LESPES (René)Livre Rare Book
1415 risultati
rif. 38976In-4 (235 x 185 mm), broché, couverture cartonnée imprimée de l'éditeur, 509, (1) p, 8 planches hors texte et 24 cartes et plans dépliants dont un très grand en couleurs d'Oran. Paris, Félix Alcan (imprimé sur les presses de F. Fontana, Alger), 1938.
1830FIRST AND ONLY EDITION, ALL PUBLISHED of this extremely early and important anthology of Oriental poetry in French translation. 3, XI, 263, 8 pp. Includes poetry translated from Sanskrit, Malay, Javan, Chinese, Tibetan, and Arabic. The editor, 21-year-old Francisque Michel, had yet to graduate from high school when he published this volume, but would later go on to win undying fame as an editor of medieval French texts, including the first edition of the Chanson de Roland. 16mo. Original plain wraps. UNCUT. Light wear and tear to extremities of wraps, otherwise PRISTINE. Very rare, especially in such fine condition.
rif. c5838Paris, Pourrat frères, 1839 ; 4 volumes in-8°, demi-maroquin violine de l'époque, filet gras doré soulignant les mors, dos lisse orne de larges fleurons dorés, titre et tomaison dorés, plats de papier granité violine .Tome I : (4), XX, 412pp. et 1 titre orné, 1 frontispice et 9 gravures hors texte.Tome II : (4), 382, ( 1)pp. et 1 titre orné et 2 gravures hors texte.Tome III : (4), 422,(1)pp., et 1 titre orné et 4 gravures hors texte.Tome IV : (4),471, (1)pp., et 1 titre orné et 3 gravures hors texte.
2016New English Original bdg. HC. / Original brown leather bound. In special huge box. Oblong folio. (30 x 50 cm). 2 books: (28 x 23 cm) / (29 x 37 cm). Youssouf: Types et charges, 1884 (reprint of Yusuf Franko Bey's original caricature album): 56 p., fully color ills.; Youssouf Bey: The charged portraits of fin-de-siecle Pera.: 119, [1] p., color ills. 500 copies were printed. All copies is numbered. Contents: It includes the following articles: Ömer M. Koc "Preface"; Bahattin Öztuncay "Editor's Foreword"; Sinan Kuneralp, "Yusuf Franko Kusa Pasa and His Kinsmen: A Melkite Family in The Service of The Ottoman Empire"; Guillaume Doizy, "Yusuf Bey: The Dificult Experience of Caricature"; K. Mehmet Kentel, "Drawing cosmopolitan Pera, Drawing on Yusuf Bey's Caricatures"; Sinan Kuneralp, "Appendix: Who is who in Yusuf Franko Pasa's Album an annotated list". The caricature album of Yusuf Franko Kusa Bey, the late 19th century Ottoman bureaucrat, Minister of Foreign Affairs, governor general, man of society who was also a playful caricaturist, is exhibited for the first time. "The Characters of Yusuf Franko: An Ottoman Bureaucrat's Caricatures" displays for the first time the caricatures that Yusuf Franko compiled in an album between 1884-1896, that interact with the European caricature tradition. Through the exhibited caricatures, the visitors meet satirically charged portraits of wealthy capitalists, members of high society, Ottoman soldiers, Levantines, artists and diplomats of the late 19th century. The caricatures offer the spectators the opportunity to observe the colorful social networks, especially those of the Beyoglu / Pera quarter, which Yusuf Franko himself belonged to, and the global locales of Istanbul. By following the characters in their caricatures and the places they belong, the exhibition emphasizes how the Galata¿Beyoglu axis became a financial and diplomatic center as well as a frequent destination of international culture and arts. The exhibition, which mainly tries to evaluate the works of Yusuf Franko from the perspective of space and social networks, also touches on the significant places of the period such as the Naum Theater and it also serves as a reminder of those locales, which no longer exist and hence which have not found their way onto the album. Focusing on Yusuf Franko, the innovative caricaturist of his time and on his works, the exhibition "The Characters of Yusuf Franko: An Ottoman Bureaucrat¿s Caricatures" deals with the prominence of the Franko Kusa family within the Ottoman Empire, and with the history of the caricature in Europe. The exhibition also narrates the long trek of the album through various countries and the tale of its return to Beyoglu. In addition to the album and caricatures of Yusuf Franko Kusa, relevant photographs, documents and publications from various collections and especially from Ömer M. Koç Collection are featured in the exhibition.
rif. 91728aafBeyrouth, Ecole Française d’Ingénieurs, 1943-1945, in-4to, environ 400 p., avec quelques illustrations, brochures originales illustrées conservées.
1825rif. 3535FBBerlin, Dümmler Verlag, 1825. 8°. 19,5 x 12,5 cm. IV, 327 Seiten. Halblederband der Zeit mit marmoriertem Deckelbezug. [5 Warenabbildungen]
1888In 8, cm 14 x 21,5, pp. (130). Frontespizio e 'avvertissement' redatti in francese, il resto del testo interamente in arabo. Cartonatura editoriale in mezza tela con iscrizioni al piatto anteriore. Antiche firme di proprieta'. Opera di Louis Cheikho, pubblicata per la prima volte nel 1885 e in seguito piu' volte ripubblicata, presenta diversi modelli di scrittura in arabo sia antica che moderna. L'autore fu un sacerdote cattolico caldeo e gesuita, orientalista e teologo apri' la strada alla ricerca letteraria cristiana e assira
1784rif. 0051721784 Paris, Debure fils aîné, 1784. In-8 (135 X 202 mm) veau fauve raciné, dos lisse cloisonné de filets dorés, compartiments ornés de fers et fleurons dorés, palettes dorées en queue et tête, pièce de titre maroquin grenat, tranches rouges (reliure de l'époque) ; (2) ff. de faux-titre et titre, portrait-frontispice, LVI-285 pages, (1) f. d'approbation. Infime tache en marge latérale des pages 193 à 242 et dans l'angle supérieur des pages 281 à la fin de l'ouvrage. Trois coins émoussés.
18992 volumi di cm. 25 x 19,5; pp. X - 140, XII - 224; 199 tavole fuori testo di cui 18 colorate a mano e 10 in rosso e nero; disegni nel testo; legatura coeva in mezza pelle con nervi e titolo oro al dorso e segnalibro; carta marmorizzata ai piatti; cucito. Dorso e bordi dei piatti con segni d'uso, fioriture alla carta; per il resto in buono stato. Prima edizione. In lingua francese. Rarissimo.
rif. 16116Paris, Victor Magen, 1839. In-8, [2]-245-[2] pp., bradel de toile beige à motifs floraux noirs (dos insolé, rousseurs).
1909rif. PHO-601Paris , Gauthiers-Villars , 1909. In-8 , relié demi veau , dos à nerfs avec auteur et titre , VIII-144 p avec un tableau dépliant très bon état
rif. GMF-544Les Moallacas d’Antar et autres. Paris, Lebègue "Collection Hortus deliciarum" (1921). 1 volume in-12 de 139 pages, entièrement montée sur onglets, reliure en plein chagrin ocre, ornementation sur le plat supérieur, plats et dos de couverture conservés. Édition ornementée par A. Munne, tirée à 300 exemplaires numérotés, tous sur papier Japon (ici, n° 110).
1840rif. PHO-1534Paris, Ducollet, 1840-1841. 2 vol. in-8, XII-456pp.-612pp., brochage éditeur, non coupé, non rogné, petit manque de papier à la couverture du tome 1 et dernière de couv. tome 2.
1834rif. 12572Paris The Oriental translation committee of Great Britain and Ireland 1834-1835 Un volume in-8 plein chagrin rouge, dos à nerfs, caissons décorés, titre doré, triple filet doré en encadrement sur les plats, tranches dorées, dentelle intérieure, double filet doré sur les coupes, faux-titre, titre, xi pp., 251 pp., titre, [2] ff., 96 pp., texte en hindoustani, [bl.]. Très bel exemplaire.
1846rif. 9458BBLeipzig, Klinkhardt, 1846. 48 Seiten. Halblederband der Zeit. Lederbezug mit Fehlstelle, Buchblock im Gelenk gebrochen.
1921rif. 0011451921 Paris, Piazza, 1921. In-8 carré (176 X 221) maroquin orange entièrement orné à froid, dos lisse orné à froid, titre doré, tête dorée, couverture conservée, double garde papier (reliure de l'époque) ; 144 pages, 10 planches hors-texte, (1) f. d'achevé d'imprimer. Plats et mors tachés, petits frottements aux coiffes, dos uniformément foncé.
1959rif. 212311959 P., Piazza, 1959, petit in 4° en feuilles sous couverture rempliée illustrée et double emboitage décoré en couleur, 142 pages ; rares piqûres. Bel exemplaire.
rif. 91593aafParis, Ernest Leroux, 1930 -33, gr. in-4to, 6 planches et nombr. ill. dans le texte, cartonnage original. Parfait exemplaire.
1884FIRST AND ONLY EDITION of this extremely rare collection of Middle Eastern and Orientalist poetry. 3, V, 200 pp. LENGTHY PRESENTATION INSCRIPTION TO A CLOSE FRIEND, SIGNED BY THE AUTHOR. Numerous Orientalist drawings by Auguste Sage. Printed on very good wove paper. 12mo. Bound in contemporary quarter calf and decorated boards. Slight traces of wear to edges of boards, else FINE AND BRIGHT.
2019New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm
1838Very Good German Original cloth bdg. Boards with European marbling. 4to. (26 x 22 cm). In German. 147, [3] p. Muhammed's Religion nach ihrer inneren Entwicklung und ihrem Einflusse auf das Leben der Völker. Eine historische Betrachtung. First Edition. Rare.
rif. 18428Paris E. Plon et Cie, imprimeurs-éditeurs 1879 in 4 (29x21) 1 fort volume reliure demi chagrin rouge à coins de l'époque, dos à nerfs, tête dorée, frontispice, XIV [1], et 398 pages. Ouvrage illustré de 12 eaux-fortes par Lerat, Courtry et Rajon, une héliogravure (frontispice), et 45 gravures hors-texte d'aprés les dessins de Fromentin. Bel exemplaire, bien relié ( Photographies sur demande / We can send pictures of this book on simple request )
1899rif. 20704Lyon, Paris, Storck, Masson, 1899 ; in-8, demi-basane réglisse, dos à nerfs, titre doré (reliure de l'époque) ; XXIX, [3], 379 pp., [1] f. de table, 6 planches hors-texte en couleurs.
rif. 054891Paris Libraire Orientale de Mme Ve Dondey-Dupré 1840 in 8 (20,5x12,5) 1 volume reliure demi basane brune de l'époque, dos lisse orné de filets dorés, 148 pages. Relié à la suite: 1°/ ESSAI SUR LE SYMBOLISME ANTIQUE D'ORIENT, principalement sur le symbolisme égyptien, contenant la critique raisonnée de la traduction du passage du cinquième livre des stromates de S. Clément d'Alexandrie, relatif aux écritures égyptiennes, par M de Brière (Paris, B. Duprat 1847), 101 pages [1], avec deux planches hors-texte dépliantes in fine. 2°/ DES DYNASTIES ÉGYPTIENNES, par M. de Bovet (Paris, J.J Blaise, libraire-éditeur 1830), 306 pages [1], des rousseurs éparses. Rare réunion. Bon exemplaire
1773rif. 35504103A Bruxelles et Paris, Valade, 1773 ; in-12, basane fauve marbrée, dos orné, tranches rouges. (Reliure de l’époque). 2 ff., 228 pp., 8 pp. (catal. Valade).ÉDITION ORIGINALE. Mylne-Martin 73,3 n’ont pas identifié l’auteur de ce roman qui se déroule en Perse (XVIe et XVIIe siècles) au temps du règne de Sha Abas Ier. Le roman est précédé d’un abrégé de la vie de cet empereur (pp. 1 à 12). Intrigue sentimentale, aventures guerrières et romanesques, éléments historiques. - Mentinné dans - Dufresnois. L’Orient romanesque en France 1704-1789. Montréal 1946-47- Conlon. Le Siècle des Lumières. XVII, 73.385.Cuir de la reliure un peu rongé en haut du 1er plat et à la coiffe inférieure.
