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1698ref. 52732London: Printed for Jacob Tonson 1698. Second edition. Hardcover. Very good condition. Folio. 2 690pp. 102 plates incl. frontispiece. Later green leather binding extensive decorative gilt decor framing the covers gilt lettering tooling and ruling on spine. Gilt edges and dentelles. Frontispiece engraving. Title page printed in red and black with black double framing. Dedicated to Hugh Lord Clifford. Engravings by W. Hollar after Francis Cleyn's artwork. This second edition was published one year after the first emphazising the popularity of this important book It was conceived created and circulated by John Dryden and the publisher Jacob Tonson. Illustrated with one hundred and one full page copperplate engravings. With postscript to the reader and notes and observations on Virgil's works in English at rear. Front joint of binding repaired and reinforced Light scuffing and rubbing in center gilt framing. Lightly starting at inside front cover. Light offsetting from title page to frontispiece. Light sporadic damp-staining in block. Small circular sticker on inside back cover. Born in Cisalpine Gaul Virgil Publius Vergillius Maro 70-19 BCE published his first collection of poems Eclogues around 38 BCE and the Georgics in 29 BCE. Both titles illustrating the greatness of the Roman Empire were widely read due to "the technical perfection of his verse" Oxford Companion to Classical Literature after Virgil had become part of the poetic circle around Maecena giving Virgil accress to Octavian the future emperor Augustus. Musing the idyllic life of shepards in northern Italy in the Pastorals meditating on the nature of agriculture in the Georgics and in his great epic the Aneid following in the tradition of Homer. While the Pastorals were still likened to the poetry of other poets the Georgics were considered unprecedented. The inscriptions on Virgils tombstone "cesini pascua rura duces" I sang of farms fields and heroes captures the scope of these three works. Dryden's translation triggered a surge in popularity of the works of Virgil among English speaking people. Printed for Jacob Tonson hardcover
1691ref. 18967London: Printed for Jacob Tonson 1691. First edition. Hardcover. Fine. 4to. 14511pp. The half-title is present with its advertisement on the reverse. Also present are the Prologue and the Epilogue. The earliest copies lack these leaves but an unsigned leaf was inserted after A4 headed "Prologue to the OPERA Spoken by Mr. Betterton." H2 was cancelled and a new leaf headed H2v: The EPILOGUE. Spoken by Mrs. Bracegirdle the word FINIS being transferred from H2 to H2v. The text block shows some aging and light staining; it is finely bound in full crushed crimson morocco unsigned but reminiscent of Sangorski: Spine in six compartments with raised bands intricately tooled in gilt; gilt rules on the boards; gilt inner dentelles; endpapers of crimson Victorian cloth in a linen effect. Top edge gilt. The text has been bulked out with several pages of blank paper in the rear. A nice copy of the scarce first edition in a fine binding. Dryden's 'King Arthur' owes little to the Arthur of history of romance. The play centers around a battle with Oswald a Saxon leader which Arthur wins. He also wing the faire but blind Emmeline whose sight is restored by Merlin. The play was first performed at the Queen's Theatre with music by Purcell and marks the likely beginning of a rekindling of interest in King Arthur and other things monarchial after their suppression by Cromwell and the Commonwealth. Macdonald 91 a ii. Arthurian Encyclopedia 121. Wing D2299. ESTC R18755. Printed for Jacob Tonson hardcover books
1794ref. 52055Coventry: printed and sold by M. Luckman 1794. Very good. Scarce first edition presentation copy from the editor of this textbook of canonical poets for students - including Milton Dryden Burns Pope Smith Carter and Barbauld. Woolston created this collection of the "most admired poetry" from "the best authors." The biographical summaries at the rear include this description for Charlotte Smith: "Every reader of sensibility must lament with me the sorrows and afflictions which this very amiable Lady has been frequently and long exposed to though they gave birth to some of the most exquisite Sonnets perhaps ever written." Issued by Mary Luckman who took over her husband's printing business upon his death in 1784. Quite scarce with only three copies recorded in ESTC Bodleian BL Canterbury and another three via OCLC Yale Penn State University of South Carolina. A pocket window into the big names in poetry at the end of the 18th century. 36mo 5'' x 2.75''. Contemporary tree calf rebacked maroon spine label gilt rules to boards. Publisher's catalogue at rear. xii 310 2 pages. Ink inscription "The Gift of the / author April 24th / 1795" to front fly leaf. Subtle paper repairs to gutters of first few leaves. Boards rather rubbed at corners with some dry crackling to contemporary leather else neat and clean. printed and sold by M. Luckman unknown
1734ref. 320591London: Jacob Tonson 1734. hardcover. near fine. 15 volumes. 12mo handsomely bound in older full straight-grained red morocco gilt lettering and design on spine covers and inner dentelles all edges gilt and marbled end papers. Frontispieces vignette titles and numerous engraved plates throughout. Bookplates on inner front covers small ownership name on title pages a few early marginal notes. London: Jacob Tonson 1734. A near fine beautiful set. Comprising: "The Dramatick Works" 1735 6 volumes; "The Miscellaneous Works" 1767 4 volumes; "The Works of Virgil" 1748 3 volumes: The Satyrs of Decimus Junius Juvenalis: 1735 1 volume; "Fables" 1734 1 volume. Jacob Tonson unknown
1808ref. 932Q20DLondon: William Miller 1808 . Leather. Very Good. 9.5" by 6". None. A complete eighteen-volume set of the collected works of John Dryden the first Scott edition uniformly bound in straight-grain morocco. The collected works of John Dryden with notes historical critical and explanatory and a life of the author by Walter Scott. The first Scott edition. Complete in eighteen volumes. Uniformly bound in full straight-grain morocco retaining the half title and blanks. A comprehensive collection of works written by English poet literary critic playwright and translator John Dryden. Known for his enormous contributions to the literature of Restoration England Dryden was the first appointed Poet Laureate. This extensive collection features Dryden's poetry plays letters and various translations as well as a memoir of his life by Walter Scott. Illustrated with a frontispiece to Volume I and a large folding plate to Volume VI. Collated complete. With the bookplate of R. J. Lambton to each volume. Uniformly bound in full straight-grain morocco retaining the half title and blanks. Endpapers renewed. Externally generally smart with rubbing to extremities and joints causing small cracks to joints. Hinges are slightly strained to most volumes with the front hinge tender to I II and XVII and the rear hinge tender to I and VI. A small tear to the head of the front joint to I. A few light marks to boards. Bookplate to front paste down. Internally firmly bound. Pages are generally bright with scattered spotting and light handling marks mainly to the first and last few pages. Small tide mark to the corner of the first six pages of IV including title page although not affecting text. Light edge wear and a few spots to folding plate. Very Good William Miller hardcover
1968ref. L3 box670 b1Dryden: The Dramatic Works In Six Volumes; Reprint 1932 Edition. Edited by Montague Summers. Reprinted 1968 by Gordian Press. Originally published 1932 by the Nonesuch Press in an Edition of 1000 Sets. Copyright 1932 by The Nonesuch Press. Published by Gordian Press Inc. by Arrangement with Nonesuch Press. Hardcover 3329 pages 460 pp v. 1 532 pp v. 2 595 pp v. 3 603 pp v. 4 545 pp v. 5 594 pp v. 6. In L3 box670. Gordian Press hardcover
1973ref. mon0000143537Folcroft Library Editions 1973-01-01. Unknown Binding. Acceptable. in x in x in. Ex-library book usual markings. Well read copy with some spine wear but still very useable. Folcroft Library Editions unknown
1697ref. 033272London : Jacob Tonson 1697 A good copy of the large paper 1st edition with 103 full page engravings. This is the first illustrated edition of Dryden's famous translations of Virgil's works completed in 1696. The illustrations are spectacular - each dedicated to a subscriber who donated 5 guineas for the privilege. This copy has 2 bookplates on the front pastedown endpaper. The oldest is of William Trumbull Esq 1708-1760 who was the son of Sir William Trumbull and inherited his estate. Sir William 1639-1716 was a Privy Counsellor and friend of John Dryden. This is certainly Sir William's subscription copy for which he paid 5 guineas and has the plate opposite page 125 in the Georgics section dedicated to him. He was particularly fond of the Aeneid and Dryden notes on the second page of his Postscript to the Reader that 'If the last Aeneid shine amongst its fellows 'tis owing to the Commands of Sir William Trumbull one of the Principal Secretaries of State who recommended it as his favourite to my Care: and for his sake particularly I have made it mine.' It likely stayed within the estate which became the Marquess of Downshire Estate until purchase for the Fox Pointe Library - their bookplate is the second of the two. The panelled calf boards are contemporary and in good condition with later reinforcement and some wear to corners. The spine with raised bands and title label is later but is degrading at the ends and there is splitting at the joints the boards are attached. Page edges are reddened. Contents: 3 initial blanks; frontispiece by M Vander Gucht a Flemish engraver working in England; rubricated title page; dedication to the Right Hon Lord Clifford 4pp; Life of Vergil 16pp; plate; Preface to the Pastorals 12pp; Poems to Dryden 5pp; Lists of Subscribers which also provide a plate index 4pp; Pastorals p 1-48 with 10 plates; Dedication to Earl of Chesterfield 5pp; Essay on the Georgics 6pp; Georgics pp 49-147 with 20 plates; Dedication 45pp; Aeneis pp 201-619 with 71 plates; Postscript to the Reader p621-623; Notes and Observations p625-640; Finis; 3 final blanks. The contents are very clean. The majority of the text and plates are on very good quality paper which has stayed white however some sections of text and some plates circa 18 are brown toned. There are a couple of paper flaws - eg side margin to plate 1 of Pastorals; side edge plate at p 63; a couple of tears - first page of subscribers has lost the bottom corner; small tear in the gutter of plate at p 20; small edge tear plate at p 61; and a printing fault at the top of the plate at p 56. Board size: 45 x 28.8 cm. Please enquire if you would like to see additional images. Jacob Tonson hardcover
1730ref. 137210London: Various Publishers c.1730-1760. Finely bound sammelband collection of comedies and tragedies by early English playwrights including William Shakespeare John Dryden and William Congreve. Octavo 43 volumes bound into 7 in half contemporary calf over marbled boards with burgundy morocco spine labels lettered in gilt numerous engraved frontispieces headpieces tailpieces and illustrations. In very good condition. A very unique collection. The growing population of London at the turn of the 17th century the growing wealth of its people and their fondness for spectacle produced a dramatic literature of remarkable variety quality and extent. Although most of the plays written for the Elizabethan stage have been lost over 600 remain including the works of William Shakespeare Christopher Marlowe and Ben Jonson. Tragedies and Comedies were very popular genres as were history plays such as Shakespeare's and Marlowe's plays about the lives of kings Marlowe's tragedies were exceptionally successful as were Shakespeare's his most popular remaining Hamlet Othello King Lear and Macbeth. Various Publishers hardcover
1697ref. 007688London Judges-head in Fleetstreet near the Inner-Temple-Gate: Jacob Tonson 1697. 1st Edition . Hardcover. Very Good. Elephant Folio - over 15 - 23" tall. M. Vander Gucht W. Hollar F. Cleyn P. Lombart. First edition large paper copy 103 plates1697 In refurbished contemporary speckled boxed boards. Re-spined to style raised bands blind tooling earlier gilt title to red calf label. Internally frontis title page in red & black within ruled borders 22 ff including subscribers list preface & life of 48 12 letter to the Lord of Chesterfield and Essay on the Georgics marginal tear at 1 leaf 49-147 1 a1-f4 letter to the Earl of Mulgrave 201-640 pp 103 copper engraved pls lacking M1 p81/2 odd pagination but bar M1 its complete p 224 miss-numbered 220 2 repaired tears to 2 pls 380/546 modern old feps text block edges sprinkled red some light browning to a few pls but the text block is pristine. In verse. Each illustration contains a dedication to some contemporary public figure listed in the Subscribers list. Illustrated with engravings variously signed: M. Vander Gucht W. Hollar F. Cleyn P. Lombart. Title page is a cancel reissued from 690 p. edition Wing V616A. Frontis. plate signed by Michael vander Gucht. Most plates engraved by Wenceslaus Hollar or Pierre Lombart from drawings by Franz Cleyn. Wing erroneously gives title word "Vergil". 442282 mm. ESTC R26296 Jacob Tonson hardcover
1916ref. 143509N.p.: N.p. 1916. Vintage Swiss one sheet lithograph poster made to promote the 1916 opening of Speck's Orient-Cinema in Zurich during the heart of the silent film era. Designed and illustrated by costume and commercial designer Ernst Deutsch-Dryden. The poster's illustration portrays well-dressed clientele watching a Western movie likely meant to represent a US import. During this period there was a push in Zurich as in all large European and American cities to build lavish new cinemas to accommodate the constantly growing public demand for films and elegant movie houses in which to view them. 27 x 39 inches. Linen backed with no extra linen borders with some slight restoration at the folds and edges. N.p. unknown books
1697ref. 8721Full paneled mottled calf; triple gilt ruled morocco label to spine. Large paper copy with 101 engraved plates. Light occasional foxing & plate ghosting. Printed for Jacob Tonson at the Judges-Head in Fleetstreet near the Inner-Temple-Gate. Boards separating at hinge but cords remain strong. 9.75 x 14.75 inches; 24 x 37.5 cm Jacob Tonson hardcover
1677ref. 1345258London: printed by Thomas. Newcomb. for H. Herringman at the Anchor in the lower walk of the New Exchange 1677. Hardcover. Quarto 2 45 1 pages.; VG-; Bound in later 3/4 calf cloth covered boards rebacked with spine preserved. Mild shelfwear. Frank J Hogan bookplate to front pastedown. Lacking Dryden's preface being pages i-xx. Mild toning and soiling to pages. JR Consignment. Case 0. ESTC R4242; Wing D2372; Shawcross 754. Milton and Dryden were politically opposed with Milton against the restoration of the British monarchy while the royalist Dryden was made England's first Poet Laureate by the restored Charles II.; Written as an operatic adaptation of Milton's Paradise Lost the musical score was never written and the opera was never performed.;. 1345258. Shelved Dupont Bookstore. printed by T[homas]. N[ewcomb]. for H. Herringman, at the Anchor in the lower walk of the New Exchange hardcover
1697ref. 3017London:: Printed for Jacob Tonson 1697. FIRST EDITION. Folio:. 44.6 x 28.7 cm. 2 A2 4 4 2 2 2 †2 ††2 x1 B-G4 ¶4 ¶¶2 H-T4 U2; a-f4 Aa-Zz4 Aaa-Zzz4 Aaaa-Ffff4 Gggg2 Hhhh-Iiii4 Kkkk2. An exceptional and exceptionally large "large paper" copy. This copy is complete with the engraved frontispiece the extra plate depicting Vergil reading the Aeneid to Augustus and all 101 of the magnificent engraved plates by W. Hollar called for in this edition: ten in the Bucolics twenty in the Georgics and seventy-one in the Aeneid. Bound in 17th-century paneled calf very nicely rebacked in the 18th-century. The spine is separated into eight compartments ruled and tooled in gold by raised bands. There are two spine labels one in red and one in green morocco tooled in gold. The boards are framed by a single gold fillet.Internally this copy is in superb condition with very little of the browning associated with this edition. The great majority of leaves are crisp lily-white and wide margined. In fact this is the largest and cleanest copy that we have had the pleasure to handle. There are a few incidental marginal tears only one of which –now mended- enters an engraving opposite p. 261. The final leaf is ink-stained. "Dryden's 'translation of Vergil'" says Pope whose own translation of Homer was inspired by Dryden's work "is the most noble and spirited translation I know in any language." Thomas "The book was published by subscription a system of joint-stock patronage now coming into vogue. . Dryden's correspondence with his publisher Tonson showed a good many bickerings during the publication. One cause of quarrel was Tonson's desire that the book should be dedicated to William III. Dryden honourably refused; but Tonson had the engravings adapted for the purpose by giving to Aeneas the hooked nose of William Dryden Letter to his son 3 Sept. 1697." DNB"Shakespeare probably knew at least the earlier books of the 'Aeneid' in Latin while Milton's 'Paradise Lost' attempts to provide an English equivalent not only for Vergil's epic themes but even for his syntax diction and as far as possible meter. But in Britain he was also particularly well-served by translations. In the seventeenth-century the epic was translated by Dryden." Gian Biagio Conte's "Latin Literature A History" Wing V-616; Macdonald 33A; Wither to Prior #325; Malone I.1.313; See John Barnard "The Large- and Small-Paper Copies of Dryden's The Works of Virgil 1697" in "Papers of the Bibliographical Society of America" Columbia SC 92 no. 3 1998 Sept: p. 259-71. Printed for Jacob Tonson books
1919ref. 9393Original Vogue magazine cover illustration used for the July 1st 1919 issue. Watercolor gouache and pencil on board measuring 13.25 x 17.5 in 33.5 x 44.5 cm. Painted on Whatman's watercolour sketching board. Signed in lower right . Accompanied by the published cover of that issue see image. A large striking original rendering of one of Dryden's very best Vogue covers. Conde Nast