Esman, Milton JBiblio.com
287 résultats
2009réf. SONG0745644961Wiley-Interscience 2009-07-07. 1. hardcover. Used: Good. 5.80x0.90x8.80. Buy with confidence. Excellent Customer Service & Return policy. Wiley-Interscience hardcover
réf. DADAX1118638131Wiley 2015-08-21. 1. paperback. New. 5.50x0.76x8.50. Buy with confidence. Excellent Customer Service & Return policy. Wiley paperback
1947réf. 008656LONDON: ALAN WINGATE 1947. FIRST . Soft cover. Near Fine/NoNE. MENINSKY BERNARD. CLEAN BRIGHT AND UNMARKED WRITTEN IN ENGLISH 9 FULL PAGE DRAWINGS BY BERNARD MENINSKY TO ACCOMPANY MR. MILTON'S POEMS PLUS LARGE ILLUSTATIONS ON FRONT AND BACK COVERS VERY WELL PRESERVED A VERY RARE TITLE ORIGINAL PRICE OF 20 S ON FRONT DUSTFLAP 2 TINY CLOSED TEARS AN EXCELLENT BRIGHT COPY ALAN WINGATE paperback
2009réf. DADAX0745644961Wiley-Interscience 2009-07-07. 1. hardcover. New. 5.80x0.90x8.80. Buy with confidence. Excellent Customer Service & Return policy. Wiley-Interscience hardcover
1994réf. DADAX0801430100Cornell University Press 1994-09-22. hardcover. New. 6.00x1.06x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cornell University Press hardcover
1989réf. DADAX0804715491Stanford University Press 1989-03-01. 1. hardcover. New. 7.00x0.48x10.00. Buy with confidence. Excellent Customer Service & Return policy. Stanford University Press hardcover
1987réf. DADAX0824778014CRC Press 1987-05-29. 1. hardcover. New. 6.22x0.76x9.24. Buy with confidence. Excellent Customer Service & Return policy. CRC Press hardcover
2012réf. mon0000223907Palgrave 2012-10-30. Hardcover. Very Good. 1.5228 in x 21.8274 in x 14.4670 in. Palgrave hardcover
1994réf. DADAX0801482313Cornell University Press 1994-09-22. paperback. New. 6.00x0.81x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cornell University Press paperback
réf. J01G-01380Harper & Row. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Harper & Row unknown
réf. 9349527-nnew. unknown
1835réf. 32247London: John Macrone 1835. 6 volumes. The First Brydges Edition and a handsome 19th century printing with fine illustrations. Engraved frontispiece and engraved title pages after J. M. W. Turner in each volume. 12mo very handsomely bound in contemporary Regency style crushed dark-green morocco the spine panels gilt decorated lettered and numbered the upper and lower covers with large central gilt ornamental device all in Arabesque style turnovers gilt all edges gilt. xxix 303; 340; 310; 320; 332; 352 pp. A good set the text-blocks and illustrations all in good order the bindings with some wear at the extremities though primarily confined to the head-caps Vol. II with the front cover weak and starting otherwise a pleasing set. A SET OF THE POETS IN PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ and the other major works but the sonnets psalms translations and his work in Latin. As well there is a fine Memoir of Milton and history of his literary work. John Macrone unknown
1991réf. 120246Philadelphia: W. B. Saunders 1991. 3rd edition. Nice copy. large octavo. hardback in original cloth 339pp. b/w pls. text ills. appends. index W. B. Saunders hardcover
1725réf. 35104London: Printed for Jacob Tonson in the Strand 1725. A fine early edition printed by Tonson who also printed the first illustrated edition. With a fine engraved frontispiece portrait of Milton by R. White and 12 fine copperplate engravings by Burgess and P. P. Bouche after John Baptist Medina B Lens and H. Aldrich. These are the same engraved illustrations that appeared in the first illustrated edition of 1688. 8vo handsomely bound in contemporary full red crushed morocco the covers with fine gilt fillet rules to the borders enclosing a gilt rolled and tooled inner border including floral elements the spine with raised bands gilt stopped the compartments of the spine with fully gilt panels incorporating numerous tooled designs one compartment lettered in gilt marbled endleaves of the period all edges gilt a very pleasing binding of the time. viii 350 46 index and lines of the poem pp. A very handsome binding of the period in the most desired red morocco the book solid and strong and the text-block and illustrations well preserved with some normal mellowing from age some rubbing and a little splitting to the outer hinges though not affecting the inner hinges or the cords some wear to the head and tail of the spine panel still a handsome and rarely encountered fine period binding. VERY EARLY ILLUSTRATED EDITION INCORPORATING THE ORIGINAL FIRST FOLIO EDITION ENGRAVINGS also published by Jacob Tonson. The first illustrated edition is also one of the earliest examples of a book published by subscription and one of the earliest illustrated books in English literature. Five Centuries of Book Illustration 1988 Edward Hodnett calls this "the earliest serious effort to illustrate an important work of English poetry;" and in Francis Barlow: First Master of English Book Illustration he goes further and declares it "the only major English literary work with important engraved illustrations in the seventeenth century." The copperplate engravings have a dramatic power that was only matched 200 years later by John Martin's gloomy mezzotints. In PARADISE LOST Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This copy with a Life of Milton Postscripts and a celebration of Milton penned by Andrew Marvell who writes a splendid poem on the success of Milton's poem: .Pardon me Mighty Poet !. But I am now convinc'd and none will dare Within Thy labors to pretend a share. Thou hast not miss'd one thought that could be fit; And all that was improper dost omit: So that no room is here for writers left But to detect their ignorance or theft. .Thy verse created like Thy Theme sublime In number weight and measure needs not rhyme. Printed for Jacob Tonson in the Strand hardcover
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réf. 9349527like new. unknown
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réf. 200383Oxford University Press 1966. 8vo 8½ x 5¾ ins. Original gilt lettered blue morocco leather binding all edges gilt Fine. Pp. xxxi 570 no inscriptions. Oxford University Press, 1966 unknown
réf. 2590283like new. unknown
réf. 46392491like new. unknown
1860réf. 54138New York: Derby & Jackson 1860. 8vo pp. x 2 370 2; original green cloth gilt title on spine; extremities rubbed occasional foxing very good and sound. A derivative account of the life of Hong Xiuquan and the Taiping Rebellion. It had been previously published under the title Life of Tai Ping Wang in 1857. Derby & Jackson unknown
réf. 0745631169.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0981212018.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 697139421Broadview Press . Other. New. pp. 560 Broadview Press unknown
