11.708 Ergebnisse
1963Best.-Nr. AMA-82S.l., s.d. [1963]. 2 pp. in 8°, à l’encre verte.Trace d'attache métallique dans la marge supérieure.
1995Best.-Nr. BN552222Frankfurt am Main Berlin Bern New York Paris Wien Lang Verlag 1995. 1995. Willi Münzenberg 1889 - 1940. Ein deutscher Kommunist im Spannungsfeld zwischen Stalinismus und Antifaschismus. Willi Münzenberg 1889 - 1940. Ein deutscher Kommunist im Spannungsfeld zwischen Stalinismus und Antifaschismus. Schlie Tania Hrsg. und Simone Roche Hrsg. Frankfurt am Main, Berlin, Bern, New York, Paris, Wien, Lang Verlag unknown
2006Best.-Nr. BN451745Münster ; New York ; München ; Berlin : Waxmann 2006. 2006. Das Tagebuch = The diary : Anne Franks Het Achterhuis als Gegenstand eines kritischen Übersetzungsvergleichs. Niederlande-Studien Band. 41 Das Tagebuch = The diary : Anne Franks Het Achterhuis als Gegenstand eines kritischen Übersetzungsvergleichs. Niederlande-Studien Band. 41 Simone Schroth Münster ; New York ; München ; Berlin : Waxmann unknown
Best.-Nr. Bloomsbury-9781793623751Lexington Books. Hardback. New. 298 pages Lexington Books hardcover
Best.-Nr. Bloomsbury-9781793623751Lexington Books. Hardback. New. 298 pages Lexington Books hardcover
2015Best.-Nr. 4982In very good condition clean and unmarked. Damiani hardcover
1849Best.-Nr. 120Paris: Imprimerie Bonaventure et Ducessois 1849. 8vo. 215 x 125mm. 8 1/2 x 5 inches. 32 pp. Original printed wrappers; light foxed cellophane wrapper. Original edition of this pamphlet by Simone de Horsin-Déon who was Président of the Société des Peintures Restaurateurs. His pamphlet written after the Revolution of 1848 was suppressed addresses the issue of back pay for conservators who lost wages while the Louvre was occupied. With the establishment of a new government and new museum administration the situation of the remaining experts and conservators needed to be addressed. The new leadership in museum a welcome result for Horsin-Déon needed to be recognize the contributions of the experts who had dedicated their lives to art who loved the museum and worked with selfless devotion for the benefit of the nation. He develops his thoughts in a few chapters which include his views of the how the Louvre should be organized; how experts should be hired and compensated; the director of restoration department be an expert conservator and not a bureaucrat; and that conservators should be hired based on skills and not connections. Rare: OCLC lists only the copy at the Frick in the U.S. and five other copies all in France. 120. Imprimerie Bonaventure et Ducessois unknown
1849Best.-Nr. 120Paris: Imprimerie Bonaventure et Ducessois 1849. 8vo. 215 x 125mm. 8 1/2 x 5 inches. 32 pp. Original printed wrappers; light foxed cellophane wrapper. Original edition of this pamphlet by Simone de Horsin-Déon who was Président of the Société des Peintures Restaurateurs. His pamphlet written after the Revolution of 1848 was suppressed addresses the issue of back pay for conservators who lost wages while the Louvre was occupied. With the establishment of a new government and new museum administration the situation of the remaining experts and conservators needed to be addressed. The new leadership in museum a welcome result for Horsin-Déon needed to be recognize the contributions of the experts who had dedicated their lives to art who loved the museum and worked with selfless devotion for the benefit of the nation. He develops his thoughts in a few chapters which include his views of the how the Louvre should be organized; how experts should be hired and compensated; the director of restoration department be an expert conservator and not a bureaucrat; and that conservators should be hired based on skills and not connections. Rare: OCLC lists only the copy at the Frick in the U.S. and five other copies all in France. 120. Imprimerie Bonaventure et Ducessois unknown books
Best.-Nr. SKU1046118Scala Arts Publishers Inc 2019-02-28. hardcover. Very Good. 9x1x11. The Frick Collection in association with Scala Arts Publishers New York 2019. Hardcover. A Very Good charcoal cloth binding with gilt lettering on spine binding sturdy and intact trace handling/scuffing to boards couple of threads showing on rear board some scattered foxing top text block edge in a Very Good some handling/scuff marks to panels bit of edge/corner wear small soiled stain on rear panel and verso Dust wrapper. A nice clean and unmarked copy. 4toquarto or approx. 11.5 x 13.5 inches 244pp. appendices color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. Scala Arts Publishers Inc hardcover
1972Best.-Nr. 88677Cremona: Libreria del Convegno 1972. First Edition. First printing. Large quarto. Publisher's simulated leather over boards hardcover with gilt titling to spine and front cover; dustjacket; xvi261pp; illus; color photographic frontispiece. A Near Fine copy mildly bumped at board corners otherwise clean tight and unmarked. In the original dustwrapper Near Fine but for a few clear tape reinforcements to verso. Text entirely in Italian. A pretty copy of this essential work on Stradivari's techniques written by the master Italian luthier Simone Sacconi 1895-1974 considered one of the greatest modern copyists of the work of Stradivari and Guarneri. Libreria del Convegno unknown
1972Best.-Nr. 88677Cremona: Libreria del Convegno 1972. First Edition. First printing. Large quarto. Publisher's simulated leather over boards hardcover with gilt titling to spine and front cover; dustjacket; xvi261pp; illus; color photographic frontispiece. A Near Fine copy mildly bumped at board corners otherwise clean tight and unmarked. In the original dustwrapper Near Fine but for a few clear tape reinforcements to verso. Text entirely in Italian. A pretty copy of this essential work on Stradivari's techniques written by the master Italian luthier Simone Sacconi 1895-1974 considered one of the greatest modern copyists of the work of Stradivari and Guarneri. Libreria del Convegno unknown books
2011Best.-Nr. x-1780521928Emerald Group Pub Ltd 2011. Hardcover. New. 541 pages. 9.25x6.25x2.00 inches. Emerald Group Pub Ltd hardcover
2020Best.-Nr. __1788114256Edward Elgar Pub 2020. Hardcover. New. 640 pages. 9.50x6.50x1.00 inches. Edward Elgar Pub hardcover
2002Best.-Nr. __3484504064De Gruyter 2002. Hardcover. New. 861 pages. French language. 6.14x1.81x9.21 inches. De Gruyter hardcover
2013Best.-Nr. DADAX3110311151De Gruyter 2013-03-15. 1. hardcover. New. 6.25x1.50x9.00. Buy with confidence. Excellent Customer Service & Return policy. De Gruyter hardcover
2019Best.-Nr. x-3030057216Palgrave Macmillan 2019. Hardcover. New. 830 pages. 9.25x6.10x1.85 inches. Palgrave Macmillan hardcover
1639Best.-Nr. 7901639. Virgin Crowned by Two Angels-- Etching by Simone Cantarini circa 1639 5.5 x 8.125 inches. Etching on a thick cream paper with minor soiling. Framers tape on verso at head and foot. Two very small cuts at top edge. Paper thinned in several areas: not affecting print. Very Good Condition. Etching by Simone Cantarini 1612-1648 titled "Virgin Crowned by Two Angels. Cantarini was an Italian painter and etcher. He was known for his paintings of historical subjects while his etchings "achieved extraordinary delicacy and a vibrant and luminous quality in his graphic work." Marina Garofoli. "Cantarini Simone." Grove Art Online. Oxford Art Online. Oxford University Press. This etching portrays two angels holding a crown over the Virgins head with three more cherub figures near her feet. The Metropolitan Museum of Art dates their copy of this etching to 1639. Johann Adam Bernhard Ritter von Bartsch included this Cantarini etching in his 21-volume treatise " Le Peintre Graveur" published between 1803 and 1821. unknown
Best.-Nr. FORT727711Alfred A. Knopf. Used - Acceptable. First Edition Likely Second Printing. No printing statement on copyright page however it does state "Published October 16 1961". The "Note About the Authors" also bears this date. Alfred A. Knopf unknown
Best.-Nr. 1598291122-7-1Morgan & Claypool. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Morgan & Claypool unknown
Best.-Nr. 19633765-nnew. unknown
Best.-Nr. 52186311-nnew. unknown
Best.-Nr. 50941290-nnew. unknown
2008Best.-Nr. Adhya-9783540762799Springer 2008. Paperback. New. Springer paperback
2008Best.-Nr. Adhya-9783540762799Springer 2008. Paperback. New. Springer paperback
Best.-Nr. 2-44377Roma nella Stamperia di Pallade 1747 16° brossura muta in carta marmorizzata pp. 54 con incisione allegorica in antiporta. Curiosa e dotta opera del bibliotecario della casa dei Principi Barberini che nell'indagare le origini dell'uso di salutare quando si starnuta fornisce una saggio di erudizione pescando a piene mani dai miti dalla letteratura e dalla storia antiche citando Aristotele e Cicerone narrando aneddoti e superstizioni cfr. Studio Bibl. Coenobium. Ottimo. unknown