9 383 résultats
1904réf. 21976London: Essex House Press Edward Arnold 1904. leather_bound. Orig. full limp vellum with yapp edges. Near fine. 96 pages. Folio 29.5 x 21.5 cm. Limited edition copy 67 of 200 of 220 20 printed on vellum. Frontispiece by C.R. Ashbee with text printed in red and black in Endeavour type. Wide text margins bright copy top front tie lacking backstrip lettered in gilt. Essex House Press (Edward Arnold) unknown books
réf. 20824London: William Benbow. 1827. Third edition. Third edition. Handsomely bound in contemporary full diced calf the boards ruled in gilt the spine with four raised bands compartments decorated in gilt and with red morocco title label lettered in gilt. Ownership inscription and introductory note by the author William St Clair in pencil to the front free endpaper. A very good copy indeed the binding square and firm with a little rubbing to the joints and corners. The contents with a contemporary owner's name in ink to the front free endpaper the occasional light pencil annotation to page margins and very faint spotting to the preliminary pages are otherwise in very good order and clean throughout. An attractive copy. An early pirated edition of Shelley's great verse drama the third edition of the work overall. The first edition consisting of 250 copies was printed in Italy in 1819 with a second edition published in 1821 making it the only work to go into a second edition during the poet's lifetime. Buxton-Foreman writes that the present edition is "a curious and somewhat uncommon little book prettily but roughly printed from the second edition" Buxton-Foreman The Shelley Library p.93. Only three institutional copies of this edition are recorded in Copac Oxford Eton and Univ. Leeds. Provenance: from the library of William St Clair 1937-2021. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. London: William Benbow. 1827 hardcover
réf. SKU0207100Pearson 2016-05-05. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Pearson paperback
1995réf. 47498HEYNE WILHELM 1995. 1. softcover. Frankenstein HEYNE, WILHELM paperback
1968réf. 28011HEYNE WILHELM 1968. 1. softcover. Frankenstein HEYNE, WILHELM paperback
1853réf. 23913London: Edward Moxon 1853. 8vo xii 715 1 pp. Frontispiece and engraved title somewhat foxed fine bookplate by Stephen Gooden for S.L. Sir Stephen Lewis Courtauld 19th century inscription to front blank. Contemporary maroon full morocco a.e.g. spine slightly sunned with minor rubbing to joints. Under the gilt on the fore edge is a handsome fore edge painting of the Palace of Westminster from across the river with various boats and shipping in the foreground. A unique volume. London: Edward Moxon unknown
réf. 6490109Clarendon Press . Hardback. New. pp. 644 Clarendon Press hardcover
1997réf. 17182JNew York: Nan A. Talese - Doubleday 1997. First Edition First Printing. Actress Shelley Duvall’s copy personally signed and inscribed to her by Mia Farrow. Inscribed on the title page: “To Shelley Duvall I am your devoted fan Mia.” Above the inscription at the top of page Mia Farrow has written her name in full. Laid in is a certificate of authenticity issued by Duvall estate auction of her possessions from her ranch in Blanco Texas. Shelley Duvall was part of the circle of actors known by Farrow and her then companion Woody Allen. Duvall was directed by Allen in his masterwork Annie Hall. Duvall also appeared in such noted films The Shining McCabe & Mrs. Miller Nashville Annie Hall Popeye Time Bandits etc. Memoirs from Farrow’s early childhood her marriages to Frank Sinatra Andre Previn to her thirteen appearances in Woody Allen films. Fine in a fine dust jacket. Nan A. Talese - Doubleday unknown
1934réf. 71903New York: Harrison Smith and Robert Haas 1934. First edition deluxe. Hardcover. Very Good. Lynd Ward. 259pp. Octavo 24 cm White cloth over boards with laid-in illustration on the front cover printed in blue and black. Paper label on spine. Publisher's black topstain. Spine prominently darkened title still bold. Areas of toning to the boards. Small loss to foot of spine label. Two approximate 1/4" tears to head of spine. Cloth at foot of spine lightly frayed. Multiple thin marks on the rear board. Previous owner's bookplate on front pastedown. Contemporary owner's inscription on rear pastedown. Lacks slipcase. Dance 063. Includes fifteen full-page illustrations by Lynd Ward plus illustrations scattered throughout. This is Lynd Ward at the height of his powers and this gothic novel may be the perfect avenue for his work. Harrison Smith and Robert Haas hardcover
1934réf. 71903New York: Harrison Smith and Robert Haas 1934. First edition deluxe. Hardcover. Very Good. Lynd Ward. 259pp. Octavo 24 cm White cloth over boards with laid-in illustration on the front cover printed in blue and black. Paper label on spine. Publisher's black topstain. Spine prominently darkened title still bold. Areas of toning to the boards. Small loss to foot of spine label. Two approximate 1/4" tears to head of spine. Cloth at foot of spine lightly frayed. Multiple thin marks on the rear board. Previous owner's bookplate on front pastedown. Contemporary owner's inscription on rear pastedown. Lacks slipcase. Dance 063. Includes fifteen full-page illustrations by Lynd Ward plus illustrations scattered throughout. This is Lynd Ward at the height of his powers and this gothic novel may be the perfect avenue for his work. Harrison Smith and Robert Haas hardcover books
1887réf. 6291London Privately Printed 1887. 1887. Square 8vo. Edited by Thomas J. Wise. 64 pages. Later plain vellum paper wrappers. Very good. Rare. One of only 16 copies on large paper on Whatman paper watermarked 1886. Printed by Richard Clay & Sons. Soft cover. London, Privately Printed, 1887. hardcover
1944réf. 309503Golden Cockerel 1944. One of 50 copies with the facsimile letters; signed by the editor Walter Sidney Scott. With portraits; and an added gathering of 7 facsimile letters and view of the shop of Monday and Slatter. 1 vols. 4to. Half tan niger morocco t.e.g. by Leighton-Straker. One of 50 copies with the facsimile letters; signed by the editor Walter Sidney Scott. With portraits; and an added gathering of 7 facsimile letters and view of the shop of Monday and Slatter. 1 vols. 4to. Handsome volume recording the correspondence of a key period in Shelley's life. Golden Cockerel unknown
1887réf. 6291London Privately Printed 1887. 1887. Square 8vo. Edited by Thomas J. Wise. 64 pages. Later plain vellum paper wrappers. Very good. Rare. One of only 16 copies on large paper on Whatman paper watermarked 1886. Printed by Richard Clay & Sons. Soft cover. London, Privately Printed, 1887. hardcover books
1944réf. 309503Golden Cockerel 1944. One of 50 copies with the facsimile letters; signed by the editor Walter Sidney Scott. With portraits; and an added gathering of 7 facsimile letters and view of the shop of Monday and Slatter. 1 vols. 4to. Half tan niger morocco t.e.g. by Leighton-Straker. One of 50 copies with the facsimile letters; signed by the editor Walter Sidney Scott. With portraits; and an added gathering of 7 facsimile letters and view of the shop of Monday and Slatter. 1 vols. 4to. Handsome volume recording the correspondence of a key period in Shelley's life. Golden Cockerel unknown books
réf. x-1265512116McGraw Hill. Paperback. New. 720 pages. 10.35x8.31x1.30 inches. McGraw Hill paperback
1886réf. 178527London: Reeves & Turner 1886. Second Edition. Flexible cloth. Both Volumes Very Good in decorative boards. Rubbing along panel edges. Light foxing throughout text. Reeves & Turner unknown
1911réf. 17110604Philadelphia: J. B. Lippincott Co 1911. First Trade Edition. Hardcover. Near fine/very good. Robinson Charles. First U.S. trade edition as illustrated by Robinson quarto size 128 pp. in original dust jacket. Percy Bysshe Shelley's 1792-1822 "The Sensitive Plant" is a delicate fairy fable about ephemeral beauty and the aspiration to follow dreams when the reality of the senses fails. It was first published in 1820 in "Prometheus Unbound" along with some of Shelley's best known work; here it is re-imagined with the hazy watercolour illustrations of prolific children's book illustrator Charles Robinson 1870-1937. Though paired with Shelley long after his death they are well matched "his black and white illustration reflects the influence of Beardsley and Walter Crane and his watercolour illustrations have delicacy and sensitivity greatly helped by the four colour process early in the century as the alternative to lithography. By incorporating lettering into the page design and in his planning of the book as a whole he developed the Arts and Crafts tradition of the book as a work of art" Peppin Brigid & Micklethwait Lucy "Book Illustrators of the Twentieth Century" p. 265. This edition of "The Sensitive Plant" certainly exemplifies that ideal of the artist's hand in all aspects of a book's design with a beautifully composed typeface decorative borders pale pink page numbers and stunning full-color mounted plates. With an introduction by Edmund William Gosse 1849-1928 a poet and author who was influential in the literary world of his day encouraging the careers of Yeats and James Joyce he served as the librarian of the House of Lords and a lecturer at Trinity College eventually serving as the literary editor for the 1911 edition of the "Encyclopaedia Britannica". ___DESCRIPTION: Original full green cloth with gilt pictorial upper board and backstrip top edge gilt illustrated endpapers illustrated half-title pictorial title-page first page of the introduction framed in a pictorial border with a large decorative initial eighteen mounted color plates with tissue guards including frontis numerous color and black and white vignettes in text headpieces tailpieces and initials; quarto size 10.5" by 8" pagination: i-vi vii-xii xiii-xvi 17-127 128 the first trade edition as illustrated by Robinson vintage bookseller's ticket on rear paste-down endpaper Brentano's New York. With the scarce original pictorial dust jacket which matches the illustration on the endpapers which is unclipped although as was the general practice of the day with no printed price. ___CONDITION: A near fine copy internally bright and complete with only a few light stray marks no prior owner markings other than the bookseller's ticket referred to above the text block is slightly cocked yet remains strong with solid hinges and the gilt covers are marvelously bright and clean; note that the register was slightly off on the decorative title page the illustrations are perfect; just a hint of rubbing to the head and tail of the backstrip and to one corner this copy is near fine; the dust jacket is very good plus clean with only a few small chips at the edges and a small tear along one joint none of which obscures the text or illustrations; overall very good and scarce as such. A stunning production of a lovely children's tale. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. J. B. Lippincott Co hardcover
1911réf. 17110604Philadelphia: J. B. Lippincott Co 1911. First Trade Edition. Hardcover. Near fine/very good. Robinson Charles. First U.S. trade edition as illustrated by Robinson quarto size 128 pp. in original dust jacket. Percy Bysshe Shelley's 1792-1822 "The Sensitive Plant" is a delicate fairy fable about ephemeral beauty and the aspiration to follow dreams when the reality of the senses fails. It was first published in 1820 in "Prometheus Unbound" along with some of Shelley's best known work; here it is re-imagined with the hazy watercolour illustrations of prolific children's book illustrator Charles Robinson 1870-1937. Though paired with Shelley long after his death they are well matched "his black and white illustration reflects the influence of Beardsley and Walter Crane and his watercolour illustrations have delicacy and sensitivity greatly helped by the four colour process early in the century as the alternative to lithography. By incorporating lettering into the page design and in his planning of the book as a whole he developed the Arts and Crafts tradition of the book as a work of art" Peppin Brigid & Micklethwait Lucy "Book Illustrators of the Twentieth Century" p. 265. This edition of "The Sensitive Plant" certainly exemplifies that ideal of the artist's hand in all aspects of a book's design with a beautifully composed typeface decorative borders pale pink page numbers and stunning full-color mounted plates. With an introduction by Edmund William Gosse 1849-1928 a poet and author who was influential in the literary world of his day encouraging the careers of Yeats and James Joyce he served as the librarian of the House of Lords and a lecturer at Trinity College eventually serving as the literary editor for the 1911 edition of the "Encyclopaedia Britannica". ___DESCRIPTION: Original full green cloth with gilt pictorial upper board and backstrip top edge gilt illustrated endpapers illustrated half-title pictorial title-page first page of the introduction framed in a pictorial border with a large decorative initial eighteen mounted color plates with tissue guards including frontis numerous color and black and white vignettes in text headpieces tailpieces and initials; quarto size 10.5" by 8" pagination: i-vi vii-xii xiii-xvi 17-127 128 the first trade edition as illustrated by Robinson vintage bookseller's ticket on rear paste-down endpaper Brentano's New York. With the scarce original pictorial dust jacket which matches the illustration on the endpapers which is unclipped although as was the general practice of the day with no printed price. ___CONDITION: A near fine copy internally bright and complete with only a few light stray marks no prior owner markings other than the bookseller's ticket referred to above the text block is slightly cocked yet remains strong with solid hinges and the gilt covers are marvelously bright and clean; note that the register was slightly off on the decorative title page the illustrations are perfect; just a hint of rubbing to the head and tail of the backstrip and to one corner this copy is near fine; the dust jacket is very good plus clean with only a few small chips at the edges and a small tear along one joint none of which obscures the text or illustrations; overall very good and scarce as such. A stunning production of a lovely children's tale. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. J. B. Lippincott Co hardcover books
2021réf. SKU0614367West Academic Publishing 2021-08-02. hardcover. New. 10x1x7. New Textbook Ships with Tracking West Academic Publishing hardcover
1843réf. 000902London: Thomas Rodd 1843. 16pp disbound from a volume at some point t.e.g. Slightly browned one or two spots of foxing but generally clean. Wise notes that "In 1843 when advertising the present pamphlet for sale Rodd asserted that it was a facsimile reprint of an alleged original edition of which the author was said to have printed twenty copies in 1816. No example of this mysterious original has ever been unearthed . My own opinion is that no original ever existed . The motto 'We pity the plumage but forget the dying bird' was taken by Shelley from Paine's 'Rights of Man' 1817 Pt.I p. 24 'He Burke pities the plumage but forgets the dying bird'. This clearly denies any impression of the address dated 1816". The pamphlet decries the difference between the public concern for the death of the Princess and their indifference to the plight of the poorest in society plus ca change and also examines the execution of the leaders of the Pentrich Rising. Wise 'A Shelley Library' page 46. First Edition. Disbound. Good. 8vo. [Thomas Rodd] Paperback
1904réf. 10370Gay and Bird. London. 1904. LIMITED EDITION. Small 8vo. 5.2 x 3.3 inches. One of 60 copies printed on Japanese vellum numbered and signed by the Publishers. Portrait frontis and a handful of head and tail pieces by Herbert Cole. Finely bound in early full dark brown morocco by Zaehnsdorf. Raised bands on spine each with gilt piping. Compartments ruled lettered and decorated in gilt. Gilt double ruled borders on boards with elaborate floral corner pieces. Board edges ruled in gilt. Burgundy silk endpapers. Decorative gilt tooled borders and floral design to turn-ins. Top edge gilt. A fine and attractive binding. Gay and Bird. London. 1904 hardcover
2022réf. 641961London: Folio Society 2022. Limited Edition. Hardcover. Near Fine/No Jacket. octavo. Limited numbered edition Signed by illustrator. No. 503 of an edition of 750. Introduction by Richard Holmes. Blue leather with silver gilt decorative front. Silver gilt edged textblock. Housed in black slipcase w/ more silver gilt decorations. Book in near mint condition w/ only slight shelfwear to slipcase. Folio Society hardcover
1880réf. AQ32054London: Macmillan and co 1880. lx 339pp. Bound by J. Larkins in contemporary brown half-morocco lettered in gilt to spine A.E.G. marbled endpapers. Heavily worn upper board detached large piece of head of spine torn away. Around 40 manuscript annotations to margins throughout; accompanied by several pressed flowers. With unidentified photographic portrait of a man sat at a desk loosely inserted. A much-loved Brooke family copy of Shelley's collected poems collected and arranged by Stopford Brooke. In the preface the editor evidently a devotee of Shelley's output notes that 'A book of this kind is not to represent Shelley fully but to present in a brief compass enough of his poetry to induce those who are ignorant of it to read the whole'. Some 40 annotations in Maud Brooke's hand demonstrate how the book was used including labelling verses she read to her father people she visited and places she saw the dates and locations painting a picture of the family's travels - 'Rome' 'Venice' 'Cologne'. . 8vo. Macmillan and co unknown
1934réf. 12466London; Privately printed for the Curwen Press 1934. 1934. Proof copy. Octavo pp. 159 3; all leaves printed one side only recto or verso only throughout. Frontispiece plate "Sketch by Shelley" and four plates of manuscripts as called for. Ganymede watermark to pages 1 and 7. Full original canary yellow cloth with gilt titles to maroon leather label to spine. Annotated extensively in pencil throughout by editor Roger Eric Ingpen. Includes "Prometheus Unbound" and "Hellas" in Part I Verse and "Journal: Switzerland 1816" and "On the Vegetable System of Diet" in Part II Prose with notes. Many of Ingpen's textual notes in this proof copy were enacted in the first edition. An insight into the editorial practice of one of the most significant Shelley scholars of the twentieth century. Spine lightly sunned and cover cloth surface soiled. Light foxing mainly to endpapers and text-block edge. A very good copy. London; Privately printed [for the Curwen Press], 1934. hardcover
réf. SKU0645500West Academic Publishing 2019-07-24. hardcover. New. 10x7x1. New Textbook Ships with Tracking West Academic Publishing hardcover