Mary Wollstonecraft ShelleyBiblio.com
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1999rif. ANAIS-0396082777Dodd Mead & Company 1999-01-01. First Edition. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Dodd, Mead & Company hardcover
1927rif. 015786London New York: Ernest Benn Limited Charles Scribner's Sons 1927. TEN VOLUMES UNIFORMLY BOUND. Backed in vellum with black leather spine labels. Green cloth-covered boards covers with three-fillet gilt borders. Top edges gilt. Some browning in gutters from binder's glue. The first four volumes contain Shelley's poetry the next three his prose and the final three his letters. All are crisp and clean. A beautiful and comprehensive set of Shelley's works. EACH HOUSED IN A CUSTOM SLIPCASE with little or no wear. See photos. The author 1792-1822 was an English writer one of the major English Romantic poets. He drowned ina boating mishap during a severe storm in Livorno Italy at age 30. Limited Editio. 1/4 Vellum Green Cloth. Nearly Fine/No Dust Jackets. Medium Demy Octavo. Ernest Benn, Limited, Charles Scribner's Sons Hardcover
1927rif. 015786London New York: Ernest Benn Limited Charles Scribner's Sons 1927. TEN VOLUMES UNIFORMLY BOUND. Backed in vellum with black leather spine labels. Green cloth-covered boards covers with three-fillet gilt borders. Top edges gilt. Some browning in gutters from binder's glue. The first four volumes contain Shelley's poetry the next three his prose and the final three his letters. All are crisp and clean. A beautiful and comprehensive set of Shelley's works. EACH HOUSED IN A CUSTOM SLIPCASE with little or no wear. See photos. The author 1792-1822 was an English writer one of the major English Romantic poets. He drowned ina boating mishap during a severe storm in Livorno Italy at age 30. Limited Editio. 1/4 Vellum Green Cloth. Nearly Fine/No Dust Jackets. Medium Demy Octavo. Ernest Benn, Limited, Charles Scribner's Sons Hardcover books
1822rif. 22114London: Charles and James Ollier 1822. First Edition. Original stiff grey wrappers and paper label. Good; some soiling to the wrappers; amateurish paper re-back; 4 pages carelessly opened; chipping to the lower edge of the fore-corner of the last 3 leaves; dustiness at the extreme edges. 8vo xi 1 - blank 2 - fly title 3 - 60 pp. Shelley's last published poem; written in 1821 while resident in Pisa months before his death. It's theme is the Greek revolt for independence. It must be noted that these late manuscripts of Shelley were published without his oversight - since he was resident in Italy beginning in 1818. Variants from these published pieces to the now standard texts of the Crook edition volume 7 of the projected 8 now published no doubt occur; Shelley's papers were fragmented and in disarray at the time of his unexpected death. "For / Revenge and wrong bring forth their kind / The foul cubs like their parents are / Their den is in the guilty mind / And conscience feeds them with despair." Granniss #74. See Pamela Clemit's article in the TLS July 8 2022 pp. 7-8. Charles and James Ollier unknown books
rif. JD37149London C. and J. Ollier 1819 first edition. Includes all of Granniss's first edition points including half title with publisher's ads on verso and two leaves of Ollier's at the end half morocco over decorated boards gilt decorations on spine with five raised bands TEG. Rubbing edgewear and soiling to extremities corners bumped light scattered foxing and toning on pages professional repair to margin of one ad page which doesn't affect text else a solid copy. London, C. and J. Ollier, 1819, first edition. hardcover
1819rif. 001290London: C. And J. Ollier 1819. Original blindstamped red cloth. Half-title with ads on verso; four pages of ads at back. Small piece chipped from spine top; a few small ink spots on covers and spine; rear flyleaf and pastedown lightly stained. A very good copy the text clean and very nice. This is a somewhat later but original binding. This book was issued over a period of years in a variety of bindings. First Edition. C. And J. Ollier hardcover
2001rif. 61684Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --576 pp. With 439 ills. 232 col. . 31 x 26 cm. -- with a bonus offer-- . 2001. 0300090560 . Yale University Press hardcover
2008rif. 77175Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 568 pp. With 486 ills. 328 col. . 31 x 26 cm. -- with a bonus offer--; The French art collection at the Huntington Library is remarkable for its depth and breadth. This authoritative and beautifully illustrated book focuses on the nearly 300 objects in the collection including its exceptional examples of furniture clocks gilt bronzes gold snuff boxes porcelain tapestries sculpture and paintings.Organized by media the book combines research on the social cultural and artistic settings of the period with detailed studies of the individual artworks. The essays and entries illuminate a broad range of issues concerning the production consumption and use of the objects in the collection and contribute to a nuanced understanding of French domestic and cultural life. . 2008. 0300135947 . Yale University Press hardcover
rif. 90402Norton Simon Distribution. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET which includes ISBN: 0300148844. Volume 1: Nineteenth-Century Art in the Norton Simon Museum published 2006; 588 pp. ; 458 illus. Volume 2: Degas in the Norton Simon Museum: Nineteenth-Century Art published 2009; 576 pages. -- with a bonus offer--; This is the first critical catalogue of the collection of nineteenth-century paintings and drawings in the Norton Simon Museum of Art. World-renowned for its strength in works by the French impressionists and post-impressionists—Monet Renoir Gauguin Cézanne and Van Gogh—the Museum also houses outstanding paintings by the Realist Gustave Courbet and the Barbizon painter Camille Corot among others. Each of the 138 artworks featured in the book is illustrated in color and accompanied by a full catalogue entry comprising critical essay exhibition and ownership history bibliography and conservation notes. Color reproductions of comparative works from other collections—public and private—are also included. Stephen Eisenman and Richard Brettell have conjoined their unique perspectives on nineteenth-century art to summarize existing scholarship of the period and most of all shed new light on a collection of important but little-studied masterpieces. They have also collaborated in writing an introduction to the catalogue that for the first time places the collector Norton Simon in the historical intellectual and economic context of his time. . 0300148844 . Norton Simon Distribution hardcover
rif. 90401Norton Simon Distribution. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET which includes ISBN: 0300121016. Volume 1: Nineteenth-Century Art in the Norton Simon Museum published 2006; 588 pp. ; 458 illus. Volume 2: Degas in the Norton Simon Museum: Nineteenth-Century Art published 2009; 576 pages. -- with a bonus offer--; This is the first critical catalogue of the collection of nineteenth-century paintings and drawings in the Norton Simon Museum of Art. World-renowned for its strength in works by the French impressionists and post-impressionists—Monet Renoir Gauguin Cézanne and Van Gogh—the Museum also houses outstanding paintings by the Realist Gustave Courbet and the Barbizon painter Camille Corot among others. Each of the 138 artworks featured in the book is illustrated in color and accompanied by a full catalogue entry comprising critical essay exhibition and ownership history bibliography and conservation notes. Color reproductions of comparative works from other collections—public and private—are also included. Stephen Eisenman and Richard Brettell have conjoined their unique perspectives on nineteenth-century art to summarize existing scholarship of the period and most of all shed new light on a collection of important but little-studied masterpieces. They have also collaborated in writing an introduction to the catalogue that for the first time places the collector Norton Simon in the historical intellectual and economic context of his time. . N.D. 0300121016 . Norton Simon Distribution hardcover
2015rif. 113820Kehrer Verlag. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 3868285156 . Kehrer Verlag hardcover
2006rif. 81624College / Society; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xiii 1 242 pages 235 illus. most in color. 4to. -- with a bonus offer--; This Bountiful Place showcases works of art fromt he OSU College of Agricultural Sciences' permanent collection which includes more than 200 pieces of original fine art including drawings fiber arts works in mixed media prints sculpture and acrylic oil and woatercolor paintings. The collection celebrates the natural bounty of the Northwest and the st5ewardship necessary to maintain it as well as the science and practices of agriculture as seen through the eyes of the region's artists. . 2006. 0875953034 . College / Society; Et Al paperback
2008rif. 75700Galleries. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 16 pages with many lovely illustrations most in color. -- with a bonus offer-- . 2008. 0915057948 . Galleries paperback
2016rif. 121331University of Oklahoma Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 0806152818 . University of Oklahoma Press hardcover
2011rif. 100023Ashgate. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 338 pp. ; 67 illus. -- with a bonus offer--; Associating social justice with landscape is not new yet the twenty-first century's heightened threats to landscape and their impact on both human and more generally nature's habitats necessitate novel intellectual tools to address such challenges. This book offers that innovative critical thinking framework. The establishment of the Universal Declaration of Human Rights UDHR in 1948 in the aftermath of Second World War atrocities was an aspiration to guarantee both concrete necessities for survival and the spiritual/emotional/psychological needs that are quintessential to the human experience. While landscape is place nature and culture specific the idea transcends nation-state boundaries and as such can be understood as a universal theoretical concept similar to the way in which human rights are perceived. The first step towards the intellectual interface between landscape and human rights is a dynamic and layered understanding of landscape. Accordingly the 'Right to Landscape' is conceived as the place where the expansive definition of landscape with its tangible and intangible dimensions overlaps with the rights that support both life and human dignity as defined by the UDHR. By expanding on the concept of human rights in the context of landscape this book presents a new model for addressing human rights - alternative scenarios for constructing conflictreduced approaches to landscape-use and human welfare are generated. This book introduces a rich new discourse on landscape and human rights serving as a platform to inspire a diversity of ideas and conceptual interpretations. The case studies discussed are wide in their geographical distribution and interdisciplinary in the theoretical situation of their authors breaking fresh ground for an emerging critical dialogue on the convergence of landscape and human rights. . 2011. 1409404447 . Ashgate hardcover
2012rif. 99327Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer--; Exhibition catalogue of Ligare's exhibition of new paintings April - May 2012. The catalogue features 12 glossy color images an introduction by gallery director Shelley Farmer and associate Dunham Townend as well as an artist's statement by David Ligare. . 2012. 1937941019 . Gallery paperback
2012rif. 94135Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 24 works catalogued; well-illustrated. Includes an interview with the artist. -- with a bonus offer--; A catalogue of sculptures from the MacArthur award winning artist's newest series Cages which are being shown at Hirschl & Adler Modern New York in March 2012. Beautiful glossy images of the marble sculptures the artist at work and sketch book pages along with an in-depth conversation between the artist and gallery Director Shelley Farmer provide a comprehensive understanding of Turk's concepts process and aesthetic vision. . 2012. 1937941000 . Gallery paperback
2012rif. 102271Yale University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pages; 124 illustrations including 104 in color. -- with a bonus offer-- . 2012. 0300185480 . Yale University Press paperback
2012rif. 98555Univ Of Minnesota Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pp. ; 32 illus. -- with a bonus offer--; Collecting Mexico centers on the ways in which aesthetics and commercialism intersected in officially sanctioned public collections and displays in late nineteenth-century Mexico. Shelley E. Garrigan approaches questions of origin citizenry membership and difference by reconstructing the lineage of institutionally collected objects around which a modern Mexican identity was negotiated. In doing so she arrives at a deeper understanding of the ways in which displayed objects become linked with nationalistic meaning and why they exert such persuasive force. Spanning the Porfiriato period from 1867 to 1910 Collecting Mexico illuminates the creation and institutionalization of a Mexican cultural inheritance. Employing a wide range of examples—including the erection of public monuments the culture of fine arts and the representation of Mexico at the Paris World’s Fair of 1889—Garrigan pursues two strands of thought that weave together in surprising ways: national heritage as a transcendental value and patrimony as potential commercial interest. Collecting Mexico shows that the patterns of institutional collecting reveal how Mexican public collections engendered social meaning. Using extensive archival materials Garrigan’s close readings of the processes of collection building offer a new vantage point for viewing larger issues of identity social position and cultural/capital exchange. . 2012. 0816670927 . Univ Of Minnesota Press hardcover
2012rif. 98556Univ Of Minnesota Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pp. ; 32 ills. -- with a bonus offer--; Collecting Mexico centers on the ways in which aesthetics and commercialism intersected in officially sanctioned public collections and displays in late nineteenth-century Mexico. Shelley E. Garrigan approaches questions of origin citizenry membership and difference by reconstructing the lineage of institutionally collected objects around which a modern Mexican identity was negotiated. In doing so she arrives at a deeper understanding of the ways in which displayed objects become linked with nationalistic meaning and why they exert such persuasive force. Spanning the Porfiriato period from 1867 to 1910 Collecting Mexico illuminates the creation and institutionalization of a Mexican cultural inheritance. Employing a wide range of examples—including the erection of public monuments the culture of fine arts and the representation of Mexico at the Paris World’s Fair of 1889—Garrigan pursues two strands of thought that weave together in surprising ways: national heritage as a transcendental value and patrimony as potential commercial interest. Collecting Mexico shows that the patterns of institutional collecting reveal how Mexican public collections engendered social meaning. Using extensive archival materials Garrigan’s close readings of the processes of collection building offer a new vantage point for viewing larger issues of identity social position and cultural/capital exchange. . 2012. 0816670935 . Univ Of Minnesota Press paperback
2014rif. 109176Gingko Press Inc. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 1584235403 . Gingko Press Inc. hardcover
2015rif. 112258BIS Publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 9063693737 . BIS Publishers paperback
2002rif. 85620Indiana University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 0253215692. 336 pages. -- with a bonus offer--; Contrary to those who insist that the Holocaust defies representation Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film architecture painting photography memorials and monuments this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Contributors include James Young Susan Rubin Suleiman Daniel Libeskind and Marianne Hirsch. . 2002. 0253215692 . Indiana University Press paperback
2011rif. 96164Ashgate. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 182 pp. ; 17 illus. -- with a bonus offer--; Ashgate Studies in Architecture; As Ruskin suggests in his "Seven Lamps of Architecture": 'We may live within architecture and worship without her but we cannot remember without her.' We remember best when we experience an event in a place. But what happens when we leave that place or that place no longer exists This book addresses the relationship between memory and place and asks how architecture captures and triggers memory. It explores how architecture exists as a physical entity and how it registers as a place that we come to remember beyond the physical site itself. It questions what architecture is in the broadest sense assuming that it is not simply buildings. Rather architecture is considered to be the mapping of physical mental or emotional space. The idea that we are all architects in some measure - as we actively organize and select pathways and markers within space - is central to this book's premise. Each chapter provides a different example of the manifold ways in which the physical place of architecture is curated by the architecture in our 'mental' space: our imaginary toolbox when we think of a place and look at a photograph or visit a site and describe it later or send a postcard. By connecting architecture with other disciplines such as geography visual culture sociology and urban studies as well as the fine and performing arts this book puts forward the idea that a conversation about architecture is not exclusively about formal isolated buildings but instead must be deepened and broadened as spatialized visualizations and experiences of place. . 2011. 140940871X . Ashgate hardcover
1998rif. 54010Yale University Press; Et Al. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 272 pages. Book Description: This beautiful book reproduces more than 120 paintings drawings pastels sculptures and prints of horses and scenes at the racecourse-all created by Edgar Degas. Examining for the first time Degas`s lifelong interest in the world of jockeys and horses the book discusses the artist`s portrayals of people at the racing grounds and the importance of the horse as a source of his inspiration. -- with a bonus offer-- . 1998. 0300075170 . Yale University Press; Et Al hardcover
