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réf. 12689Used; Like New/Used; Like New. An extraordinary collection of five Japanese pressed LPs each signed by the primary artist while on tour in Japan 1973-78 and including an especially rare signed copy of Miles Davis' "Kind of Blue." The support for jazz in Japan has long been immense and also remarkably consistent. Even during a slump in the United States in the 70's that threatened to put many American jazz labels and musicians out of business American jazz artists flocked to Japan to perform with many releasing "Live in Japan" albums including Miles Davis Bill Evans and Sarah Vaughan. ''Japan almost singlehandedly kept the jazz record business going during the late 1970's'' said a producer with Blue Note Records Michael Cuscuna. ''Without the Japanese market a lot of independent jazz labels probably would have folded or at least stopped releasing new material.'' NY Times "In Japan Jazz Resurges As a National Passion" 1/7/88 Each album includes the original obi strip spine card the piece of paper wrapped around the spine of Japanese LPs the term obi designating the sash around a kimono Kimono no obi. Japanese pressings generally feature very high quality vinyl and the present examples are all in fine condition rated individually below. Four of them are dated by the obtainer of the signature or by the artist Simone. BILL EVANS - NEW CONVERSATIONS. Label: WARNER P-10516 Cover : EW/ Record : E Obi stripe: E Obtained 13 September 1978 signed dated and inscribed in black ink on the front cover. SARAH VAUGHAN WITH CLIFFORD BROWN Label: MERCURY BT-1324 Cover : EW/ Record : EDJ Obi stripe: E Obtained 26 April 1975 signed in black ink on the front cover. NINA SIMONE - SPELL ON YOU Label: PHILIPS SFX-7167 Cover : EW/ Record : E-W Obi stripe: E Obtained 1973 signed and dated in black ink on the record label and to an interior page of the album booklet DEXTER GORDON - APARTMENT Label: STEEPLECHASE RJ-7101 Cover : EW/ Record : E Obi stripe: E Obtained 25 September 1975 signed in black ink on the front cover by Dexter Gordon Kenny Drew Niels-Henning Orsted Pedersen and Albert "Tootsie" Heath MILES DAVIS - KIND OF BLUE Label: CBS/SONY SOPL-155Cover : EW/ Record : EObi stripe: EObtained 1975 signed in silver ink "Miles Davis" on the front cover. The present collection includes several remarkable rarities but the highlight is surely the exceedingly rare signed copy of what is widely regarded to be the greatest jazz album of all time Miles Davis' "Kind of Blue." Davis was notoriously prickly and a generally reluctant autograph signer. Though authentic autograph signatures are certainly obtainable we are aware of only one other extant authentically signed copy also sold by Schubertiade of Davis's greatest masterpiece. Of the previous example sold by Schubertiade noted jazz collector and dealer Larry Rafferty noted that in his 40 years of collecting jazz autographs this is "absolutely the only copy I have ever seen -- or heard of" and our research further confirms that no signed copies have appeared at auction or in trade catalogues. The best-selling jazz record of all time is universally acknowledged as a masterpiece revered as much by rock and classical music fans as by jazz lovers. Kind of Blue brought together seven now-legendary musicians in the prime of their careers: tenor saxophonist John Coltrane alto saxophonist Julian "Cannonball" Adderley pianists Bill Evans and Wynton Kelly bassist Paul Chambers drummer Jimmy Cobb and of course trumpeter Miles Davis. To the musicians who recorded it Kind of Blue was just another session when it was released in August 1959. But the disc was quickly recognized by the jazz community as a classic. Jazz musicians were startled by the truly different sound on an album that laid out a clear roadmap for further modal explorations. "So What" became the tune the one that every musician -- not just the practitioners of jazz -- simply had to know. The other tracks also quickly became standards and the individual solos throughout the record continue to inspire musicians to this day. Drummer Jimmy Cobb puts it all down to simplicity -- the reason Kind of Blue has remained so successful for so long. And because of its inherent balance historian Dan Morgenstern adds the album never wears out its welcome. unknown books
1958réf. 29809Exemplaires sur Hollande, en reliures de Pierre-Lucien Martin Paris, Gallimard, (septembre) 1958, (octobre) 1960, (octobre) 1963 et (août) 1972. 1 vol. (135 x 205 mm) de 359 p. et [3] f. Veau brique à encadrement, plats en daim marine avec décor à la lettre repris sur le dos, tête dorée, doublure et garde de papier bleu, couverture et dos, chemise et étui (P.-L. Martin, 1961) ; 1 vol. (140 x 205 mm) de 622 p. et [1] f. Maroquin ébène à encadrement, plats de daim marron avec décor à la lettre réhaussé d'une pièce de papier granité, décor repris sur le dos, tête dorée, doublure de papier bordeaux et garde de papier bleu, couverture et dos, chemise et étui (P.-L. Martin, 1961) ; 1 vol. (155 x 210 mm) de 686 p. et [1] f. Maroquin bleu nuit à encadrement, plats en daim marine avec décor à la lettre réhaussé d'une pièce de box, titre et tête dorés, date en pied, doublures et gardes papier, couvertures et dos conservés, chemise et étui bordé (P.-L. Martin, 1964) ; 1 vol. (155 x 220 mm) de 512 p. et [2] f. Maroquin vert à encadrement, plats en daim vert avec décor à la lettre réhaussé d'une pièce de box, titre doré, date en pied, doublure et garde papier vert, tête dorée, couvertures et dos conservés, chemise et étui (P.-L. Martin, 1975). Édition originale pour tous les volumes. Un des 25 premiers exemplaires sur vélin de Hollande (n° 13). Un des 30 premiers exemplaires sur vélin de Hollande (n° 25). Un des 35 premiers exemplaires sur vélin de Hollande (n° 10). Un des 40 premiers exemplaires sur vergé blanc de Hollande (n° 21).
réf. 93093Editions Des Musees Nationaux. As New. N.D. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Opus published between 1954 and 1992 inclusive comprised of 11 volumes organized into 4 parts: 1 Epoques Prehellenique Geometrique Archaique Et Classique; 2 Myrina; 3 Epoques Hellenistique Et Romaine Grece Et Asie Mineure; and 4 Epoques Hellenistique Et Romaine Italie Meridionale AND Epoques Hellenistique Et Romaine Cyrenaique Egypte Ptolemaique Et Romaine Afrique Du Nord Et Proche-Orient. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Editions Des Musees Nationaux paperback
1949réf. 84229Gallimard | Paris 1949 | 15 x 21 cm | 2 volumes brochés en coffret
1958réf. 84321Gallimard | Paris 1958-1972 | 14.50 x 21.50 cm | 4 volumes brochés sous coffrets
1949réf. 88321Paris: Gallimard 1949. Fine. The most important feminist essay in a deluxe issue Gallimard Paris 1949 14 x 20.50 cm 2 volume reliés First edition one of 55 numbered copies on pure wove paper the only deluxe paper issue. Bound in half brown morocco spines with five raised bands gilt dates at foot boards covered with abstract patterned paper endleaves and doublures of brown paper original wrappers and backstrips preserved gilt edges bindings signed by Thomas Boichot. A precious copy of this foundational text of modern feminism. Gallimard hardcover
1949réf. 88321Gallimard | Paris 1949 | 14 x 20.50 cm | 2 volume reliés
1961réf. 147888New York: Alfred A. Knopf 1961-70. First editions of both volumes of this classic cook book. Quarto 2 volumes original illustrated boards. Volume one is boldly signed and inscribed by the author on the half-title page "Bon Appetit to Ernesta- Julia Child" and additionally signed by Paul Child. Volume two is signed and inscribed by Julia Child on the half-title page "Joyeaux Noel to Ernesta- Julia Child" and additionally signed by Paul Child. Drawings by Sidonie Coryn. Drawings by Paul Child. Typography binding and jacket design by Warren Chappell. Each are near fine in near fine dust jackets with first volume price-clipped dust jacket. An exceptional set rare signed in both volumes and in this condition. Julia Childs Mastering the Art of French Cooking is arguably the most influential work on French food ever published in the United States. A "self-confessed ham she became a darling of audiences almost from the moment she made her debut in 1963 at the age of 50" New York Times. Alfred A. Knopf hardcover
1960réf. 84581Gallimard | Paris 1960 | 15 x 21 cm | relié
1953réf. 21090New York: Alfred A. Knopf 1953. First edition in English of the author's masterpiece. Octavo original half cloth. Signed by Simone de Beauvoir on the title page. Fine in a very good dust jacket with light rubbing and wear to the extremities. Housed in a custom half morocco clamshell box. Signed first editions of this classic work are rare and none have appeared at auction in the last sixty years. In 1946 Simone de Beauvoir began to outline what she thought would be an autobiographical essay explaining why when she had tried to define herself the first sentence that came to mind was “I am a woman.” That October my maiden aunt Beauvoir’s contemporary came to visit me in the hospital nursery. I was a day old and she found a little tag on my bassinet that announced “It’s a Girl!” In the next bassinet was another newborn “a lot punier” she recalled whose little tag announced “I’m a Boy!” There we lay innocent of a distinction— between a female object and a male subject— that would shape our destinies. It would also shape Beauvoir’s great treatise on the subject. The Second Sex deals with the treatment of women throughout history and is regarded as a major work of feminist philosophy and the starting point of second-wave feminism. Literary scholar Camille Paglia praised The Second Sex calling it "brilliant" and "the supreme work of modern feminism." Named by Modern Library as one of top 100 books of non- fiction of the twentieth century. Also named by The Times Literary Supplement as one of the most hundred influential books since World War II. Alfred A. Knopf hardcover
1953réf. 21090New York: Alfred A. Knopf 1953. First edition in English of the author's masterpiece. Octavo original half cloth. Signed by Simone de Beauvoir on the title page. Fine in a very good dust jacket with light rubbing and wear to the extremities. Housed in a custom half morocco clamshell box. Signed first editions of this classic work are rare and none have appeared at auction in the last sixty years. In 1946 Simone de Beauvoir began to outline what she thought would be an autobiographical essay explaining why when she had tried to define herself the first sentence that came to mind was "I am a woman." That October my maiden aunt Beauvoir's contemporary came to visit me in the hospital nursery. I was a day old and she found a little tag on my bassinet that announced "It's a Girl!" In the next bassinet was another newborn "a lot punier" she recalled whose little tag announced "I'm a Boy!" There we lay innocent of a distinction-- between a female object and a male subject-- that would shape our destinies. It would also shape Beauvoir's great treatise on the subject. The Second Sex deals with the treatment of women throughout history and is regarded as a major work of feminist philosophy and the starting point of second-wave feminism. Literary scholar Camille Paglia praised The Second Sex calling it "brilliant" and "the supreme work of modern feminism." Named by Modern Library as one of top 100 books of non- fiction of the twentieth century. Also named by The Times Literary Supplement as one of the most hundred influential books since World War II. Alfred A. Knopf hardcover books
réf. 140941090New York: Alfred A. Knopf. First Edition. Near Fine/Very Good. Two volumes both are first edition stated first printings. Volume I is Signed by Julia Child and her husband Paul on the half-title page and inscribed to a former owner; Volume II is signed by Julia Child on the half-title page and inscribed to a former owner. Near Fine with light soiling former owner's inkless emboss to front free endpaper and light spotting to red topstain. In a Very Good unclipped dust jacket with light general wear and several short tears several small pieces of tape and tape residue to blank verso. Volume II is Fine in a Near Fine unclipped dust jacket with light wear toning to spine with light wear at spine ends and a small chip near the foot. A lovely pair. Alfred A. Knopf unknown books
1960réf. 77751Sous étui bordé et sous chemise en demi-rhodoid à petits recouvrements. Reliure maroquin ébène encadrant les plats de daim chocolat, avec sur le premier plat un grand rectangle de papier granité avec titre et date de l'édition mosaïqués en maroquin brun, initiales sur carrés de papier provenant d'une carte IGN de la Savoie. Dos lisse orné de petits rectangles de box brun et bleu ciel, ceux-ci avec les initiale du titre, nom de l'auteur et date en lettres dorées. Tête dorées. Couverture et dos conservés. Reliure signée P.-L. MARTIN - 1961.C'est la première reliure de ce type réalisée par Pierre-Lucien MARTIN qui en fit des similaires sur d'autres ouvrages de Simone de Beauvoir, dans les années suivantes.
1963réf. 80796Sous étui bordé et sous chemise en demi-rhodoid à petits recouvrements. Reliure maroquin ébène encadrant les plats de daim chocolat avec sur le premier plat un grand rectangle de box caramel, titre et date en grandes capitales mosai?que?es de box paillete?, chaque initiale dans un carre? incruste? de box brun fonce?, lettre en box blanc. Dos lisse orné de petits rectangles de box brun et bleu ciel, ceux-ci avec les initiale du titre, nom de l'auteur et date en lettres dorées. Tête dorée. Couverture et dos conservés. Reliure signée P.-L. MARTIN - 1964.
1954réf. 78090Gallimard | Paris 1954 | 14 x 21 cm | relié sous chemise et étui
1961réf. 22038New York: Alfred A. Knopf 1961. Decorative Cloth. Near Fine/Very Good . Paul Child. The 1961 AND the 1970 stated 1st editions. WARMLY INSCRIBED BY AUTHOR SIMONE BECK along the half-title of Vol. II. Both volumes clean tight and Near Fine in bright price-intact $10.00 and $12.50 respectively very sharp examples of the 1st issue dustjackets with mild fading along the spine of Vol. II. Thick uniform quartos nicely illustrated throughout by Sidonie Coryn "based on photographs by Paul Child". A very impressive example of this landmark set in its original incarnation accompanied by the appreciably less common signature/inscription of co-author Simone Beck. Alfred A. Knopf unknown
1958réf. 80794Sous étui bordé et sous chemise en demi-rhodoid à petits recouvrements. Reliure maroquin noir encadrant les plats de daim chocolat avec sur le premier plat en grandes capitales de box bleu ciel, premie?re lettre de chaque mot incruste?e et mosai?que?e dans un carre? de dentelle. Dos lisse orné de petits rectangles de box brun et bleu ciel, ceux-ci avec les initiale du titre, nom de l'auteur et date en lettres dorées. Tête dorée. Couverture et dos conservés. Reliure signée P.-L. MARTIN - 1964.
1958réf. 33875Paris 1958. First Edition. First Edition. Signed Simone De Beauvoir and Gisèle Freund. 1. Rare Two page original handwritten Manuscript edited drafts. The writing seems to refer to her award winning book The Mandarins Les Mandarins in French since one notes DUBREUILH" mentioned throughout and reference to "SRL" of which "Dubreuilh" was the founder in this story. It is one of Beauvoir's most celebrated works earning her the prestigious Prix Goncourt. given to the author for the best and most imaginative prose work of the year.Considered to be a "Roman à clef" a novel with a key a work of fiction based on real life events and people. This novel is often regarded as a semi-autobiographical depiction of the post-World War II intellectual and political climate in France focusing on the lives of left-wing intellectuals. The novel follows two central characters: ANNE DUBREUILH a psychiatrist who is deeply introspective and whose internal struggles mirror those of Beauvoir and ROBERT DUBREUILH her partner who is involved in politics and reflects the intellectual life of Jean-Paul Sartre Beauvoir's real-life partner. The characters wrestle with moral dilemmas personal relationships and political commitment in a rapidly changing post-war society. The title "Mandarins" refers to a class of intellectual elites who grapple with their role in shaping political and social futures. The novel explores themes of existentialism political engagement love freedom and betrayal set against the backdrop of the Cold War and France's post-war reconstruction. 2. This iconic photograph shows Simone de Beauvoir sitting in her office. It was part of a series of photos taken by Freund at her desk. This silver gelatine print is signed by the artist on the bottom left front and studio-stamped on the back. Stamped in ink verso center: PLEASE CREDIT / Gisèle FREUND / 12 RUE LALANDE / PARIS-XIVe / SEG: 77-49 Some of the other subjects photographed by Freund were Virginia Woolf Colette André Gide James Joyce Adrienne Monnier Jean Cocteau Jean-Paul Sartre André Malraux & Vita Sackville-West. Frame size: 22" x 16" Photo size: 6 x 9.25" Manuscript page size: 8.25" x 10.5" Back to back images. unknown
réf. 207205New York: Knopf 1979. First Edition; Early Printing. Hardcover. Both volumes Near Fine in Very Good price clipped dust jackets. Volume 1 31st printing Volume 2 14th printing.; Both volumes signed by Julia Child on half title page.; Signed by Author. Knopf hardcover
réf. ANAIS-1884235301Helicon Nine Editions. paperback. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. Helicon Nine Editions paperback
1954réf. 52501Paris Gallimard 1954 In-8, demi-maroquin noir bandes, plats de papier marbr, dos sans nerfs portant le nom de lauteur et le titre de louvrage en lettres capitales pousses or; doublures et gardes de papier lie-de-vin, tte dore, non rogn, couverture imprime. Etui (Loutrel-Delaporte). Edition originale de cet ouvrage qui a obtenu le Prix Goncourt en 1954. Un des 25 premiers exemplaires numrots sur verg de Hollande.
1961réf. 140949455New York: Alfred A. Knopf 1961. First Edition. Good. First edition first printing. Signed and inscribed in French by both Julia Child and Simone Beck on the first blank. Bound in publisher's decorated cloth. Illustrated throughout by Sidonie Coryn. Lacking the dust jacket. Good with soiling to cloth fading and light creasing to spine light but pernicious stains to textblock edges. Binding lightly shaken corners bumped contents lightly soiled and with sporadic pencil notations waviness to several pages due to moisture. The first appearance of the cookbook that launched Julia Child as the arbiter of continental taste in the kitchen. Alfred A. Knopf unknown
réf. 11622014. This striking original drawing of Wolverine is by acclaimed artist Simone Bianchi created in 2014. Bianchi's signature dynamic style is on full display in this piece capturing the ferocity and intensity of the iconic X-Men character. Rendered with precision the artwork highlights Wolverine's signature claws fierce expression and rugged presence showcasing Bianchi's masterful command of anatomy and comic artistry. This original piece is a must-have for collectors of X-Men memorabilia and fans of Bianchi's work offering a unique glimpse into the artist's creative vision and a standout addition to any comic art collection. Dimensions: 9.5"x13.5". unknown
1961réf. 140939606New York: Alfred A. Knopf 1961. First Edition. Near Fine/Very Good. First edition stated first printing. Signed by Julia Child and her husband Paul on the half-title page and inscribed to a former owner. Near Fine with light soiling former owner's inkless emboss to front free endpaper. In a Very Good unclipped dust jacket with light general wear and several short tears several small pieces of tape and tape residue to blank verso. A fantastic copy of the first printing signed by the author and her husband. Alfred A. Knopf unknown books
1954réf. 83810Gallimard | Paris 1954 | 14 x 21 cm | broché
