Mary ShelleyBiblio.com
Mary W ShelleyBiblio.com
The Mary Shelley Reader
réf. 62244991Oxford University Press OUP . Papeback. New. pp. 446 1st Edition Oxford University Press OUP unknown
9 444 résultats
réf. BN118757Camden Town Oberstufe - Zusatzmaterial zu allen Ausgaben Camden Town Oberstufe - Zusatzmaterial zu allen Ausgaben unknown
réf. 62244991Oxford University Press OUP . Papeback. New. pp. 446 1st Edition Oxford University Press OUP unknown
réf. 34985441-nnew. unknown
2009réf. x-9048133769Springer Verlag 2009. Hardcover. New. 2010 edition. 460 pages. 9.25x6.50x1.25 inches. Springer Verlag hardcover
réf. 28857914-nnew. unknown
réf. 28857914like new. unknown
1961In-4° pp. 52 nn. con una riroduzione f.t. di una lettera autografa inviata a Lady Shelley e due ill. a col. applicare sui fogli e molte foto e stampe in nero n.t. Legatura in cartonato edit. con sovrac. ill. a ccolori. Ottimo stato.
2005réf. DADAX0073053074McGraw-Hill Education 2005-07-07. 1. paperback. New. 8.54x0.65x10.82. Buy with confidence. Excellent Customer Service & Return policy. McGraw-Hill Education paperback
1971réf. 28024HEYNE WILHELM 1971. 5. softcover. Frankenstein HEYNE, WILHELM paperback
réf. 45038297-nnew. unknown
1992réf. DADAX0412442000Springer 1992-10-31. 1992. paperback. New. 6.10x1.06x9.17. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1955réf. 137952Beverly Hills CA: United Artists 1955. Vintage candid photograph of Robert Mitchum sharing a moment with his wife Dorothy while on the set of the 1955 film. Dressed in costume as Harry Powell the image of a smiling relaxed Mitchum is incongruous with the severe terrifying nature of the character he played one of the most iconic villains in all film history. 8 x 10 inches. Very Good plus. Shallow vertical slice to the right side of the image. United Artists unknown books
1949réf. 149210Universal City: Universal Pictures 1949. Revised Final Shooting script for the 1950 film here under the working title "Java." Copy belonging to director H. Bruce Humberstone with his name in manuscript pencil on the front wrapper and single annotation on page 41. Loosely based on Tay Garnett's 1940 film "Seven Sinners." A sick steamship crewman attempts to clear his name while being blackmailed for wartime collaboration with the Japanese. Liberace's first credited film appearance as a cabaret performer named "Maestro." Set on the fictional Pacific island of Oraka. Tan textured titled wrappers noted as REVISED FINAL SHOOTING SCRIPT on the front wrapper dated June 14 1949. Title page present noted as Revised Final Screenplay with credits for screenwriter Oscar Brodney. 123 leaves with last page of text numbered 109. Mimeograph duplication rectos only with blue yellow pink and white revision pages throughout dated variously between 6/15/49 and 7/21/49. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1952réf. 149876Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with manuscript annotations regarding layout. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown books
1974réf. 151896Los Angeles: Twentieth Century-Fox 1974. Vintage press kit for the 1974 film. Black and white illustrated pocketed folder containing 12 black and white photographs and six gatherings of promotional reading material. Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards another entity well known for ignoring most comedies. Folder photographs and promotional materials Near Fine. National Film Registry. Twentieth Century-Fox unknown books
1966réf. 138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing a very relaxed Michael Caine laying across the laps of his four costars Vivien Merchant Jane Asher Julia Foster and Shelley Winters between takes. Mimeo snipe affixed to the verso. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Shot on location in London and Middlesex England. 7 x 9 inches. About Fine. Paramount Pictures unknown books
1955réf. 137952Beverly Hills CA: United Artists 1955. Vintage candid photograph of Robert Mitchum sharing a moment with his wife Dorothy while on the set of the 1955 film. Dressed in costume as Harry Powell the image of a smiling relaxed Mitchum is incongruous with the severe terrifying nature of the character he played one of the most iconic villains in all film history. 8 x 10 inches. Very Good plus. Shallow vertical slice to the right side of the image. United Artists unknown
1949réf. 149210Universal City: Universal Pictures 1949. Revised Final Shooting script for the 1950 film here under the working title "Java." Copy belonging to director H. Bruce Humberstone with his name in manuscript pencil on the front wrapper and single annotation on page 41. Loosely based on Tay Garnett's 1940 film "Seven Sinners." A sick steamship crewman attempts to clear his name while being blackmailed for wartime collaboration with the Japanese. Liberace's first credited film appearance as a cabaret performer named "Maestro." Set on the fictional Pacific island of Oraka. Tan textured titled wrappers noted as REVISED FINAL SHOOTING SCRIPT on the front wrapper dated June 14 1949. Title page present noted as Revised Final Screenplay with credits for screenwriter Oscar Brodney. 123 leaves with last page of text numbered 109. Mimeograph duplication rectos only with blue yellow pink and white revision pages throughout dated variously between 6/15/49 and 7/21/49. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown
1952réf. 149876Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with manuscript annotations regarding layout. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown
1974réf. 151896Los Angeles: Twentieth Century-Fox 1974. Vintage press kit for the 1974 film. Black and white illustrated pocketed folder containing 12 black and white photographs and six gatherings of promotional reading material. Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards another entity well known for ignoring most comedies. Folder photographs and promotional materials Near Fine. National Film Registry. Twentieth Century-Fox unknown
1966réf. 138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing a very relaxed Michael Caine laying across the laps of his four costars Vivien Merchant Jane Asher Julia Foster and Shelley Winters between takes. Mimeo snipe affixed to the verso. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Shot on location in London and Middlesex England. 7 x 9 inches. About Fine. Paramount Pictures unknown
1922réf. 52362San Francisco: William Andrews Clark Jr. 1922. Hardcover. 4to. Quarter vellum with gilt spine lettering and slate blue paper over boards. xiv 20pp. Top edge gilt. Tipped-in oval color frontispiece within decorative border. All pages ruled in teal green. Fine. TOGETHER WITH: "Adonais -- An Elegy on the Death of John Keats." Small 4to. Stiff slate blue wrappers. 25pp. Near fine. Touch of spine sunning. Both housed in single 2-compartment slipcase of slate blue paper over heavy boards. Very good. Lightly age toned and a bit rubbed. Handsome copy of this lovely production limited to 150 copies of each title this copy unnumbered. Mining magnate entrepreneur and one-time senator from Montana Clark 1839-1925 together with John Henry Nash issued a small series of literary editions accompanied by facsimiles of rarities in his collection and this is one such production. The facsimile reproduces his copy of the rare true first edition published in Pisa Italy in 1821. O'DAY 26. William Andrews Clark, Jr. hardcover
1964réf. 1252941Oxford England: Oxford at the Clarendon Press 1964. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. original pinkish c w/gilt sp;ine titles; owner's name; lite wear at extremities spine titles beginning to fade a bit; pp: xxxvi 599 xiv 523 moderate amount of neat underlining and highlighting; sturdy tight binding Oxford at the Clarendon Press hardcover
