Martindale, Andrew; Simone MartiniBiblio.com
9 797 résultats
1994réf. 93991Phaidon Press. New. 1994. Hardcover. 0714823953 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 228 pages; 16 color plates & 140 black & white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Phaidon Press hardcover
1993réf. 102851Phaidon / Abrams. New. 1993. Hardcover. 0810936364 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 488 pages; over 400 illustrations including 161 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Phaidon / Abrams hardcover
1998réf. 102458Acatos. New. 1998. Hardcover. 2940033226 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in French with portions translated into English. 532 pages; illustrated mostly in black and white. Lurçat Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Life and Work Oeuvre Raisonnee Acatos hardcover
1998réf. 91299Acatos. New. 1998. Hardcover. 2940033226 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 450 pages. Lurçat Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee Acatos hardcover
1961réf. 161201002New York: Alfred A. Knopf 1961. First Edition Second Printing. Hardcover. Very Good. Signed dated 8/16/93 by Julia Child on the title page. First edition second printing with "Published October 16 1961" on copyright page. Very Good with toning and some spotting to cloth and wear at spine ends spine rolled with a small stray ink mark at the base corners and top edge of rear board bumped light spotting to topstain hinge following front free end paper is a bit over-opened pages toned with corners bumped throughout text block lacking the dust jacket. A lovely copy of this culinary classic rarely found signed in such an early printing. Alfred A. Knopf hardcover
1961réf. 161201002New York: Alfred A. Knopf 1961. First Edition Second Printing. Hardcover. Very Good. Signed dated 8/16/93 by Julia Child on the title page. First edition second printing with "Published October 16 1961" on copyright page. Very Good with toning and some spotting to cloth and wear at spine ends spine rolled with a small stray ink mark at the base corners and top edge of rear board bumped light spotting to topstain hinge following front free end paper is a bit over-opened pages toned with corners bumped throughout text block lacking the dust jacket. A lovely copy of this culinary classic rarely found signed in such an early printing. Alfred A. Knopf hardcover books
1703réf. B7160Nuremburg: Berlegung Wolfgang Moritz Endters / Wolfgangue Maurice Endter. 1703. Interior clean and crisp. Binding: Full original vellum boards rebacked saving original spine. Spine with brown morocco label. Notes: Text in Latin German Italian and French each printed in single column with two columns per page; Italian and French on recto Latin and German on verso. Size: Folio 340 x 215mm Illustration: Near fine example of this quatro-lingual treatise on horses and horse breeding illustrated with 46 fine copperplate engravings plus engraved title. Detailed plates illustrating training mating behavioural presentation etc.; also including mating between horses and bulls donkeys etc. PLATES: 1.104 2.124 3.223 44 plates Provenance: Ex-Libris; bookplate of Fritz von Baroalaban mounted to front pastedown. Pages: P Engraved title. Blank. Latin/German title. Blank. Italian/French title. Blank. Dedication. Author’s dedication 3. Dedication title. Author’s second dedication 5. Note to the reader. Index 6. Blank. Title. Pp. 2-223. Category: Book Natural History; Berlegung Wolfgang Moritz Endters / Wolfgangue Maurice Endter. hardcover
1949réf. 140949823Paris: Gallimard 1949. First Edition. Near Fine. First edition limited issue in two volumes. Numbers 292 and 1117 of 2050 numbered copies on Alfama Marais paper. 395 5; 577 6 pp. text in French. Bound in publisher's black paper-covered boards with striking color-stamped designs by Mario Prassinos. Near Fine with light rubbing to extremities and small bump to upper edge of Volume 1 rear board. Light foxing to textblock edges prelims and margins. Creasing and short edge tear to first 15 pages of Volume 2 with 1 inch tear to half-title page repaired with tape to verso. An attractive copy of the groundbreaking feminist work in which the author describes and analyzes the subordination of women to men. Gallimard unknown
1949réf. 140942942Paris: Gallimard 1949. Reprint. Near Fine. Early reprint. Two volumes both signed and inscribed by Simone de Beauvoir on the half-title page. Bound in French art bindings with marbled paper over red morocco spines stamped in gilt with original wrappers bound in in a matching customs yellow cloth slipcase with curved red morocco accents at the top and bottom of the opening. Near fine with toning to pages and occasional paper repair. A striking copy of this important feminist work in which the author discusses the treatment of women throughout history. Gallimard unknown
1949réf. 140949823Paris: Gallimard 1949. First Edition. Near Fine. First edition limited issue in two volumes. Numbers 292 and 1117 of 2050 numbered copies on Alfama Marais paper. 395 5; 577 6 pp. text in French. Bound in publisher's black paper-covered boards with striking color-stamped designs by Mario Prassinos. Near Fine with light rubbing to extremities and small bump to upper edge of Volume 1 rear board. Light foxing to textblock edges prelims and margins. Creasing and short edge tear to first 15 pages of Volume 2 with 1 inch tear to half-title page repaired with tape to verso. An attractive copy of the groundbreaking feminist work in which the author describes and analyzes the subordination of women to men. Gallimard unknown books
1949réf. 140942942Paris: Gallimard 1949. Reprint. Near Fine. Early reprint. Two volumes both signed and inscribed by Simone de Beauvoir on the half-title page. Bound in French art bindings with marbled paper over red morocco spines stamped in gilt with original wrappers bound in in a matching customs yellow cloth slipcase with curved red morocco accents at the top and bottom of the opening. Near fine with toning to pages and occasional paper repair. A striking copy of this important feminist work in which the author discusses the treatment of women throughout history. Gallimard unknown books
1960réf. 84237Gallimard | Paris 1960 | 14.50 x 21 cm | broché
1963réf. 78202Gallimard | Paris 1963 | 14.50 x 21 cm | broché
1963réf. 84236Gallimard | Paris 1963 | 14.50 x 21 cm | broché
1956réf. 140941173Cleveland and New York: The World Publishing Company 1956. Signed Limited Edition. Near Fine. First edition limited issue. One of a limited 500 unnumbered copies signed by Simone de Beauvoir. Bound in publisher's Red cloth-covered boards over dark blue spine cloth stamped in gilt. Near Fine with slight fading to spine in toned acetate wrapper in publisher's slipcase which is unevenly sunned and lightly rubbed. A beautiful copy. The World Publishing Company unknown
1956réf. 140941173Cleveland and New York: The World Publishing Company 1956. Signed Limited Edition. Near Fine. First edition limited issue. One of a limited 500 unnumbered copies signed by Simone de Beauvoir. Bound in publisher's Red cloth-covered boards over dark blue spine cloth stamped in gilt. Near Fine with slight fading to spine in toned acetate wrapper in publisher's slipcase which is unevenly sunned and lightly rubbed. A beautiful copy. The World Publishing Company unknown books
1963réf. 84236Paris: Gallimard 1963. Fine. Gallimard Paris 1963 14.50 x 21 cm broché First edition one of 35 numbered copies on Holland paper deluxe copy. Two tiny tears of no consequence at head and foot of spine. A handsome copy. Gallimard unknown
1963réf. 78202Paris: Gallimard 1963. Fine. Gallimard Paris 1963 14.50 x 21 cm broché First edition one of 35 numbered copies on Holland the tirage de tête. A beautiful copy despite tiny foxing on the spine and another at the foot of the first board. Gallimard unknown
1954réf. 83810Gallimard | Paris 1954 | 14 x 21 cm | broché
1956réf. SDB2BEAUVOIR de Simone 1908-1986 Autograph manuscript fragments with an autograph letter signed addressed to her typist for La Longue Marche – Essai sur la Chine Paris 1956 15 p. in-4° on graph paper Two autograph envelopes stamped with postmarks Usual fold marks numerous corrections and words crossed out by Simone de Beauvoir A few of the last surviving pages from La Longue Marche – Essai sur la Chine the account of the official trip Simone de Beauvoir took to China with Jean-Paul Sartre at the end of 1955 The present corpus unfolds in three distinct movements: The first section is headed "2 to 5 September 1955" and paginated 25 to 30 including one leaf numbered "bis". It corresponds to the "Preliminaries" and opens with the travelers' observations in the waiting room at Orly Airport. Simone de Beauvoir draws a striking contrast between on the one hand those bound for Boston dressed impeccably—almost to the point of caricature—and on the other those modestly clothed preparing to depart for Moscow on an "official expedition." The philosopher takes notes on the Soviets Hungarians and Czechs at the Moscow airfield as well as on a South African also an official guest of the Chinese government with whom the couple converses. This travel account is enriched with glimpses of the landscape and reflections on the Western presence in Mongolia since the 17th century particularly that of scholars and monks. " Comme Paris est loin ! Derrière moi le temps et l'espace se sont si bien embrouillés le système de nos besoins – faim soif sommeil – et de toute ma vie a été si radicalement lissé qu'il me semble non avoir fait un voyage mais terminé un rite de passage long fatigant et qui m'a jetée insensiblement ailleurs. J'écoute l'aimable discours qu'on nous adresse en chinois et qu'un interprète traduit. Les porteurs de hautes fleurs écarlates la moiteur de l'air la forte odeur végétale qui monte de la terre me suffoque. … Jusqu'ici quand je pensais à la Chine je pensais à une histoire une civilisation un régime … mais la Chine n'est pas une entité politique ; je devine avec joie qu'elle a un ciel ses couleurs ses arbres une chair " On 16 December 1956 she sent a second fragment paginated 476 and 486 bis. It corresponds to Chapter V "Culture." " Sous les Mandchous la décadence du monde féodal se réflète dans la littérature ; elle commença à s'évader des règles formelles ; des genres nouveaux se développèrent. Le roman devint autre chose qu'un divertissement … Le Rêve de la chambre rouge entre autres est caractéristique de cette période " On December 18 1956 she sent a final fragment paginated 757 781 and 782. It corresponds to Chapter VIII "Cities of China." " Elle fut la capitale des Song dont le règne coïncida avec le plus beau moment de la civilisation chinoise et on la considère comme l'Athènes de la Chine. … Les maisons ne ressemblent pas à celles de Pékin. Au lieu de se cacher derrière des murs elles exhibent des façades de deux à trois étages garnies de fenêtres " An official guest of the Chinese government alongside numerous other European intellectuals Simone de Beauvoir traveled to China with Jean-Paul Sartre from September 6 to October 6 1955. The following year in April 1957 the philosopher published her essay praising a country that had just completed its revolution. Speaking of her work she wrote: "This book is not a reportage: a reporter explores a stable present whose more or less contingent elements serve as keys to one another. In China today nothing is contingent; everything draws its meaning from the future they all share. The present is defined by the past it surpasses and the novelties it announces: it would be a distortion to regard it as static. It is only one stage of this 'long march' that is peacefully leading China from democratic revolution to socialist revolution. It is therefore not enough to describe it: it must be explained. That is what I have tried to do." The manuscript itself has been lost; these fifteen leaves are the last surviving fragments of the work. The envelopes confirm unsurprisingly that she was working on it in 1956. Sylvie Le Bon de Beauvoir notes that the material belongs to an earlier version of the final text. Simone de Beauvoir removed almost all of the pages numbered 25 to 30 substantially reworking her "Preliminaries." Provenance: Estate of Berthe Mandinaud
réf. 11622014. This striking original drawing of Wolverine is by acclaimed artist Simone Bianchi created in 2014. Bianchi's signature dynamic style is on full display in this piece capturing the ferocity and intensity of the iconic X-Men character. Rendered with precision the artwork highlights Wolverine's signature claws fierce expression and rugged presence showcasing Bianchi's masterful command of anatomy and comic artistry. This original piece is a must-have for collectors of X-Men memorabilia and fans of Bianchi's work offering a unique glimpse into the artist's creative vision and a standout addition to any comic art collection. Dimensions: 9.5"x13.5". unknown
1961réf. 140949455New York: Alfred A. Knopf 1961. First Edition. Good. First edition first printing. Signed and inscribed in French by both Julia Child and Simone Beck on the first blank. Bound in publisher's decorated cloth. Illustrated throughout by Sidonie Coryn. Lacking the dust jacket. Good with soiling to cloth fading and light creasing to spine light but pernicious stains to textblock edges. Binding lightly shaken corners bumped contents lightly soiled and with sporadic pencil notations waviness to several pages due to moisture. The first appearance of the cookbook that launched Julia Child as the arbiter of continental taste in the kitchen. Alfred A. Knopf unknown
1961réf. 140949455New York: Alfred A. Knopf 1961. First Edition. Good. First edition first printing. Signed and inscribed in French by both Julia Child and Simone Beck on the first blank. Bound in publisher's decorated cloth. Illustrated throughout by Sidonie Coryn. Lacking the dust jacket. Good with soiling to cloth fading and light creasing to spine light but pernicious stains to textblock edges. Binding lightly shaken corners bumped contents lightly soiled and with sporadic pencil notations waviness to several pages due to moisture. The first appearance of the cookbook that launched Julia Child as the arbiter of continental taste in the kitchen. Alfred A. Knopf unknown books
1954réf. 52501Paris Gallimard 1954 In-8, demi-maroquin noir bandes, plats de papier marbr, dos sans nerfs portant le nom de lauteur et le titre de louvrage en lettres capitales pousses or; doublures et gardes de papier lie-de-vin, tte dore, non rogn, couverture imprime. Etui (Loutrel-Delaporte). Edition originale de cet ouvrage qui a obtenu le Prix Goncourt en 1954. Un des 25 premiers exemplaires numrots sur verg de Hollande.
réf. ANAIS-1884235301Helicon Nine Editions. paperback. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Helicon Nine Editions paperback
