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rif. 697488164New York University Press NYU Press . Papeback. New. pp. 277 Index New York University Press NYU Press unknown
rif. 650999693New York University Press NYU Press . Hardback. New. pp. 280 Index New York University Press NYU Press hardcover
1995rif. P18NL1229Unesco / Marie d'Albi 1995. 1st Edition. SOFTCOVER. Large 4to. in colour printed stiff glossy card covers 51 pp on glossy art paper colour plates etc. Text in French __CONDITION : An extremely well preserved AS NEW unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Unesco / Marie d'Albi paperback
rif. 3110557533.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2019rif. __3110557533De Gruyter 2019. Hardcover. New. bilingual edition. 300 pages. Italian language. 9.45x6.69x1.40 inches. De Gruyter hardcover
rif. A9783110557534Hardback. New. Socrates Or On Human Knowledge is the first sceptical treatise of the early modern period to be written by a Jew. This work written in the vernacular and signed by the author describing himself as a "Venetian Jew" must be considered a key wor hardcover
rif. 15213Both of Brandel's letters on his letterhead 23 Rue Raynouard Paris. One dated 19 October 1947 and the other earlier undated. Typed synopsis and press release both undated but on release of film in 1948. The collection is in fair condition on aged and worn paper. The six items are from the Wynne-Rushton papers. The first four relate to the 1948 Moroccan film 'Kenzi' for which Wynne-Rushton was working as English distributor produced by the Société marocaine de Production cinématographique produced by Brandel's company Eden Film Productions with French actress Simone Berriau 1896-1984 as art director and featuring a young Habib Reda 1932-1974. ONE: ALS from Brandel 'Joe' to 'Dear Gerald'. 2pp. 8vo. Slight staining to second page. He apologises for the 'telegram-style letter' explaining that 'We are in the middle of rehearsing at Antoine i.e. Theatre Antoine where Berriau was director'. Regarding the film he writes: 'the music in Kenzi is modern arabic suitable for all ears . Kenzi comes out <> before the P<> and numerous Arab personalities - next week before French with sub-titles. We had a small showing - but it is a 1A picture - bound to be a success - and easy to sell on showing.' Brandel continues with suggestions and instructions before concluding on the subject of 'Plays' asking Wynne-Rushton whether he is 'Still interested in other propositions' TWO: Unsigned ALS from Brandel to 'Dear Gerald'. 2pp. 8vo and 1p. landscape 12mo. After a brief discussion of Wynne-Rushton's disagreements with 'Nebbi' Brandel continues: 'You have thrown yourself with a lot of energy and enthousiasm sic on the very difficult job of theatre and film representation and I would hate to see you give it up - the more so as results in this business are long and doubtful. Unless you desire otherwise - please continue - I think the only exceptions are the Ustinov contacts and maybe <> at the Academy people - but if you can handle the latter please continue'. He next turns to 'Kenzi' which was 'shown to a very select gathering of Arab speaking personalities including Hosmi Nagub of <> who received a note from Fiad Sabib. Everyone was very enthousiastic sic - it was a terrific success.' He discusses future plans with reference to 'Uncle Harry' a film. He asks him to send money to the Dutch sports journalist Albert Milhado 1910-2001 and refers to '<> Brahms' before concluding: 'Re Plays - as I said before - I do not think French's Catalogue is the solution to my problem. We saw duet for two hands - quite good - but very macabre in these difficult days - but the rights were sold - So be on the look out for London's best plays. Thats's what we want.' THREE: Duplicated typed press release in French headed 'SALAM SOCIETE MAROCAINE DE PRODUCTION CINEMATOGRAPHIQUE QUELQUES INDICATIONS SUR LA SOCIETE'. 1p. 8vo. Creased and worn at extremities. Explains that the Society is backed by the 'Pacha' represented by his son Caid Brahim el Glaoui and that the following French individuals are involved: 'President du Conseil: General BOUSCAT Adminustrateur sic Delegue: J. M. BRANDEL. Direction Artistique: Madame Simone BERRIAU.' The Society's first film is 'Mon Tresor' or 'Kenzi' with the scenario taken from Yves Mirande's 'Un Trou dans le Mur'. 'Ce film est tourne dans les magnifiques Palais et les nombreux jardins du PACHA DE MARRAKECH ainsi qu'au pied de l'Atlas . Madame Simone Berriau Directrice du Theatre Antoine productrice et interprete de nombreux films en assure la supervision artistique .'. Details of the others involved are given including 'HABIB REDA qui a compose pour ce film plusieurs chansons qui ne manqueront pas de plaire au publique arabe ainsi qu'au public Europeen.' The release ends: 'Le dialogue comme on peut s'y attendre est de Mr Yves MIRANDE toujours spirituel et plein d'humour parisien.' FOUR: Duplicated typed 'EXTRAIT DU SCENARIO'. 2pp. 8vo. With creasing and wear to extremities. Headed in pencil: '"KEMZI" AN ARAB FILM with Arab Caste sic FILMED BY EDEN PRODUCTIONS LTD PARIS and MARAKESH MOROCCO'. Gives a full synopsis of the film beginning: 'Un jeune garcon arabe HABIB REDA vient de finir avec succes a Paris ses etudes de medecin. Il habite avec son ami MAURICE BAQUET egalement d'origine arabe. Ce dernier n'a jamais vu son pays natal et n'en parle presque pas la langue. Il est artiste de music hall et ses cachets aident les deux amis a couvrir leurs frais.' Both of Brandel's letters on his letterhead, 23 Rue Raynouard, Paris. One dated 19 October 1947 and the other (earlier) undated. unknown
rif. 2747573923.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2021rif. x-1447349164Policy Pr 2021. Paperback. New. 256 pages. 9.00x6.00x0.55 inches. Policy Pr paperback
rif. 35158608-nnew. unknown
rif. 35158608like new. unknown
2019rif. Manohar-9781447349150Policy Press 2019. Hardcover. New. Policy Press hardcover
2019rif. Manohar-9781447349150Policy Press 2019. Hardcover. New. Policy Press hardcover
2018rif. x-1787147924Emerald Group Pub Ltd 2018. Hardcover. New. 165 pages. 9.00x6.00x0.71 inches. Emerald Group Pub Ltd hardcover
rif. 32714091-nnew. unknown
rif. 32714091like new. unknown
rif. DADAX1447320107Policy Press 2018-02-17. First Edition. hardcover. New. 6.75x0.60x9.50. Buy with confidence. Excellent Customer Service & Return policy. Policy Press hardcover
rif. SONG1447320107Policy Press 2018-02-17. First Edition. hardcover. Used: Good. 6.75x0.60x9.50. Buy with confidence. Excellent Customer Service & Return policy. Policy Press hardcover
rif. 1447320107.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2022rif. x-3031168542Springer Nature 2022. Hardcover. New. 152 pages. 9.25x6.10x9.21 inches. Springer Nature hardcover
2023rif. x-3031168577Springer Nature 2023. Paperback. New. 152 pages. 9.26x6.10x0.33 inches. Springer Nature paperback
rif. 9788573215915ILUMINURAS. new. O mal dos partidos pol�ticos salta aos olhos. Os partidos pol�ticos faliram e com eles o sistema de representao que os justificava. Os partidos so uma lepra que surgiu nos meios pol�ticos e espalhou-se pela totalidade do pensamento. A soluo � suprimi-los e no cabe pensar que seja imposs�vel. Essa � a proposta de Simone Weil em dois textos basilares nos quais explora as ideias do coletivo da pessoa e do impessoal. Em ""Partido cultura futuro"" Teixeira Coelho extrai as consequncias das ideias de Simone Weil para a cultura e para a pol�tica cultural e aponta para as possibilidades tecnol�gicas contemporneas e antigas de p-las em pr�tica. O motor e a utopia da democracia foi a representao. ""No taxation with�out representation"" deixou claro a revoluo americana: sem representao nada de taxao e nada de todo o resto. A Magna Carta do s�culo 13 continuava ativa no s�culo 18: a democracia representativa deveria tudo mudar. Hoje est� exangue. Eleies persistem formalmente livres aqui e ali. Uma vez no poder por�m os eleitos comeam o desmantelamento legal da democracia. Exemplos por toda parte. O sistema de partidos faliu. As pessoas preocupam-se com eleger o presidente o governador o prefeito mas quem de fato det�m o poder por d�cadas intermin�veis so os partidos que o loteiam vendem ou alugam a quem der mais. Os partidos diz Simone Weil so o mal em estado puro. Os bons sentimentos horrorizam-se: os partidos no so a mola da democracia O primeiro efeito da opresso bem sucedida � bem esse: leva os oprimidos os ""representados"" a negar a natureza opressiva da dominao. No primeiro de seus dois textos aqui publicados Simone Weil remove esse complexo. Ela � clara: nada de bom se perde com a supresso dos partidos pol�ticos. No segundo ""A pessoa e o sagrado"" Weil continua incisiva: sagrada � a pessoa e para que a pessoa exista e sub�sista o coletivo deve dissolver-se. Partido e co�letivo so os dois vetores centrais do totalitarismo de qualquer cor ideo�l�gica. Reagindo contra os crimes da URSS e da Alemanha nazista que via de perto Simone Weil � de uma aud�cia e atualidade nicas: afasta as ideias recebidas e faz as �guas estagnadas da pol�tica voltarem a fluir. No posf�cio Teixeira Coelho desdobra as consequncias para a cultura da insistncia na ascendncia do partido sobre a pessoa o conceito mais nobre do vocabul�rio pol�tico. E conduz a reflexo rumo ao cen�rio das novas culturas computacionais. Toda ino�vao t�cnica deixa a sociedade no fio da navalha: agora de um lado est� nada menos que o risco existencial ILUMINURAS unknown
rif. 39845789-nnew. unknown
1990rif. Q-0385301731Delacorte Books for Young Readers 1990-08-31. hardcover. New. New. In shrink wrap. Looks like an interesting title! Delacorte Books for Young Readers hardcover
2016rif. x-1472569202Bloomsbury USA Academic 2016. Hardcover. New. 198 pages. 9.00x6.25x0.50 inches. Bloomsbury USA Academic hardcover
