Spenser

Spenser — marelibri

CRANE, Walter; Spenser, Edmund; ZaehnsdorfBiblio.com

Spenser's Faerie Queene

réf. 06429London: Published by George Allen 1897. The Most Important Work Illustrated by Walter Crane One of 1000 Copies Printed on Handmade Paper CRANE Walter illustrator. SPENSER Edmund. Spenser's Faerie Queene. A Poem in Six Books with the Fragment Mutabilitie. Edited by Thomas J. Wise. Pictured by Walter Crane. London: Published by George Allen 1897. First edition illustrated by Walter Crane. One of 1000 copies printed on handmade paper out of a total edition of 1028 copies. Originally issued in nineteen parts with wrappers also designed by Crane. Six quarto volumes 10 11/16 x 8 5/8 inches; 272 x 220 mm. Double-page general title in Volume I seven title-pages Volume I dated 1894 Volumes II-III dated 1895 and Volumes IV-XI dated 1896 and eighty-eight full-page woodcut illustrations including one double-page. With 132 head- and tail-pieces numerous decorative initials and printer's and publisher's colophons. Printed by the Chiswick Press. Bound by Zaehnsdorf stamp-signed in gilt on the front turn-in in full dark green crushed morocco. Covers decoratively tooled in gilt to match the original cover design spines decoratively tooled and lettered in gilt in compartments gilt board edges and turn-ins green watered silk doublures and liners top edge gilt others uncut. Zaehnsdorf exhibition stamp in gilt on rear doublure. Original pink printed wrappers bound in. Spines uniformly faded otherwise a fine set. "The most important work in the whole long list of books illustrated by Walter Crane. If Crane's claim to greatness were based entirely on this work he would still retain his position in the front rank of nineteenth-century artists. The wealth of ideas and forms real and fantastic which are embodied in the actual illustrations and even more in the marvellous decorative border designs is almost incredible! Besides the numberless presentments of the human figure in all its manly vigour and womanly grace the whole range of nature's forms of animal and plant life of fabulous mythological inventions of allegorical personifications are worked into decorative designs of exquisite beauty. It would be petty nay foolish to try to find fault with certain very obvious shortcomings as regards anatomical drawing in a work which does not only stand unique as pure decoration but speaks of an amount of knowledge and a wealth of imagination that command unrestricted admiration and respect" Konody p. 71. Ashley V p. 196. Engen Crane p. 102. Massé pp. 47-48. London: Published by George Allen, 1897 unknown