CHARDIN ,Chevalier JeanLivre Rare Book
1.415 Ergebnisse
1687Best.-Nr. PHO-1222Lyon, Thomas Amaulry, 1687, 2 tomes en 2 vols in-12 , Reliure époque plein veau, dos à nerfs ornés avec titre et tomaison , de (24)-438pp (tome 1) et 439pp-(9) pp) illustrés de 15 planches dont 1 portrait-frontispice, 1 titre gravé 13 planches , la plupart dépliantes .Petite galerie de vers au début du tome 2 , 4 feuillets amputés (pp.89 à 96) de l’angle supérieur droit (avec manque de texte), reliure frottée , accident à la coiffe supérieur tome 1 , coins usés
1788Best.-Nr. 110521788 Paris, chez Volland, Desenne, 1788; 2 volumes in-8°, demi-basane marbrée à très petits coins de velin, dos lisse orné de fers à la tulipe et petites palettes dorées, titre et tomaison doré sur 2 étiquettes rouges, tranches mouchetées, plats de papier imitant la basane du dos; 383pp.; 458 -(3)pp. 2 cartes dépliantes (Egypte et Syrie), 3 planches dépliantes hors texte, déchirure sans manque au plan du Temple du soleil de Balbeck. Edition originale.
Best.-Nr. 19215Paris, La librairie des bibliophiles, 1881. 10 vol in-12, demi-maroquin à coins rouge, doubles filets dorés sur les plats, dos à nerfs orné de caissons dorés, tête dorée, couverture conservée (minuscules épidermures).
1898Best.-Nr. 27190Paris Imprimerie Champenois pour CH. Masson & H. Piazza 1898 Une Lithographie originale en couleurs exécutée spécialement par l'artiste pour l'Estampe Moderne. Format : 30 centimètres de haut par 40 centimètres de large, sur papier blanc, Epreuve tirée sur vélin fort , timbre sec de l'éditeur en marge inférieure. Signature de l'artiste dans la planche. 1898 Paris Imprimerie Champenois pour CH. Masson & H. Piazza Editeurs ,
1841Best.-Nr. PHO-2389London, Murray, 1841, 2 volumes in-8, xix-620pp. et xxxviii-688pp., veau blonds, dos lisses ornés et dorés, mxix-ors restauré au tome 1 et dos refait à l'identique au tome 2. Bien complet de la carte (restaurée), ex-libris gravé en page de garde du New College Oxford, cachet au titre, frottements et épidermures
1903Best.-Nr. PHO-2505London, Grolier Society, s.d. (1903-1906), 13 volumes in-8, original red-brown buckram, spine labels printed in red and black, top edge gilt, deckled edges. Volumes 1 to 9 by Gaston Maspero, volumes 10 to 12 by A. S. Rappoport, and volume 13 by L. W. King and H. R. Hall (dated 1906). Contains over 1,200 illustrations, plates and maps, including numerous colour plates.
1786Best.-Nr. M-11AParis, Onfroi, 1786. 4 volumes in-8 (200 × 125 mm), IV-351 pp. ; 308 pp. ; 308 pp. ; 2 ff.-362 pp.-1 f. Demi-basane de l’époque, dos ornés à 5 nerfs, pièces de titre et de tomaison, tranches marbrées, manque le faux-titre au tome 1, quelques feuillets brunis. Reliures uniforme, bon exemplaire.
1993New English Original cloth bdg. by Legatoria Rigoldi SNC. Oblong folio. (36 x 47 cm). In English. 16, [1] p. text,1 full paged b/w map in text (Byzantivm nunc Constantinopolis), 8 folding color plts. of panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). 1100 copies were printed in Italy. Numbered copy. 357/1100. Printed on handmade paper by Cartiere Enrico Magnani S.p.A. Preface.; Historical setting.; Images of Istanbul, I: A wedding procession. II: Entertainment in a Harem (women dancing and playing dance music). III: Ladies going to a bathhouse. IV: An imperial residence. V: Arrival of the Crimean Embassy. VI: Sultan embarking on a hunt. VII: Sultan going to Friday prayer. VIII: Procession of the Queen Mother. Images of imperial Istanbul. Facsimile Edition of eight panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). Published by Ahmet Ertug. Photographic reproduction of originals by C. Hüttel. Translation of captions from German by Ali Özdamar.
Best.-Nr. 23396Paris, Victor Magen, 1843. 2vol. in-8, 314 pp. + 376 pp., demi-basane brune, dos long orné de filets dorés et à froid, pièces de titre et de tomaison rouges, tranches mouchetées (petits frottements et épidermures, minuscules rousseurs).
1964Best.-Nr. 2215Paris, Union Latine d'Edition, 1964 ; huit volumes in-4, plein maroquin tête de nègre, dos à deux nerfs, titres doré, têtes dorée, étuis bordés ; vol. I: (7) ff. (4 bl., faux-titre, titre, tomaison), XII pp. (préface), 296 pp., (5) ff. (bl.), 7 bois gravés en couleurs hors-texte ; vol.II : (7) ff. (4 bl., faux-titre, titre, tomaison), 318 pp., (4) ff. (table, 3 bl.), 4 bois gravés en couleurs hors-texte ; vol.III : 324 pp., (5) ff. (bl.), 5 bois gravés en couleurs hors-texte ; vol.IV : (7) ff. (4 bl., faux-titre, titre, tomaison), 340 pp., (5) ff. (bl.), 5 bois gravés en couleurs hors-texte ; vol.V : (7) ff. (4 bl., faux-titre, titre, tomaison), 296 pp., (3) ff. (bl.), 5 bois gravés en couleurs hors-texte ; vol.VI : (7) ff. (4 bl., faux-titre, titre, tomaison), 259 pp., (5) ff. (table, 4 bl.), 5 bois gravés en couleurs hors-texte ; vol.VII : (7) ff. (4 bl., faux-titre, titre, tomaison), 258 pp., 5 bois gravés en couleurs hors-texte ; vol.VIII : (7) ff. (4 bl., faux-titre, titre, tomaison), 305 pp., (6) ff., (justification, 5 bl.), 4 bois gravés en couleurs hors-texte.
1939Text in French. This is a very good copy of this portfolio in green paper-covered boards, containing 16 pages of text and notes and 30 photographic plates and 6 hand-colored watercolor plates. The text and plates generally very good, 2 plates with some foxing. The portfolio has some damp marks to the top corners, otherwise very good. This work appears to be a record of the author's collection of architectural elements and decorative art from his many excursions to the Orient. The photos appear to be of the author's own quarters at 30 Rue des Mathurins. A late work of undoubted "Orientalism", it sets out to create an atmosphere of The Thousand and One Nights. The 6 watercolor plates depict a man and a woman in Persian costume, inside the sumptuous dwelling, in romantic, but very chaste encounters. Absolutely charming work. Folio, 13" high X 10" wide. Quite rare among d'Allemagne's works. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1677Best.-Nr. PHO-2127Paris, Clouzier, 1677. In-12 (16,5 × 9,5 cm), 16ff.- 348 pp.- 11ff., veau époque, dos à nerfs orné avec titre, petit manque au dos, accroc aux coiffes, épidermures et frottements, manque de matière aux plats, ex-libris manuscrit au titre
Best.-Nr. 388922 volumes: un volume de texte in-12 (180 x 110 mm), broché, couverture imprimée, (4), xiii, 256 p. et un volume d'atlas in-folio oblong (265 x 347 mm), 6 cartes et plans dépliants et 11 planches. Paris, Charles Picquet géographe du roi (), 1830.
Best.-Nr. ORD-3174Illustrations de E. DINET. Décoration de Mohammed RACIM. Paris. Piazza. (1918). In-4 (247 x 320mm) broché, couverture illustrée d'une inscription arabe or, 12 compositions mauresques (couleurs) hors texte par Mohammed RACIM, 35 planches couleurs hors texte par Etienne DINET (légendes sur les serpentes, 1 carte. Tirage limité à 925 exemplaires numérotés, celui-ci un des 800 sur Vélin. Exemplaire en partie débroché, dos fripé, des rousseurs éparses parfois un peu gênantes mais qui n'affectent pas les illustrations, 3 planches déplacées. Exemplaire à relier.
Best.-Nr. 47675Elisabeth Gross (1907-1966).Portrait signé au fusain d'un touareg. TBE.Cadre doré d'époque. Dimensions: Haut: 62 cm hors cadre; et 47 de large. Avec le cadre: 77 cm de hauteur ;61 de large.
Best.-Nr. 39394In-8 (225 x 142 mm), demi-chagrin bordeaux, pièce de titre de veau bronze (rel. moderne), (4), 542 pages, 4 pages de catalogue, grande carte (42 x 66 cm) et tableau statistique dépliants. Paris, P. Bertrand, 1843.
1702Best.-Nr. 0044481702 Paris, André Pralard, 1702. In-12 veau fauve marbré, dos cinq nerfs, caissons dorés, pièce de titre maroquin grenat, tranches marbrées (reliure de l'époque). Infimes traces d'encre en tête du feuillet de titre, probables restes d'un ex-libris manuscrit en grande partie effacé.
1828Best.-Nr. PHO-1950Paris, Firmin Didot, 1828, 2 tome en 1 volume in-4, VII-461pp.-435pp., sans couverture, manque les pages de titres (copie), quelques rousseurs.
1758Best.-Nr. 25397Constantinople [Paris] 1758 3 vol. in-16 basane fauve granitée, dos lisses cloisonnés et fleuronnés, pièces de titre et de tomaison cerise et bouteille, tranches rouges [Rel. de l'époque], manque de cuir à une coiffe inférieure, coins abîmés
Best.-Nr. 104966aafLeide (Leiden) Typis Raphelengianis, 1619, kl. in-4to, 8 Bl. (Titelbl. mit hs. Eintragung - Praefatio: A2 kl. Randausriss ohne Textverlust - ein wenig Text durchgestrichen) + 178 S. + 1 Bl. (Inscriptiones), kleiner Stempel unten am Titelblatt ‘Ex Testam ‘Rimmi Olivera’, flexibler Pergament-Einband d. Zeit.
1955Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
1833Best.-Nr. PHO-614Paris, Firmin Didot frères, 1833. In-8, VII-365pp. Relié plein veau marron époque,liseré fleuri sur les plats, dos orné avec pièce de titre et auteur en maroquin dos orné , plat détaché, cachet de bibliothèque.
Best.-Nr. 17158Paris, Michel Lévy frères, 1863. In-8, 474 pp., demi-maroquin vert à coins, l'initiale R entourée d'un serpent dorée sur le premier plat, dos à nerfs orné de fleurons dorés, tranches dorées (petite insolation, quelques épidermures
1697Best.-Nr. 1831Paris : La Compagnie des Libraires 1697 1 In-folio, 382 x 246 Basane fauve, dos à nerfs orné, tranches mouchetées (reliure pastiche du XIXe ou XXe siècle). (16 ff.), 1059 pp.
Best.-Nr. ORD-8996Together with an Account of its Agriculture, Forestry, Arts and Commerce. From Travels and Researches undertaken at the Cost of the Prussian Government. With forty-four illustrations and tree maps. London. Hodder and Stoughton. 1889. Gd in-8 (168 x 249mm, dimensions intérieures) cartonnage de l'éditeur illustré or dans un style japonisant (reliure habilement remontée, très décorative), XII, 570 pages, 23 planches hors texte dont 10 en couleurs (la planche VII manque), 3 cartes dépliantes et 20 gravures sur bois dans le texte. La planche XIV a déteint sur la page opposée, pâles rousseurs éventuelles, sinon très bel exemplaire de cet indispensable ouvrage concernant l'art du Japon. Ex-libris d'un contre amiral.
