11.463 resultados
1947ref. 29701Saint-Quentin Éd. de la Lyre et de la Croix 1947
ref. 20791CEME Editions Sociales FranÃaises (ESF) BROCHE
1947ref. 7665Paris - Montréal Éd. «La Lyre et la Croix» - Éd. du «Lévrier» 1947
1947ref. 29463Paris - Montréal Éd. «La Lyre et la Croix» - Éd. du «Lévrier» 1947
1932ref. ROD0032566Pierre Roger. 1932. In-8. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Intérieur bon état. 161p. Illustrations de Marie l. GANGLOFF. . . . Classification Dewey : 908.4434-Régionalisme : Ile-de-France
2003ref. 79212003 Le Grand Livre du Mois/Vie quotidienne, 2003, broché, couverture illustrée, 14x23 cm., 319 pages.
1925ref. 29024Eschig Max 1925
1932ref. 29455Paris Editions Pierre Roger 1932
1932ref. 29700Paris Editions Pierre Roger 1932
ref. 7106Collection «La vie quotidienne«. Paris, 2003 Hachette 319 p., broché. 14 x 22,5
2003ref. 69582003 In La Vie Quotidienne, Hachette Littératures, Paris, 2003. Un volume in-8 dos collé, couverture illustrée, 319 pages. Bon état.
1936ref. RO80070562SOCIETE D'EDITIONS FRANCAISES. 1936. In-12. Broché. Etat passable, Couv. défraîchie, Dos satisfaisant, Mouillures. 190 pages. Carte en frontispice noir et blanc. Quelques pages non coupées. Manque une partie de la page de titre.. . . . Classification Dewey : 963-Ethiopie et Erythrée
ref. 40666Montreal. ditions Beauchemin. 1944. 12mo 18.5cm 1981p. in full smooth red calf gilt spine and cover titles marbled endpapers and edges "Author's Signed Presentation Copy Ottawa 44" on War Time economy paper quite toned but the paper is still quite flexible a fine copy thus rare not one listing located. cmt. A lovely bound copy of Simone Routier's journal of her last few days in Paris in 1940 as the journalist and writer flee's the advancing German troops. Her journal captures her thoughts as Paris is destroyed by war. The contents are literary describing the landmarks restaurants as she remembers them as she leaves. Montreal. ditions Beauchemin. 1944 unknown
1934ref. 212212Paris: Editions De La Caravalle 1934. First Edition . Hardcover. VG. FRENCH text. Inscribed SIGNED and dated by the author on the half title page. 195 pages in very good condition; edges a little yellowed. Illustrated. Marbled endpapers. Half bound with black leather over blue/gold marbled boards. Gilt titles decoration and 4 raised bands on the spine. Spine a little faded corners lightly worn. Scarce. VG Editions De La Caravalle hardcover
ref. 0812241592.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2011ref. Q-0812221486University of Pennsylvania Press 2011-02-24. Paperback. New. In shrink wrap. Looks like an interesting title! University of Pennsylvania Press paperback
2011ref. x-0812221486Univ of Pennsylvania Pr 2011. Paperback. New. 249 pages. 8.75x6.00x0.75 inches. Univ of Pennsylvania Pr paperback
2003ref. 94376Museum Publications. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pages; 29 color and 47 b/w illustrations. Description: "Ranked by many scholars as the greatest master of early Italian Renaissance painting Masaccio 1401–1428 was the first artist to use effects of light to create three-dimensional images on a two-dimensional plane. This achievement revolutionary in Masaccio's day is one of the painter's significant contributions to art history. This book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which the Saint Andrew panel is thought to have once formed a part: the Pisa Altarpiece one of the truly great polyptychs in the history of Italian Renaissance art produced in 1426 for a chapel in the church of Santa Maria del Carmine Pisa. The text discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role that the church friars played in the actual commission. Finally after examining the polyptych's individual panels the book traces their subsequent history and recounts how art historians came to identify them." -- with a bonus offer--; Ranked by many scholars as the greatest master of early Italian Renaissance painting Masaccio 1401-1428 was the first artist to use effects of light to create three-dimensional images on a two-dimensional plane. This achievement revolutionary in Masaccio's day is one of the painter's significant contributions to art history. This book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which the Saint Andrew panel is thought to have once formed a part: the Pisa Altarpiece one of the truly great polyptychs in the history of Italian Renaissance art produced in 1426 for a chapel in the church of Santa Maria del Carmine Pisa. The text discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role that the church friars played in the actual commission. Finally after examining the polyptych's individual panels the book traces their subsequent history and recounts how art historians came to identify them. . 2003. 0892362863 . Museum Publications paperback
2026ref. x-1496242645Univ of Nebraska Pr 2026. Hardcover. New. 322 pages. 9.00x6.00x9.00 inches. Univ of Nebraska Pr hardcover
2012ref. __9089643494Amsterdam Univ Pr 2012. Hardcover. New. 01 edition. 237 pages. 12.00x9.00x1.00 inches. Amsterdam Univ Pr hardcover
ref. 11494Lille, Université de Lille III, 1983. In-8, broché.
1992ref. R160180787ROBERT LAFFONT. 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 169 Pages. . . . Classification Dewey : 340-Droit
ref. DADAX1741149770New unknown