins. The larger illustrations depict figures such as a flaming bronze idol of Moloch associated with ancient child sacrifice along with artifacts from Gerhard’s collection including a Hindu Bhairava statuette and an Indonesian shadow puppet. Notably Hoffmann mistakenly labels this statuette as a "Chinese idol" underscoring the era’s limited understanding of Asian religions. While many images are borrowed from Athanasius Kircher’s Oedipus Ægyptiacus others directly depict Gerhard’s artifacts like the Bhairava statuette a fierce incarnation of Shiva obtained through the Dutch East India Company by Johann Schelhammer a Lutheran pastor in The Hague. These visual and textual elements combined with Hoffmann’s commentary on Mexican religious practices and a depiction of Huitzilopochtli—the Aztec god of war and the sun symbolizing protection and sacrifice—create a vivid portrayal of 17th-century efforts to interpret global religions within a Christian framework. Additionally an intriguing feature of Hoffmann’s text is its engagement with Asian linguistic elements including a passage in Tamil reflecting his interest in Eastern languages and cultures. Bound with Umbra in Luce are three additional theological works: In Canonicam & Catholicam Jacobi Epistolam Commentarius by Caspar Erasmus Brochmand Trifolium Verae Religionis by Wilhelm Leyser and Harmonia Evangelistarum organized by David Klug. These works were likely compiled together to offer a comprehensive suite of Lutheran scholarship that addresses both scriptural exegesis and comparative theology. While Umbra in Luce examines global religions through a comparative lens the others provide detailed doctrinal guidance for Lutheran clergy reflecting an integrated approach to defending and elucidating Lutheran theology against both external and internal religious perspectives. Literature: Ben-Tov A. 2021. Johann Ernst Gerhard 1621–1668: The life and work of a seventeenth-century orientalist. Brill. . Sumtibus Johannis Jacobi Bauhoferi [Bauhöfer, Johann Jacob] unknown
1870réf. 6346Stuttgart: Verlag von W. Nitzschke 1870. Lossow Heinrich. Third ed. Illustrated issue. Oblong 4to. 3 62 pp. 4 illustrations which are color-printed with secondary hand-coloring. Cloth-backed illustrated paper over boards rubbed on extremities; dampstained along edges mostly affecting the blank margins occasional foxing else very good. Illustrated by Heinrich Lossow and R. Geifsler. The lithographs are hand colored. Verlag von W. Nitzschke unknown
1985réf. 168464Stuttgart: Graphische Sammlung Staatsgalerie 1985. First Edition. Softcover. First Edition. Text in German. Published in conjunction with an exhibition at Graphische Sammlung Staatsgalerie in Stuttgart held from December 19 1985 to March 9 1986. Near Fine in perfect-bound wrappers in a Near Fine dust jacket. Graphische Sammlung Staatsgalerie unknown
1907réf. 40330AB1907. Berlin G. Grote 1907. 24.6cm x 17.5cm. XVII 280 Seitenm mit neun ganzseitigen Illustrationen Tafeln mit Tissue-Guard. Originaler illustrierter Ganzleinenband mit den originalen illustrierten Vorsatzblättern. Eine der Einbandkanten etwas stärker bestossen. Minimale Stossspur am Schnitt. Sonst der originale Einband ganz außergewöhnlich gut erhalten. Wundervolle Vignetten und Illustrationen von Hugo Steiner-Prag. Hugo Steiner-Prag 12. Dezember 1880 in Prag; 10. September 1945 in New York war ein österreichisch-deutscher Illustrator Buchgestalter und Pädagoge berühmt als Buchillustrator und Bühnenbildner. Der Sohn eines Buchhändlers besuchte ab 1898 die Kunstakademie Prag und von 1901 bis 1903 die Kunstakademie München wo er Schüler von Peter Halm und Franz von Stuck war. Im Jahr 1905 konvertierte er vom Judentum zum Katholizismus und nahm 1907 die deutsche Staatsbürgerschaft an. Beruflich lehrte er bis 1905 an dem Lehr- und Versuchsatelier für freie und angewandte Kunst in München und von 1905 bis 1907 an der Kunstgewerbeschule Barmen von wo er an die Königliche Akademie für Graphische Künste und Buchgewerbe nach Leipzig berufen wurde. Ab 1910 hatte er dort einen Lehrstuhl inne. Unter anderem zählte Erich Ohser e. o. plauen zu seinen Schülern. In dieser Zeit war er zugleich künstlerischer Leiter des Propyläen Verlags in Berlin. Bekannt wurde Hugo Steiner-Prag durch seine Illustrationen zu Lenaus Gedichten Andersens Märchen und Hoffmanns Die Elixiere des Teufels. 1915 illustrierte er Gustav Meyrinks Roman Der Golem. Er war Präsident der Internationalen Buchausstellungen zu Leipzig 1919 und 1927 und organisierte die Buchabteilungen der deutschen Ausstellungen in Barcelona Lyon Paris Pittsburgh und New York. Nach der Machtergreifung der Nationalsozialisten 1933 verlor er seine Professur und kehrte nach Prag zurück. Dort gründete er mit Unterstützung der tschechischen Regierung die staatliche Officina Pragensis eine Lehrstätte für Nachwuchstalente gestaltete Bühnenbilder und bereiste Böhmen und die Karpaten. Nach dem deutschen Einmarsch emigrierte er 1939 nach Schweden und schließlich 1941 in die USA. 1942 ließ er sich in New York nieder. Er unterrichtete an der Universität wurde Mitglied des American Institute of Graphic Arts illustrierte Bücher und entwarf Signets. Wikipedia unknown
réf. 0259050644.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0484548921.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0656813210.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366889613.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366889125.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0282033270.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1390310337.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0282181822.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0484293028.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
