NERUDA, Pablo / Peter ZaumseilBiblio.com
1352 resultados
ref. 13.423aMadrid: Eikon Editories 2006. 1ª ed. En una caja editorial entelada con una de las planchas de madera de la impresión de las ilustraciones montada en la tapa. 30.5x41. Eikon Editories unknown
ref. lom-ZLO000087In Spanish. Short description: Pablo Neruda, Canto General, 1950, Mexico. In Spanish. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order. SKUZLO000087
ref. lom-ZLO000087In Spanish. Short description: Pablo Neruda. Canto General Mexico 1950. Please feel free to contact us for a detailed description of the copies available. SKUZLO000087 unknown
1998ref. 013460New York: Limited Editions Club 1998. Hardcover. Fine in slipcase as issued. Edward Ranney. Oblong folio 15" x 12" bound in full dark green linen with a black leather spine label lettered in gilt. Translated by John Felstiner and illustrated with photogravures by Edward Ranney. This poem is the result of a visit by the Chilean winner of the Nobel Prize to the mysterious citadel in Peru built by the Incas. "The superb photographs of Macchu Picchu by Ranney that accompany Pablo Neruda's Heights of Macchu Picchu stand among the finest works of a photographer whom one critic calls 'a very modern visionary of the antique' embodying 'a gnomic monumentality an almost clinical sublimity.'" Copy #154 of 300 numbered copies SIGNED by the translator and by the illustrator. Monthly Letter laid in. Limited Editions Club hardcover books
1967ref. 133314Cape Coliard Press 1967. Signed limited edition one of only 100 examples this is number 65. Octavo original cloth illustrated with a cut-out by Jim Dine. Boldly signed by Pablo Neruda and the translator Alistair Reid. Fine in a fine dust jacket. Translated by Alistair Reid. Photographs by Hans Ehrmann. In his philosophical poem We Are Many Neruda offers the reader a brooding introspective narrative about his comically confused sense of self-identity and conflict of self. It is an unrhymed and unmetered free-verse poem which is in keeping with its very modern subject-matter—namely Neruda's saddening lack of self-knowledge in contradiction to ancient Greece's Delphic maxim “Know thyself”. Throughout the poem Neruda expresses his rather comical inability to understand himself or even define himself in any meaningful way. This theme of a philosophical identity crisis and search for oneself is reinforced by the poem's broken architecture which is replete with seemingly self-contradictory assertions. This free-verse poem begins with two four-line stanzas but ends with a ten-line stanza—for a total of seven stanzas of varying and gradually increasing number of lines 4 4 6 6 7 8 10. It uses personifications metaphors hyperbole allegory self-parody and other similar poetic devices to communicate its philosophical theme and deeper meaning to Neruda's numerous readers. Cape Coliard Press hardcover
1968ref. 023233London: Rapp & Whiting 1968 First printing of the first British Bilingual English/Spanish edition. Signed by Robert Bly directly on the title-page. Book and dust jacket in fine condition. A beautiful copy. Rapp & Whiting hardcover
1954ref. 535339Santiago Chile: Nascimento 1954. Softcover. First edition. Quarto. Illustrated from black and white photographs by Martin Chambi. Pictorial wrappers with yapped edges. Library stamp on front blank. Edges moderately worn worn lower wrap lightly stained top corner creased throughout spine lightly toned with a bit of loss at the crown and a tiny horizontal tear very good and sound lacking the insert. Copy 593 of 1000 numbered copies Signed by Neruda. Nascimento unknown
1972ref. 026465Buenos Aires: Editorial Losada 1972. 1st Edition . Soft cover. Very Good. One of 5000 printed copies signed and briefly inscribed 'Para Ricardo' by Pablo Neruda on title page. Neruda died in 1973 one year after book's publication. Penny-sized chip at lower left corner of back cover. Mild shelf wear to wrappers including a penny-sized chip at bottom left edge of back cover. Editorial Losada paperback
1998ref. BOOKS080149INew York: Limited Editions Club. Fine copy in nearly fine clamshell case. 1998. 1st. hardcover. Oblong 4to 32 pp.plates Limited to 300 numbered copies signed by the photographer Edward Ramey. This is copy #52. Text in English and Spanish in parallel columns. Monthly newsletter laid- in. Slight fading to case else fine. . Limited Editions Club hardcover
1962ref. 026462Santiago de Chile: Ediciones Isla Negra 1962. 1st Edition . Soft cover. Very Good. 4to - over 9¾ - 12" tall. Translation of title: "Book Containing the Memory of Manuel A. Pueyyredon Poetry and Songs Dealing With the Life of Don Jose Miguel Carrera." Don Jose Miguel Carrera 1785-1821 was a Chilean general considered one of the founders of independent Chile. First edition with introductory poems by Neruda. One of 500 numbered copies signed on title page by Neruda with a small drawing of a flower. Excellent overall condition with minor edge wear to printed wrappers and glassine outer wrapper. Photos available upon request. Ediciones Isla Negra paperback
1967ref. 023576Madison: The Sixties Press 1967 First printing of the first Sixties Press edition English/Spanish text. Association copy signed and inscribed by Robert Bly to his wife directly on the front endpage along with an original page size drawing by Bly: "For Carol / Self portrait of Poet in Lac Qui Parle County--where Bly was born and raised--in the Summer / Robert Bly." Book with light toning to spine ends and top edge of boards else in fine condition; dust jacket with toning to spine/cover extremities and shallow crimping to bottom spine edge else fine. The Sixties Press hardcover
1954ref. 535339Santiago Chile: Nascimento 1954. Softcover. First edition. Quarto. Illustrated from black and white photographs by Martin Chambi. Pictorial wrappers with yapped edges. Library stamp on front blank. Edges moderately worn worn lower wrap lightly stained top corner creased throughout spine lightly toned with a bit of loss at the crown and a tiny horizontal tear very good and sound lacking the insert. Copy 593 of 1000 numbered copies Signed by Neruda. Nascimento unknown books
ref. N - 2026 - 35San Francisco: Arion Press 2022. A finely printed letterpress edition of Neruda's celebrated cycle of one hundred love poems published by Arion Press in 2022. The text appears in the original Spanish with Stephen Tapscott's English translation with additional commissioned artwork and an introduction by Rigoberto González. Includes artworks by María Magdalena Campos-Pons Nicolás Guagnini Candida Alvarez and Enrique Chagoya. Copy No. 170 unopened and preserved in the publisher's original shrink wrap; contents and binding unexamined presumed as issued. A modern fine press edition from one of America's most respected private presses. Arion Press
ref. N - 2026 - 35San Francisco: Arion Press 2022. A finely printed letterpress edition of Neruda's celebrated cycle of one hundred love poems published by Arion Press in 2022. The text appears in the original Spanish with Stephen Tapscott's English translation with additional commissioned artwork and an introduction by Rigoberto González. Includes artworks by María Magdalena Campos-Pons Nicolás Guagnini Candida Alvarez and Enrique Chagoya. Copy No. 170 unopened and preserved in the publisher's original shrink wrap; contents and binding unexamined presumed as issued. A modern fine press edition from one of America's most respected private presses. Arion Press books
ref. 43893Octon France: Verdigris January 30 2013. Edition limited to 50 copies signed and numbered by Rothchild and the letterpress printer Mark Lintott; this is the issue of 10 copies "édition de tête" with an additional mezzotint not duplicated in the edition and in a clamshell box the paper printed in shades of brown with chestnut leaves; oblong 4to i.e. in leporello format approx. 5" x 13" 16 french-fold pages 3 original mezzotints and 3 blindstamped embossments by Judith Rothchild printed on Hahnemulhe paper original paper-covered boards with screenprints by Rothchild; absolutely fine throughout. Verdigris, January 30 unknown
ref. 43893Octon France: Verdigris January 30 2013. Edition limited to 50 copies signed and numbered by Rothchild and the letterpress printer Mark Lintott; this is the issue of 10 copies "édition de tête" with an additional mezzotint not duplicated in the edition and in a clamshell box the paper printed in shades of brown with chestnut leaves; oblong 4to i.e. in leporello format approx. 5" x 13" 16 french-fold pages 3 original mezzotints and 3 blindstamped embossments by Judith Rothchild printed on Hahnemulhe paper original paper-covered boards with screenprints by Rothchild; absolutely fine throughout. Verdigris, January 30 unknown books
1998ref. 013460New York: Limited Editions Club 1998. Hardcover. Fine in slipcase as issued. Edward Ranney. Oblong folio 15" x 12" bound in full dark green linen with a black leather spine label lettered in gilt. Translated by John Felstiner and illustrated with photogravures by Edward Ranney. This poem is the result of a visit by the Chilean winner of the Nobel Prize to the mysterious citadel in Peru built by the Incas. "The superb photographs of Macchu Picchu by Ranney that accompany Pablo Neruda's Heights of Macchu Picchu stand among the finest works of a photographer whom one critic calls 'a very modern visionary of the antique' embodying 'a gnomic monumentality an almost clinical sublimity.'" Copy #154 of 300 numbered copies SIGNED by the translator and by the illustrator. Monthly Letter laid in. Limited Editions Club hardcover
ref. lec-0020Artists of both the eye and the soul here combine their genius to give us a magnificent picture of Macchu Picchu. The ancient and mysterious citadel built by the Incas has piqued human imagination since its discovery in the last century. The grandeur and mystery of the fortress resound in Pablo Neruda's poetry. The marvels of these wondrous heights echo in the fascinating detail that you can see in Edward Ranney's ten magnificent photogravures. The poem is presented here in the original Spanish with John Felstiner's English translation printed alongside. Ten photogravures by Edward Ranney. Edition limited to 300 numbered copies. Each book signed by Edward Ranney. The typography was designed set in Monotype Centaur and printed by Dan Carr and Julia Ferrari at Golgonooza Letter Foundry in Asheulot New Hampshire. Jon Goodman made the gravure plates and editioned the prints. The book is bound in a rough green linen that brings to mind the lush green of that mountainside. Black fabric covers its hinged and lined case. One volume 15 x 12 inches. As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. Limited Editions Club hardcover
2013ref. 13380Octon France: Verdigris Press 2013. Limited Edition. Hardcover. Fine in Fine Drop-Spine Archival Box. Limited Edition. Hardcover. Three mezzotints by Judith Rothchild plus a bonus print. "Neruda's text is accompanied with three mezzotints by Judith Rothchild. While the text presentation is sparse and clean the images are velvety and dense. They capture the essence of Neruda's words - "from bristly foliage" to "only a seed". From bristly foliage you fell complete polished wood gleaming mahogany . You fell you struck the ground but nothing happened . Because you are only a seed chestnut tree autumn earth water heights silence prepared the germ the floury density the maternal eyelids that buried will again open toward the heights ." publisher's statement. Tight bright and unmarred. Accordion structure extending from back pastedown letterpress printed in Univers on an Adana by Mark Lintott using chestnut-colored ink and printed on Hahnemuhle paper bound in screenprinted paper shades of brown with chestnut leaves over boards; laid in matching clamshell box. Oblong narrow 4to. 17pp. Illus. Numbered limited edition of 50 copies 1-10 include an additional mezzotint and are in a clamshell box; 1-4 also include one of the original copper plates; copies 11-50 presented in slipcases. This copy 5. Signed by the artist and printer. Verdigris Press hardcover
2013ref. 13380Octon France: Verdigris Press 2013. Limited Edition. Hardcover. Fine in Fine Drop-Spine Archival Box. Limited Edition. Hardcover. Three mezzotints by Judith Rothchild plus a bonus print. "Neruda's text is accompanied with three mezzotints by Judith Rothchild. While the text presentation is sparse and clean the images are velvety and dense. They capture the essence of Neruda's words - "from bristly foliage" to "only a seed". From bristly foliage you fell complete polished wood gleaming mahogany . You fell you struck the ground but nothing happened . Because you are only a seed chestnut tree autumn earth water heights silence prepared the germ the floury density the maternal eyelids that buried will again open toward the heights ." publisher's statement. Tight bright and unmarred. Accordion structure extending from back pastedown letterpress printed in Univers on an Adana by Mark Lintott using chestnut-colored ink and printed on Hahnemuhle paper bound in screenprinted paper shades of brown with chestnut leaves over boards; laid in matching clamshell box. Oblong narrow 4to. 17pp. Illus. Numbered limited edition of 50 copies 1-10 include an additional mezzotint and are in a clamshell box; 1-4 also include one of the original copper plates; copies 11-50 presented in slipcases. This copy 5. Signed by the artist and printer. Verdigris Press hardcover books
ref. 10279Aurora Colorado: Ravenpress 2020. Each volume is part of a small limited and variable edition ranging in an edition size of only four to five copies per volume. Each volume is numbered and signed on the colophon by designer and printer Alicia Bailey. Text in English and Spanish. Beautifully bound in patterned leather over cloth boards with inlaid paper title label to front. Illustrated from woodblock and pochoir plates on Japanese paper. The central image in each volume is a gate-fold multi-run hand-pulled print. Fine. These are the first twelve volumes from an ongoing series combining various print techniques with selections from Pablo Neruda's The Book of Questions. From Bailey’s website she states “This series presents selections of both the Spanish and English translations from one of my favorite collections of poems by Pablo Neruda. Neruda’s The Book of Questions was completed only months before his death in 1973. The collection is a series of brief poems composed entirely of unanswerable questions; a culmination of Neruda’s lifelong commitment to revealing inner structures of thought and feeling that underlie all experience.” Alicia Bailey is a studio artist based in Colorado. She focuses on book arts and assemblage producing artists’ books sculptural books and limited edition books. Alicia’s work embraces a wide variety of methods and materials and has been featured in dozens of solo and group exhibits throughout the world and is held in numerous public private and special collections. An archive of her work in the book arts is under development at Penrose Special Collections University of Denver Denver Colorado. Ravenpress unknown
1960ref. 81766Mexico City: Gráfica Horizonte 1960's. First Edition. 6 volumes. Octavo. 21cm volume 6 is slightly taller with a wider margin at the base of the cover. bound in original publisher's buff card wraps illustrated with an abstract design by Jorge Ballester the same illustration is utilised on all 6 covers with variations in color and composition. Ballester would have been 19 or 20 at the time of publication shortly before he went on to form 'Equipo Realidad' with Joan Cardells. 12-14pp per issue. Some sunning or fading to extremities light edgewear a very good clean and attractive collection. An ephemeral bit of book production utilising thin rough grain paper cheap card and some erratic trimming. Internally clean some pages unopened. Issues present include: #2 Miguel Hernandez: "Recoged Esta Voz" #3 Nicolas Guillén: "Buenos Dias Fidel" #4 Pablo Neruda: "No Tenian Mas Armas Que La Aurora." #5 Miguel Angel Asturias: "Bolivar" #6 Paul Eluard: "Libertad" #7 Patricio Lumumba: "Africa Será Libre" Absent from this assemblage is issue #1 "Dos Poemas" by Carlos Pellicer. The title "Ediciones Quinto Regimiento" is a loaded reference to the Madrid based publishing office of the fabled 5th Regiment a communist brigade fighting for the Republic during the Spanish Civil War to legendary effect and is clearly intended as both homage and statement of intent. The institutional footprint for this publication is tiny with a couple of issues having a slight presence on OCLC and an absence of significant holdings. Gráfica Horizonte unknown
1960ref. 81766Mexico City: Gráfica Horizonte 1960's. First Edition. 6 volumes. Octavo. 21cm volume 6 is slightly taller with a wider margin at the base of the cover. bound in original publisher's buff card wraps illustrated with an abstract design by Jorge Ballester the same illustration is utilised on all 6 covers with variations in color and composition. Ballester would have been 19 or 20 at the time of publication shortly before he went on to form 'Equipo Realidad' with Joan Cardells. 12-14pp per issue. Some sunning or fading to extremities light edgewear a very good clean and attractive collection. An ephemeral bit of book production utilising thin rough grain paper cheap card and some erratic trimming. Internally clean some pages unopened. Issues present include: #2 Miguel Hernandez: "Recoged Esta Voz" #3 Nicolas Guillén: "Buenos Dias Fidel" #4 Pablo Neruda: "No Tenian Mas Armas Que La Aurora." #5 Miguel Angel Asturias: "Bolivar" #6 Paul Eluard: "Libertad" #7 Patricio Lumumba: "Africa Será Libre" Absent from this assemblage is issue #1 "Dos Poemas" by Carlos Pellicer. The title "Ediciones Quinto Regimiento" is a loaded reference to the Madrid based publishing office of the fabled 5th Regiment a communist brigade fighting for the Republic during the Spanish Civil War to legendary effect and is clearly intended as both homage and statement of intent. The institutional footprint for this publication is tiny with a couple of issues having a slight presence on OCLC and an absence of significant holdings. Gráfica Horizonte unknown books
1936ref. 026463Instituto de las Espanas 1936. Soft Cover Staple-Bound. Very Good. SIGNED by Pablo Neruda on title page. Thin volume in excellent overall condition with some faint smudging to wrappers; wraps housed in glassine sleeve. Photos available upon request. Instituto de las Espanas paperback
1948ref. 368808Santiago Chile: Ediciones de Libreria Neira 1948. First edition limited issue one of 500 numbered copies this is #34. Illustrated throughout with black-and-white line drawings by José Venturelli. 47 2 pp. 1 vols. Folio. Printed illustrated wrappers with French flaps. Light tanning at edges darker at top and on spine; minor edge wear; interior fine. Venturelli José. First edition limited issue one of 500 numbered copies this is #34. Illustrated throughout with black-and-white line drawings by José Venturelli. 47 2 pp. 1 vols. Folio. A lovely folio-sized limited first edition copy of Neruda's poetic ode to Macchu Picchu printed in two colors and illustrated throughout with Venturelli's surrealistic line drawings. Ediciones de Libreria Neira unknown
