1 939 résultats
1905réf. 191961Oxford: Oxford / Clarendon Press 1905. Hardcover. Near Fine. New edition. Edited by G.W. Kitchin. With Glossary by A.L. Mayhew. 16mo. Maroon cloth with spine stamped in gilt. Binding lightly cocked corners and spine ends slightly bumped and worn very good. Important collector Lafeyette Lentz Butler's copy with his name and information on front pastedown; penciled underlining and marginalia throughout. Oxford / Clarendon Press hardcover books
réf. 06420London: Scott Webster and Geary 1842. A Handsome Pall Mall Prize Binding: Spenser in Full Green Morocco with Institutional Supralibros and Country-House Provenance SPENSER Edmund. The Poetical Works of Edmund Spenser. In five volumes. A new edition; with introductory and glossarial notes: to which is prefixed the account of the author's life and criticism of his works by John Aikin M.D. London: Scott Webster and Geary 1842. Five small octavo volumes 7 5/8 x 4 5/8 inches; 194 x 118 mm. Handsomely bound ca. 1842 in full green straight-grain morocco by White of 24 Pall Mall London with their printed binder's stamp on the front pastedown. Covers elaborately tooled in gilt with a wide fillet border and centrally stamped with the gilt supralibros of Downing's Academy incorporating an oval device enclosing an open book and the motto Domine illuminatio mea. Spines with five raised bands richly gilt in compartments with repeating floral and foliate tools red morocco lettering labels and volume numbers lettered in gilt. Board edges and turn-ins finely tooled marbled endpapers all edges gilt. A very attractive and well-preserved set the bindings bright and fresh with only minimal wear the gilt crisp and luminous. Provenance: Bound as a mid-nineteenth-century institutional or prize binding for Downing's Academy as evidenced by the gilt supralibros on each cover. Later in the library of William Carr 1862-1925 of Ditchingham Hall Norfolk historian and collector with his engraved armorial bookplate Ad sidera tollite vultus on the front pastedowns. With a later penciled bookseller's or shelf mark. This elegant five-volume Spenser represents the high standard of West End binding in the 1840s produced by the Pall Mall binder White whose work - while less frequently encountered than that of Zaehnsdorf or Bedford - embodies the same careful craftsmanship and decorative restraint characteristic of the period's best trade bindings. The use of straight-grain morocco combined with dense gilt ornament and repeating floral tools reflects the mid-Victorian taste for richly textured yet orderly decoration while the bold red labels provide a striking chromatic contrast against the deep green leather. Particularly appealing is the presence of the institutional supralibros indicating that the set was likely issued as a presentation or prize binding-a form of book production that often resulted in bindings of a higher-than-usual quality. Such volumes were intended to convey both scholarly merit and aesthetic distinction and frequently entered private libraries of substance as here. The later ownership of William Carr of Ditchingham Hall adds a further layer of interest situating the set within the tradition of nineteenth-century English country-house collecting where finely bound editions of canonical authors such as Spenser formed an essential component of the cultivated gentleman's library. London: Scott, Webster, and Geary, 1842 unknown books
1902réf. 1006531902. SPENCER Edmund. Prothalamion and Epithalamion. 28 2 pp. Small folio bound in deluxe three-quarter teal morocco matching buff paper over boards. Deckled edge. Boston: Houghton Mifflin 1902. A fine edition of Spencer's famous poetical celebrations of marriage designed and printed by Bruce Rogers with delicate headpiece illustrations and vignettes by Edwin Howland Blashfield. A fine copy in a deluxe binding printed on handmade paper. One of 419 copies. hardcover books
réf. 4666ROGERS. ROGERS SPENSER Edmund. PROTHALAMION: EPITHALAMION. Boston: Houghton Mifflin and Company 1902. Small folio. Boards. 29 1 pages. One of 419 copies. Warde 32. G.P. Winship's copy with his signature. The book features illustrations in old red on India paper from drawings by Edwin H. Blashfield. Head of spine chipped and minor cover rubbing. unknown books
1902réf. 141736Boston: Houghton Mifflin and Co 1902. boards. Rogers Bruce. 4to. boards. 30 pages. Limited to 419 numbered copies designed by Bruce Rogers Warde No.31. Lacking the original box and dust jacket. Covers lightly soiled and toned along the edges spine with a medium sized dampstain else a near fine copy. Done in Brimmer Italic type with 2 sepia engravings on handmade paper after design by Edwin Howland Blashfield. A very attractive work. The typography is by the notable American book designer Bruce Rogers 1870-1957 who "was appreciated in his lifetime. In addition to several honorary degrees in 1948 he was awarded a gold medal from the American Academy of Arts and Letters for distinction in the graphic arts. Over decades of accomplishment in which he designed approximately 500 books. Rogers literally defined the profession of book designing in the United States" ANB. Francis Meynell stated that Rogers was "the greatest artificer of the book who ever lived. Houghton Mifflin and Co unknown books
1902réf. 10167Boston: Houghton Mifflin and Co 1902. boards dust jacket. Rogers Bruce. 4to. boards dust jacket. 30 pages. Limited to 419 numbered copies. Warde No.31. Lacking the original box. Jacket lightly soiled else a fine copy. Scarce with the dust jacket. Done in Brimmer Italic type with 2 sepia engravings on handmade paper after design by Edwin Howland Blashfield. A very attractive work. The typography is by the notable American book designer Bruce Rogers 1870-1957 who "was appreciated in his lifetime. In addition to several honorary degrees in 1948 he was awarded a gold medal from the American Academy of Arts and Letters for distinction in the graphic arts. Over decades of accomplishment in which he designed approximately 500 books. Rogers literally defined the profession of book designing in the United States" ANB. Francis Meynell stated that Rogers was."the greatest artificer of the book who ever lived Houghton Mifflin and Co unknown books
1957réf. 538318New York: Rinehart & Co 1957. Softcover. Good. Second printing. Edited with an introduction by Leo Kirschbaum. Trade paperback. xli 548pp. Pen and pencil underlining on some pages crease on front wrapper spine slightly cocked good only. Rinehart & Co unknown books
1908réf. 295486Boston: Houghton Mifflin 1908. hardcover. fine. 852 pages handsomely rebound in full black morocco ornately gilt spine and covers a. edges gilt. Boston: Houghton Mifflin 1908. Fine. Houghton Mifflin unknown books
1909réf. 53839Cambridge: University Press 1909. Limited Edition. Hardcover. Very good condition. 89/300. Small Folio. 6 543 1 6 493 1pp. Original beige half cloth over light brown paper-covered boards with black lettering on paper label of spines; protected by modern mylar. Engraved emblem on title page. Decorative endpieces. Printed in Cambridge type on handmade paper with 350 copies printed of which three hundred numbered copies are for sale in England and America. This is copye 89. The text here given of Books I to VI of The Faerie Queene is that of the edition of 1596 in two volumes quarto. Of these two volumes the first contains the second edition of Books I to III which had already appeared in 1590. Books IV to VI were printed for the first time in 1596. The fragment of Book VII is from the folio edition of 1609. The Letter to Sir Walter Raleigh and the verses addressed to and by Spenser are from the edition of 1590. A few misprints have been corrected as listed on final tow pages of volume one. Bottom and foredges uncut. Light wear along edges of covers. Paper label of volume one with chips some loss of lettering volume two minor w/o loss of lettering. Two small square dicolorations on front covers of both volumes tape residue. Back cover of volume one with small scuff. Some light damp-staining on free endpapers minimal in volume two. University Press hardcover books
1909réf. 199448Cambridge England: University Press 1909. Copies 173 of 350. Hardcover. Good Boards are edgeworn/scuffed/smudged; inner hinges are cracked; textblock edges are toned/scuffed/smudged; interior is clean with the occasional smudging and foxing; inner hinges of volume one has been reinforced with tape that is coming loose; textblocks appear solid. Half-bound beige boards; 2 volumes; 544 494 pp. unopened. "Of this edition printed in the Cambridge type upon hand-made paper three hundred & fifty coies have been printed of which three hundred numbered -- are for sale in England and America and the type has been distributed." The text of Books I to VI is that of the edition of 1596; the fragment of Book VII is from the folio edition of 1609. The letter to Sir Walter Raleigh and the prefatory verses are from the edition of 1590. -- inside book. University Press hardcover books
1903réf. 364712New York: Thomas Y. Crowell 1903. Hardcover. Near Fine/Near Fine. The Gladstone Edition. Introduction by William P. Trent. Award of merit label on front pastedown fine i about very good printed dustwrapper with a chip on the front panel and tears along a couple of the folds. Scarce in jacket. Thomas Y. Crowell hardcover books
1751réf. 44948London: printed for J. Brindley 1751. 3 volumes 4to; pp. 4 xxxvii 1 lxv 1 453; 2 450; 2 440 2 errata; 32 engraved plates after William Kent; woodcut head- and tailpieces; volume I bound in recent quarter tan calf antique maroon morocco label on spine; vols. II-III bound in full contemporary calf red and black morocco labels on gilt-decorated spines; joints barely cracked; very neat facsimile restoration in the fore-margin of b4 in vol. I with facsimile lettering touching the beginning or end of a total of 14 words; mild to moderate dampstain enters the foremargins of many pages throughout; textblock is otherwise very good and clean for the most part. One of the most splendid editions of Spenser's masterpiece with useful bibliographical information on the collation of the 1590 and 1596 quartos. The glossary occupies 13 pages of the preliminaries if vol. I. Ebert 21601; Lowndes III 2477. printed for J. Brindley unknown books
1953réf. 019927Oxford: Limited Editions Club 1953. Hardcover. Near Fine in slightly foxed Very Good dustwrappers with sunned spines and chipping at the tips in a Very Good slipcase. Agnes Miller Parker. Two large quarto volumes 7-3/4" x 11-3/4" bound in gilt-decorated green cloth and illustrated with pen decorations by John Austen and wood engravings by Agnes Miller Parker. Copy #323 of 1500 SIGNED by Parker on the colophon page. A nicely printed set retaining Spenser's original English and beautifully illustrated. One of the underrated books of the press. Limited Editions Club hardcover books
1953réf. 017393Oxford: Limited Editions Club 1953. Hardcover. The spines of the dustwrappers slightly darkened with some chipping to the tips and the typical foxing to the side panels. Near Fine in Very Good dustwrappers and a Near Fine intact slipcase with foxing to the paper spine label. Agnes Miller Parker. Two large quarto volumes 7-3/4" x 11-3/4" bound in gilt-decorated green cloth and illustrated with pen decorations by John Austen and wood engravings by Agnes Miller Parker. Copy #916 of 1500 SIGNED by Parker on the colophon page. A nicely printed set retaining Spenser's original English and beautifully illustrated. The uncommon dustwrappers are present as is the slipcase. One of the underrated books of the press. Limited Editions Club hardcover books
1953réf. 014490Oxford: Limited Editions Club 1953. Hardcover. Spines of the dustwrappers are a bit darkened but with none of the foxing on the panels usually found with this title. The slipcase is near pristine. Fine in Near Fine dustwrappers and a Fine slipcase. Agnes Miller Parker. Two large quarto volumes 7-3/4" x 11-3/4" bound in gilt-decorated green cloth and illustrated with pen decorations by John Austen and wood engravings by Agnes Miller Parker. Copy #325 of 1500 SIGNED by Parker on the colophon page. A nicely printed set retaining Spenser's original English and beautifully illustrated. The uncommon dustwrappers are present as is the slipcase. A lovely set of this one of the underrated books of the press. Monthly Letter laid in. Limited Editions Club hardcover books
1953réf. 102118NY:: Heritage Press. Very Good. 1953. Hardcover. Introduction by John Hayward. Decorations by John Austen and wood engravings by Agnes Miller Parker. A reprint edition. Starting to show separation at the rear hinge but still firmly attached else very good in a very good slipcase. . Heritage Press, hardcover books
1839réf. 24247London: William Pickering 1839. leather_bound. Decorated full polished green calf. Top edges gilt. Near fine. 5 Vols. 282 295 296 303 317 pages 16.5 x 10.5 cm. The Aldine Edition. One of the great poets of the English Renaissance. Spenser was well-read in classical literature scholars have noted that his poetry does not rehash tradition but rather is distinctly his. Walter Raleigh wrote a commendatory poem to The Faerie Queene in 1590 in which he claims to admire and value Spenser's work more so than any other in the English language. Bright fresh set with the memorable gilt Aldine anchor front covers and bound by Bartlett. Raised bands panels decorated in gilt brown spine labels gilt lettered marbled endpapers gilt turn-ins. One volume with slight sunning front cover head. William Pickering unknown books
1859réf. 320589Edinburgh: James Nichol 1859. hardcover. near fine. 5 volumes. slim 8vo 3/4 decorative green morocco evenly faded to brown top edges gilt light scattered foxing. Edinburgh: James Nichol 1859. A very handsome set. James Nichol unknown books
1839réf. 35683London: William Pickering 1839. Small 8vo 5 volumes Pickering's vignette anchor & dolphin device on title pages; early 20th century half brown morocco by Riviere gilt paneled spines in 6 compartments gilt lettered in 2 t.e.g.; fine set. Issued as part of the publisher's Aldine British Poets series. Contains a life of Spenser by the Rev. J. Mitford. William Pickering unknown books
1852réf. 008305London: William Pickering 1852. Book. Near Fine. Hardcover. Later Edition. 12mo - over 6¾" - 7¾" tall. Five volumes in contemporary pebbled brown morocco gilt lettering tooled in blind all edges gilt marbled end papers. Near Fine light rubibing light toning at end pages occasional scattered toning. A well-bound set. . William Pickering Hardcover books
1825réf. 9006102London: William Pickering; Nattali and Combe; Talboys and Wheeler 1825. Hardcover. Fine Condition. Bound in half brown leather and light green marlbed boards with the covers and spines stamped in gilt. Beautiful floral leaf pattern on the spines. Four raised bands on the spines. Top edges gilt. Marbled endpapers. William Pickering; Nattali and Combe; Talboys and Wheeler hardcover books
1839réf. 244700London: William Pickering 1839. First edition and part of the Aldine Poets series. With Portrait Frontispiece. Printed by Charles Whittingham. 5 vols. 8vo. Bound in contemporary pebbled morocco and marbled boards edges marbled. Very good. First edition and part of the Aldine Poets series. With Portrait Frontispiece. Printed by Charles Whittingham. 5 vols. 8vo. Keynes p. 48 William Pickering unknown books
1930réf. 369955London: The Cresset Press 1930. One of 350 copies. With frontispiece and twelve chapter headings by John Nash all hand-stencilled in color at the Curwen Press. 1 vols. Tall 4to. Original cream silk-covered boards vellum spine t.e.g. others uncut. Fine fresh copy. Nash John. One of 350 copies. With frontispiece and twelve chapter headings by John Nash all hand-stencilled in color at the Curwen Press. 1 vols. Tall 4to. A lovely book printed on handmade paper in Granjon Old Face used here for the first time it was designed by the printer of the book George W. Jones. Ransom Check Lists 20 The Cresset Press unknown books
1956réf. 172340London/New York: J.M. Dent & Sons/E.P. Dutton 1956. Hardcover. Fine/Good. Reprint. Fine in a good dust jacket with deep tears to the corners. Everyman's Library No. 879. J.M. Dent & Sons/E.P. Dutton hardcover books
1932réf. 7046Oxford: Printed at the Shakespeare Head Press.and Published for the Press by Basil Blackwell 1932. First Thus. Very Good. One of 375 numbered copies on Batchelor's Shakespeare Head handmade paper this copy being number 134 out of a total edition of 386 copies. Eight volumes large octavo 11 3/16 x 7 1/8 inches; 285 x 194 mm. Bound in the original quarter green calf over marbled boards by Douglas Cockerell. Vellum tips. Spines lettered and dated in gilt. Edges untrimmed. With 111 woodcut illustrations decorations and title vignettes after and by Hilda Quick all hand-colored except for five that are printed in red and black. A Vewe of the Present State of Ireland with pictorial woodcut title-page border and woodcut frontispiece map of Ireland by Macdonald Gill both hand-colored. Lettering for half-titles title-pages headings and initials printed in red black and blue after designs by Joscelyne Gaskin some shoulder notes printed in red with occasional text printed in red and black. Some scuffing to boards and rubbing to spines. Mid-twentieth-century ink ownership inscriptions in first two volumes. Bright and fresh throughout. A Very Good set. "The text of the present edition of Spenser's Works has been prepared by Professor W.L. Renwick. It follows in every case the first editions.The decorations have been designed and engraved on wood by Hilda Quick those in The Shepheardes Calender being based on the cuts in the original editions. The initial letters and the letterings for the title- page and headings have been engraved by her from designs by Joscelyne Gaskin.The eight volumes of Spenser 1930 are equally good-different as the character of the author is but in merita nothing to choose between them. Perhaps the small devices below Spenser's sonnets printed in black and in the vellum copies beautifully laid with gold are the most discreet and opulent form of decoration fitting and in flawless taste" Franklin. Franklin 150 236. Ransom 17:67. Very Good. Printed at the Shakespeare Head Press...and Published for the Press by Basil Blackwell unknown books