Windy DrydenBiblio.com
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rif. ria9781032542553_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this practical companion to the client manual Windy Dryden draws on Rational-Emotive Behaviour Therapy REBT - an approach that focuses on challenging and changing the rigid and extreme attitudes that largely determine emotional an paperback
rif. ria9780367556211_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book is a comprehensive guide for coaches on how to use Rational-Emotive and Cognitive Behaviour Therapy to help coachees with their emotional problems within a coaching context. paperback
rif. A9781032543239Hardback. New. The second edition of Dealing with Emotional Problems Using Rational Emotive Behaviour Therapy offers clear practical advice on how to deal with some of the most common emotional difficulties we face. hardcover
rif. A9781032543260Hardback. New. In this practical companion to the client manual Windy Dryden draws on Rational-Emotive Behaviour Therapy REBT – an approach that focuses on challenging and changing the rigid and extreme attitudes that largely determine emotional and behavioural issues – to encourage people to deal with their emotional problems. hardcover
1990rif. Q-0943158591Professional Resource Exchange 1990-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Professional Resource Exchange paperback
1695rif. 564891695. First Edition. DRYDEN John DU FRESNOY Charles Alphonse. De Arte Graphica. The Art of Painting. ISSUED WITH: GRAHAM Richard. A Short Account of the Most Eminent Painters both Ancient and Modern. London: W. Rogers 1695. Two volumes in one. Thick square octavo 19th-century three-quarter tan calf black and green morocco spine labels marbled boards endpapers and edges. $2200.First translation into English prose by Dryden of Du FresnoyÕs Latin poem on the practice of art prefaced by DrydenÕs famous Parallel of Poetry and Painting with engraved allegorical frontispiece by Henry Cooke issued together with Richard GrahamÕs biographical chronology of painters.Du Fresnoy is remembered now almost entirely as a writer rather than a painter. While his few paintings are at best reminiscent of Carraci and Titian Òhe was a great master of the rules history and theory of his professionÓ Chalmers. His Latin poem De Arte Graphica written during his 24-year Italian sojourn is well-regarded as a critical treatise on the practice of the art with general advice to students. It embodies his observations on the art of painting in sound precepts according to the standards of his time. First published in Latin by his friend Pierre Mignard in 1656 De Arte Graphica was translated into English prose by Dryden prefaced by his famous Parallel of Poetry and Painting: ÒExpression and all that belongs to words is that in a poem which coloring is in a picture. The colors well chosen in their proper places together with the lights and shadows which belong to them lighten the design and make it pleasing to the eye. The words the expressions the tropes and figures the versification and all other elegancies of soundÉ perform exactly the same office both in dramatic and epic poetry.Ó Issued with this edition was the first appearance of Richard GrahamÕs biographical chronology of famous artists from Ardices the Corinthian to John Riley court painter to Charles II under a separate title page. ÒGraham was an acquaintance of Vertue the engraver and supplied him with some of the information worked up by Horace Walpole into his Anecdotes of Painting 1762Ó DNB. MacDonald 139a. Wing D2458. Interior near-fine with only faint foxing to first and last few leaves. Corners rubbed. A near-fine copy. hardcover books
1695rif. 179138London: J. Heptinstall for W. Rogers 1695. Leather bound. VG light shelfwear and smudging to leather boards spine has some tears internally but all pages are intact. Staining to block age toning to pages. Tan leather boards with four raised bands on spine bw frontispiece 4 lxiv 355 1 pages. Translation of: De arte graphica. Parallel texts in English and Latin. Added engraved title page. By C.A. Du Fresnoy ; with remarks ; translated into English together with an original preface containing a parallel betwixt painting and poetry by Mr. Dryden ; as also A short account of the most eminent painters both ancient and modern continu'd down to the present times according to the order of their succession by another hand. J. Heptinstall for W. Rogers hardcover books
1695rif. h46372London: Printed by J. Heptinstall for W. Rogers 1695. First English Language Edition. Hardcover. Very good. 8vo 8.125 x 6 inches bound in late 18th century American calf with black morocco title label on spine. Very good lacks engraved pictorial title has letterpress title page printed in red & black. Small private library label on pastedown ownership signature of Joseph Schaffer a Philadelphia resident in the early 19th century as we know from other books found in the same collection as this and another early signature of a Martha G. or Y. Black. LXIV 355 pp errata. "A Short Account of the most Eminent Painters both Ancient and Modern." has its own title page; it was written "by another hand" from Fresnoy's. Printed by J. Heptinstall for W. Rogers hardcover
1695rif. 709L14London: J Hepinstall; W Rogers 1695. First edition. Leather. Very Good Indeed. 8" by 6". None. A bright first English edition of Charles Alphonse du Fresnoy's narrative poem which provides his observations on the art of painting. The first English edition of this work which was originally published in Latin. 'De Art Graphica' was written during du Fresnoy's Italian sojourn and is regarded as a critical treatise on the practice of the art with general advice to students. This is a prose translation of the poem by John Dryden. ESTC reference no: R18532 In addition to Fresnoy's original work Dryden has included an original preface analysing the parallel between paintin and poetry and a short account of the most eminent painters both ancient and modern. The biographical account has a separate date title page with the imprint 'printed for W.Rogers.' on page 227. The register is continuous. Rebound in a very smart full calf binding. A bright and scarce first edition of this important art treatise. In a full calf binding. Externally very smart with a few light marks to the boards. Internally firmly bound. Pages are bright. The original front blank is chipped to the edges. Engraved title page is closely cropped to the bottom margin. Just the odd spot to pages. Very Good Indeed J Hepinstall; W Rogers hardcover
1695rif. 1812140003London Printed by J. Heptinstall for W. Rogers 1695. First Edition. Hardcover. Good. 1st English ed. Translated by John Dryden. Small quarto 24 cm. Bound in contemporary speckled calf. Speckled edge. 5 raised bands. Rebacked. Engraved frontispiece title title in red and black. 2 preliminary leaves lxxiv 355 1 pages. Internally very good with white unmarked pages. Contents: Preface of the translator with a parallel of poetry and painting -- The preface of the French author / by Roger de Piles -- Table of the precepts contain'd in this treatise -- The art of painting / by Charles-Alphonse Dufresnoy -- Observations on the art of painting of Charles Alphonse du Fresnoy / Roger de Piles -- Judgement of Charles Alphonse du Fresnoy on the works of the principal and best painters of the two last ages / by Roger de Piles -- A short account of the most eminent painters both ancient and modern continu'd down to the present times accoeding to the order of their succession / by Richard Graham. Charles Alphonse du Fresnoy was a French painter who is best known for this poetical work. Wing D2458. London, Printed by J. Heptinstall for W. Rogers hardcover
1695rif. 564891695. First Edition. DRYDEN John DU FRESNOY Charles Alphonse. De Arte Graphica. The Art of Painting. ISSUED WITH: GRAHAM Richard. A Short Account of the Most Eminent Painters both Ancient and Modern. London: W. Rogers 1695. Two volumes in one. Thick square octavo 19th-century three-quarter tan calf black and green morocco spine labels marbled boards endpapers and edges. $2200.First translation into English prose by Dryden of Du FresnoyÕs Latin poem on the practice of art prefaced by DrydenÕs famous Parallel of Poetry and Painting with engraved allegorical frontispiece by Henry Cooke issued together with Richard GrahamÕs biographical chronology of painters.Du Fresnoy is remembered now almost entirely as a writer rather than a painter. While his few paintings are at best reminiscent of Carraci and Titian Òhe was a great master of the rules history and theory of his professionÓ Chalmers. His Latin poem De Arte Graphica written during his 24-year Italian sojourn is well-regarded as a critical treatise on the practice of the art with general advice to students. It embodies his observations on the art of painting in sound precepts according to the standards of his time. First published in Latin by his friend Pierre Mignard in 1656 De Arte Graphica was translated into English prose by Dryden prefaced by his famous Parallel of Poetry and Painting: ÒExpression and all that belongs to words is that in a poem which coloring is in a picture. The colors well chosen in their proper places together with the lights and shadows which belong to them lighten the design and make it pleasing to the eye. The words the expressions the tropes and figures the versification and all other elegancies of soundÉ perform exactly the same office both in dramatic and epic poetry.Ó Issued with this edition was the first appearance of Richard GrahamÕs biographical chronology of famous artists from Ardices the Corinthian to John Riley court painter to Charles II under a separate title page. ÒGraham was an acquaintance of Vertue the engraver and supplied him with some of the information worked up by Horace Walpole into his Anecdotes of Painting 1762Ó DNB. MacDonald 139a. Wing D2458. Interior near-fine with only faint foxing to first and last few leaves. Corners rubbed. A near-fine copy. hardcover
rif. 178481Printed by J. Heptinstall for W. Rogers. 1695. 1st edn. Tall 8vo 8¼ x 6¼ ins. Contemporary full speckled calf spine gilt ruled in six compartments with contrasting gilt lettered label red sprinkled edges boards lightly pitted marks on lower board and wear at corners- otherwise VG. Pp. ii lxiv 355 1 errata title page printed in red and black engraved plate pasted onto front paste-down and partially obscured by previous owner's armorial bookplate faint inscription at top edge of title. Printed by J. Heptinstall for W. Rogers., 1695 unknown
1695rif. 179138London: J. Heptinstall for W. Rogers 1695. Leather bound. VG light shelfwear and smudging to leather boards spine has some tears internally but all pages are intact. Staining to block age toning to pages. Tan leather boards with four raised bands on spine bw frontispiece 4 lxiv 355 1 pages. Translation of: De arte graphica. Parallel texts in English and Latin. Added engraved title page. By C.A. Du Fresnoy ; with remarks ; translated into English together with an original preface containing a parallel betwixt painting and poetry by Mr. Dryden ; as also A short account of the most eminent painters both ancient and modern continu'd down to the present times according to the order of their succession by another hand. J. Heptinstall for W. Rogers hardcover
1695rif. 34244London: J. Heptinstall for W. Rogers at the Sun against St. Dunstan's Church in Fleetstreet 1695. First Edition. Illustrated with a handsome engraved frontispice by H Cooke and S. Gribelin. Quarto handsomely bound in antique mottled calf the spine with raised bands gilt ruled red morocco lettering label gilt the covers with double gilt fillet rules at the borders. lxiv 355 1 Errata pp. A fine copy the binding tight and very well preserved with little evidence of age an old unobtrusive blindstamp signifying past ownership to the title the text clean and crisp. A very well preserved copy. FIRST EDITION. Although the pagination runs continuously throughout the volume the 'Short account of the most eminent painters' has its own title-page which reads: 'A Short Account Of the most Eminent Painters Both Ancient and Modern Continu'd down to the Present Times According to the Order of their Succession. London Printed for W. Rogers at the Sun against St. Dunstans Church in Fleetstreet. 1695.'. Du Fresnoy's Latin poem was originally published shortly after his death in 1668. It was followed by translations into French 1668 English prose 1695 German 1699 Italian 1713 and Dutch 1733. Du Fresnoy opens his poem by declaring that 'As poetry shall be like a painting so should painting be like poetry'. Beauty should be interpreted in different ways - as may be seen in such famous ancient statues as the Antinous the Hercules the Venus the dying Gladiator. Besides Dryden's translation of Du Fresnoy's poem the present volume includes a translation of the Remarks with which Roger de Piles accompanied his French version of the poem 1668. Dryden's famous preface Parallel of Poetry and Painting stands on its own as one of the author's most respected works. The first appearance of Richard Graham's chronology of eminent artists both ancient and modern is presented here with its own title-page. While President of the Royal Academy Sir Joshua Reynolds published extensive notes on Du Fresnoy's Art of Painting in William Mason's new translation 1783. Royal Academy Contents: T.-pl. t.-p. - Preface Of The Translator With a Parallel Of Poetry and Painting - The Preface Of The French Author - A Table of the Precepts Contain'd in this Treatise - Text in Latin and English - Observations On The Art of Painting Of Charles Alphonse du Fresnoy - The Judgment of Charles Alphonse du Fresnoy On the Works of the Principal and Best Painters of the two last Ages - Divisional title-page 'A Short Account Of the most Eminent Painters Both Ancient and Modern . London Printed for W. Rogers at the Sun against St. Dunstans Church in Fleetstreet. 1695' - The Preface - Ancient Masters - Modern Masters - Ancient Modern Masters indices - Errata J. Heptinstall for W. Rogers, at the Sun against St. Dunstan's Church in Fleetstreet hardcover
1902rif. 1016519Halle - Wittenberg, 1902. 56 S. Br.
2006rif. BN35301VAK Verlags GmbH 2006. Auflage: 3. Softcover. 217 x 11 x 283 cm. Dieses Handbuch bietet einen Überblick über die 100 für die kinesiologische Praxis wichtigsten Muskeln ihre Tests und die entsprechenden biokinetischen Übungen. Mit diesen Übungen kann man schwache hypotone oder zu stark angespannte hypertone Muskeln balancieren: Durch Druck von außen wird die angespannte verkürzte Position eines Muskels für eine Weile so aufrechterhalten dass die Arbeit des Muskels selbst nicht mehr gebraucht wird und er sich deswegen völlig entspannen und anschließend in seinen optimal balancierten Zustand zurückkehren kann. Ziel des Buches ist es diese Übungen aus der Biokinesiologie einem größeren Kreis von Kinesiologieanwendern nahezubringen. Zu jedem Muskel beschreibt es die genaue Lage und Funktion die spezifische Testanleitung sowie die zugehörige biokinetische Übung. Die Übungen können leicht an Klienten weitervermittelt und von diesen selbständig ausgeführt werden. Dr. Wayne W. Topping war ursprünglich Geologe und absolvierte dann verschiedene Ausbildungen im Bereich der ganzheitlichen Gesundheitslehre. Er erforscht praktiziert und lehrt Touch for Health und Biokinesiologie. Er ist Mitbegründer des Topping International Institute und hat bereits mehrere Bücher veröffentlicht; bei VAK erschienen: "Stress Release" und "Körperenergien in der Balance". Reihe/Serie Workshop-Buch Illustrationen David Müller Rich Dryden Übersetzer Rotraud Oechsler Zusatzinfo 208 Fotos 108 Zeichn. Sprache deutsch Maße 215 x 297 mm Einbandart Spiralbindung Medizin Pharmazie Naturheilkunde Biokinetik HumanMedizin Ganzheitsmedizin AllgemeinMedizin Ganzheitsmediziner Kinesiologie Muskel Muskelentspannung Muskeltest ISBN-10 3-932098-30-7 3932098307 ISBN-13 978-3-932098-30-7 9783932098307 Medizin Pharmazie Naturheilkunde Biokinetik HumanMedizin Ganzheitsmedizin AllgemeinMedizin Ganzheitsmediziner Kinesiologie Muskel Muskelentspannung Muskeltest Dieses Handbuch bietet einen Überblick über die 100 für die kinesiologische Praxis wichtigsten Muskeln ihre Tests und die entsprechenden biokinetischen Übungen. Mit diesen Übungen kann man schwache hypotone oder zu stark angespannte hypertone Muskeln balancieren: Durch Druck von außen wird die angespannte verkürzte Position eines Muskels für eine Weile so aufrechterhalten dass die Arbeit des Muskels selbst nicht mehr gebraucht wird und er sich deswegen völlig entspannen und anschließend in seinen optimal balancierten Zustand zurückkehren kann. Ziel des Buches ist es diese Übungen aus der Biokinesiologie einem größeren Kreis von Kinesiologieanwendern nahezubringen. Zu jedem Muskel beschreibt es die genaue Lage und Funktion die spezifische Testanleitung sowie die zugehörige biokinetische Übung. Die Übungen können leicht an Klienten weitervermittelt und von diesen selbständig ausgeführt werden. Dr. Wayne W. Topping war ursprünglich Geologe und absolvierte dann verschiedene Ausbildungen im Bereich der ganzheitlichen Gesundheitslehre. Er erforscht praktiziert und lehrt Touch for Health und Biokinesiologie. Er ist Mitbegründer des Topping International Institute und hat bereits mehrere Bücher veröffentlicht; bei VAK erschienen: "Stress Release" und "Körperenergien in der Balance". Reihe/Serie Workshop-Buch Illustrationen David Müller Rich Dryden Übersetzer Rotraud Oechsler Zusatzinfo 208 Fotos 108 Zeichn. Sprache deutsch Maße 215 x 297 mm Einbandart Spiralbindung ISBN-10 3-932098-30-7 3932098307 ISBN-13 978-3-932098-30-7 9783932098307 VAK Verlags GmbH paperback
rif. 1365966607.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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rif. B9781015413788Hardback. New. hardcover
