9 443 résultats
1885réf. L061569Reeves and Turner . And B. Dobell 1885. First Edition. Hardcover. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Slight wear to head and foot of spine chipping; slight soiling rubbing and browning to covers boards; chiefly to extremities; slight bumping to corners; ex-library rubberstamp on rear free endpaper; slight internal browning to edges and endpapers. viii vi 2 101 2 pages. Date on spine and upper cover: 1886. 'A facsimile reprint of the original edition first published in 1816' title page; includes the editor's prefatory note. One of 350 copies on 'toned Paper' of a total edition of 404 copies; see limitation statement on title page verso; 'Published for the Shelley Society by Reeves and Turner' upper cover. Reeves and Turner ... And B. Dobell hardcover
réf. 1409776441.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1885réf. 5741London: Reeves and Turner. Very Good- with no dust jacket. No marks clean tight binding owners script name on fep; brn cloth with spine label and blk lettering; edges rubbed mostly at spine and corners; spine label rubbed and hard to read; endsheets toned with inscription uncut pages;; Limited edition of 50 reprints on Whatman's Handmade paper; script inscription on fep from Bertram Dobell a 19th century bookseller and literary scholar; originally published 1816 with facsimile of the original title page; 'A facsimile reprint of the original edition;; 101 pages . Facsimile. Hardcover. 1885. Reeves and Turner hardcover
1885réf. 26269London: Reeves and Turner 1885. Hardcover. Very Good. Hardcover. 1 of 404 copies this being one of 350 copies on toned paper. The book is a facsimile of the original edition of Alastor first published in 1816. It was done for the Shelley Society. In green paper boards with title author and publisher in black on front cover. Covers and spine are chipped bumped and worn but still nice. Interior pages are very good except for occasional small tear along fore-edge. 8 page prefatory note plus six page preface plus 101 pages. POE/101812. Reeves and Turner hardcover
1885réf. 26269London: Reeves and Turner 1885. Hardcover. Very Good. Hardcover. 1 of 404 copies this being one of 350 copies on toned paper. The book is a facsimile of the original edition of Alastor first published in 1816. It was done for the Shelley Society. In green paper boards with title author and publisher in black on front cover. Covers and spine are chipped bumped and worn but still nice. Interior pages are very good except for occasional small tear along fore-edge. 8 page prefatory note plus six page preface plus 101 pages. POE/101812. Reeves and Turner hardcover books
réf. DADAX0367453576CRC Press 2019-12-02. 1. paperback. New. 0.63x5.99x9.02. Buy with confidence. Excellent Customer Service & Return policy. CRC Press paperback
2019réf. x-0367453576Taylor & Francis 2019. Paperback. New. 296 pages. 9.01x5.98x0.67 inches. Taylor & Francis paperback
2006réf. Q-0849339448CRC Press 2006-05-30. Hardcover. New. In shrink wrap. Looks like an interesting title! CRC Press hardcover
2006réf. __0849339448CRC Pr I Llc 2006. Hardcover. New. 1st edition. 296 pages. 9.00x6.25x0.75 inches. CRC Pr I Llc hardcover
2006réf. DADAX0849339448CRC Press 2006-05-30. 1. hardcover. New. 6.34x0.88x9.00. Buy with confidence. Excellent Customer Service & Return policy. CRC Press hardcover
réf. 4084056like new. unknown
réf. 4084056-nnew. unknown
réf. A9780367453572Paperback / softback. New. paperback
réf. B9780367453572Paperback / softback. New. paperback
réf. 0473795671.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 47664388-nnew. unknown
1966réf. 159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown
1966réf. 138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing a very relaxed Michael Caine laying across the laps of his four costars Vivien Merchant Jane Asher Julia Foster and Shelley Winters between takes. Mimeo snipe affixed to the verso. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Shot on location in London and Middlesex England. 7 x 9 inches. About Fine. Paramount Pictures unknown
1966réf. 159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown books
1966réf. 138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing a very relaxed Michael Caine laying across the laps of his four costars Vivien Merchant Jane Asher Julia Foster and Shelley Winters between takes. Mimeo snipe affixed to the verso. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Shot on location in London and Middlesex England. 7 x 9 inches. About Fine. Paramount Pictures unknown books
1966réf. 133573Hollywood: Paramount Pictures 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos with layout annotations in the British style millimeters on the verso of one still and a stamp on the verso of the other still. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set in London shot on location there and in Middlesex England. 8 x 10 inches borderless. About Near Fine. Paramount Pictures unknown
1966réf. 133573Hollywood: Paramount Pictures 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos with layout annotations in the British style millimeters on the verso of one still and a stamp on the verso of the other still. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set in London shot on location there and in Middlesex England. 8 x 10 inches borderless. About Near Fine. Paramount Pictures unknown books
1977réf. R240116117RAMSAY. 1977. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos plié, Intérieur frais. 322 pages - annotation à l'encre et/ou tampon en pages de faux-titre, de titre et dans le texte - renforts adhésifs en marge. . . . Classification Dewey : 810-Littérature américaine
réf. 29905814like new. unknown
2009réf. Q-0446179639FaithWords 2009-09-08. Paperback. New. In shrink wrap. Looks like an interesting title! FaithWords paperback
