Arturo Galansino,Simone FacchinettiBiblio.com
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2014Best.-Nr. SBBI-mon0000082938Royal Academy of Arts London 2014. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Royal Academy of Arts, London hardcover
Best.-Nr. BN388902In the Age of Giorgione In the Age of Giorgione Arturo Galansino Simone Facchinetti unknown
Best.-Nr. 48459Royal Academy 2016. Hardback with dust jacket 270x240mm 176p 80 colour illustrations English edition . ISBN 9781910350263. Venice at the start of the sixteenth century was Europes undisputed capital of culture: home to some of the finest artists of the Italian Renaissance whose importance stretched far beyond the region. The first great painter to emerge was also the most mysterious: little is known about Giorgio Barbarelli da Castelfranco known as Giorgione 14781510 and few works have been attributed to him with any certainty yet he painted what is considered to be the first landscape in Western art history and his influence was profoundly felt by contemporaries including Lorenzo Lotto and Titian. This sumptuous volume brings together many of the works attributed to Giorgione along with other masterpieces of the Venetian School demonstrating the extraordinary richness of colour and mood for which these artists were famed. This book brings to life an extraordinary moment in the history of European art. Expo : 12/3/2016 - 5/6/2016 Royal Academy of Art London Royal Academy 2016 hardcover
Best.-Nr. 48459, Royal Academy , 2016 Hardback with dust jacket, 270x240mm, 176p, 80 colour illustrations, English edition . ISBN 9781910350263.
1938Best.-Nr. 47311938 Aurillac, editions du cantal, 1938. In-12 broché, 102 pages plus table des matières. Bois original de Jean-Paul Dubray.
1981Best.-Nr. 52853New York: Beacon Press 1981. First Edition; First Printing. Softcover. Very Good in wrappers. Uncorrected Proof ARC.; 8vo 8" - 9" tall. Beacon Press unknown
Best.-Nr. DADAX6131539863New unknown
Best.-Nr. 3844387773.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004Best.-Nr. Q-1740594592Lonely Planet 2004-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Lonely Planet paperback
2016Best.-Nr. x-3319417622Springer 2016. Hardcover. New. 375 pages. 9.25x6.25x1.00 inches. Springer hardcover
Best.-Nr. 45247170-nnew. unknown
Best.-Nr. 45247170like new. unknown
Best.-Nr. 46462477like new. unknown
Best.-Nr. 1017751773.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1020196823.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1020450517.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1022398962.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1021545457.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 101775781X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1024937283.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1279575352.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1020142197.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1024443434.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1246576708.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1790Best.-Nr. J1IBOS4BUCS1Padua 1790. Small folio 21.5 x 29.5 cm. Seminary printing office Contemporary green half calf gold-tooled spine marbled sides. With 3 large folding engraved plates. 16 CCXIX 9 pp. First and only edition of a rare study describing and illustrating with all elements needed to construction a 3D facsimile one of the most splendid Islamic globes ever made a celestial globe with Cufic lettering in the Borgia Museum at Velletri now at the Museo Nazionale di Capodimonte in Naples. The Syrian mathematician Qaysar ibn Abu al-Qasim 1178/79-1251 made the bronze globe with inlaid silver and copper 22 cm diameter in 622 AH 1225/26 CE for the fourth Ayyubid Sultan of Egypt al-Malik al-Kamil Muhammad ca. 1177-1238. The three folding plates show measured drawings apparently original size though without a scale of the components of the celestial globe with 1025 stars and 48 constellations designed so that they could be cut out and assembled around a globe body: the first shows the meridian and horizon rings with 2 gnomon scales for the base and a small view of the assembled globe the second shows the northern hemisphere and the third the southern hemisphere. Mediaeval Arabic astronomers used celestial globes to help solve various problems in astronomy far in advance of their European contemporaries. The seminary printing office in Padova established 1684 had its own typefoundry and had non-Latin types including Arabic cut for its first books published in 1685.Old library shelfmark label on the inside of the front board. The hinges and the head and foot of the spine somewhat worn. Otherwise in fine condition.l Brunet VI 8185; DG 7.9265; M. H. Fikri Treasures from the Arab Scientific Legacy in Europe no. 13 with full-page illustration; for Ahmed al-Farghani: DSB IV pp. 541-545. unknown
