9 383 résultats
réf. DADAX0195077407New unknown
1829réf. 119502Paris: A. and W. Galignani 1829. Hardcover. Very good. xi 225 vii 75 p. 24 cm. Title page vignette. Half leather with orange marbled paper boards. Text printed in double column. Respined with original spine reattached. Hinges repaired internally. New front free endpaper. Bookplate and ink inscription on front pastedown. Ink stamp on bookplate and title page. Foxing. Inscription at bottom of p. 38 in first part and ink mark on p. 3 of same section. This volume constitutes the first collected edition of Keats and the second collected works of Coleridge and Shelley. The Parisian publisher Galignani was famous for its pirated editions Sir Walter Scott referred to the shop as the "old pirate's den" but the firm did have the cooperation of family members and literary friends of all three poets when assembling this volume. For example each poet's work is preceded by a short life of the author the memoir of Keats being produced by Leigh Hunt. Hunt also sent along some unpublished Keats poems in his possession to be included. Keats' literary executor Charles Armitage Brown disliked Hunt's portrayal of his friend but Brown's own biography of Keats was not ready in time for this edition and was not published until 1937. The memoir of Shelley was written by his wife Mary Shelley who also helped the publication of this edition by allowing the publisher access to Shelley's papers. A. and W. Galignani hardcover
1984réf. 21311Modern Library. Very Good in Good dust jacket. First Modern Library Edition. Hardcover. Dark red cover is lightly sunned along top edge of front board caps are lightly rubbed corners are lightly rubbed but cover is clean bright and in very good condition. Boards and spine are straight. Binding is tight. Pages are clean and in near pristine condition. Dust jacket has light shelf rubbing toning and minor wear to extremities including chipping and tearing but is in good condition. Publisher's price of $7.95 on DJ flap. DJ protected by a brand new clear acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. If pictured shown without the mylar cover for an accurate representation of dust jacket. . 1984. Modern Library hardcover
1965réf. BS4231114002University of Nebraska Press 1965. Hardcover. Good. 342 pgs. Dust jacket has a couple shallow chips along top of spine a short closed tear to lower front panel. Nice cover. Interior pages are clean throughout. Binding is secure.Lyles B7c University of Nebraska Press hardcover
1974réf. 169578N.p.: N.p. 1974. Seven vintage borderless reference photographs from the 1974 film. Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. 9.25 x 7 inches. Near Fine to Fine. National Film Registry. N.p. unknown
1974réf. 169578N.p.: N.p. 1974. Seven vintage borderless reference photographs from the 1974 film. Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. 9.25 x 7 inches. Near Fine to Fine. National Film Registry. N.p. unknown books
1954réf. 166036London: Welbeck Films 1954. Revised Draft script for the 1954 film copy belonging to Art Director George Provis with his name written on the top of the front wrapper and a manuscript ink annotation of the date "9/6/54" on the bottom of the title page here under the working title "To Dorothy - A Son" released in the UK as "To Dorothy a Son" and in the US as "Cash on Delivery." With a manuscript pencil annotation on one page 12A underlining a needed prop and one page 38 with a clipping of a revision page affixed over the previous dialogue. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1950 play "To Dorothy a Son" by Roger MacDougall. Shelley Winters stars as Myrtle an American woman who stands to inherit $2 million dollars from her uncle as long as she doesn't have any male heirs. The only thing standing in her way is John Gregson as her ex-husband and his very pregnant new wife played by Peggy Cummins. Tall untitled green wrappers. Title page present with an annotated date of "9/6/54" noted as Revised Screenplay with credits for screenwriter Peter Rogers and playwright Roger MacDougall. 114 leaves with last page of text numbered 106. Mimeograph duplication rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Welbeck Films unknown
1954réf. 166036London: Welbeck Films 1954. Revised Draft script for the 1954 film copy belonging to Art Director George Provis with his name written on the top of the front wrapper and a manuscript ink annotation of the date "9/6/54" on the bottom of the title page here under the working title "To Dorothy - A Son" released in the UK as "To Dorothy a Son" and in the US as "Cash on Delivery." With a manuscript pencil annotation on one page 12A underlining a needed prop and one page 38 with a clipping of a revision page affixed over the previous dialogue. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1950 play "To Dorothy a Son" by Roger MacDougall. Shelley Winters stars as Myrtle an American woman who stands to inherit $2 million dollars from her uncle as long as she doesn't have any male heirs. The only thing standing in her way is John Gregson as her ex-husband and his very pregnant new wife played by Peggy Cummins. Tall untitled green wrappers. Title page present with an annotated date of "9/6/54" noted as Revised Screenplay with credits for screenwriter Peter Rogers and playwright Roger MacDougall. 114 leaves with last page of text numbered 106. Mimeograph duplication rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Welbeck Films unknown books
1839réf. mon0003084539London: Edward Moxon 1839. Hardcover. Good. . 4-volume set complete. Uniformly bound in blue half-leather with marbled boards rasied bands and gilt decoration covers show minor wear rubbing and bumped corners. Top edges gilt marbled endpapers. Pages are tanned with a few minor tidemarks. London: Edward Moxon hardcover
2001réf. 203984New York: PPP Editions in association with Roth Horowitz 2001. First edition. Hardcover. Limited edition of 500 specially bound copies. While the choices in this book like those in any best of list are highly subjective this book along with the three books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the true classic photography books. Features essays by Richard Benson May Castleberry Jeffrey Fraenkel Daido Moriyama Shelley Rice and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A very near fine copy in quarter leather binding with silk boards and in near fine cloth slipcase that has a small spot to the bottom edge. No dust jacket as issued. PPP Editions in association with Roth Horowitz unknown
2001réf. 002240NY: PPP Editions/ Roth Horowitz LLC 2001 2001. LIMITED DELUXE EDITION. 1 vol. 12" x 10" limited to 500 copies bound in 1/4 black morocco spine lettered in blind illustrated with numerous four-color and black and white plates with the original slipcase IN FINE CONDITION. NY: PPP Editions/ Roth Horowitz LLC, 2001 unknown
2001réf. 203984New York: PPP Editions in association with Roth Horowitz 2001. First edition. Hardcover. Limited edition of 500 specially bound copies. While the choices in this book like those in any best of list are highly subjective this book along with the three books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the true classic photography books. Features essays by Richard Benson May Castleberry Jeffrey Fraenkel Daido Moriyama Shelley Rice and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A very near fine copy in quarter leather binding with silk boards and in near fine cloth slipcase that has a small spot to the bottom edge. No dust jacket as issued. PPP Editions in association with Roth Horowitz unknown books
1951réf. 1230701951. Florence Italy: The L-D Allen Press 1951. Small 4to 16 pp. printed in brown with colored leaf decorations to every page. Original pink wrappers front cover titled in black. Wrappers faintly creased edges slightly faded otherwise very good. § One of 100 copies printed by the Allens in Florence "for our friends" on damp handmade English paper. From the introduction: "This ode described as the most perfect of English lyrics illustrates Shelley's superior gift of expression. In 1819 he also composed Prometheus Unbound cited as the most radiant of all Utopian visions and The Cenci greatest of the tragedies since Shakespeare. That these three poems each taking a supreme place among its own kind should have been produced by one man and in a single year of his life is one of the astonishing accomplishments of literary biography.". unknown
1904réf. 5460London: Edward Arnold. Very Good with no dust jacket. 1904. Softcover. Ex-Libris bookplate on front pastedown. Minor spotting to page edges.; Number 83 of an edition of 200 on paper. 2 96 pages frontis. Vellum boards with ribbon ties. Printed in red and black. Frontis illustration by C. R. Ashbee. "Printed at Essex House Campden Gloucestershire under the care of C. R. Ashbee."; Ex-Libris; Folio 13" - 23" tall . Edward Arnold paperback
1911réf. 327111Philadelphia: Lippincott 1911. First. hardcover. very good. Charles Robinson. Introduction by Edmund Gosse. 18 tipped-in color plates by Charles Robinson protected with tissue. Small 4to green cloth pictorially stamped in gilt upper corners a bit bumped effecting pages. Philadelphia: Lippincott & London: Heinemann 1911. First trade edition. Marred only by the bumped corners this is still a very good bright copy of this lovely book handsomely printed at the Ballantyne Press. "No more tastefully illustrated book of verse could be desired than the elaborately artistic edition of Shelley's Sensitive Plant edited by Mr. Edmund Gosse illustrated with much richness of coloring and gracefulness of design by Mr. Charles Robinson. The illustrations large and small accompanying the slender thread of text form the conspicuous feature of the book and make it one of the most sumptuous gift volumes of the year. The cover design is a thing of beauty" -- The Dial 1911. Lippincott unknown
1951réf. 1230701951. Florence Italy: The L-D Allen Press 1951. Small 4to 16 pp. printed in brown with colored leaf decorations to every page. Original pink wrappers front cover titled in black. Wrappers faintly creased edges slightly faded otherwise very good. § One of 100 copies printed by the Allens in Florence "for our friends" on damp handmade English paper. From the introduction: "This ode described as the most perfect of English lyrics illustrates Shelley's superior gift of expression. In 1819 he also composed Prometheus Unbound cited as the most radiant of all Utopian visions and The Cenci greatest of the tragedies since Shakespeare. That these three poems each taking a supreme place among its own kind should have been produced by one man and in a single year of his life is one of the astonishing accomplishments of literary biography.". unknown books
1911réf. 327111Philadelphia: Lippincott 1911. First. hardcover. very good. Charles Robinson. Introduction by Edmund Gosse. 18 tipped-in color plates by Charles Robinson protected with tissue. Small 4to green cloth pictorially stamped in gilt upper corners a bit bumped effecting pages. Philadelphia: Lippincott & London: Heinemann 1911. First trade edition. Marred only by the bumped corners this is still a very good bright copy of this lovely book handsomely printed at the Ballantyne Press. "No more tastefully illustrated book of verse could be desired than the elaborately artistic edition of Shelley's Sensitive Plant edited by Mr. Edmund Gosse illustrated with much richness of coloring and gracefulness of design by Mr. Charles Robinson. The illustrations large and small accompanying the slender thread of text form the conspicuous feature of the book and make it one of the most sumptuous gift volumes of the year. The cover design is a thing of beauty" -- The Dial 1911. Lippincott unknown books
1986réf. __0674806131Harvard Univ Pr 1986. Hardcover. New. 609 pages. 12.00x8.75x3.75 inches. Harvard Univ Pr hardcover
réf. 199679John Van Voorst 1872. 1st edn. Tall 8vo 10 x 6½ ins. Original gilt lettered blind-stamped red cloth lightly rubbed at head and tail of spine and corners of boards - otherwise VG in protective cover. Pp. viii 342 illus with 14 coloured plates by John Gerrard Keulemans prelims spotted Peter Tate's bookplate on front paste-down and previous owner's neat 1876 inscription on title page. John Van Voorst, 1872 unknown
1910réf. 164717London: J. M. Dent & Sons Ltd; E. P. Dutton & Co. New York 1910. Everyman's Library edition in the publisher's deluxe quarter pigskin the most expensive of the four bindings in which it was issued and produced in smaller numbers than the others. The remaining three binding styles that the classic reprint series offered in its earliest years were full cloth full leatherette and a library binding. This edition was first published in 1907. 2 vols octavo. Decorative title pages and textual frontispieces with intricate woodcut floral border in the arts and crafts style. Original brown quarter pigskin spines lettered in gilt within frame incorporating Everyman's Library monogram brown cloth sides ruled in blind linen endpapers edges brown. Spines lightly sunned a little rubbing vol. I with occasional creasing of leaves contents clean: a very good copy. Terry Seymour A Printing History of Everyman's Library 1906-1982 2011 p. 6. hardcover
réf. Bloomsbury-9781440838125ABC-CLIO. Hardback. New. 544 pages ABC-CLIO hardcover
réf. Bloomsbury-9781440838125ABC-CLIO. Hardback. New. 544 pages ABC-CLIO hardcover
réf. Bloomsbury-9781350268890Bloomsbury Academic. Hardback. New. 624 pages Bloomsbury Academic hardcover
réf. Bloomsbury-9781350268890Bloomsbury Academic. Hardback. New. 624 pages Bloomsbury Academic hardcover
1987réf. BN446630Philadelphia London Saunders 1987. 1987. Advanced Dermatologic Therapy Advanced Dermatologic Therapy Shelley Walter B. and E. Dorinda Shelley Philadelphia London, Saunders unknown