1278 risultati
204 p., ill. n/b. Inv. 19243.
1937rif. 29078Madison Wisconsin Academy 1937 In-8 exemplaire non coupé, 342 pp text in english with plates
1923rif. ST21078Chelsea: Ashendene Press 1923. ST JOHN HORNBY'S WORKSHOP COPY there were 180 paper copies 150 of them for sale and 12 vellum copies of this edition. 440 x 307 mm. 17 1/4 x 12". 2 p.l. 406 2 pp. Original holland-backed blue paper boards flat spine with paper title label identifying this as a workshop copy. Housed in a fine modern drop-back box of blue cloth backed with holland paper labels on spine. Printer's device in colophon. Printed in red black and blue. Front pastedown with bookplate of St John Hornby and ex-libris of David Godine. Hornby 32; Franklin pp. 144-46 240-41. Covers with fading along the top a bit of foxing and extensive though light gray discoloration ends of spine lightly bumped and lower edges of bottom corners slightly rubbed both as expected but the volume completely solid and miles away from what one would imagine for a hefty book like this that would have been expected to incur uncareful use. Isolated very pale foxing and the most trivial signs of use internally. A REMARKABLE COPY the text in beautiful condition soundly protected in its unique binding. With its companion volume "Minor Poems" by Spenser this in Franklin's eyes is the "masterpiece" among the Ashendene folios; and the present distinctive--and presumably unique--copy comes from Charles Harry St John Hornby's own printer's workshop. Unlike most other copies which are typically found in the publisher's calf-backed vellum binding this copy is in the inexpensive and less substantial holland-backed boards that are now less and less commonly seen in large part because they have not stood up well over the years. The present copy somehow has done quite the opposite. In addition to the original Ashendene "Workshop Copy" designation on the spine label scattered finger smudges--perhaps those of Hornby himself--suggest its use in the printer's studio. In our experience this particular designation is extremely rare in connection with private press books in general and certainly for Ashendene volumes. Founded in 1895 by Hornby 1867-1946 the Ashendene Press issued 40 books plus additional minor pieces for four decades. Less elaborate in appearance and design than William Morris' Kelmscott volumes but more ornamental than the products of Cobden-Sanderson's Doves Press the Ashendene volumes have long been considered the most satisfying of English private press books. This volume was formerly in the collection of David R. Godine who founded the Godine Press in 1970 after training with printmaker Leonard Baskin and master printer Harold McGrath. Ashendene Press unknown
1903rif. ST20957London: John & E. Bumpus 1903. 211 x 140 mm. 8 1/2 x 5 1/2". 86 pp. LOVELY GREEN MOROCCO GILT AND INLAID FOR J. & E. BUMPUS stamped in gilt on rear turn-in LIKELY BY RIVIERE & SON upper cover with gilt fillet frame central panel with densely blind-stamped leafy vines on a gilt pointillé background accented with onlaid red morocco dots large oval at center and four smaller ovals all framed by gilt beads the central oval adorned with four gilt and onlaid red and white morocco Tudor roses 10 more such roses at corners and along the sides of outer frame lower cover with gilt fillet frame raised bands spine compartments with blind-stamped leafy sprig on pointillé ground with onlaid black ivory and red morocco dots gilt lettering turn-ins with gilt border gilt trio of leaves at corners all edges gilt. With engraved frontispiece portrait title page vignette two headpieces and two tailpieces. Upper cover and spine evenly faded to olive green likely from being displayed just a hint of bowing to boards but A VERY FINE COPY the text entirely clean fresh and bright and the binding unworn. This lovely printing of Spenserian poetry comes in an unusual and skillfully executed binding likely by Riviere & Son which was producing some of its very best work at the time of publication. The poems here were inspired by Spenser's courtship of and 1594 marriage to his second wife Elizabeth Boyle. Day calls "Amoretti" "a unique sonnet sequence in Renaissance England" and he is unreserved in his praise for "Epithalamion" calling it "the most beautiful nuptial poem in English and perhaps in any language." Spenser 1552 - 99 was the first modern English poet to achieve major stature and Day points out that those "influenced by Spenser are virtually a roster of the great English poets since his time" among them Milton Wordsworth Keats Rossetti and Tennyson. Bumpus bindings were done for the bookselling firm of John and Edward Bumpus founded in 1780. The firm long enjoyed a reputation as purveyors of fine and beautiful bindings without ever operating a bindery. Instead they outsourced the work to the best binders of the day including Riviere and Morrell the former being a likely choice here. The combination of swirling blind-stamped vines a densely stippled background and onlaid blossoms demonstrates creativity in design proficiency in a range of finishing techniques and meticulous execution. The five blank ovals on the upper cover bring to mind the layout of Cosway bindings a specialty of the Riviere firm in which those ovals would be filled with miniature paintings on ivory under glass. Cosway bindings could sometimes be ornate to the point of being overwhelming so the blank ovals here are a welcome moment of restraint amid the animation of the cover design. Apparently an earlier owner enjoyed displaying this binding--as who would not--and the leather has mellowed to an olive green--which may actually be a more pleasing foundation for the decoration than the original brighter green. Certainly the book saw no other use as the contents are as fresh as the day the volume left the printer. John & E. Bumpus unknown
1902rif. 20084Boston and New York: Houghton Mifflin and Company Printed at the Riverside Press 1902. Number 234 of 419 copies printed. 2 sepia engravings on china laid down after design by E. H. Blaishfield decorations. 1 vols. Folio. Original yellow boards. In the rare original dust jacket partially unopened. Some light soiling of binding and jacket darkening of endpapers some short tears on jacket and pencilled identification written on jacket spine else an excellent copy of this very attractive work. Number 234 of 419 copies printed. 2 sepia engravings on china laid down after design by E. H. Blaishfield decorations. 1 vols. Folio. Scarce in dust jacket. Houghton Mifflin and Company [ Printed at the Riverside Press] hardcover
1902rif. 249933Boston and New York: Houghton Mifflin and Company Printed at the Riverside Press 1902. 2 sepia engravings on china laid down after design by E. H. Blaishfield decorations. 1 vols. Folio. Original yellow boards. In the rare original dust jacket partially unopened. Some light soiling of binding and jacket darkening of endpapers some short tears on jacket and newer label identification written on jacket spine else an excellent copy of this very attractive work. 2 sepia engravings on china laid down after design by E. H. Blaishfield decorations. 1 vols. Folio. BR Works #85. Scarce in dust jacket. BR Works #85 Houghton Mifflin and Company [ Printed at the Riverside Press] hardcover
1930rif. 52242Stratford-on-Avon: Printed at the Shakespeare Head St. Aldates Oxford & Published for the Press by Basil Blackwell 1930. Number 83 of 350 sets. Woodcuts by Hilda Quick headings and initials by Joscelyne Gaskin. 8 vols. 8vo. Half green calf over Cockerell marbled boards covers very slightly faded otherwise fine. Quick Hildsa. Number 83 of 350 sets. Woodcuts by Hilda Quick headings and initials by Joscelyne Gaskin. 8 vols. 8vo. Printed at the Shakespeare Head St. Aldates Oxford & Published for the Press by Basil Blackwell unknown
rif. 47037309like new. unknown
rif. 47037309-nnew. unknown
rif. ria9781019937518_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Fairy Queen is a famous epic poem by the English poet Edmund Spenser. It tells the story of the knights of the court of Gloriana the Faerie Queene and their various quests and adventures. The poem is a masterpiece of allegory and hardcover
1898rif. 1717First American edition. Octavo. 12 full-page b/w illustrations text borders pictorial endpapers and cover designs by Walter Crane. Original pictorial green cloth with color illustrations on spine and both covers top edge stained green uncut joints cracked. No dust jacket. Good. Ink inscription of the first preliminary page: "Abbie Burr from Clara F. Palmer." Harper hardcover
1934rif. 60209London: Longmans Green and Co. 1934-1936. Two vols. 8vo. xv 1 303 1; vii 1 305 1 pp. Uniformly bound in red publisher’s cloth black lettering on spine vol. I w/ revolver illust. on spine both vols. slightly cocked minor shelfwear slight bumping to corners vol. II w/ faint tidemark w/ d.j.’s. hard-boiled cover art of white on black of gangster on front of vol. I and 2nd story burglar on 2nd minor chipping heads of spines edgewear creasing price crossed out on vol. II replaced w/ 7/6 in pencil on front flap still VG-/VG- set. Novographic reprint “Cheap” editions of this ostensible autobiographical memoir regaling the British readers with Guest’s 1901-1975 life of crime from early theft and burglary rings along with confidence scams in the UK to rum-running bootlegging and eventual incarceration in San Quentin Prison in California. While violent mob violence as experienced by Chicago New York and environs during Prohibition was largely nonexistent in Great Britain the British newspapers awed readers with never-ending tales of American armed robberies and Guest under his Spenser pseudonym stepped into advise the British public an invasion of American gangsters was imminent with peaceful Britain open for the pickings. He also published an account of being held as a German POW during World War I under “An aukward marine.” All early printings are scarce and dustjackets even more so. Longmans, Green and Co., hardcover
1889rif. 43130London 1889. EDITED FROM THE BEST EDITIONS. WITH MEMOIR NOTES AND GLOSSARY. 8vo. xxvi 413pp. FROM THE LIBRARY OF W.G. GRACE jun. SIGNED INSCRIBED AND DATED BY HIM on the half-title: 'W.G. Grace Xmas 1890'. W.G. Grace jun. 1874-1905 played for Gloucestershire between 1893 and 1898 for Cambridge University between 1894 and 1896 and for London County between 1900 and 1903. He was son of the famous Gloucestershire and England cricketer and died at an early age after an appendicitis operation. A volume in the 'Chandos Classics' series. unknown
1758rif. BB1494London: printed for J. and R. Tonson 1758. First Edition thus. Full Calf. Fine. First Annotated Edition illustrated grangerized with the full suite of 32 double-page plates by William Kent for the 1751 edition of Spensers Faerie Queene published by Stephen Wright and John Brindley ESTC T35152. 4to: xlii68 including glossary6731; 673pp Illustrated with 32 double-page tab-mounted copperplate engravings by William Kent. Engraved armorial bookplates of John Moore Paget 1791-1866 on front paste-downs. Laid in are various manuscipt leaves one on stationary of the Old Vicarage Cuckfield now a Grade II listed building originally built in the early 17th century rebuilt in Georgian style in 1780s and finally altered in the nineteenth century. A magnificent set printed on heavy paper and bound in contemporary full stained calf joints very skillfully rebuilt spine in six compartments between raised bands four very richly gilt two with red and black morocco lettering pieces gilt; decorative gilt rolls on thick board edges page edges speckled red. A superb perhaps unique example pages and plates pristine crisp fresh and bright. Lowndes V 2477 and III 2477. Alston III101. Spenser Encyclopedia pp. 389 for Kent and 706 for Upton. Upton's edition was the first attempt at an original-spelling and an annotated text. "The extensive notes tracing sources and identifying historical personages are still valuable; all later annotators are indebted to Upton's erudition." Radcliffe Spenser and the Tradition: English Poetry 1579-1830 William Kent was a skilled designer and decorator but a poor painter and draughtsman and despite their energy and directness his designs for The Faerie Queene are not wholly successful they were severely criticised by Horace Walpole in his Anecdotes of Painting in England. But the subjects represented contain many interesting reflections of Kent's involvement with picturesque gothic architecture and garden design including such romantic structures as the Hermitage and Merlins Cave a thatched mock-gothic building housing a library for Queen Caroline at Richmond. John Moore Paget of Cranmore Hall Somerset inherited from his father a "library of curious and valuable books and a decided taste for bibliology. A book-hunter from his youth his constant delight in after life was to search old book-stalls and add from time to time some scarce or quaint old work or rare engraving to his increasing collection." Gentleman's Magazine vol. 221 1866. N. B. With few exceptions always identified we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine Editions Ltd is a member of the Independent Online Booksellers Association and we subscribe to its codes of ethics. printed for J. and R. Tonson unknown
1882rif. 648787Printed for the Spenser Society 1882. First Edition. Leather Binding. Near Fine. Beautifully bound in full black crushed Levant morocco by Blackwell's of Oxford spine with raised bands and gilt titling gilt-tooled inner dentelles all edges gilt marbled endpapers slight wear. There is no outward indication that this work is part of a set. Volume I only of a projected 9 volumes of which only 8 were issued this volume including the 'Life' and essays by various scholars about Spenser's life and work. Only 100 copies were apparently issued. Printed for the Spenser Society unknown
rif. 697344082ABC-Clio Incorporated . Hardback. New. pp. 166 ABC-Clio, Incorporated hardcover
rif. 654378805Johns Hopkins University Press . Papeback. New. pp. 288 Johns Hopkins University Press unknown
rif. 16726808-20Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1972rif. 105223Princeton: University Press 1972. VIII, (4), 218 Seiten. 8° (17,5-22,5 cm). Orig.-Leinenband mit illustriertem Orig.-Schutzumschlag. [Hardcover / fest gebunden].
1988rif. 1246550Berkeley, Los Angeles, London: University of California Press., 1988. 483 S. Gewebe fadengeheftet
1941rif. F113067Hamburg, 1941 87pp., 23cm., Doctoral Dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hansischen Universität Hamburg), stamp at verso of title page, text is clean and bright, F113067
87pp., 23cm., Doctoral Dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hansischen Universität Hamburg), stamp at verso of title page, text is clean and bright, F113067
rif. 1146433409.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1120793769.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1914rif. 3250B.H. Blackwell. Very Good with no dust jacket. Hardcover. Light foxing to ffeps. Minor edgewear to extremities.; A history of Spain which following the fall of Carthage came under Roman control the author examines the history of the Roman period as well as the antiquities and remains of Roman influence and the effect of Rome on Spanish language and literature. Includes a single fold-out map.; 200 pages . 1914. B.H. Blackwell hardcover