Spenser, Edmund,Biblio.com
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2023réf. BIBSD0094316622023. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1859 and this unique edition is Reprinted in 2023 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - english Pages 852. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
réf. 0872208478New. New. Satisfaction Guaranteed or your money back. unknown
réf. 0872208915New. New. Satisfaction Guaranteed or your money back. unknown
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1897réf. 2945London: J.M. Dent 1897. Chivers bindings. Fine. STUNNING CHIVERS VELLUCENT BINDINGS. One of 100 large-paper copies illustrated by Louis Fairfax Muckley. The three thick quarto volumes are elegantly printed on handmade paper and illustrated throughout with images and designs by the British artist and illustrator Louis Fairfax Muckley. The illustrations are magnificent and feature the plates in two states red and black. The bindings by Chivers however are the star of the show and perfectly complement the text. For the front boards Muckley has created an intricate design featuring a knight and lady on galloping horses surrounded by decorative borders and gilt titling. Each spine depicts a lady emerging from a colorful background while each rear board has a stylized dragon seemingly jumping out from the binding. While the outlines of the designs are the same on each volume they are each painted with different colors creating a unique look and mood for each. On Cedric Chivers’s “vellucent” bindings: Chivers created a masterful binding technique in the late 19th century he called “vellucent” – a portmanteau combining “vellum” and “translucent”. The process was arduous but the results were stunning with artwork seeming to glow under a layer of thin protective vellum. His process began with a decorative design—in the case of these volumes artwork by Louis Fairfax Murray – created on paper or thin parchment. The artwork was then placed underneath a sheet of vellum that was extremely thin and specially treated to be translucent allowing the colors to almost shine like a stained glass window. The final step was particularly tricky – since vellum is not particularly flexible it required expert craftsmanship to lay it smoothly over the book's boards and spine without wrinkles or bubbles. The result is a binding that doubles as a work of fine art. The bindings are stamped “Bound by Cedric Chivers” in gilt on the rear dentelles and decoratively written on the rear endpaper of volume 1 likely by Chivers is the note: “THIS BOOK IS BOUND BY / CEDRIC CHIVERS BATH / 2 COPIES ONLY WITH THIS DESIGN / THIS IS NO 1”. Anecdotally however we are aware of three copies that have been bound with this design although without the written limitation. Provenance: There is a note in pencil in the first volume that these are from the Robert Hoe collection but we have not been able to confirm this. London: J.M. Dent 1897. Thick octavos 258 x 197 mm vellucent bindings by Chivers. Text nearly pristine. A touch of bowing to bindings. AN OUTSTANDING EXAMPLE OF CHIVERS BINDINGS IN UNUSUALLY FINE CONDITION. J.M. Dent unknown
1897réf. 4803London: George Allen 1897. Six volumes. Limited first book-form edition. Edited by Thomas J. Wise and with the fabulous arts and crafts illustrations of Walter Crane. One of 1000 unnumbered copies on handmade paper printed by Charles Whittingham & Co. at the Chiswick Press. The original soft covers of the parts have been retained and bound in to the rear. Recently repaired / re-spined in red leather with the original red leather boards. Some of the boards have some darkening / staining but overall in very attractive condition. Internally the books are sound but slightly darkened to the edges. A decent copy. lxxxvii 1-248 i covers. viii 251-528 covers. viii 529-806 covers. viii 807-1044 covers. viii 1045-1276 covers. viii 1277-1546 8 covers. . Très bel exemplaire de la première édition. Six volumes. Édité par Thomas J. Wise et avec les fabuleuses illustrations art nouveau de Walter Crane. Un des 1000 exemplaires non numérotés sur papier fait main imprimés par Charles Whittingham & Co. à la presse de Chiswick. Les couvertures souples originales des parties ont été conservées et reliées à l'arrière. Récemment réparé / ré-épinglé en cuir rouge avec les planches d'origine en cuir rouge. Certaines planches présentent quelques taches mais dans l'ensemble elles sont en très bon état. A l'intérieur les livres sont sains mais les bords sont légèrement assombris. Un bon exemplaire. lxxxvii 1-248 i couvertures viii 251-528 couvertures viii 529-806 couvertures viii 807-1044 couvertures viii 1045-1276 couvertures viii 1277-1546 8 couvertures. George Allen paperback
1966réf. 29000John Hopkins Press Baltimore 1966. New edition. Hardcover. Good Condition/No Dust Jacket. This edition of the 'Faerie Queene' is volumes 1 to 6 from the Hopkins Press 'Works of Edmund Spenser : A Variorum Edition' first published in 1932 but reprinted several times our copies being from 1966. The editors were Edwin Greenlaw Charles Osgood and Frederick Padelford. Many scholarly additions alongside the main text ie commentaries source notes critical notes bibliography etc etc. Presentable clean and sound copies with only minor wear. The gilt lettering to the spines is faded. No inscriptions. About 2400 pages in the 6 vols. - full collation on request. Not an ex library set but from the private collection of John Manning. Dr Manning was professor of English at the University of Wales Lampeter and the author of The Emblem Reaktion Books . His particular interests were Spenser Donne and other writers of that period emblem books etc. For more books from the collection use the keyword SLMANNING215 to search my inventory. Approx. size 10" by 7". Heavy set which will incur extra postal charges. Quantity Available: 1. Category: Poetry; Pictures of this item not already displayed here available upon request. Inventory No: 29000. . John Hopkins Press hardcover
1909réf. 53839Cambridge: University Press 1909. Limited Edition. Hardcover. Very good condition. 89/300. Small Folio. 6 543 1 6 493 1pp. Original beige half cloth over light brown paper-covered boards with black lettering on paper label of spines; protected by modern mylar. Engraved emblem on title page. Decorative endpieces. Printed in Cambridge type on handmade paper with 350 copies printed of which three hundred numbered copies are for sale in England and America. This is copye 89. The text here given of Books I to VI of The Faerie Queene is that of the edition of 1596 in two volumes quarto. Of these two volumes the first contains the second edition of Books I to III which had already appeared in 1590. Books IV to VI were printed for the first time in 1596. The fragment of Book VII is from the folio edition of 1609. The Letter to Sir Walter Raleigh and the verses addressed to and by Spenser are from the edition of 1590. A few misprints have been corrected as listed on final tow pages of volume one. Bottom and foredges uncut. Light wear along edges of covers. Paper label of volume one with chips some loss of lettering volume two minor w/o loss of lettering. Two small square dicolorations on front covers of both volumes tape residue. Back cover of volume one with small scuff. Some light damp-staining on free endpapers minimal in volume two. University Press hardcover
réf. 45433303-nnew. unknown
réf. 45433303like new. unknown
réf. 20021850-nnew. unknown
réf. 20021850like new. unknown
2006réf. SKU0600925Hackett Publishing Company Inc 2006-09-15. paperback. Good. 5x0x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Hackett Publishing Company, Inc paperback
1979réf. SKU0600923Penguin Classics 1979-01-25. paperback. Good. 5x2x7. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Penguin Classics paperback
2006réf. SKU0648433Hackett Publishing Company Inc 2006-11-30. paperback. New. 5x1x8. New Textbook Ships with Tracking Hackett Publishing Company, Inc paperback
2006réf. SKU0648432Hackett Publishing Company Inc 2006-09-15. paperback. New. 5x0x8. New Textbook Ships with Tracking Hackett Publishing Company, Inc paperback
1953réf. 065714London: The Limited Editions Club Printed by Oxford University Press 1953. Book. Illus. by John Austen decorations; Agnes Miller Parker wood engravings. Fine. Hardcover. Signed by Illustrators. Limited Edition. 4to - over 9¾" - 12" tall. SIGNED LIMITED. Complete in two 2 volumes uniformly bound in light green cloth lettered in gold foil deckled text block edges slipcased lacking dust jackets. No. 718 of an edition limited to 1500 copies hand-numbered and signed by illustrator Agnes Miller Parker on rear limitation page. xviii512 viii513-9921 pp. illus. Both volumes show modest tanning to spine cloth otherwise as issued. Slipcase show tanning with bottom panel showing evidence of having been mended. The Limited Editions Club [Printed by Oxford University Press] Hardcover
réf. 1019609214.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1909réf. P5BLKBRN10London: Cambridge University Press 1909. Hardbacks quarter cloth paper labels to spines. With removable clear protective wrappers. 2 volume set. 33cm x 23cm. Pp. 543; 493. Title vignettes and decorative tailpieces. An unnumbered copy of a limited edition of only 350 copies. Bindings are a little marked and worn to extremities. Inner margins split across end-papers but bindings firm and secure. Some foxing to end-papers but rest of contents is clean. Not all pages yet opened. A very heavy set 5.9kg additional postage may be required for orders outside the UK. p5. Limited. Hard Cover. Very Good. Cambridge University Press Hardcover
1897réf. 45367London: J. M. Dent. Very Good with no dust jacket. 1897. Hardcover. Oversized two volume set. Half vellum with marbled boards morocco/gilt spine labels marbled endpages TEG ribbon marker. Limited to 100 copies on handmade paper and 1250 copies on ordinary paper. Fairfax-Muckley edition. Pp. Lii 1156 continuous pagination Inner hinges have been reinforced. Minimal foxing/soil/rubbing. ; quarto . J. M. Dent hardcover
réf. 1019966114.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1613réf. 4533London: By Humphrey Lownes for Mathew Lownes 1611- 1613. FIRST COLLECTED EDITION second issue see below for issue points. Hardcover. Fine. Bound in 19th c. sprinkled calfskin gilt hinges discreetly repaired mild wear to corners and extremities. The boards are ruled in gold with shell ornaments at the corners and a gilt arabesque at the center. The text itself is in very nice condition lightly pressed with a few trivial blemishes and small rust holes to four leaves F3 X1-2 C6. The main title page is framed by a fine ornamental woodcut border McKerrow & Ferguson 212. Every canto of the “Faerie Queene” is introduced by an elaborate four-part woodcut frame and concludes with a historiated tail-piece. The “Shepheard's Calendar” is illustrated with twelve woodcut vignettes one for each month. The first issue of Spenser’s collected works appeared in 1611. In the earliest copies the publisher Mathew Lownes used the remaining sheets from his 1609 folio edition of the “Faerie Queene” together with a new title page and dedicatory leaf. Spenser’s other works were then printed in the same format to complete the collected edition. In 1612 the 1609 “Faerie Queene” sheets having run out the poem was re-set and printed anew with the t.p. to the second part dated 1612 and its colophon dated "16012" as in this copy. This issue also includes “Mother Hubberd’s Tale” which had been omitted in the first issue in order not to offend William Cecil whose father Lord Burghley Spenser had satirized in that poem. “Since Cecil died in 1612 the last objection to the republication of that work was removed and so copies of it were separately printed and inserted in those copies of the 1611 works that remained on hand.”Pforzheimer 972 The Omission of ‘Mother Hubberd’s Tale” from the 1611 Collected Works of Spenser: “Two years after Matthew Lownes had issued the first folio edition of the ‘Faerie Queen’ he decided to issue a collected edition of Spenser’s works. Having a number of unsold copies of the 1609 ‘Faerie Queen’ still on hand he determined to use those copies by including them in the collected edition in lieu of a 1611 reprint of the same. In order to effect this end he printed a general title and dedicatory leaf on a single sheet unsigned and so was enabled thus to make-up copies of a collected edition by cancelling the title of the 1609 edition and adding a 1611 edition of the remaining parts. “The 1591 edition of Spenser’s ‘Complaints’ having been officially suppressed on account of the attack on lord Burghley contained in the ‘Mother Hubberd’s Tale’ and in certain passages of the ‘Ruines of Time’ Lownes was not free to include the contents of that volume in this collected edition without obtaining official permission. By 1611 the matter had long blown over and Burghley the object of the satire was now dead but in deference to Sir Robert Cecil his son it was considered advisable to omit the offending satire and to revise the objectionable passages in the ‘Ruines of Time’. Therefore some copies e.g. the present of the 161 edition that were sold soon after publication did not contain the ‘Mother Hubberd’s Tale’ but since Cecil died in 1612 the last objection to the re-publication of that work was removed and so copies of it were separately printed and inserted in those copies that remained on hand.”Pforzheimer 972. By H[umphrey] L[ownes] for Mathew Lownes, 1611- hardcover
1909réf. 199448Cambridge England: University Press 1909. Copies 173 of 350. Hardcover. Good Boards are edgeworn/scuffed/smudged; inner hinges are cracked; textblock edges are toned/scuffed/smudged; interior is clean with the occasional smudging and foxing; inner hinges of volume one has been reinforced with tape that is coming loose; textblocks appear solid. Half-bound beige boards; 2 volumes; 544 494 pp. unopened. "Of this edition printed in the Cambridge type upon hand-made paper three hundred & fifty coies have been printed of which three hundred numbered -- are for sale in England and America and the type has been distributed." The text of Books I to VI is that of the edition of 1596; the fragment of Book VII is from the folio edition of 1609. The letter to Sir Walter Raleigh and the prefatory verses are from the edition of 1590. -- inside book. University Press hardcover
réf. 1332995160.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1332916341.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
