Hoffmann, Moritz =Biblio.com
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réf. 53778Kupferstich Daniel Preusler = Preissler pinx. Philip Kilian sculp. 263 x 141 auf 312 x 196 mm; zarter Wasserrand in unterer linken Ecke. Moritz Hoffmann 20.09.1621 in Fürstenwalde Brandenburg - 20.04.1698 in Altdorf Arzt. Stud. Altdorf/Padua 1648 a. o. und 1649 o. Prof. der Anatomie Chirurgie 1653 auch der Botanik in Altdorf prakt. Arzt in Nürnberg kurfürstl. u. markgräfl. brandenburg. sowie hzgl. württemberg. Leibarzt. "Hüftb. nach hr. in der Rechten Lilie haltend im Hintergrund l. Säule auf hohem Postament daran Wappen unter lat. Devise "SPERANDUM et FERENDUM" Man muß hoffen und ertragen. Über dem Bildrechteck 5zeil. lat. Suprascriptio "MAURICIUS HOFFMANN Fürstenwaldensis Marchicus Medicinae Doctor in Universitate Altdorffinâ Anatomes Chirurgiae et Botanices Professor Publicus Hortique Medici Praefectus et Reipublicae Norimbergensis Practicus. AEtatis XLIII." - Unter dem Bild 8 distich. lat. Verse mit Widmung "Publicum hoc Amoris Honorisque Monumentum Fidelissimo Mentis Parenti et Societatis Medicae Altorffinae Auctori observantiae testandae gratiâ sacrarunt Intimi Mentis Filij Anno Christi M. DCLXIV": En! quem suspirant AEgri sperantque salutem Quo visô visit pristinus ossa calor. En vultum! cultum verò quis pectoris alti Exprimat in Cyprio frons velut aere nitet Quis dignè Genium dignè quâ seminat artes Arte suas celebret praedicet inde fidem Annis posterior multis prior omnibus usu O longum felix Optime Doctor ave! Sehr hier den nach dem die Kranken seufzen und von dem sie sich Heilung erhoffen bei dessen Anblick ihnen die frühere Lebenswärme in die Glieder zurückkehrt Wortspiel viso/visit. Seht hier sein Gesicht! Wer indessen könnte den inneren Adel des Herzens so ausdrücken wie die Stirn in zyprischem Kupfer erglänzt Wer könnte angemessen seinen Geist rühmen die Kunst mit der seine Kenntnisse weitergibt und das daraus entspringende Vertrauen gebührend preisen An Jahren vielen unterlegen an Erfahrung aber allen überlegen: o mögest Du bester Arzt noch lange glücklich leben!" Die Porträtsammlung der Herzog August Bibliothek Wolfenbüttel. Bearbeitet von Peter Mortzfeld. No. 9888 Panzer 108 10; Drugulin Ä.2564; Diepenbroick 11995; Hollstein G.1814 Nr. 202; Burgess 1420.1. unknown
1900réf. 534751900. Med. Dtsch. - Berlin-Charlottenburg Adolf Eckstein o.J. ca.1900 30 x 46 cm; beigelegt 1 Blatt Biographie. Dr. Hugo von Hoffmann 12. November 1846 - Grossherzoglich badischer Hofrat Baden-Baden Augenarzt. unknown
réf. 3599694Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1638. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3599695Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1638. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3599696Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1638. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3599693Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1638. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 51-7121Berlin: circa 1923. Original silver print. 30 x 21.5cm. Signed and titled verso in pencil by the photographer who was also the cinematographer of the fil. .Carl Hoffmann's cinematography profoundly shaped German Expressionism particularly through his innovative use of lighting and composition in films like F.W. Murnau's Faust 1926 where he crafted atmospheric visuals blending stark shadows and ethereal effects to evoke supernatural themes. His techniques also influenced epic filmmaking during the Weimar Republic emphasizing dynamic camera movements and visual storytelling that prioritized mood over realism. Following World War II these Expressionist methods were carried to Hollywood by émigré filmmakers impacting the stylistic development of American genre films including film noir and fantasy productions.Posthumously his work has been acknowledged in key film scholarship such as Lotte H. Eisner's The Haunted Screen: Expressionism in the German Cinema 1952 which praises the technical prowess of Expressionist cinematographers like Hoffmann for advancing cinematic aesthetics. Contemporary recognition includes the restoration and screening of his silent films at festivals underscoring his enduring influence on visual narrative techniques.He alos orked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin–Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles she played Nora in Ibsen's A Doll's House Marie in Büchner's Woyzeck and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923 appearing in several silent and sound films including Atlantik 1929 – the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette 1931 especially for Mannheim. However as a Jew she was obliged to stop acting in 1933 when her contract at the State Theatre was cancelled. She promptly left Germany first to Czechoslovakia then to Britain. She appeared in several films there notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films as well as broadcasting propaganda to Germany – including performing an anti-Hitler version of Lili Marleen in 1943. In 1941 she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim Berlin: circa 1923 unknown
réf. 51-7122Berlin: circa 1923. Original silver print. 30 x 23.5cm. Signed recto in pencil by the photographer who was also the cinematographer of the fil. .Carl Hoffmann's cinematography profoundly shaped German Expressionism particularly through his innovative use of lighting and composition in films like F.W. Murnau's Faust 1926 where he crafted atmospheric visuals blending stark shadows and ethereal effects to evoke supernatural themes. His techniques also influenced epic filmmaking during the Weimar Republic emphasizing dynamic camera movements and visual storytelling that prioritized mood over realism. Following World War II these Expressionist methods were carried to Hollywood by émigré filmmakers impacting the stylistic development of American genre films including film noir and fantasy productions.Posthumously his work has been acknowledged in key film scholarship such as Lotte H. Eisner's The Haunted Screen: Expressionism in the German Cinema 1952 which praises the technical prowess of Expressionist cinematographers like Hoffmann for advancing cinematic aesthetics. Contemporary recognition includes the restoration and screening of his silent films at festivals underscoring his enduring influence on visual narrative techniques.He alos orked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin–Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles she played Nora in Ibsen's A Doll's House Marie in Büchner's Woyzeck and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923 appearing in several silent and sound films including Atlantik 1929 – the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette 1931 especially for Mannheim. However as a Jew she was obliged to stop acting in 1933 when her contract at the State Theatre was cancelled. She promptly left Germany first to Czechoslovakia then to Britain. She appeared in several films there notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films as well as broadcasting propaganda to Germany – including performing an anti-Hitler version of Lili Marleen in 1943. In 1941 she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim Berlin: circa 1923 unknown
1997réf. 35170MOEWIG ARTHUR 01/04/1997. 1. softcover. Thoregon: 1 Die Tolkander Homer G. Adams / Relebo / Boober / Flame Gorbend / Cistolo Khan Computer: Tolkandische Geheimnisse! DIE GRÖßTE WELTRAUMSERIE! MOEWIG, ARTHUR paperback
réf. 38514931like new. unknown
réf. 38514931-nnew. unknown
2019réf. x-0367283964Routledge 2019. Hardcover. New. 387 pages. 9.45x6.14x0.98 inches. Routledge hardcover
2021réf. 2-0367299429Taylor & Francis 2021. Paperback. New. 387 pages. 9.13x5.79x1.38 inches. Taylor & Francis paperback
réf. ria9780271080086_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; An English translation of Benjamin Hoffmann’s French monograph L’Amérique posthume. Examines the literary idealization of a lost American past in eighteenth-century French literature. paperback
réf. B9780271080086Paperback / softback. New. An English translation of Benjamin Hoffmann's French monograph L'Amerique posthume. Examines the literary idealization of a lost American past in eighteenth-century French literature. paperback
réf. w541-4Hardcover. New. hardcover
2018réf. x-0271080078Pennsylvania State Univ Pr 2018. Hardcover. New. 256 pages. 9.00x6.00x0.96 inches. Pennsylvania State Univ Pr hardcover
réf. DADAX0271080086Penn State University Press 2019-07-15. Reprint. paperback. New. 6.00x9.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Penn State University Press paperback
réf. 34935738-nnew. unknown
réf. 34935738like new. unknown
réf. 30583486like new. unknown
réf. 30583486-nnew. unknown
réf. 0271080078.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0271080086.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2019réf. x-0271080086Pennsylvania State Univ Pr 2019. Paperback. New. reprint edition. 256 pages. 9.00x6.00x0.71 inches. Pennsylvania State Univ Pr paperback
