1 936 résultats
1963réf. 1297428Gloucester: Peter Smith 1963. Reprint Edition. Hardcover. Quarto; VG-; hardcover; bound in grey cloth black lettering; boards strong general shelfwear general edgewear general soiling closed tears on spine edges rubbing and bumping on fore corners and spine edges ex-libris plate on front end paper stamp and erased penciling on front end paper; text block age toned ex-library stamp and penned text on copyright page; 997pp. 1297428. Rockville Non-Retail Listings. Peter Smith hardcover books
1872réf. 1296396New York: George Routledge and Sons 1872. Hardcover. Octavo; Fair; hardcover; rebound in mauve cloth gilt lettering; boards bowed general shelfwear general edgewear rubbing on fore corners and spine edges chipping on spine edges closed tear on front hinge interior age toned foxing on end paper versos; text block age toned separation visible between front end paper and first blank foxing on first blank frontispiece and half title page title page dedication page and table of contents separating from text block gutter frequently visible open tears and light chipping on fore edges occasional minor soiling; 562pp. 1296396. Rockville Non-Retail Listings. George Routledge and Sons hardcover books
1973réf. 128999Shaker Heights OH: The Wind and Harlot Press 1973. stiff paper wrappers top edge cut other edges uncut. Wind and Harlot Press. 16mo. stiff paper wrappers top edge cut other edges uncut. ii 24 4 pages. Limited to 60 numbered copies signed by printer Robert Baris on colophon. An ode written by Spenser to his bride in 1594 first published the following year. The Wind and Harlot Press unknown books
1905réf. Embry 179177Oxford 1905. Inked name spine a little dull near fine. Green cloth no dust jacket. New Edition with Glossary By the Rev. A.L. Mayhew Oxford, 1905. hardcover books
1936réf. Embry 177724Houghton Mifflin & Co. 1936. Cambridge Edition. Inked name near fine. Cream cloth with orange and black stamping. Houghton Mifflin & Co., 1936. Cambridge Edition. hardcover books
1611réf. 105854Folio 10 x 7 ins. London: Printed by H. L. for Mathew Lownes 1611. Folio 10 x 7 ins. paginating thus: Faerie Queen i-xvi 363 3 inc. final blank; Shepheards Calendar x 56 2 blank; Prosopopoia 16; Colin Clout 26; Prothalamion 4; Amoretti 16; Epithalamion 6; Foure Hymnes 16; Daphnaida 10; Complaints 12; The Teares of the Muses 12; Virgils Gnat 20; The Ruines of Rome 6; Muiopotmos 10; Visions of the Worlds Vanitie 6; The Visions of Petrarch 2 pp. General title within woodcut border McKerrow & Ferguson 212 twelve woodcut illustrations and ornamental borders decorative woodcut head- and tail-pieces and initials. The woodcuts in The Shepheards Calender were used in all the earlier separate editions. A bright clean copy handsomely bound in early 20th century crushed red morocco paneled in gilt and blind inner dentelles all edges gilt; skillfully rebacked a few scuffs to the boards. Bookplates of Edward N. Crane and of John L Clawson 1865-1933 of Buffalo NY whose collection of Elizabethan literature was considered the greatest of its time. § First collected edition of Spenser’s works and first folio edition second 1615 issue with the title to The Second Part of the Faerie Queene beginning with signature R dated 1613 and the colophon dated “16012” sic. With the Prosopopoia. Or Mother Hubberds Tale consisting of a single gathering A of eight leaves and dated 1612 on the title not found in the first issue. "The first modern English poet to achieve major stature Spenser demonstrated with his fluency in many meters and stanzaic forms that English was at least the equal to any other language as a vehicle of great poetry. While his poetry particularly The Faerie Queene looks backward as the culmination of the allegorical verse tradition of the Pearl Poet Langland and Chaucer he has influenced with his fertile imagination and especially his sensuous imagery and melodic language nearly every important English poet who followed him." Grolier Langland to Wither 239. Johnson 19. Pforzheimer 973. ESTC S123122. Printed by H. L. for Mathew Lownes hardcover books
1974réf. 87342Kuala Lumpur: Oxford University Press 1974. Hardcover. Near Fine/Near Fine. 2 vols. frontises. illustrations folding maps xix 400 xviii 420p. plus 2p. adverts. Original brown cloth. djs. 22cm. Oxford University Press hardcover books
1595réf. 3367London:: printed by Thomas Creede for VVilliam Ponsonbie 1595. FIRST EDITION. The colophon reads: "London Printed by T.C. for William Ponsonbie. 1595.". Quarto:. 18 x 13 cm. 80 p. Signatures: A-K4 An attractive copy in early 20th c. calf. Very nice internally the last leaf with 16th c. verses in Latin and English on the verso of the final leaf. With a woodcut printer's device McKerrow 299 and decorative border to the title page and numerous head- and tailpieces throughout. A lovely copy of the first edition. This copy has the second state of sheet C with the reading "worthily" on C1r line 24. With a dedicatory epistle to "The Right worthy and noble Knight Sir Walter Raleigh" dated "from my house of Kilcolman the 27. Of December. 1591." In addition to "Colin Clout" this volume also includes Spenser's "Astrophel: A pastorall Elegie upon the death of the most Noble and valorous Knight Sir Phillip Sidney" dedicated to Sidney's widow who had by then become the Countess of Essex; An untitled poem beginning "Ay me to whom shall I complaine…" often referred to as "The dolefull lay of Corinda"; "The mourning Muse of Thestylis" by Ludowick Bryskett; "A pastorall Aeglogue upon the death of Sir Phillip Sidney Knight" signed L.B. Ludowick Bryskett; "An Elegie or friends passion for his Astrophill" by Matthew Roydon; "An Epitaph upon the right honourable sir Phillip Sidney Knight: Lord governor of Flushing" by Walter Raleigh; "Another of the Same" almost certainly by Sir Edward Dyer.Spenser's "Colin Clout's Come Home Again' a pastoral poem in the tradition of Petrarch was inspired by the poet's visit to England from 1590 to 1591 a journey undertaken at the urging of Walter Raleigh. Spenser wrote the poem dedicated to Raleigh upon his return to Kilcolman castle in Ireland –the 'Home' referred to in the poem's title. Spenser's adoption of an Anglo-Irish identity was publicly expressed in the title poem where the 'home' that Colin refers to rather bitterly in the poem is Ireland not England. At the same time the elegies on Sidney as the English nation's poet imply Spenser's claim to be his successor. The poem has been called Spenser's most biographical and indeed it includes not only the visit from Raleigh to Spenser's home in Ireland in 1589 but also an account of Spenser's sea voyage and his time in England during which he presented the first three books of his 'Faerie Queen' to Queen Elizabeth.The poem fits neatly into a tradition of advice literature that exempts the monarch from the general failings of his or her courtiers and includes strong criticisms of the court as well as attacks on the vanity ignorance and greed of courtiers in general. It is possible that Colin Clout was intended as a criticism of Elizabeth's regime in the 1590s especially if we bear in mind Spenser's own lack of preferment in England and his posthumous criticisms of the queen in 'Two cantos of Mutabilitie' A. Hadfield Edmund Spenser's Irish Experience 1997 chap. 6 Ashley V 194; Pforzheimer 967; STC 23077 printed by Thomas Creede for VVilliam Ponsonbie, books
1998réf. 45247Far Hills NJ: Meadow Run Press 1998. First edition thus 1/50 copies this #32 signed by White a modern version of the 1906 original. 8vo. 77 pp. Illustrated from photographs plates frontispiece from a line drawing printed in blue; title-page printed in blue and black. Accompanied by a booklet containing 16 stereoscopic plates with glasses for viewing Some dust soiling to box else fine. Leather-backed gilt-stamped decorated boards the book and pamphlet enclosed in a cloth clam-shell box with leather spine label. 10698. Meadow Run Press hardcover books
réf. 2085London: Caxton Publishing Company 1907. A 12mo. 290 pages including an index of first lines. With an introduction by William Butler Yeats. Portrait frontispiece and pictorial title page by A. S. Hatrick. Eight full page plates by Jessie M. King printed on heavy stock and embellished with gilt details. A bit of wear at the head of the spine and corner tips endleaves browned else a fine copy. White 74. books
1591réf. 3119London:: Imprinted by Thomas Orwin for VVilliam Ponsonbie dwelling in Paules Churchyard at the signe of the Bishops head 1591. FIRST EDITION. . Quarto: . 18.5 x 14 cm. 184 p. Collation: A-Z4 lacking final blank Z4 Bound in fine early 20th c. green morocco with gilt turn-ins and the words “Complaints – Edmund Spenser – 1591” tooled in gold on the front board. The same neatly tooled on the spine. A nice copy never washed or pressed with wide outer margins. The edge of the title is a little frayed far from the woodcut there are light damp-stains in signatures D and S and a very faint one in the final signature. A few other trivial stains. It is highly unusual to find Spenser quartos in such condition the majority of the surviving copies having been washed and trimmed. Fortunately the binder of this copy resisted that temptation. The general title has a fine woodcut border with figures of David and Moses. There are separate title pages using the same woodcut border for “The Teares of the Muses” “Prosopopoia. Or Mother Hubberds Tale” and “Mviopotmos. Or The Fate of the Butterflie”. There are also a few attractive woodcut head-pieces and initials. The contents are as follows: 1. The Ruines of Time. 2. The Teares of the Muses. 3. Virgils Gnat. 4. Prosopopoia or Mother Hubberds Tale. 5. The Ruines of Rome: by Bellay. 6. Muiopotmos or The Tale of the Butterflie. 7. Visions of the Worlds vanitie. 8. Bellayes visions. 9. Petrarches visions. “Of the nine poems in the volume four are sonnet sequences while the others are in rhyme royal ottava rima sixaines or couplets. Each appears with a separate title page: five are dedicated to prominent courtiers or patrons and four are printed with no dedication. The first ‘The Ruines of Time’ is a lament on the destruction of the Roman city of Verulamium followed by an elegy on the deaths of Robert Dudley the earl of Leicester and Sir Philip Sidney. It is followed by ‘The Teares of the Muses’ a series of nine laments that deplore the corruption of learning and poetry. ‘Virgil’s Gnat’ the tale of a shepherd’s rescue by a humble gnat is an elaborate mock-heroic complaint translated from the pseudo-Virgilian ‘Culex.’ Next ‘Prosopoia or Mother Hubberds Tale’ takes the form of an allegorical beast-fable; its satire generally assumed to have been directed against Lord Burleigh was probably the reason that ‘Complaints’ was recalled shortly after its publication and that the poem was subsequently omitted from the 1611 folio of Spenser’s works see the following item. The volume continues with ‘The Ruines of Rome’ a translation of Joachim Du Bellay’s lament on the corruption of the modern city and ‘Muiopotmos’ a mock-heroic fable of the entrapment of a butterfly by a spider. The three sonnet sequences two of which are translations conclude the volume: ‘Visions of the Worlds Vanitite’ ‘The Visions of Bellay’ and ‘The Visions of Petrarch.’ For a thorough analysis see Katharine A. Craik Spenser's "Complaints" and the New Poet in Huntington Library Quarterly Vol. 64 No. 1/2 2001 pp. 63-79. Johnson A Critical Bibliography of the Works of Edmund Spenser printed before 1700 No. 14; STC 2nd ed. 23078; Pforzheimer 968 Imprinted by Thomas Orwin for VVilliam Ponsonbie, dwelling in Paules Churchyard at the signe of the Bishops head, unknown books
1980réf. 190420Newsweek Books 1980-01-01. Hardcover. Good/Good. Dust jacket and book are clean has a good binding name is blacked out on the half title page- no other marks or notations. Newsweek Books hardcover books
1595réf. 3120London:: printed by Thomas Creede for VVilliam Ponsonbie 1595. FIRST EDITION. The colophon reads: "London Printed by T.C. for William Ponsonbie. 1595.". Quarto:. 18 x 13 cm. 80 p. Signatures: A-K4 A wonderful copy bound in fine early 20th c. burgundy morocco by Riviere & Sons. Very nice internally the last leaf carefully washed. With a woodcut printer's device McKerrow 299 and decorative border to the title page and numerous head- and tailpieces throughout. A lovely copy of the first edition. This copy has the second state of sheet C with the reading "worthily" on C1r line 24. With a dedicatory epistle to "The Right worthy and noble Knight Sir Walter Raleigh" dated "from my house of Kilcolman the 27. Of December. 1591." In addition to "Colin Clout" this volume also includes Spenser's "Astrophel: A pastorall Elegie upon the death of the most Noble and valorous Knight Sir Phillip Sidney" dedicated to Sidney's widow who had by then become the Countess of Essex; An untitled poem beginning "Ay me to whom shall I complaine…" often referred to as "The dolefull lay of Corinda"; "The mourning Muse of Thestylis" by Ludowick Bryskett; "A pastorall Aeglogue upon the death of Sir Phillip Sidney Knight" signed L.B. Ludowick Bryskett; "An Elegie or friends passion for his Astrophill" by Matthew Roydon; "An Epitaph upon the right honourable sir Phillip Sidney Knight: Lord governor of Flushing" by Walter Raleigh; "Another of the Same" almost certainly by Sir Edward Dyer.Spenser's "Colin Clout's Come Home Again' a pastoral poem in the tradition of Petrarch was inspired by the poet's visit to England from 1590 to 1591 a journey undertaken at the urging of Walter Raleigh. Spenser wrote the poem dedicated to Raleigh upon his return to Kilcolman castle in Ireland –the 'Home' referred to in the poem's title. Spenser's adoption of an Anglo-Irish identity was publicly expressed in the title poem where the 'home' that Colin refers to rather bitterly in the poem is Ireland not England. At the same time the elegies on Sidney as the English nation's poet imply Spenser's claim to be his successor. The poem has been called Spenser's most biographical and indeed it includes not only the visit from Raleigh to Spenser's home in Ireland in 1589 but also an account of Spenser's sea voyage and his time in England during which he presented the first three books of his 'Faerie Queen' to Queen Elizabeth.The poem fits neatly into a tradition of advice literature that exempts the monarch from the general failings of his or her courtiers and includes strong criticisms of the court as well as attacks on the vanity ignorance and greed of courtiers in general. It is possible that Colin Clout was intended as a criticism of Elizabeth's regime in the 1590s especially if we bear in mind Spenser's own lack of preferment in England and his posthumous criticisms of the queen in 'Two cantos of Mutabilitie' A. Hadfield Edmund Spenser's Irish Experience 1997 chap. 6 Ashley V 194; Pforzheimer 967; STC 23077 printed by Thomas Creede for VVilliam Ponsonbie, books
1897réf. 21539London: George Allen 1897. Limited edition. Hardcover. Near fine. Illustrated by Walter Crane. 4to. Six volumes bound from parts. 85 full-page black and white illustrations by Walter Crane. Printed on handmade paper by Charles Wittingham at the Chiswick Press. Ivory colored buckram gilt spine and with the upper boards blocked in gilt and red. Volumes 3-6 also have top edges gilt and the original wrappers bound in. Cloth has traces of soil paper is lightly age-toned at the edges we note one inner hinge partially cracked else this is a fine set. One of 1000 copies. Howey F-147. George Allen hardcover books
1679réf. 16502London: Henry Hills for J. Edwin 1679. First complete edition. Near fine. Hardcover. Folio. xii339i168210-119-1114-258369-391ipp. Early full calf Cambridge-style binding rebacked in the 19th century with the spine in 7 compartments intricately gilt; leather label gilt. Engraved frontispiece. Each work has its own title page and for the first three begins the pagination anew though 'The Shepherds Calandar' is mispaginated in three places. 2A-Z4 Kk mismarked K Nn mismarked NAa-Zz4Aaa-Zzz4Aaaa-Iiii4Kkkk Aaaaa-Ccccc4. A handsome copy with an inscription dated 1891 probably the date of the reback. Unbeliveably quirky pagination and signature markings but complete. One of two states of this printing: This state shows two bars with catchword 'Calen-" on page 258 followed by p. 359 'Calendarium Pastorale'. A second state lacks the catchword has 'Finis' between the bars on p. 258 an advertisement leaf and then the 'Calendarium'. Carpenter p. 111. DNB suggests that this edition may have been edited by Dryden. Wing S4965. ESTC R7177. Henry Hills for J. Edwin hardcover books
1848réf. 49829Boston: Little and Brown 1848. First American edn. Small 8vo pp. 371; 450; 430; 399; 430. Bound in purple cloth stamped in blind spines uniformly faded stamped in gilt. A very nice clean set. Includes "An Essay on the Life and Writings of Edmund Spenser" by Philip Masterman. Little and Brown unknown books
réf. SKU1029065Modern Library. Hardcover. Good/Good. B0007G5S7W Dust jacket and book are clean with moderate wear has a good binding no marks or notations. Modern Library hardcover books
1762réf. 38669London: Printed for R. and J. Dodsley 1762. 2nd Edition Corrected and Enlarged NCBEL II 690. Modern quarter speckled-calf bindings with marbled boards executed in a period style. Marbled eps. Bindings - Fine. Text - VG some light foxing & age-toning. 2 volumes: xx 228; 270 pp. 8vo signed in 4s. 8-1/2" x 5" Printed for R. and J. Dodsley hardcover books
1964réf. 3520.1New York: The Modern Library 1964. 1st ML ed. Hardback. Dust jacket. Nr F owner sig/VG some rubbing & edgewear/spine panel lightly sunned/pc. 8vo. The Modern Library hardcover books
1715réf. 045216London: Jacob Tonson 1715. Hardcover Full Leather. Good Condition. 6 volumes in contemporary Cambridge style paneled calf worn at corners spines rubbed worn and dry joints cracked and many of the boards detached. Scattered browning and offsetting but generally very clean internally. A nice illustrated edition of Spenser. 1758pp paginated continuously. 13 plates. Size: Octavo 8vo. 6-volume set complete. Previous owner's book-plate on endpaper. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Literature & Literary. Inventory No: 045216. Jacob Tonson hardcover books
1901réf. 122168New York: The Laurel Press 1901. Hardcover. VG- Light wear to extremities. Brown paper over boards; Off-white cloth at spine; 88 pp.; Illustrated initial letters at each page but otherwise no illustrations. A late-sixteenth-century sonnet cycle written by Edmunde Edmund Spenser about his courtship and marriage to Elizabeth Boyle; Hand-numbered no. 330 of 450 copies in this edition. The Laurel Press hardcover books
1895réf. 4226New York: Dodd Mead and Company 1895. First editions thus. First editions thus. Both the trade edition and the scarce One of 25 Copies on full faux-vellum both in fine condition. 1 Limited Edition. One of Only 25 Copies Copy #3 Signed by George Wharton Edwards. Full stiff faux-vellum over boards with superb gold-blocked cover design by Edwards green lettering on both covers spine with perpendicular crosswise ruling. Green wavy silk endpapers. With exquisite Art Nouveau style full and half page illustrations throughout by George Wharton Edwards. The frontispiece and title page are printed in goldEach leaf of the book uniquely mounted onto the same material as endsheets printed on heavy paper. A wonderful production indeed. A fine copy. Exceedinly scarce and the few copies that have shown up have defects; 2 The trade edition same format without tipped-in pages Limited to 450 Copies. In original light green fine wove cloth with same cover illustration by Edwards stamped in gold. A fine copy. Both issues sold together here. Most scarce. Dodd, Mead and Company hardcover books
1905réf. 191961Oxford: Oxford University Press 1905. Hardcover. Near Fine. New. Near fine name v. sl. Wear/ no dustwrapper. Edited by G. W. Kitchen. Glossary by A. L. Mayhew. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information. Oxford University Press hardcover books
1973réf. WRCLIT36408Np: Wind & Harlot Press 1973. Small octavo. Printed wrappers. One of only sixty numbered copies printed by hand by Robert Baris for distribution to friends of the press signed by him. Fine. Wind & Harlot Press unknown books
1976réf. WRCLIT19496Arlington TX: Ondine Press 1976. Boards paper label. Fine. One of only twenty-five numbered copies printed in Rogers's Centaur type on Hosho paper. An early book from this little known but competent Texas hobby press. Ondine Press hardcover books