Terrell, Milton JBiblio.com
287 risultati
1995rif. DADAX0471287059Wiley 1995-05-11. 1. hardcover. New. 6.30x0.91x9.25. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
1842rif. 67807London: Rivington Longman & Co T Cadell J Bohn Et Al. Very Good with no dust jacket. Hardcover. 4 Volume set published in 1842 xxv 523pp 589pp xxii 430pp 560pp portrait frontis to Volume 1 partially uncut bound in original blind stamped dark green cloth spine sl sunned few minot splashes on covers heraldic Owain bookplate on front inside covers and dedication to BH Bulkeley Owen from his Father Dec 25th 1847 on front endpapers of each volume; Large Octavo . 1842. Rivington, Longman & Co T Cadell, J Bohn, Et Al hardcover
1851rif. 33562Thomas Johnson Manchester 1851. 2 vols. in 1 16mo. with engraved title-vignette and numerous engraved head-pieces a number coloured by hand; original dark green diced cloth boards elaborately framed in blind back gilt extra uncut AND PARTIALLY UNOPENED expertly rebacked with old backstrip laid down primrose endpapers a most attractive crisp clean copy. Contains Paradise Lost Paradise Regained Sampson Agonistes Comus Lycidas L'Allegro Il Penseroso Arcades Sonnets Odes Miscellanies Translations Elegies Epigrams Miscellaneous Poems Milton's Account of Manso An Ode Encomiums upon Milton. The first volume contains Paradise Lost with separate title and pagination the second volume the remaining works with separate titles but continuous pagination. THIS MANCHESTER IMPRINT IS VERY SCARCE. Thomas Johnson, Manchester, hardcover
2000rif. E4D240509008Amer Oil Chemists Society 2000-12-01. Hardcover. Like New. 6x0x9. New never used. Cover has minor shelf rubbings. Amer Oil Chemists Society hardcover
1994rif. x-0801430100Cornell Univ Pr 1994. Hardcover. New. 304 pages. 9.50x6.50x0.75 inches. Cornell Univ Pr hardcover
2018rif. 1-0323483194Elsevier 2018. Hardcover. New. 7th har/psc edition. 543 pages. 11.00x8.50x1.25 inches. Elsevier hardcover
1835rif. 107445London: John Macrone 1835. First Thus . Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. SIX VOLUME SETcontemporary full black leather heavily decorated in giltall page edges giltfrontis engraved and printed title page to each volumesome browning to engraved and printed title pagesextremities a little rubbed otherwise a complete handsome and well bound set. John Macrone hardcover
1995rif. x-0471287059John Wiley & Sons Inc 1995. Hardcover. New. 336 pages. 9.50x6.50x1.00 inches. John Wiley & Sons Inc hardcover
rif. 95099London, Printed in the Year, 1731. "10 x 16, 2 volumes, xx-300-28 + 306 pages, bandeaux, lettrines et culs-de-lampe, reliure d'époque plein cuir, dos lisse, 2 pièces de titre, 4 caissons ornés de motifs floraux, plats encadrés d'un triple filet, tranches jaspées, état moyen (reliure usagée; papier blanc quasi sans rousseurs)."
2012rif. SONG0470541946Wiley 2012-03-06. 4. hardcover. Used: Good. 6.46x1.35x9.47. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
rif. SKU1747806Elsevier 2018-11-21. hardcover. New. 8x1x11. New Book Ships with Tracking Elsevier hardcover
rif. 6211William Pickering. London. 1839. THREE VOLUMES. 8vo. 6.5 x 4.2 inches. Portrait frontis in volume one. Printed by Charles Whittingham London. Attractively bound in contemporary half black calf with gilt ruling decoration and lettering to spines. Dark green title labels gilt. Marbled paper on boards. Some foxing to blank endpapers but text is clean and fresh. Some rubbing to extremities and minor chipping to top of the spines on volumes one and two but overall a very good set. William Pickering. London. 1839 hardcover
2012rif. DADAX0415575435Routledge 2012-09-04. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
2013rif. x-1489903801Springer 2013. Paperback. New. reprint edition. 408 pages. 9.00x6.25x1.00 inches. Springer paperback
1765rif. 19714A Paris, Chez Nyon / de l'imprimerie de la Veuve Quillau, 1765. Complet en 4 volumes petit in-12 (8,5 x 14 cm.), plein veau marbré, dos lisses avec roulettes, titre et fleurons dorés, tranches rouges, roulette dorée sur les coupes, gardes marbrées, pièces de titre et tomaison bordeaux. Infimes frottements en coins, belle condition générale.
1730rif. 19715La Haye, Isaac vander Kloot, 1730. Complet en 3 volumes in-12, plein vélin blanc, titre manuscrit aux dos (petits frottements en dessous). Notes (assez critiques) sur la traduction en début du volume 1, à la plume.
1987rif. DADAX0824778014CRC Press 1987-05-29. 1. hardcover. New. 6.22x0.76x9.24. Buy with confidence. Excellent Customer Service & Return policy. CRC Press hardcover
1863rif. 84532Paris: Rigaud 1863. In-folio cm. 44 pp. xxx 157 1. Con 25 belle tavole f.t. incise in rame tra cui i tre ritratti dell'autore di Lamartine e di Chateaubriand. Solida legatura coeva in mezza pelle con punte dorso a nervi con titoli e ricchi fregi in oro. Tagli di testa dorato. Esemplare genuino con solo pochi segni d'uso esterni ma ben conservato. Bell'edizione magnificamente illustrato e con la celebre traduzione in francese di Chateaubriand. Rigaud unknown
1853rif. 017136Edinburgh: James Nichol 1853. Complete in 2 volumes. Books measure 22x14.5.cm. xxviii333pp xxxi328pp. Bound in period full red morocco ornate gilt tooling raised bands inner dentells full gilt edges yellow endpapers. Calf rubbed on edges corners with minor abrasion wear lightly bumped on one spine. Both bindings in very good clean firm condition. Internally previous owners bookplate neat inscription dated 1856 on free endpaper a few pages creased on corners. Pages in good clean condition. A very nice well bound set. F. Full Calf. Very Good Plus. 8vo. James Nichol Hardcover
1835rif. 32247London: John Macrone 1835. 6 volumes. The First Brydges Edition and a handsome 19th century printing with fine illustrations. Engraved frontispiece and engraved title pages after J. M. W. Turner in each volume. 12mo very handsomely bound in contemporary Regency style crushed dark-green morocco the spine panels gilt decorated lettered and numbered the upper and lower covers with large central gilt ornamental device all in Arabesque style turnovers gilt all edges gilt. xxix 303; 340; 310; 320; 332; 352 pp. A good set the text-blocks and illustrations all in good order the bindings with some wear at the extremities though primarily confined to the head-caps Vol. II with the front cover weak and starting otherwise a pleasing set. A SET OF THE POETS IN PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ and the other major works but the sonnets psalms translations and his work in Latin. As well there is a fine Memoir of Milton and history of his literary work. John Macrone unknown
1852rif. 33254London: William Pickering 1852. 3 volumes. The Aldine Edition of the British Poets. With an engraved portrait of Milton by Robinson dated 1831. Small 8vo handsomely bound in full crushed brown morocco the spines with raised bands separating the compartments two compartments lettered and numbered in gilt. cxxxiv 4 153 1; 4 372; 4; 334 pp. A fine and bright set beautifully preserved very fresh and clean internally some light foxing to the blanks as typical some minimal offsetting to the titles. A VERY HANDSOME SET of Milton’s poetry from the Aldine British Poets series. It contains as well as the poems a lengthy introduction and Life of Milton by John Mitford. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ 'Paradise Regained' Samson Agonistes and the other major works but the sonnets psalms translations and his work in Latin and Greek. As well there is a fine Memoir of Milton and history of his literary work and the fine verse rendering on 'Paradise Lost' by Andrew Marvel. William Pickering hardcover
1899rif. 6560University Press Cambridge 1899. Large folio First and Sole Edition on fine laid paper with 47 fine separate large collotype facsimiles each accompanied by a printed leaf bearing the transliterated text with variants and revisions as appropriate; disbound as issued uncut the collection housed in the publisher's original and substantial cloth portfolio front lettered in gilt gilt back with original lock the portfolio neatly and skilfully refurbished at several joints and the whole work in very good clean state. Mild bookplate scar on inner cover of portfolio. In addition to the superb facsimiles the work includes the editor's preface and printed leaves of errata notes and index. 'Each page of the MS. has been represented as far as possible by ordinary type the words and letters printed in italic being those which in the MS. are struck out by the writer. It will be observed that some words in italic are underlined in the MS. This is to indicate that although they had been struck out they were to be restored. The peculiarities which could not be represented by the use of ordinary type are recorded in the Notes.' Preface. Milton's manuscript volume remains the chief treasure of the College Library. EXTREMELY SCARCE. Stevens 304. University Press, Cambridge, hardcover
1801rif. 57933Venezia: presso Antonio Zatta 1801. Tre volumi di cm. 31 pp. 4 377 1; 373 3; 487 1. Legatura coeva in cartonato marmorizzato dorsi lisci con filetti in oro e titoli manoscritti su etichette. Esemplare con qualche traccia d'uso esterna ma assai genuino e marginoso elegantemente stampato su carta forte tendente all'azzurrino. La traduzione italiana presenta il testo a fronte nella versione originale inglese. Nel terzo volume troviamo la vita e le annotazioni di Addison sopra sopra l'opera di Milton. Edizione originale di questa traduzione. presso Antonio Zatta unknown
1788rif. 38595Printed for J Lackington No. 46 Chiswell Street Moorfields 1788. 12mo. on laid paper with engraved portrait frontispiece and 3 engraved plates; contemporary calf expertly rebacked in calf to style original red leather label partially legible laid down a remarkably bright clean crisp copy. The frontispiece is Phinn's medallion portrait of the author first published in Donaldson's edition of the Poetical Works in 1772. The plates also by Phinn are placed to head books IV VIII and IX. This edition includes in addition to the poem the Preface by Lackington the Life by Newton augmented with extracts from Toland and Birch Barrow's 'In Paradisum Amissam' Marvell's 'On Paradise Lost' a description of the verse and full index. This edition is selected for comment by Professor John T. Shawcross in his address celebrating the acquisition of the Robert J. Wickenheiser collection of Miltoniana by the Thomas Cooper Library of the University of South Carolina 2006 together with an even more elusive companion volume. EXTREMELY SCARCE. ESTC N32815. Not recorded by NCBEL. COPAC lists copies only at Auckland BL and Harvard. Printed for J Lackington, No. 46 Chiswell Street, Moorfields, hardcover
1725rif. 35104London: Printed for Jacob Tonson in the Strand 1725. A fine early edition printed by Tonson who also printed the first illustrated edition. With a fine engraved frontispiece portrait of Milton by R. White and 12 fine copperplate engravings by Burgess and P. P. Bouche after John Baptist Medina B Lens and H. Aldrich. These are the same engraved illustrations that appeared in the first illustrated edition of 1688. 8vo handsomely bound in contemporary full red crushed morocco the covers with fine gilt fillet rules to the borders enclosing a gilt rolled and tooled inner border including floral elements the spine with raised bands gilt stopped the compartments of the spine with fully gilt panels incorporating numerous tooled designs one compartment lettered in gilt marbled endleaves of the period all edges gilt a very pleasing binding of the time. viii 350 46 index and lines of the poem pp. A very handsome binding of the period in the most desired red morocco the book solid and strong and the text-block and illustrations well preserved with some normal mellowing from age some rubbing and a little splitting to the outer hinges though not affecting the inner hinges or the cords some wear to the head and tail of the spine panel still a handsome and rarely encountered fine period binding. VERY EARLY ILLUSTRATED EDITION INCORPORATING THE ORIGINAL FIRST FOLIO EDITION ENGRAVINGS also published by Jacob Tonson. The first illustrated edition is also one of the earliest examples of a book published by subscription and one of the earliest illustrated books in English literature. Five Centuries of Book Illustration 1988 Edward Hodnett calls this "the earliest serious effort to illustrate an important work of English poetry;" and in Francis Barlow: First Master of English Book Illustration he goes further and declares it "the only major English literary work with important engraved illustrations in the seventeenth century." The copperplate engravings have a dramatic power that was only matched 200 years later by John Martin's gloomy mezzotints. In PARADISE LOST Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This copy with a Life of Milton Postscripts and a celebration of Milton penned by Andrew Marvell who writes a splendid poem on the success of Milton's poem: .Pardon me Mighty Poet !. But I am now convinc'd and none will dare Within Thy labors to pretend a share. Thou hast not miss'd one thought that could be fit; And all that was improper dost omit: So that no room is here for writers left But to detect their ignorance or theft. .Thy verse created like Thy Theme sublime In number weight and measure needs not rhyme. Printed for Jacob Tonson in the Strand hardcover
