11.432 resultados
1996ref. C86977Editrice Lampo; Et Al. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 362 pages with many color images. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1996. Editrice Lampo; Et Al hardcover
1967ref. C86626Penn State University Press. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ISBN: 0271731206. 183 pages with many illustrations including a good number in color. Tommaso di Ser Giovanni di Simone Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1967. 0271731206 . Penn State University Press hardcover
ref. 64547Alfred A. Knopf. Very Good with no dust jacket. 1979. Reprint. Hardcover. Both volumes signed directly on half-title page signature only by author Child. Vol. 1 684 Index: i-xxxii Vol. 2 555Pp Index: i-lxii light rubbing to spine label vol.1. Light rubbing to pages edges light bumping to upper corner last eight pages of index vol. Two. No slipcase or DJ. Bindings tight and straight inner pages unmarked. Volume I red topstain. Vol. 2 Blue topstain. ; Two-Volume Set; 1324 pages; Signed by Author . Alfred A. Knopf hardcover
1945ref. 45264Gallimard | Paris 1945 | 12 x 19 cm | broché
1945ref. 42378Paris: Gallimard 1945. Fine. Gallimard Paris 1945 14.50 x 20.50 cm broché First edition one of 56 numbered copies on pur fil the only large paper copies. A fine copy. Gallimard unknown
1972ref. 78203Paris: Gallimard 1972. Fine. Gallimard Paris 1972 15 x 22 cm broché First edition one of 40 numbered copies on Holland the tirage de tête. Ex-libris glued to the head of an endpaper. A beautiful copy despite a slightly puckered spine. Gallimard unknown
ref. 140948688New York: Alfred A. Knopf 1994. Reprint. Fine/Fine. Later printings. Two volumes both signed by Julia Child and inscribed to the same former owner. Bound in publisher's Fleur-de-lis patterened cloth with corresponding red and blue topstains. Fine with light fading to the topstain of Volume II in Fine unclipped dust jackets. A lovely set of the culinary classic. Child's life story was recently adapted into the HBO series Julia starring Sarah Lancashire. Alfred A. Knopf unknown
ref. 140948688New York: Alfred A. Knopf 1994. Reprint. Fine/Fine. Later printings. Two volumes both signed by Julia Child and inscribed to the same former owner. Bound in publisher's Fleur-de-lis patterened cloth with corresponding red and blue topstains. Fine with light fading to the topstain of Volume II in Fine unclipped dust jackets. A lovely set of the culinary classic. Child's life story was recently adapted into the HBO series Julia starring Sarah Lancashire. Alfred A. Knopf unknown books
1948ref. 86454Paris: Paul Morihien 1948. Fine. Paul Morihien Paris 1948 14.50 x 23 cm broché First edition one of 25 numbered copies on alfama du marais the only deluxe copies. Handsome copy. Paul Morihien unknown
1963ref. 84643Paris: Gallimard 1963. Fine. Gallimard Paris 1963 14 x 21 cm broché First edition on ordinary paper. Three stains on the slightly sunned spine. Autograph inscription signed by Simone de Beauvoir to Madame Mandinaud. Madame Mandinaud was Simone de Beauvoir's dedicated typist. She transcribed all the writer's works. Gallimard unknown
1966ref. 78233Paris: Gallimard 1966. Fine. Gallimard Paris 1966 14.50 x 20.50 cm broché First edition one of 40 numbered copies on Holland the tirage de tête. A very beautiful copy. Gallimard unknown
1956ref. 137901Cleveland and New York: The World Publishing Company 1956. Signed limited edition and first English edition of the novel for which de Beauvoir won the Prix Goncourt awarded to the best and most imaginative prose work. Octavo original cloth. Boldly signed by Simone de Beauvoir. Fine in a near fine dust original glassine jacket in the original slipcase. Translated from the French by Leonard M. Friedman. Rare in this condition. In her most famous novel The Mandarins Simone de Beauvoir takes an unflinching look at Parisian intellectual society at the end of World War II. Hailed by Iris Murdoch as "a remarkable book a novel on the grand scale courageous in its exactitude and endearing because of its persistent seriousness." In fictionally relating the stories of those around her ― Jean-Paul Sartre Albert Camus Arthur Koestler Nelson Algren ― de Beauvoir dissects the emotional and philosophical currents of her time. At once an engrossing drama and an intriguing political tale The Mandarins is the emotional odyssey of a woman torn between her inner desires and her public life. "Much more than a roman a clef . . . a moving and engrossing novel" New York Times. It was the recipient of the Prix Goncourt Award. The World Publishing Company hardcover
1945ref. 42378Gallimard | Paris 1945 | 14.50 x 20.50 cm | broché
1972ref. 78203Gallimard | Paris 1972 | 15 x 22 cm | broché
2001ref. 51565Montpellier Editions Fata Morgan 2001 In-4, en feuilles, couverture et chemise illustres par l'artiste (embotage de l'diteur).Edition originale, runissant 18 citations de Simone Weil choisies par Jean Capdeville qui a ralis dans chaque exemplaire 8 peintures originales en couleurs dont une sur la couverture, une sur la page de titre, 5 hors-texte (dont 3 sur double page) et un in-texte. 5 des citations ont t manuscrites l'encre par l'artiste, chacune pleine page. Jean Capdeville a galement calligraphi le titre de l'ouvrage et les noms de l'auteur et de l'artiste sur le premier plat de la chemise de l'embotage. Tirage unique limit 70 exemplaires numrots sur vlin de Rives, signs par lartiste.
ref. 38657In-8, (260 x 143 mm), broché, couverture imprimée de l'éditeur, 224 p., (1) f. d'achevé d'imprimer. Paris, Gallimard, 1945 (Paris, Chantenay imprimeur, 25 juillet 1945).
1948ref. 86454Paul Morihien | Paris 1948 | 14.50 x 23 cm | broché
1963ref. 84643Gallimard | Paris 1963 | 14 x 21 cm | broché
1966ref. 78233Gallimard | Paris 1966 | 14.50 x 20.50 cm | broché
1972ref. 80501Couverture imprimée à rabats. Non coupé.
2011ref. 96540Ashgate Pub Co. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 170 pp. ; 5 illus. -- with a bonus offer--; In planning debates culture is often treated as a fixed element either as a quasi-economic resource cultural capital or arts activities or as a category of behaviour in opposition to rationality. Yet a wealth of research and analysis is available that moves the spotlight from the question of what culture is towards understanding what we are doing when we talk about culture. This book brings that focus to planning research examining culture as a socio-historical concept and introducing a line of scholarship both established and recent to show what 'culture' does and why. Illustrated by a wide range of case studies from planning contexts it addresses the materialisation of abstract concepts magic ownership performance and embodiment citizenship bodies in politics and social categorisation house-society the public. In doing so it shows how a deeper understanding of culture can offer new insights into the challenges that planners and planning theorists face. While "Planning and Culture" is aimed primarily at planning theorists professionals and students it has equal relevance for students of human geography or sociology and is accessible to a wider readership. In effect it opens up the field of planning to a new realm of research enabling readers to think beyond the bounds of what they know about planning and to think about what they may or may not know about culture. . 2011. 0754677222 . Ashgate Pub Co hardcover
2016ref. 121089Koenig Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 3863359690 . Koenig Books hardcover
2016ref. 120944Koenig Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. -- with a bonus offer-- . 2016. 3863359690 . Koenig Books hardcover
2013ref. 108297Edizioni Polistampa. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in Italian. -- with a bonus offer--; Italian Edition . 2013. 8859613019 . Edizioni Polistampa hardcover
2004ref. 81415George Braziller; Et Al. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xiii 1 222 pages 100 color illustrations. -- with a bonus offer--; The combination of the woodcut—a print method devised early in the fifteenth century—with Johannes Gutenberg's revolutionary invention of printing with moveable type resulted in a powerful explosion of information and ideas. For the first time it was possible to use a mechanized system to print identical copies of books containing both text and images. Featured in A Heavenly Craft are the earliest surviving examples of these books from throughout Western Europe all printed within the first century after Gutenberg's invention. The contributors bring these rare books to life exploring the evolution of the technique composition and coloration of the woodcut beginning with the earliest publications. Many of the woodcut designs grew out of the tradition of manuscript illumination in which book illustrations were painstakingly executed by hand. The authors also present the distinguishing features of national style and taste treating the reader to examples from Germany Italy France Spain and the Netherlands. In addition A Heavenly Craft describes the provenance of these volumes providing an account of how Lessing J. Rosenwald purchased them from the heir to the Lea and Perrins fortune and later donated them to the Library of Congress. These early printed volumes are the predecessors of today's illustrated books. A Heavenly Craft celebrates these origins making these early publications available to bibliophiles and print lovers. 100 color illustrations. . 2004. 0807615366 . George Braziller; Et Al hardcover