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Best.-Nr. 1019609214.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1909Best.-Nr. P5BLKBRN10London: Cambridge University Press 1909. Hardbacks quarter cloth paper labels to spines. With removable clear protective wrappers. 2 volume set. 33cm x 23cm. Pp. 543; 493. Title vignettes and decorative tailpieces. An unnumbered copy of a limited edition of only 350 copies. Bindings are a little marked and worn to extremities. Inner margins split across end-papers but bindings firm and secure. Some foxing to end-papers but rest of contents is clean. Not all pages yet opened. A very heavy set 5.9kg additional postage may be required for orders outside the UK. p5. Limited. Hard Cover. Very Good. Cambridge University Press Hardcover
1897Best.-Nr. 45367London: J. M. Dent. Very Good with no dust jacket. 1897. Hardcover. Oversized two volume set. Half vellum with marbled boards morocco/gilt spine labels marbled endpages TEG ribbon marker. Limited to 100 copies on handmade paper and 1250 copies on ordinary paper. Fairfax-Muckley edition. Pp. Lii 1156 continuous pagination Inner hinges have been reinforced. Minimal foxing/soil/rubbing. ; quarto . J. M. Dent hardcover
Best.-Nr. 1019966114.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1613Best.-Nr. 4533London: By Humphrey Lownes for Mathew Lownes 1611- 1613. FIRST COLLECTED EDITION second issue see below for issue points. Hardcover. Fine. Bound in 19th c. sprinkled calfskin gilt hinges discreetly repaired mild wear to corners and extremities. The boards are ruled in gold with shell ornaments at the corners and a gilt arabesque at the center. The text itself is in very nice condition lightly pressed with a few trivial blemishes and small rust holes to four leaves F3 X1-2 C6. The main title page is framed by a fine ornamental woodcut border McKerrow & Ferguson 212. Every canto of the “Faerie Queene” is introduced by an elaborate four-part woodcut frame and concludes with a historiated tail-piece. The “Shepheard's Calendar” is illustrated with twelve woodcut vignettes one for each month. The first issue of Spenser’s collected works appeared in 1611. In the earliest copies the publisher Mathew Lownes used the remaining sheets from his 1609 folio edition of the “Faerie Queene” together with a new title page and dedicatory leaf. Spenser’s other works were then printed in the same format to complete the collected edition. In 1612 the 1609 “Faerie Queene” sheets having run out the poem was re-set and printed anew with the t.p. to the second part dated 1612 and its colophon dated "16012" as in this copy. This issue also includes “Mother Hubberd’s Tale” which had been omitted in the first issue in order not to offend William Cecil whose father Lord Burghley Spenser had satirized in that poem. “Since Cecil died in 1612 the last objection to the republication of that work was removed and so copies of it were separately printed and inserted in those copies of the 1611 works that remained on hand.”Pforzheimer 972 The Omission of ‘Mother Hubberd’s Tale” from the 1611 Collected Works of Spenser: “Two years after Matthew Lownes had issued the first folio edition of the ‘Faerie Queen’ he decided to issue a collected edition of Spenser’s works. Having a number of unsold copies of the 1609 ‘Faerie Queen’ still on hand he determined to use those copies by including them in the collected edition in lieu of a 1611 reprint of the same. In order to effect this end he printed a general title and dedicatory leaf on a single sheet unsigned and so was enabled thus to make-up copies of a collected edition by cancelling the title of the 1609 edition and adding a 1611 edition of the remaining parts. “The 1591 edition of Spenser’s ‘Complaints’ having been officially suppressed on account of the attack on lord Burghley contained in the ‘Mother Hubberd’s Tale’ and in certain passages of the ‘Ruines of Time’ Lownes was not free to include the contents of that volume in this collected edition without obtaining official permission. By 1611 the matter had long blown over and Burghley the object of the satire was now dead but in deference to Sir Robert Cecil his son it was considered advisable to omit the offending satire and to revise the objectionable passages in the ‘Ruines of Time’. Therefore some copies e.g. the present of the 161 edition that were sold soon after publication did not contain the ‘Mother Hubberd’s Tale’ but since Cecil died in 1612 the last objection to the re-publication of that work was removed and so copies of it were separately printed and inserted in those copies that remained on hand.”Pforzheimer 972. By H[umphrey] L[ownes] for Mathew Lownes, 1611- hardcover
1909Best.-Nr. 199448Cambridge England: University Press 1909. Copies 173 of 350. Hardcover. Good Boards are edgeworn/scuffed/smudged; inner hinges are cracked; textblock edges are toned/scuffed/smudged; interior is clean with the occasional smudging and foxing; inner hinges of volume one has been reinforced with tape that is coming loose; textblocks appear solid. Half-bound beige boards; 2 volumes; 544 494 pp. unopened. "Of this edition printed in the Cambridge type upon hand-made paper three hundred & fifty coies have been printed of which three hundred numbered -- are for sale in England and America and the type has been distributed." The text of Books I to VI is that of the edition of 1596; the fragment of Book VII is from the folio edition of 1609. The letter to Sir Walter Raleigh and the prefatory verses are from the edition of 1590. -- inside book. University Press hardcover
Best.-Nr. 1332995160.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1332916341.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1334379157.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1334376964.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1334371628.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1953Best.-Nr. 240206-MB43The Heritage Press 1953. Very Good Hardcover with slipcase Decorations by John Austen and wood engravings by Agnes Miller Parker. Hardcover. Very Good/Slipcase. Illus. by Austen John; Parker Agnes Miller. The Heritage Press Hardcover
Best.-Nr. 101666060X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1016665199.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1596Best.-Nr. 165717London: Printed for William Ponsonbie 1596. For there is nothing lost that may be found if sought First complete edition comprising the first edition of the second part and the second edition of the first part. Written in praise of Elizabeth I and dedicated to her Spenser's allegorical masterpiece follows the adventures of six medieval knights drawing on Arthurian legend Italian romance classical epic and Chaucer. John Dryden notes that "Spencer more than once insinuates that the Soul of Chaucer was transfus'd into his Body; and that he was begotten by him Two hundred years after his Decease" Dryden f. A1. In its mingling of genres the poem represented a new departure in English poetry for which Spenser invented a new stanza "a hybrid form adopted from the Scots poetry of James I 'rhyme royal' and Italian 'ottava rima'" ODNB. Spenser began composing the work in the 1570s sharing "parcels" of it among friends. Though no rough drafts autograph copies or foul papers for the poem have survived the poet alludes to a manuscript copy as early as 1580 when in a letter to Gabriel Harvey he asks for one to be returned to him: "I wil in hande forthwith with my Faery Queene whyche I praye you hartily send me with al expedition: and your frendly Letters and long expected Iudgement wythal" Three Proper and wittie familiar Letters. The poem or some part of it was almost certainly circulating in manuscript in London in 1588 when Abraham Fraunce quotes a stanza in his Arcadian Rhetorick correctly citing its book and canto "Spencer in his Faerie queene.2.book.cant.4". The first part was finally printed in 1590 - possibly intended to coincide with the publication of Philip Sidney's Arcadia - and the second part followed with a new edition of the first in 1596. Spenser likely composed some of the second part around 1593 as the conversion of Henry IV of France to Catholicism that year provides the historical basis for the Burbon episode in Book V. The poem now six books was entered into the Stationers' Register on 20 January 1596 suggesting publication had been planned to fall during Elizabeth I's Grand Climacteric - her 63rd year thought by astrologers to be critical - which had begun on 7 September 1595. In 1599 with only six of his twelve planned books completed Spenser died - his two fragmentary Cantos of Mutabilitie thought to be intended for Book VII are the only additional material published with the first folio edition of 1609. Provenance: from the library of Henry White 1822-1900 of Queen's Gate London with his armorial bookplate on the front pastedowns and sold in his 1902 Sotheby's sale lot 2028. The book was bound likely for White himself by Roger de Coverly 1831-1914 the London binder under whom T. J. Cobden-Sanderson trained. An old description mounted on the front pastedown of the first volume likely from a turn-of-the-century exhibition notes that the books were "lent by H. White Esq.". 2 vols small quarto 195 x 145 mm. Woodcut device of printer Richard Field to title pages full-page woodcut to M5 verso. Bound by Roger de Coverly in late 19th-century red crushed morocco spines with five raised bands lettered in gilt direct to second and third compartments remaining compartments richly gilt triple gilt fillet border to covers edges and turn-ins gilt marbled endpapers gilt edges. Spines slightly darkened upper margins closely trimmed touching a couple of headings outer leaves of vol. I faintly soiled a few spots to vol. II else clean and fresh within. An excellent copy handsomely bound. Pforzheimer 970; ESTC S117748. John Dryden "Preface" in Fables Ancient and Modern 1700; Edmund Spenser Three Proper and wittie familiar Letters 1580. hardcover
Best.-Nr. 1019713313.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1019716711.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1519323824.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008Best.-Nr. 1-0872209415Hackett Pub Co Inc 2008. Paperback. New. 1378 pages. 8.75x6.00x3.25 inches. Hackett Pub Co Inc paperback
Best.-Nr. 1107696755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 101565200X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1017906645.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1017911339.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1385541423.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1953Best.-Nr. 10835Limited Editions Club. Very Good with no dust jacket; Two volumes in grn cloth with gilt . decorations and lettering. Slipcase in decorative grn with label. Online . picture is not the same as this beautiful set. No marks or writing clean . tight binding;. 1953. First Edition Thus. Hardcover. Ltd Edition 785/1500 signed by illustrator with LEC membership pamphlet; very heavy vols may require extra postage; more scans/pictures available upon request; ; Vol. 2; 992 pages; Signed by Illustrator . Limited Editions Club hardcover