HELMAN Isidore StanislasLivre Rare Book
1540 risultati
1788rif. 51882L’ Auteur & M. Ponce, sd. 1788 In-4 plein velin, dos à nerfs, pièce de titre, tranches marbrées, 24 planches hors-texte sous serpentes & 24 ff. de texte pour l’explication des planches. Rares rousseurs, brunissures marginales et petite humidité angulaire en pied. Bon exemplaire
1902196, [4] pp.; 28 cm. Leg. nuova in tela, cop. originale applicata al piatto ant. Carta legg. ingiallita. Intonso
The standard catalogue raisonne. 293 paintings described in detail. Profusely illustrated in black & white and in color. 4to. Original wraps. FINE AND BRIGHT, with no defects.
1736rif. PHO-2455Trajecti ad Rhenum (Utrecht), Justum Reers, 1736. In-12, 10ff.-554pp.-15ff., vélin époque. Reliure salie, manque au dos, mouillure en début d’ouvrage
2012rif. ca1399Dan Coissart, cabinet d'expertise Catalogue 2012 "In-4 (22 x 30 cm), catalogue dos carré collé, couverture illustrée en couleurs, 151 pages, iconographie en couleurs et en noir in et hors-texte, catalogue de vente de peinture ""Aguttes"" : Écoles russe et étrangères, école de Paris, peinture orientaliste et du XIXe siècle, peinture impressionniste et moderne, organisé par le cabinet d'expertise Dan Coissart à Drouot-Richelieu le mercredi 4 avril 2012 ; coiffes et coins légèrement frottés, petites marques d'usage sur les plats, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
rif. 51989Maisonneuve & Larose
1989rif. 115931Presses Universitaires de Nancy 1989 In-8 broché 24 cm sur 16. 147 pages. 1 cahier central en couleurs + illustrations en noir et blanc in-texte. Tranches poussiéreuses sinon bon état d’occasion.
1914rif. 53366H. Floury, éditeur, coll. « études sur quelques Artistes originaux » 1914 Fort in-8. Broché sous couverture rempliée en couleurs, 245 pp., 26 gravures sous serpente dont 10 en couleurs, une centaine d’illustrations dans le texte, en noir et en couleurs. Exemplaire en bon état.
rif. 38977In-4 (235 x 185 mm), broché, couverture cartonnée imprimée de l'éditeur, 860, (1) p, 16 planches de photographies, 21 planches d'illustrations, 4 cartes et plans dont dépliants. Paris, Félix Alcan, 1930.
1981rif. rr265Editions Ruyant Relié 1981 In-4 (18x28 cm), reliure demi-toile verte, plats cartonnés illustrés en couleurs, non paginé, ouvrage illustré d'aquarelles in et hors-texte ; coiffes, coupes et coins frottés, traces de frottement au quatrième plat, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
rif. 138175aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 2012, gr. in-8vo, XXVII + 475 p. + 85 p., illustrated, hw. name on first guard, hellblauer Original-Pappband, / orig. hardcover.
rif. 88985aafFreiburg, Universitätverlag / Göttingen, Vandenhoeck & Ruprecht, 1996, gr. in-8vo, 192 p., reich ill., Original- ill. Pappband.
rif. 138196aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 2012, gr. in-8vo, XVII + 452 S., ill., hellblauer Original-Pappband, / orig. hardcover.
2011New English Paperback. Pbo. 4to. (29 x 21 cm). In English, German and Turkish. 79 p. Color ills. Amadeo Preziosi, 1842-1882. For the love of Istanbul.= Aus liebe zu Istanbul.= Istanbul askina. [Exhibition catalogue]. A biographical study and selected paintings of the orientalist painter Preziosi, (1816-1882).
rif. 103453aafGöttingen, Vandenhoeck & Ruprecht / Fribourg, Academic Press 2001, lg. in-8vo, 244 p.+ 8 ll. (publ. book-list), hardbound copy
rif. 138167aafFribourg Academic Press / Göttingen, Vandenhoeck & Ruprecht., 2001 gr. in-8vo, Portrait of Dr. Kate Bosse-Griffiths + 244 p., hellblauer Original-Pappband, / orig. hardcover.
rif. 138023aafFribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 1995, in-4to, (33x24.5 cm), 6 Blatt + 366 S. + 4 Bl., reich Illustriert, broschiert. Orig. Verlagsband / Softcover. Copy as new.
rif. 138142aafFribourg Academic Press / Göttingen, Vandenhoeck. & Ruprecht., 2008, gr. in-8vo, XVI + 270 S. + 3 Bl., M. zahlr. Tab., 18 Tafeln. hellblauer Original-Pappband, / orig. hardcover.
2003Very Good Very Good English Original cloth bdg. Dusst wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
2003New New English Original cloth bdg. Dust wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
1978In 8°, brossura editoriale illustrata, pp.XXIII, (3), 318, illustrazioni n.t. b/n; ottimo esemplare, edizione riveduta e corretta. (ZC05)
2013New English Paperback. Pbo. 4to. (27 x 23 cm). In English and Turkish. 160 p. Color and b/w ills. "Works by the Dutch painter Marius Bauer from the collections of important museums in America and Europe, especially of the Rijkmuseum in Amsterdam, are being presented to art lovers during the four-month exhibition. Bauer made several journeys through Turkey and was a great admirer of Turkish culture. With drawings, etchings, water colors, oil paintings and letters, the exhibition takes the visitor on Bauer's travels through Turkey. Bauer arrived for the first time in Istanbul by boat in 1888. He disembarked and was immediately captivated by the life, the culture and the industriousness that he encountered there. Narrow streets, markets, bazaars and intimate sightlines, full of people engaged in everyday activities: playing music, trading wares, or on their way to or from the mosque. Occasionally he would catch a glimpse of the Sultan and his retinue. It can be concluded, from the letters that Bauer wrote in Turkey to family and friends, that he undertook long walks every day with his sketchbook under his arm. This resulted in a large number of sketches and drawings that formed the starting point of a great quantity of work when he returned to the Netherlands. Speaking at the opening of the exhibition on May 15, Sabanci University Head of the Board of Trustees, Güler Sabanci said, 'Like all artists enchanted by the east, Bauer was a traveler. He undertook his first voyage, during which he would fall under the spell of the east, in 1888 when he was 21. He sailed to Ottoman Turkey, stopped at Izmir and then made his way to Istanbul. We are overjoyed to have opportunity to bring Bauer's works back to the country he could never forget.".
2007New English Original bdg. HC. Roy. 8vo. (24 x17 cm). In English. [xLiv], 223 p., ills., in English; [+] 144 p. facsimile of the BEO 350 Protocol Register in Ottoman script. The BEO 350 protocol register edited here is part of the Sublime Porte Archives series of the Prime Ministry Ottoman State Archives in Istanbul. The register covers a number of ceremonies held on various occasions from 1736 to 1808 and primarily concerned with accession ceremonies, funerals and, most of all, the reception of envoys. This edition of the BEO 350 is accompanied by an introduction, a synoptic list of ceremonies, appendices, and indexes. The introduction examines various aspects of Ottoman ceremonies, particularly those of a diplomatic nature, and includes a section on the gifts and offerings exchanged by the Ottoman administration and foreign envoys. As briefly discussed in the introduction, ceremonies contribute, albeit modestly, to the validation of a regime's political legitimacy and to its smooth functioning. When trying to determine the relationship between ceremonial rites and political power, the lofty symbolism of ceremonies needs to be interpreted with great care. Thus, detailed descriptions such as those found in protocol registers are extremely valuable, indeed indispensable, for a solid interpretation.
2009New English Paperback. Demy 8vo. (22 x 15 cm). In English. 509 p. An Ottoman Saga is a passionate love story set against the background of the great Ottoman Empire in its years of decline and of Europe in turmoil - war, revolution, the birth pangs of nationalism and democracy, marked by the leaders and personalities who transformed the face of the nineteenth century and paved the way to the world wars of the twentieth century: Sultan Abdülmecid I, Emperor Napoléon III and Empress Eugénie, Cavour, Garibaldi, Emperor Franz-Joseph, Disraeli, the Rothschilds, Florence Nightingale, Kaiser Wilhelm II, Otto von Bismarck, Sultan Abdülhamid II, among others. Anchoring the multicultural city of Istanbul at the heart of her narrative, Lâtife Mardin transports the reader from the Crimean War to the magnificient capitals of Europe and intertwines East and West in a historical tale of romance and intrigue as Cynthia and Jonathan strive to be united against all odds.
1922rif. LCI-4251Paris, La renaissance du livre 1922 1 in -8 Reliure demi chagrin grenat dos à nerfs Inscrit dans la lignée des épopées orientalisantes héritées de Salammbô, ce roman des frères Charles et Henri Omessa ressuscite la Carthage antique à travers une fresque vibrante où se mêlent tragédie passionnelle, souffle dramatique et reconstitution historique. L'ouvrage témoigne du vif engouement des Années folles pour les récits méditerranéens et le décorum flamboyant de l'Antiquité.L'exemplaire est revêtu d'une élégante reliure en demi-chagrin grenat. Le dos à nerfs, porté par une teinte profonde et le grain caractéristique du chagrin, offre un superbe rendu visuel en bibliothèque. L'ensemble se trouve en très bon état de conservation.Un beau titre d'atmosphère, recherché pour son décor antique et magnifié par un habillage cuir de belle facture.
