1.306 Ergebnisse
1930Best.-Nr. 369955London: The Cresset Press 1930. One of 350 copies. With frontispiece and twelve chapter headings by John Nash all hand-stencilled in color at the Curwen Press. 1 vols. Tall 4to. Original cream silk-covered boards vellum spine t.e.g. others uncut. Fine fresh copy. Nash John. One of 350 copies. With frontispiece and twelve chapter headings by John Nash all hand-stencilled in color at the Curwen Press. 1 vols. Tall 4to. A lovely book printed on handmade paper in Granjon Old Face used here for the first time it was designed by the printer of the book George W. Jones. Ransom Check Lists 20 The Cresset Press unknown books
1758Best.-Nr. 300360London: J. & R. Tonson 1758. First Edition; Early Printing. Fine binding. Both volumes Very Good in rebound blue cloth with previous owner initials emblazened on right bottom of front cover. J. & R. Tonson unknown
1897Best.-Nr. 8274Archibald Constable & Co. Westminster. London. 1897-1900. SIX VOLUMES. FIRST KATE WARREN EDITION. 8vo.6.8 x 4.4 inches. Illustrated frontis to each volume - 3 portraits and 3 sepia photographic views River Blackwater County Cork ; Ruins of Kilcolman Spenser's home in Ireland ; Glengarriff County Cork. each with a tissue guard. Each volume with an extra decorative title page. A fine and clean set with a few of the gatherings still unopened. Finely bound by Riviere in early twentieth century quarter vellum with single raised bands. Green title labels ruled and lettered in gilt. Arts and Crafts style tall flower design with stems leaves and flower in gilt to each spine. Blue cloth on boards. Top edges gilt others untrimmed. Some minor marks to the cloth on a few of the boards but the spines all clean and the gilt bright so the set looks great on the shelf. A very attractive set of vellum bindings. Archibald Constable & Co. Westminster. London. 1897-1900 hardcover
1862Best.-Nr. 012419London: Smith Elder & Co 1862. Complete in 2 volumes. Books measure 21.5x15.cm. Collation xix1400pp16 coloured or tined plates including frontis 2 folding maps LACKING MAP OF DISTRICTS KINA BALU . Bound in modern half leather leather corners cloth boards raised bands gilt lines lettering leather labels. Both bindings in very good clean firm condition. Internally occasional minor spotting/tanning short closed tear to margin of maps. Pages and plates in good clean condition. Generally a good clean solid set.F . First Edition. Half Leather. Very Good. 8vo. Smith Elder & Co Paperback
Best.-Nr. Z1-Office-00127Smith Elder and Co. Used - Good. 2 vols. 1863 revised 2nd. ed. original green cloth bindings. Cloth is marked and rubbed. with slight damage to edges. Spines are worn but intact. Front hinge of vol 1 is detatched. 16 coloured plates. the three maps have all got minor tearing. 5 numbers in pencil to title page. some foxing. For further details or pictures please message us. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Smith Elder and Co hardcover
1862Best.-Nr. 738351862. SPENSER Edmund. The Works of Edmund Spenser. Edited by J. Payne Collier. London: Bell and Daldy Chiswick Press 1862. Five volumes. Tall octavo contemporary full dark green crushed morocco gilt raised bands marbled endpapers all edges gilt. $900.Splendid Chiswick Press edition of SpenserÕs works with biography by J. Payne Collier very handsomely bound in full morocco-gilt. A lovely set.Of Spenser Robert Southey wrote ""He is the great master of English versificationÑ incomparably the greatest master in our language."" This edition features a biography of Spenser by the current editor J. Payne Collier. ""For the original language of the poet"" Collier acknowledges ""I was of course mainly indebted to the two issues of The Fairy Queen; the first three books in 1590 and the whole six books in 1596."" He corrects many of the errors of textual transcription contained in the earlier Todd editions. The Chiswick Press is credited with the revival of fine printing in England when in 1844 it brought Caslon type back into use. Bookplate of Lamberton Castle.A most handsome about-fine copy in contemporary morocco-gilt. hardcover
1862Best.-Nr. 738351862. SPENSER Edmund. The Works of Edmund Spenser. Edited by J. Payne Collier. London: Bell and Daldy Chiswick Press 1862. Five volumes. Tall octavo contemporary full dark green crushed morocco gilt raised bands marbled endpapers all edges gilt. $900.Splendid Chiswick Press edition of Spensers works with biography by J. Payne Collier very handsomely bound in full morocco-gilt. A lovely set.Of Spenser Robert Southey wrote ""He is the great master of English versification incomparably the greatest master in our language."" This edition features a biography of Spenser by the current editor J. Payne Collier. ""For the original language of the poet"" Collier acknowledges ""I was of course mainly indebted to the two issues of The Fairy Queen; the first three books in 1590 and the whole six books in 1596."" He corrects many of the errors of textual transcription contained in the earlier Todd editions. The Chiswick Press is credited with the revival of fine printing in England when in 1844 it brought Caslon type back into use. Bookplate of Lamberton Castle.A most handsome about-fine copy in contemporary morocco-gilt. hardcover books
1902Best.-Nr. 145313Boston: Houghton Mifflin and Company 1902. First edition thus first impression number 16 of 400 numbered copies from an edition limited to 419 copies designed by Bruce Rogers for the Riverside Press two years after his appointment as head of the Department of Special Bookmaking and a notably early publication featuring the involvement of this great book designer. This is an attractive edition of Spenser's famous marriage poems in a superb Riviere binding. Small folio 295 x 188 mm. Title vignette and two large illustrations printed in red mounted in the text. Finely bound by Riviere & Son in contemporary red crushed morocco titles in gilt direct to spine raised bands compartments finely tooled in gilt elegant double and triple gilt fillet frames to boards with ornate floral motifs to corners turn-ins richly gilt marbled endpapers top edge gilt others untrimmed. Housed in custom pink cloth slipcase corners a little bumped. Engraved pictorial bookplate of Pennsylvania historian and poetry collector Christopher Magee Steel 1900-7196 to front pastedown. Small splits to joints some with old expert repairs lower tip slightly bumped the binding otherwise sound and clean internally fresh and unmarked; an attractive copy. hardcover
2000Best.-Nr. mon0000152852Peter Haddock Ltd 2000-01-01. Paperback. Good. in x in x in. NOT ex-library. Clean copy in good condition. Peter Haddock Ltd paperback
Best.-Nr. Z1-C-049-01227Rarebooksclub.com. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Rarebooksclub.com unknown
Best.-Nr. Z1-C-076-00071RareBooksClub.com. Used - Good. Vol.2 ONLY. 1909 hardback edition published by Oxford at the Clarendon Press. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. RareBooksClub.com hardcover
1932Best.-Nr. 7046Oxford: Printed at the Shakespeare Head Press.and Published for the Press by Basil Blackwell 1932. First Thus. Very Good. One of 375 numbered copies on Batchelor's Shakespeare Head handmade paper this copy being number 134 out of a total edition of 386 copies. Eight volumes large octavo 11 3/16 x 7 1/8 inches; 285 x 194 mm. Bound in the original quarter green calf over marbled boards by Douglas Cockerell. Vellum tips. Spines lettered and dated in gilt. Edges untrimmed. With 111 woodcut illustrations decorations and title vignettes after and by Hilda Quick all hand-colored except for five that are printed in red and black. A Vewe of the Present State of Ireland with pictorial woodcut title-page border and woodcut frontispiece map of Ireland by Macdonald Gill both hand-colored. Lettering for half-titles title-pages headings and initials printed in red black and blue after designs by Joscelyne Gaskin some shoulder notes printed in red with occasional text printed in red and black. Some scuffing to boards and rubbing to spines. Mid-twentieth-century ink ownership inscriptions in first two volumes. Bright and fresh throughout. A Very Good set. "The text of the present edition of Spenser's Works has been prepared by Professor W.L. Renwick. It follows in every case the first editions.The decorations have been designed and engraved on wood by Hilda Quick those in The Shepheardes Calender being based on the cuts in the original editions. The initial letters and the letterings for the title- page and headings have been engraved by her from designs by Joscelyne Gaskin.The eight volumes of Spenser 1930 are equally good-different as the character of the author is but in merita nothing to choose between them. Perhaps the small devices below Spenser's sonnets printed in black and in the vellum copies beautifully laid with gold are the most discreet and opulent form of decoration fitting and in flawless taste" Franklin. Franklin 150 236. Ransom 17:67. Very Good. Printed at the Shakespeare Head Press...and Published for the Press by Basil Blackwell unknown
1932Best.-Nr. 7046Oxford: Printed at the Shakespeare Head Press.and Published for the Press by Basil Blackwell 1932. First Thus. Very Good. One of 375 numbered copies on Batchelor's Shakespeare Head handmade paper this copy being number 134 out of a total edition of 386 copies. Eight volumes large octavo 11 3/16 x 7 1/8 inches; 285 x 194 mm. Bound in the original quarter green calf over marbled boards by Douglas Cockerell. Vellum tips. Spines lettered and dated in gilt. Edges untrimmed. With 111 woodcut illustrations decorations and title vignettes after and by Hilda Quick all hand-colored except for five that are printed in red and black. A Vewe of the Present State of Ireland with pictorial woodcut title-page border and woodcut frontispiece map of Ireland by Macdonald Gill both hand-colored. Lettering for half-titles title-pages headings and initials printed in red black and blue after designs by Joscelyne Gaskin some shoulder notes printed in red with occasional text printed in red and black. Some scuffing to boards and rubbing to spines. Mid-twentieth-century ink ownership inscriptions in first two volumes. Bright and fresh throughout. A Very Good set. "The text of the present edition of Spenser's Works has been prepared by Professor W.L. Renwick. It follows in every case the first editions.The decorations have been designed and engraved on wood by Hilda Quick those in The Shepheardes Calender being based on the cuts in the original editions. The initial letters and the letterings for the title- page and headings have been engraved by her from designs by Joscelyne Gaskin.The eight volumes of Spenser 1930 are equally good-different as the character of the author is but in merita nothing to choose between them. Perhaps the small devices below Spenser's sonnets printed in black and in the vellum copies beautifully laid with gold are the most discreet and opulent form of decoration fitting and in flawless taste" Franklin. Franklin 150 236. Ransom 17:67. Very Good. Printed at the Shakespeare Head Press...and Published for the Press by Basil Blackwell unknown books
1805Best.-Nr. 23995London: F.C. and J. Rivington et al. 1805. 8 volumes large 8vo ten inches tall - an old penciled note on the endpaper calls this a Large Paper copy engraved frontis portrait in vol. 1 contemporary full polished paneled tan calf neatly rebacked black morocco labels on spine a.e.g.; edges a little worn title-p. and frontis in vol. 1 browned a few minor spots and stains else very good and sound. Lowndes p. 2477. F.C. and J. Rivington [et al.] unknown
1805Best.-Nr. 23995London: F.C. and J. Rivington et al. 1805. 8 volumes large 8vo ten inches tall - an old penciled note on the endpaper calls this a Large Paper copy engraved frontis portrait in vol. 1 contemporary full polished paneled tan calf neatly rebacked black morocco labels on spine a.e.g.; edges a little worn title-p. and frontis in vol. 1 browned a few minor spots and stains else very good and sound. Lowndes p. 2477. F.C. and J. Rivington [et al.] unknown books
1862Best.-Nr. ST19567-034London: Bell and Daldy 1862. 229 x 152 mm. 9 x 6". Five volumes. Edited by John Payne Collier. VERY ATTRACTIVE DEEP BLUE PEBBLE-GRAIN MOROCCO HANDSOMELY GILT covers with frames of one dogtooth and three plain rules raised bands spines in antique-style compartments with delicate scrolling cornerpieces and intricate central fleuron surrounded by small tools densely gilt floral turn-ins marbled endpapers all edges gilt. With frontispiece portrait of Spenser in volume I. Front pastedown with armorial bookplate of Herbert Lionel Bashford M. A. Dibon Lodge Godalming. See: Day "History of English Literature to 1660" pp. 187-89. Spines just a shade darker than covers a couple covers with a slightly blotchy appearance due to leather preservative but quite an attractive set in generally fine condition the text fresh and bright and the leather lustrous. The first modern English poet to achieve major stature Spenser ca. 1552-99 in Day's words demonstrated "with his fluency in many meters and stanzaic forms . . . that English was at least the equal to any other language as a vehicle of great poetry." While his poems particularly "The Faerie Queene" look backward as the culmination of the allegorical verse tradition of the Pearl Poet Langland and Chaucer he has influenced with "his fertile imagination and especially his sensuous imagery and melodic language" nearly every important English poet who followed him. Day DNB praises Collier's "Spenser" first published in 1862 as "an excellent edition with the completest life of the poet that had as yet appeared." Despite his great knowledge and love of early English authors Collier 1789-1883 suffered a certain diminished respect because of his propensity for textual fabrication. This was true particularly in the case of the notorious "Perkins folio" supposedly containing an early copy of Shakespeare's works with superior variant readings which turned out to be forged. Britannica comments that these "fabrications . . . may charitably . . . be attributed to literary monomania but . . . it is difficult to speak with patience of them so completely did they for a long time bewilder the chronology of Shakespeare's writings." Apart from its important content this set is quite lovely on the shelf. The bindings are unsigned but they have the feel and appearance of work done by James Hayday 1796-1872 one of the most prominent and productive English binders of the 19th century. The present set is typical of Hayday's decorative work for a large market using high quality leather and being liberal with gilt embellishment. Bell and Daldy unknown
1862Best.-Nr. ST19567-034London: Bell and Daldy 1862. 229 x 152 mm. 9 x 6". Five volumes. Edited by John Payne Collier. VERY ATTRACTIVE DEEP BLUE PEBBLE-GRAIN MOROCCO HANDSOMELY GILT covers with frames of one dogtooth and three plain rules raised bands spines in antique-style compartments with delicate scrolling cornerpieces and intricate central fleuron surrounded by small tools densely gilt floral turn-ins marbled endpapers all edges gilt. With frontispiece portrait of Spenser in volume I. Front pastedown with armorial bookplate of Herbert Lionel Bashford M. A. Dibon Lodge Godalming. See: Day "History of English Literature to 1660" pp. 187-89. Spines just a shade darker than covers a couple covers with a slightly blotchy appearance due to leather preservative but quite an attractive set in generally fine condition the text fresh and bright and the leather lustrous. The first modern English poet to achieve major stature Spenser ca. 1552-99 in Day's words demonstrated "with his fluency in many meters and stanzaic forms . . . that English was at least the equal to any other language as a vehicle of great poetry." While his poems particularly "The Faerie Queene" look backward as the culmination of the allegorical verse tradition of the Pearl Poet Langland and Chaucer he has influenced with "his fertile imagination and especially his sensuous imagery and melodic language" nearly every important English poet who followed him. Day DNB praises Collier's "Spenser" first published in 1862 as "an excellent edition with the completest life of the poet that had as yet appeared." Despite his great knowledge and love of early English authors Collier 1789-1883 suffered a certain diminished respect because of his propensity for textual fabrication. This was true particularly in the case of the notorious "Perkins folio" supposedly containing an early copy of Shakespeare's works with superior variant readings which turned out to be forged. Britannica comments that these "fabrications . . . may charitably . . . be attributed to literary monomania but . . . it is difficult to speak with patience of them so completely did they for a long time bewilder the chronology of Shakespeare's writings." Apart from its important content this set is quite lovely on the shelf. The bindings are unsigned but they have the feel and appearance of work done by James Hayday 1796-1872 one of the most prominent and productive English binders of the 19th century. The present set is typical of Hayday's decorative work for a large market using high quality leather and being liberal with gilt embellishment. Bell and Daldy unknown books
1751Best.-Nr. 57003London: Printed for J. Brindley and S. Wright 1751. .To Which are Now Added a New Life of the Author and also a Glossary. Adorn'd with thirty-two copper-plates from the original drawings of the late W. Kent Esq; architect and principal painter to his Majesty. Mottled calf boards gilt decs to spine. All three vols have detached front board and ffep rear boards also loose. Binding bumped and chipped minor loss to spine ends all lack spine title labels. Bookplates of Henry Curwen and John Law to each front pastedown. Vol II has some minor biological damage to first few pagesTextblocks however in good order clean solid text and plates bright. Full Leather. Good Minus. 4to. Printed for J. Brindley and S. Wright Hardcover
1805Best.-Nr. 4529London: printed for F.C. and J. Rivington T. Payne Cadell and Davies and R.H. Evans 1805. 8 vols. 8vo. pp. xiv cxcii 213; ii ccxx 216; ii 472; ii 542; ii 480; ii 486; ii 564; ii 581 engraved portrait frontispiece engraved by Joseph Collyer. Contemporary full diced russia gilt ruled with fully gilt spines lettered direct several joints skilfully renewed; booksellers ticket of Calignant Paris. A handsome example of the best and most beautiful - according to Brunet - edition of Spensers works. Todds Poetical Works of John Milton 1801 became the standard edition of Milton for some decades. Here Todd assembled critical material by John Hughes Joseph Spence Thomas Wharton and John Upton and contributed his own biography of Spenser as well as additional notes. Writing in the Edinburgh Review vol 13 1806 Sir Walter Scott was less than complimentary. He described Todds style as of a dry sober and sleepy cast and was critical of his decision to reprint the notes of earlier commentators in full at the foot of each page rather than extracting their spirit and essence himself especially where they contradict one another five to one would be odds even against Culley or the Game Chicken and Spenser stood in danger of being overwhelmed but Scott did allow that the text is correctly and judiciously edited. One can sympathise with Scotts rejection of variorum editions but in the present work Todd had compiled a comprehensive survey of Spenserian scholarship as it existed two hundred years after the poets death. Brunet V 487. OCLC: 2917268 Book printed for F.C. and J. Rivington, T. Payne, Cadell and Davies, and R.H. Evans unknown
1897Best.-Nr. 186438London: J. M. Dent & Co. 1897. First Fairfax-Muckley edition one of 1250 copies printed on ordinary paper. This edition was intended as a stylistic companion to Dent's Le Morte d'Arthur 1894-95 illustrated by Aubrey Beardsley and as a competitor to the George Allen edition of The Faerie Queene illustrated by Walter Crane and published the same year. Fairfax-Muckley 1862-1926 was an influential leader of the arts and crafts Birmingham School having studied painting and drawing at the Birmingham School of Art in the early 1880s. A 1901 profile by the Society of Designers declares that he "has always had a strong bent towards the straightforward methods of the early painters. as witness the beautiful designs for his well-known edition of the 'Faerie Queene' which fully express his natural admiration of the early Italian work" p. 171. Dent commissioned Beardsley and Fairfax-Muckley to illustrate his deluxe arts and crafts publications in an effort to emulate the success of the Kelmscott Press. An additional limitation of 100 copies on handmade paper was also issued. 2 vols quarto. Woodcut frontispieces and title pages 25 woodcut illustrations 11 bifolia woodcut initials head-and tailpieces ornaments and borders throughout. Original cloth spine elaborately decorated in gilt sides decorated in gilt top edge gilt others untrimmed silk bookmarkers. Ownership stamp of one George Hallet on the half-titles and p. xi. Lightly rubbed foxing to cloth endpapers and edges bookmarkers detached: a very good copy. Society of Designers 'A Designer of the Birmingham School' The Artist: An Illustrated Monthly Record of Arts Crafts and Industries 1901. hardcover
Best.-Nr. GOR003329974Paperback. Acceptable. paperback
Best.-Nr. GOR001669579Paperback. Very Good. paperback
1909Best.-Nr. 834B20DOxford: At the Clarendon Press 1909-1910. Leather. Fine. 9" by 6". None. A wonderful complete three volume set of The Poetical Works of Edmund Spenser including his epic poem The Faerie Queene. A complete three volume set of The Poetical Works of Edmund Spencer edited by Ernest De Selincourt. A beautiful Hatchards binding in lovely condition. The volumes include the original title pages and are illustrated throughout the text. The first volume 1910 contains Spenser's minor poems based upon a collation of the editions published in the poet's lifetime with the Folio of 1611. The volume includes Daphnaida Colin Clovts Come Home Again Prothalamion and miscellaneous sonnets. The second volume 1909 contains the first three books of Spenser's Faerie Queene and is edited by J. C. Smith. The third volume 1909 contains the fourth to the seventh books of the Faerie Queene which remains one of the longest poems in the English langauge. Re-bound in half morocco with cloth covered boards. Externally lovely with just some fading to the spines. Internally firmly bound with bright and clean pages. Fine At the Clarendon Press hardcover
Best.-Nr. 6007gLondon: The Folio Society. As New. Hardcover. 2011. Collectors set - 6 volumes bound in 3 in wooden slipcase with sliding tray. no 884 of 1000 copies. Profusely illustrated with 88 large illustrations and 135 illustrative head a nd tailpieces . The Folio Society hardcover
1751Best.-Nr. 44948London: printed for J. Brindley 1751. 3 volumes 4to; pp. 4 xxxvii 1 lxv 1 453; 2 450; 2 440 2 errata; 32 engraved plates after William Kent; woodcut head- and tailpieces; volume I bound in recent quarter tan calf antique maroon morocco label on spine; vols. II-III bound in full contemporary calf red and black morocco labels on gilt-decorated spines; joints barely cracked; very neat facsimile restoration in the fore-margin of b4 in vol. I with facsimile lettering touching the beginning or end of a total of 14 words; mild to moderate dampstain enters the foremargins of many pages throughout; textblock is otherwise very good and clean for the most part. One of the most splendid editions of Spenser's masterpiece with useful bibliographical information on the collation of the 1590 and 1596 quartos. The glossary occupies 13 pages of the preliminaries if vol. I. Ebert 21601; Lowndes III 2477. printed for J. Brindley unknown