Marmer, Milton JBiblio.com
287 résultats
réf. 1258166364.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1025094387.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1992réf. 155224Torino: Einaudi 1992. Cm. 215 pp. lxviii 650 2. Con tavole f.t. da disegni di Emilio Tadini. Leg. edit. in piena tela con sovracoperta ill. Entro custodia in cart. rigido illustrato. Qualche abrasione al dorso peraltro in ottimo stato di conservazione. Collana: I Millenni. Einaudi hardcover
1992réf. 80667Torino: Einaudi 1992. Cm. 215 pp. lxviii 650 2. Con tavole f.t. da disegni di Emilio Tadini. Leg. edit. in piena tela con sovracoperta ill. Entro custodia in cart. rigido illustrato. Ottima conservazione in stato di nuovo. Collana: I Millenni. Einaudi hardcover
1801réf. 57933Venezia: presso Antonio Zatta 1801. Tre volumi di cm. 31 pp. 4 377 1; 373 3; 487 1. Legatura coeva in cartonato marmorizzato dorsi lisci con filetti in oro e titoli manoscritti su etichette. Esemplare con qualche traccia d'uso esterna ma assai genuino e marginoso elegantemente stampato su carta forte tendente all'azzurrino. La traduzione italiana presenta il testo a fronte nella versione originale inglese. Nel terzo volume troviamo la vita e le annotazioni di Addison sopra sopra l'opera di Milton. Edizione originale di questa traduzione. presso Antonio Zatta unknown
1863réf. 84532Paris: Rigaud 1863. In-folio cm. 44 pp. xxx 157 1. Con 25 belle tavole f.t. incise in rame tra cui i tre ritratti dell'autore di Lamartine e di Chateaubriand. Solida legatura coeva in mezza pelle con punte dorso a nervi con titoli e ricchi fregi in oro. Tagli di testa dorato. Esemplare genuino con solo pochi segni d'uso esterni ma ben conservato. Bell'edizione magnificamente illustrato e con la celebre traduzione in francese di Chateaubriand. Rigaud unknown
1846réf. 6648Torino: Fontana 1846. Due parti di pp. xviii 184; 209. Unito a: CAMOENS L. I Lusiadi. Traduzione di Antonio Nervi. Torino Fontana 1847. Pp. 307 5. Due opere in un volume di cm. 13 ben legato in mezza pelle del tempo con titoli e filetti in oro al dorso. Ottima copia. Fontana, unknown
1812réf. 47771Parigi: dai Torchi di Didot il Maggiore 1812. Cm. 30 pp. xiii 1 85 3. Legatura coeva in cart. rigido con titoli in oro su tassello al dorso. Una piccola mancanza alla cuffia superiore e qualche fioritura sparsa peraltro esemplare genuino e marginoso. dai Torchi di Didot il Maggiore unknown
réf. 1163910899.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1989réf. 24968Hoboken New Jersey U.S.A.: Wiley-Interscience 1989. Hardback in near fine condition. 2nd Edition. 2nd Edition. Hardcover. Near Fine. Hoboken, New Jersey, U.S.A.: Wiley-Interscience Hardcover
1989réf. 8221Hoboken New Jersey U.S.A.: Wiley-Interscience 1989. hardcover in near fine condition. 2nd edition. 2nd Edition. Hardcover. Fine. Hoboken, New Jersey, U.S.A.: Wiley-Interscience Hardcover
1688réf. 28972London: Printed for Jacob Tonson at the Judge’s-Head near the Inner-Temple-Gate.by Tho. Hodgkin et. al. 1688 and 1695. Very Rare LARGE PAPER COPY of The First “Collected” Edition. A sammelband of the poems of Milton. This copy comprised of the sheets of the large paper 1688 printing of the first illustrated edition of PARADISE LOST. A POEM IN TWELVE BOOKS with a 1695 reissued title-page for this edition; PARADISE REGAIN’D. A POEM. IN IV BOOKS. To whiich is added SAMSON AGONISTES A DRAMATICK POEM. these with the 1688 Title-Pages included Printed by R.E.MDLXXXVIII and for Randal Taylor.MDCLXXXVIII and with the large paper issuance of the first printing of the NOTES by Patrick Humeas well as the additional “POEMS”. Engraved portrait frontispiece and the 12 copperplate engravings by Burg after Medina used in the first illustrated edition of 1688. Folio very fine full early calf Farquhar the covers decorated with double gilt fillet and stippled lines and corner tools and elaborately tooled gilt turnovers the spine sometime restored and very handsomely decorated incorporating fine tooling and strapwork in gilt and with a morocco lettering label gilt. 5ff. 343 an original sheet listing some subscribers to the original 1688 edition 3 the table 321 the notes 66 60. A fine crisp and clean copy throughout the binding in excellent condition the refurbished spine panel beautifully restored expertly and sympathetically. RARE LARGE PAPER COPY OF THIS EXCEEDINGLY IMPORTANT EDITION THE FIRST OF THE COLLECTED WORKS WITH ORIGINAL 1688 LARGE PAPER SHEETS INCLUDED. Edward Hodnett considered this to be the "earliest serious effort to illustrate an important work of English poetry" Five Centuries of English Book Illustration 1988 p. 63 and the copperplate engravings have a dramatic power that was only matched 200 years later by John Martin. We rarely encounter a collection of the three principal poems. This collection which includes the POEMS ON SEVERAL OCCASIONS and the NOTES ON MILTON’S PARADISE LOST can be truly classified as the first collected edition and a wonderful sammelband preserved through time by highly appreciative collectors. Such collections are rare. This collected edition is augmented by the inclusion of the highly important NOTES ON MILTON’S PARADISE LOST POEMS ON SEVERAL OCCASIONS and additional poems as well. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ Printed for Jacob Tonson at the Judge’s-Head near the Inner-Temple-Gate...by Tho. Hodgkin et. al. unknown
1836réf. 34280London: Edward Churton 1836. A fine and handsome illustrated edition in an excellent Regency binding. With finely engraved plates by Westall Fusili and Martin and an engraved frontispiece portrait. 8vo very finely bound in Regency straight-grain full red morocco beautifully gilt decorated all over both covers fully emblazoned with fine gilt tooling in an arabesque design incorporating blind fillet lines at the borders the spines fully gilt in tooled compartments between raised bands and gilt lettered in one compartment edges and turn-ins gilt tooled all edges gilt. viii 527 pp. A fine copy beautifully preserved inside and out a bit of foxing here and there some offsetting onto the text from a few of the plates still a very handsome copy of an group of works luxuriously bound . A GEM OF AN EDITION BEAUTIFULLY BOUND. All of Milton’s great works including: Paradise Lost Paradise Regained Samson Agonistes Comus the Sonnets Odes Miscellanies etc. It also includes a Memoir of the Life and Writings the important essay on the poetical genius of Milton. Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Fortunately he eventually found one as the poem is now considered among the most important milestones in the language. The fine red morocco Regency binding is an added pleasure to the book here presented. Edward Churton hardcover
1963réf. 52688Place_Pub: New York: Julian Messner Inc 1963. Third Printing. fair to good ex-lib. fair to good. 192 illus. statistics index usual library markings tape stains inside flylves DJ somewhat soiled DJ in soiled plastic sleeve. Book for young readers. From the beginning Mickey Mantle's father planned a baseball career for his son naming him after the great baseball catcher Mickey Cochrane and training him at age five to be a switch-hitter. Julian Messner, Inc unknown
1973réf. 37276Merion Station PA: M. J. S. Pub. Co 1973. First Edition. First Printing. good fair. 24 cm 64 illus. DJ worn torn and chipped. Inscribed by the author. The author was Governor of Pennsylvania when he wrote this book a collection of poems written during his visit to Israel during December 1972. This book contains his observations of places off the beaten tourist trail accompanied by a knowledgeable young Israeli guide and interpreter. M. J. S. Pub. Co unknown
réf. 0548587302.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961réf. 213253Julian Messner 1961. First Edition. Hardcover. Very Good/Very Good. First Edition First Printing. Not price-clipped $3.95 price intact. Published by Julian Messner 1961. Octavo. Hardcover. Book is very good. Dust jacket is very good with edgewear. A nice copy of this vintage reference title on sports hunting. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Julian Messner hardcover
réf. 6211William Pickering. London. 1839. THREE VOLUMES. 8vo. 6.5 x 4.2 inches. Portrait frontis in volume one. Printed by Charles Whittingham London. Attractively bound in contemporary half black calf with gilt ruling decoration and lettering to spines. Dark green title labels gilt. Marbled paper on boards. Some foxing to blank endpapers but text is clean and fresh. Some rubbing to extremities and minor chipping to top of the spines on volumes one and two but overall a very good set. William Pickering. London. 1839 hardcover
1852réf. 33254London: William Pickering 1852. 3 volumes. The Aldine Edition of the British Poets. With an engraved portrait of Milton by Robinson dated 1831. Small 8vo handsomely bound in full crushed brown morocco the spines with raised bands separating the compartments two compartments lettered and numbered in gilt. cxxxiv 4 153 1; 4 372; 4; 334 pp. A fine and bright set beautifully preserved very fresh and clean internally some light foxing to the blanks as typical some minimal offsetting to the titles. A VERY HANDSOME SET of Milton’s poetry from the Aldine British Poets series. It contains as well as the poems a lengthy introduction and Life of Milton by John Mitford. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ 'Paradise Regained' Samson Agonistes and the other major works but the sonnets psalms translations and his work in Latin and Greek. As well there is a fine Memoir of Milton and history of his literary work and the fine verse rendering on 'Paradise Lost' by Andrew Marvel. William Pickering hardcover
1851réf. 32472London: William Pickering 1851. 8 volumes. First of the Edition. With a portrait and handwriting facsimile. Title-page in red and black with the fine Pickering device on the title in red and black. Large 8vo in a period binding of full brown morocco lettered and decorated with blind ruled and decorated borders in panel designs within compartments of the spine gilt lettered within panels in two compartments elaborately decorated covers employing three wide lines forming blind ruled borders enclosing a large arabesque decoration at the center of the covers executed in blind marbled endleaves all edges gilt. A handsome set with some age evidence some corners and tips rubbed the upper cover to Vol. VII detached but easily restored as necessary. A HANDSOME SET of the works of one of the greatest literary men the English language has produced. The verse and the prose are like diamonds and pearls of equal beauty. Along with Paradise Lost and Paradise Regained it also includes Samson Agonistes Lycidas and all the Miscellaneous Poems the Sonnets the three “Libers” translations and the foreign poems and the author''s prose works aas well. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ William Pickering unknown
1962réf. 046466Julian Messner. Very Good in Good dust jacket. 1962. Third Printing. Hardcover. Hardcover; Hardcover in dust jacket. Very nice red decorated boards. Title and decorations in black on spine. Light fore edge soil. Text pages are clean. Photo illustrated dust jacket is chipped at corners and spine ends. Soil rubbing and edge wear. Spine sun faded. Looks good in new protective mylar. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; 8VO . Julian Messner hardcover
réf. 0471287059.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1270345141.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ING9781118638132Wiley. New. Special order direct from the distributor Wiley unknown
1978réf. 415769Lange. Good. 1978. Soft Cover. A503 . Lange paperback
