1.472 Ergebnisse
Best.-Nr. 364871Bibliothèque Municipale De Marseille Marseille 1982 Catalogue in-4 ( 295 X 210 mm ) de 87 pages, broché sous couverture illustré. Catalogue de l'importante et magnifique exposition qui s'est tenue à Marseille de Novembre 82 à Février 83. Abondante iconographie. Très bel exemplaire. Recherché comme les autres catalogues consacrés à cette exposition.
Best.-Nr. 980509Archives Départementales Marseille 1982 Catalogue in-4 ( 295 X 210 mm ) de 87 pages, broché sous couverture illustré. Catalogue de l'importante et magnifique exposition qui s'est tenue à Marseille de Novembre 1982 à Février 1983. Abondante iconographie en couleurs hors-texte. Pliure à la couverture, bel exemplaire. Recherché comme les autres catalogues consacrés à cette exposition.
1994Best.-Nr. 780151994 Paris, Grund, 1994, in 4°, cartonnage de l'éditeur, jaquette illustrée, 161 pages ; très nombreuses illustrations en couleurs.
Best.-Nr. 71243Monaco, Editions du Roller (Collection Gnose), 1982, in 8° broché, 332 pages ; couverture rempliée illustrée.
Best.-Nr. ROU-1218Paris, Plon, 1923 ; petit in-8° broché , couverture jaune imprimée en noir; 4ff., 289pp., 2ff.
1969Best.-Nr. 114651969 broché (paperback) in-octavo, dos blanc (white spine), couverture illustrée (cover illustrated), sans illustration (no illustration), 245 pages, 1969 à Paris Payot,
2012New English Paperback. Pbo. 4to. (28 x 24 cm). 196 p. In Turkish and English. B/w and color ills. "Pera Museum in collaboration with the Amsterdam Museum is organizing an exhibition exploring the commencement of four hundred years of fruitful cooperation between Turkey and the Netherlands. It was on 14 March 1612 during the ruling of the Ottoman Empire that the first Ambassador of Dutch Republic, Cornelis Haga, arrived in Constantinople. The year 2012 marks the four hundredth year of this diplomatic relations. In collaboration with several other leading partners, including the Rijksmuseum in Amsterdam, Nationaal Archief in The Hague and Museum Boijmans van Beuningen in Rotterdam, the exhibition aims to spread knowledge about historical and contemporary links between Amsterdam and Istanbul. The exhibition explores the historical and contemporary relations between two world cities and through these cities, implicitly also the two countries. 'Pioneers' and 'image (-forming)' are among the prominent themes. The exhibition is not intended as a complete survey of four centuries of diplomatic ties, but rather provides an attractive insight into the historical ties between Amsterdam and Istanbul, from 1612 to the present day. The exhibition is historical and social in approach, yet it also features important art works as well. A key section of the exhibition is a reconstruction of the Levantse Handel (Levant Trade) chamber that was based in the Town Hall (Palace on Dam Square) from the early 17th to early 19th century. A detailed inventory exists of the paintings and charts that were displayed on the walls of this powerful commercial office in Amsterdam. Many of these items, including an extensive series of portraits by Vanmour, from the collection of Amsterdam's Rijksmuseum will also be exhibited".
1995New French Paperback. Pbo. 4to. (29 x 24 cm). In French and Turkish. 103, [3] p., color and b/w ills. Le palais de France a Istanbul: Un demi-millenaire d'alliance entre la Turquie et la France.= Istanbul'da bir Fransiz Sarayi: Fransa ile Türkiye arasinda 500 yillik ittifak. Preface: François Dopffer. Traduction: Yigit Bener.
2006Fine Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 181 p. A study on Islamisc mysticism and sufism in the early Islamic period. Louis Massignon was a Catholic scholar of Islam and a pioneer of Catholic-Muslim mutual understanding. He was an influential figure in the twentieth century with regard to the Catholic church's relationship with Islam.
1999New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
In 16°, tutta tela editoriale illustrata, pp. 147, (1); buon esemplare. (ZB5/A) (ZB5/A)
1876Best.-Nr. ca1435Librairie Ernest Leroux Broché populaire 1876 In-8 (15 x 22.5 cm), broché populaire, 48 pages ; reliure fragilisée, coins cornés, rousseurs et marques d'usage aux plats, par ailleurs assez bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1954Best.-Nr. R31965, Ed.De Chevetogne 1954 97pp., brochure originale, 25cm., bon état, dans la collection "Irénikon", R31965
195497pp., brochure originale, 25cm., bon état, dans la collection "Irénikon", R31965
2019Best.-Nr. 141522Hazan 2019 In-4 broché sous couverture à rabats, 28,5 cm sur 22. 183 pages. Très bon état d’occasion.
1997Best.-Nr. 3626Celiv 1997 In-4 reliure éditeur sous jaquette, 96 pp. Illustrations couleurs. Jaquette légèrement fendillée en pieds au premier plat, sinon reliure et inétrieur frais, bon état d’occasion.
2001Best.-Nr. 22231Fragments Editions 2001 In-4, pleine toile orange, sous jaquette illustrée, photographies pleines pages en couleurs, 125 pp. En français et en anglais. Très bon état d’occasion. - Préface de Boutros Boutros-Ghali
1965Best.-Nr. 14741965 broché (paperback) in-octavo carré, dos blanc (white spine) - dos et couverture imprimés (spine and cover printed), sans illustration (no illustration), 240 pages, 1965 à Paris Buchet-Chastel,
1992Best.-Nr. 67961992 broché (paperback) in-octavo, dos bleu (blue spine), première de couverture illustrée (front cover illustrated), sans illustration (no illustration), 303 pages, 1992 à Paris Editions Albin Michel S.A.,
1971Best.-Nr. 105141971 broché (paperback) grand in-octavo, dos blanc (white spine), cartouche en pleine page sur la première de couverture rempliée comportant le titre de la collection et celui de l'ouvrage orné d'une petite illustration en cul-de-lampe (cartridge on full page on the front cover comprising the title of the collection and that of the book illuminated with tailpiece illustration), sans illustration (no illustration), 315 pages, 1971 à Paris Payot,
1975Best.-Nr. 103071975 broché (paperback) in-octavo, dos noir (black spine), première de couverture illustrée (front cover illustrated), illustrations : figures (pictures) hors-texte (full page engraving), 192 pages, 1975 à Paris Editions Seghers,
1961Best.-Nr. 143041961 broché (paperback) in-octavo carré, dos blanc (white spine) - dos et couverture imprimés (spine and cover printed), sans illustration (no illustration), 355 pages, 1961 à Paris Buchet-Chastel,
1973Best.-Nr. 103161973 broché (paperback) grand in-octavo, dos et couverture crèmes imprimés (spine and cover printed), sans illustration (no illustration), 189 pages, 1973 à Bruges Desclée de Brouwer,
1959Best.-Nr. 97761959 broché in-octavo sous jaquette (paperback in-octavo with dustjacket), abondamment illustré (plentifully illustrated), 190 pages, 1959 à Paris Aux Editions du Seuil,
1971Best.-Nr. 119831971 broché (paperback) grand in-octavo, dos et couverture rempliée verts imprimés (green spine and cover printed), sans illustration (no illustration), 272 pages, 1971 à Paris Librairie Arthème Fayard,