281 résultats
réf. 903510Rahway NJ: The Mershon Company Two small books published by Mershon & company around 1897 -99. In very solid condition. Paradise Lost has a previous owner's signature on top of FFEP otherwise unmarked. Pale yellow cloth covered boards with black art nouveau style decoration on front board and black titles. Very slight aging to boards and minimal bumping to edges. Paradise Regained including Samon Agonistes is completely unmarked and is in comparable condition to Paradise lost . Green Cloth coverd boards with the same art nouveau design on front board. A delightful matching pair! The Mershon Company hardcover
1788réf. 38595Printed for J Lackington No. 46 Chiswell Street Moorfields 1788. 12mo. on laid paper with engraved portrait frontispiece and 3 engraved plates; contemporary calf expertly rebacked in calf to style original red leather label partially legible laid down a remarkably bright clean crisp copy. The frontispiece is Phinn's medallion portrait of the author first published in Donaldson's edition of the Poetical Works in 1772. The plates also by Phinn are placed to head books IV VIII and IX. This edition includes in addition to the poem the Preface by Lackington the Life by Newton augmented with extracts from Toland and Birch Barrow's 'In Paradisum Amissam' Marvell's 'On Paradise Lost' a description of the verse and full index. This edition is selected for comment by Professor John T. Shawcross in his address celebrating the acquisition of the Robert J. Wickenheiser collection of Miltoniana by the Thomas Cooper Library of the University of South Carolina 2006 together with an even more elusive companion volume. EXTREMELY SCARCE. ESTC N32815. Not recorded by NCBEL. COPAC lists copies only at Auckland BL and Harvard. Printed for J Lackington, No. 46 Chiswell Street, Moorfields, hardcover
réf. 697139421Broadview Press . Other. New. pp. 560 Broadview Press unknown
1992réf. 155224Torino: Einaudi 1992. Cm. 215 pp. lxviii 650 2. Con tavole f.t. da disegni di Emilio Tadini. Leg. edit. in piena tela con sovracoperta ill. Entro custodia in cart. rigido illustrato. Qualche abrasione al dorso peraltro in ottimo stato di conservazione. Collana: I Millenni. Einaudi hardcover
1992réf. 80667Torino: Einaudi 1992. Cm. 215 pp. lxviii 650 2. Con tavole f.t. da disegni di Emilio Tadini. Leg. edit. in piena tela con sovracoperta ill. Entro custodia in cart. rigido illustrato. Ottima conservazione in stato di nuovo. Collana: I Millenni. Einaudi hardcover
1992réf. 123238Torino Einaudi 1992. In 8° tela editor. con doppia sovracoperta e custodia. Pp. LXV 650 2 n.n. Numerose le tavole in nero riprese dai disegni di Emilio Tadini tutte fuori testo: Ottimo esemplare nella collana I Coralli. ISBN: 8806125729 hardcover
1673réf. 1309151673. First Edition. MILTON John. Poems &c. Upon Several Occasions. Both English and Latin &c. Composed at Several Times. With a Small Tractate of Education to Mr. Hartlib. London: Printed for Tho. Dring at the Blew Anchor 1673. Small octavo 4-1/2 by 6-1/2 inches 19th-century dark purple crushed levant morocco elaborately gilt-decorated boards and spine raised bands watered silk and marbled endpapers all edges gilt. Housed in a custom half red morocco clamshell box. $8500.First expanded edition of Milton's Poems initially printed in 1645 this second edition published only one year before his death and ""doubtless authorized by Milton"" Pforzheimer with over 40 poems ""printed here for the first time"" including the first printing of Sonnet XVI the first sonnet to refer to Milton's blindness especially memorable for its oft-quoted final lineÑ""They also serve who only stand and waite""; the Chevalier copy handsomely bound by Roger de Coverly & Sons.""After Shakespeare and Chaucer John Milton is the most eminent poet in the English languageÉ No other great poet not even Dante began with so clear and systematic an intention to devote himself entirely to poetry"" Bloom John Milton 1. This edition of Milton's poetry published only one year before his death and ""doubtless authorized by Milton"" is the first expanded edition of the earlier collection titled Poems of Mr. John Milton 1645. Containing all the works therein including L'Allegro Il Penseroso and Of Education this scarce volume also includes ""a number of poems here printed for the first timeÉ 'On the Death of a fair Infant dying of a Cough' ten sonnets numbered X to XIX inclusive 'The 5th. Ode to Horace' 'At a Vacation Exercise in the Colledge' 'On the new forcers of Conscience under the Long Parliament' and seventeen Psalms numbered 1-8 and 80-88 inclusive in Latin and Greek 'Apologus de Rustico & Hero' 'In Effigiei Ejus Sculptorem' and 'Ad Joannem Rousium Oxoniensis Academiae Bibliothecarium'"" Wither to Prior 573. Notably this edition features the first printing of Sonnet XVI the first published sonnet to refer to Milton's blindness and especially memorable for its final lineÑ""They also serve who only stand and waite."" With Pforzheimer's second state title page containing ""Blew Anchor"" in its imprint; publisher Dring moved from the ""White Lion"" as it appears on the first state title page to the ""Blew Anchor"" as it appears here. ""The title is otherwise from the same setting as the first state and the alteration was evidently made while the first sheet was still in the press"" Pforzheimer. With publisher's catalogue at rear; also with separate title page in Latin and separate pagination of Londinensis Poemata first published separately in 1645. Text in English and Latin. Wing 2161A. Pforzheimer 724. ESTC R42174. Lowndes 1563. See Pforzheimer 722 723; Wing 2159-2161; ESTC R202162. Bookplates of notable collectors Templeton Crocker and Paul Edward Chevalier; small modern ""SCM"" label.Contents overall clean faint waterstaining to a few upper outer corners. A stunning finely bound copy. hardcover
1911réf. 35065London: MacMillan and Co. Limited 1911. 1911 printing. With provenance of E. Malcolm Anderson from his days at Kenyon College. One of the college's principal undergraduate honors is named for him. The E. Malcolm Anderson Cup was established in 1935 by Anderson Class of 1914 and is still awarded annually to the student judged to have done the most for Kenyon through leadership and service. Kenyon continues to present it today. 8vo in the publisher's dark green cloth the spines lettered in gilt the upper cover with gilt ruled boarder surrounding and inner frame handsomely gilt tooled with Milton's signature t.e.g. xi 625 pp. A very handsome copy the cloth bright and fresh the binding sturdy the text clean. A few pages occasionally opened roughly. College presentation in manuscript on the final blank E. Malcolm Anderson's ownership notations in two places. A FINE AND HANDSOME PRINTING. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ and the other major works but the sonnets psalms translations and his work in Latin. MacMillan and Co., Limited hardcover
1836réf. 34280London: Edward Churton 1836. A fine and handsome illustrated edition in an excellent Regency binding. With finely engraved plates by Westall Fusili and Martin and an engraved frontispiece portrait. 8vo very finely bound in Regency straight-grain full red morocco beautifully gilt decorated all over both covers fully emblazoned with fine gilt tooling in an arabesque design incorporating blind fillet lines at the borders the spines fully gilt in tooled compartments between raised bands and gilt lettered in one compartment edges and turn-ins gilt tooled all edges gilt. viii 527 pp. A fine copy beautifully preserved inside and out a bit of foxing here and there some offsetting onto the text from a few of the plates still a very handsome copy of an group of works luxuriously bound . A GEM OF AN EDITION BEAUTIFULLY BOUND. All of Milton’s great works including: Paradise Lost Paradise Regained Samson Agonistes Comus the Sonnets Odes Miscellanies etc. It also includes a Memoir of the Life and Writings the important essay on the poetical genius of Milton. Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Fortunately he eventually found one as the poem is now considered among the most important milestones in the language. The fine red morocco Regency binding is an added pleasure to the book here presented. Edward Churton hardcover
1852réf. 33254London: William Pickering 1852. 3 volumes. The Aldine Edition of the British Poets. With an engraved portrait of Milton by Robinson dated 1831. Small 8vo handsomely bound in full crushed brown morocco the spines with raised bands separating the compartments two compartments lettered and numbered in gilt. cxxxiv 4 153 1; 4 372; 4; 334 pp. A fine and bright set beautifully preserved very fresh and clean internally some light foxing to the blanks as typical some minimal offsetting to the titles. A VERY HANDSOME SET of Milton’s poetry from the Aldine British Poets series. It contains as well as the poems a lengthy introduction and Life of Milton by John Mitford. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ 'Paradise Regained' Samson Agonistes and the other major works but the sonnets psalms translations and his work in Latin and Greek. As well there is a fine Memoir of Milton and history of his literary work and the fine verse rendering on 'Paradise Lost' by Andrew Marvel. William Pickering hardcover
1835réf. 32247London: John Macrone 1835. 6 volumes. The First Brydges Edition and a handsome 19th century printing with fine illustrations. Engraved frontispiece and engraved title pages after J. M. W. Turner in each volume. 12mo very handsomely bound in contemporary Regency style crushed dark-green morocco the spine panels gilt decorated lettered and numbered the upper and lower covers with large central gilt ornamental device all in Arabesque style turnovers gilt all edges gilt. xxix 303; 340; 310; 320; 332; 352 pp. A good set the text-blocks and illustrations all in good order the bindings with some wear at the extremities though primarily confined to the head-caps Vol. II with the front cover weak and starting otherwise a pleasing set. A SET OF THE POETS IN PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ and the other major works but the sonnets psalms translations and his work in Latin. As well there is a fine Memoir of Milton and history of his literary work. John Macrone unknown
réf. mon0000097869FREDRICK WARNE & CO 1000. Hardcover. Very Good. in x in x in. The Albion Edition on half bound calf leather and marbled boards rasied bars to spine decortaive gilded sript to spine cover marbled end papers FREDRICK WARNE & CO hardcover
réf. 6211William Pickering. London. 1839. THREE VOLUMES. 8vo. 6.5 x 4.2 inches. Portrait frontis in volume one. Printed by Charles Whittingham London. Attractively bound in contemporary half black calf with gilt ruling decoration and lettering to spines. Dark green title labels gilt. Marbled paper on boards. Some foxing to blank endpapers but text is clean and fresh. Some rubbing to extremities and minor chipping to top of the spines on volumes one and two but overall a very good set. William Pickering. London. 1839 hardcover
1835réf. 107445London: John Macrone 1835. First Thus . Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. SIX VOLUME SETcontemporary full black leather heavily decorated in giltall page edges giltfrontis engraved and printed title page to each volumesome browning to engraved and printed title pagesextremities a little rubbed otherwise a complete handsome and well bound set. John Macrone hardcover
1880réf. 37626W Kent 1880. 2 vols. 16mo. First Edition thus; navy cloth sides framed in blind gilt backs ruled in blind gilt edges brown endpapers a remarkably well-preserved bright clean crisp copy in publisher's board slip-case mildly rubbed at edges. COMPLETE SETS ARE VERY SCARCE IN THIS CONDITION. W Kent, hardcover
1688réf. 28972London: Printed for Jacob Tonson at the Judge’s-Head near the Inner-Temple-Gate.by Tho. Hodgkin et. al. 1688 and 1695. Very Rare LARGE PAPER COPY of The First “Collected” Edition. A sammelband of the poems of Milton. This copy comprised of the sheets of the large paper 1688 printing of the first illustrated edition of PARADISE LOST. A POEM IN TWELVE BOOKS with a 1695 reissued title-page for this edition; PARADISE REGAIN’D. A POEM. IN IV BOOKS. To whiich is added SAMSON AGONISTES A DRAMATICK POEM. these with the 1688 Title-Pages included Printed by R.E.MDLXXXVIII and for Randal Taylor.MDCLXXXVIII and with the large paper issuance of the first printing of the NOTES by Patrick Humeas well as the additional “POEMS”. Engraved portrait frontispiece and the 12 copperplate engravings by Burg after Medina used in the first illustrated edition of 1688. Folio very fine full early calf Farquhar the covers decorated with double gilt fillet and stippled lines and corner tools and elaborately tooled gilt turnovers the spine sometime restored and very handsomely decorated incorporating fine tooling and strapwork in gilt and with a morocco lettering label gilt. 5ff. 343 an original sheet listing some subscribers to the original 1688 edition 3 the table 321 the notes 66 60. A fine crisp and clean copy throughout the binding in excellent condition the refurbished spine panel beautifully restored expertly and sympathetically. RARE LARGE PAPER COPY OF THIS EXCEEDINGLY IMPORTANT EDITION THE FIRST OF THE COLLECTED WORKS WITH ORIGINAL 1688 LARGE PAPER SHEETS INCLUDED. Edward Hodnett considered this to be the "earliest serious effort to illustrate an important work of English poetry" Five Centuries of English Book Illustration 1988 p. 63 and the copperplate engravings have a dramatic power that was only matched 200 years later by John Martin. We rarely encounter a collection of the three principal poems. This collection which includes the POEMS ON SEVERAL OCCASIONS and the NOTES ON MILTON’S PARADISE LOST can be truly classified as the first collected edition and a wonderful sammelband preserved through time by highly appreciative collectors. Such collections are rare. This collected edition is augmented by the inclusion of the highly important NOTES ON MILTON’S PARADISE LOST POEMS ON SEVERAL OCCASIONS and additional poems as well. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ Printed for Jacob Tonson at the Judge’s-Head near the Inner-Temple-Gate...by Tho. Hodgkin et. al. unknown
1842réf. 67807London: Rivington Longman & Co T Cadell J Bohn Et Al. Very Good with no dust jacket. Hardcover. 4 Volume set published in 1842 xxv 523pp 589pp xxii 430pp 560pp portrait frontis to Volume 1 partially uncut bound in original blind stamped dark green cloth spine sl sunned few minot splashes on covers heraldic Owain bookplate on front inside covers and dedication to BH Bulkeley Owen from his Father Dec 25th 1847 on front endpapers of each volume; Large Octavo . 1842. Rivington, Longman & Co T Cadell, J Bohn, Et Al hardcover
1851réf. 33562Thomas Johnson Manchester 1851. 2 vols. in 1 16mo. with engraved title-vignette and numerous engraved head-pieces a number coloured by hand; original dark green diced cloth boards elaborately framed in blind back gilt extra uncut AND PARTIALLY UNOPENED expertly rebacked with old backstrip laid down primrose endpapers a most attractive crisp clean copy. Contains Paradise Lost Paradise Regained Sampson Agonistes Comus Lycidas L'Allegro Il Penseroso Arcades Sonnets Odes Miscellanies Translations Elegies Epigrams Miscellaneous Poems Milton's Account of Manso An Ode Encomiums upon Milton. The first volume contains Paradise Lost with separate title and pagination the second volume the remaining works with separate titles but continuous pagination. THIS MANCHESTER IMPRINT IS VERY SCARCE. Thomas Johnson, Manchester, hardcover
1794réf. 24326London: By W. Bulmer and Co. Shakespeare Printing Office for John and Josiah Boydell and George Nicol 1794-1797. 3 volumes. First edition of this Boydell issue the first edition with the plates by Richard Westall and a magnificent presentation copy given by Lord Lansdowne the first Marquis of Landsdowne to the French diplomat M. Chauvet who for many years resided at Kensington in London. An especially large copy. With 32 fine large plates being the 28 plates by Richard Westall and 4 portraits of John Milton. Folio 41 x 30 cm very finely bound in exceptional full contemporary bindings of crushed red morocco French in style with fine gilt rolled borders within gilt ruled frames on all covers each frame with corners formed with central gilt circular devices the spines with flat gilt ruled bands creating compartments decorated with small gilt central star burst tools one compartment lettered in gilt a second with gilt volume numbers and additional gilt lettering at the bottom of the spines gilt tooled edges to the covers and gilt turn-ins marbled endpapers a.e.g. cxxxiii 213; 286; 300 4 pp. A most beautiful and exceptional set. A REGAL SET OF THE FIRST EDITION OF THE GREAT ENGLISH POET AND WRITER TO INCLUDE THE FAMOUS ENGRAVINGS FROM RICHARD WESTALL. The Boydells would use Westall to illustrate their two greatest printing efforts the two greatest masters of the English language John Milton and William Shakespeare. Though Westall’s illustrations would be used again in a number of later editions and printings this is by far the largest finest and most impressive of any of the presentations. The Boydell text is equally fitting to these magnificent plates impressively laid out and making use of the fonts of William Martin. In the years that would follow Westall would become quite famous for these illustrations to Milton and for his portrait of Princess Victoria. He would serve as Princess Victoria’s drawing master until the time of his death in 1836. The very fine bindings are quite fitting and elegant. The volumes are beautifully fitting to the presentation inscribed in this copy and were a gift from Lord Lansdowne William Petty the first Marquis of Landsdowne and Prime Minister from 1782-1783 to his close friend M. Chauvet the French diplomat who resided for many years at Kensington. The inscription is dated 1802 and correlates with Chauvet’s being recalled to France due to the growing hostilities between France and England after the Treaty of Amiens. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ This thorough collection includes not only ‘Paradise Lost’ and the other major works including ‘Paradise Regained Samson Agonistes and Comus’ but the sonnets psalms translations and his work in Latin. As well there is a fine Memoir of Milton and history of his literary work. PARADISE LOST has remained one of the greatest classics of modern English vernacular indeed some say that it constitutes the beginning of modern English poetry and literature. By W. Bulmer and Co., Shakespeare Printing Office for John and Josiah Boydell, and George Nicol unknown
1851réf. 32472London: William Pickering 1851. 8 volumes. First of the Edition. With a portrait and handwriting facsimile. Title-page in red and black with the fine Pickering device on the title in red and black. Large 8vo in a period binding of full brown morocco lettered and decorated with blind ruled and decorated borders in panel designs within compartments of the spine gilt lettered within panels in two compartments elaborately decorated covers employing three wide lines forming blind ruled borders enclosing a large arabesque decoration at the center of the covers executed in blind marbled endleaves all edges gilt. A handsome set with some age evidence some corners and tips rubbed the upper cover to Vol. VII detached but easily restored as necessary. A HANDSOME SET of the works of one of the greatest literary men the English language has produced. The verse and the prose are like diamonds and pearls of equal beauty. Along with Paradise Lost and Paradise Regained it also includes Samson Agonistes Lycidas and all the Miscellaneous Poems the Sonnets the three “Libers” translations and the foreign poems and the author''s prose works aas well. In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies. Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ William Pickering unknown
1993réf. 500127341J'ai Lu crimes et enquetes 1993 375 pages poche. 1993. Broché. 375 pages.
1924réf. R320035959HACHETTE. 1924. In-12. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 29 pages - Frontispice en noir et blanc.. . . . Classification Dewey : 410-Linguistique
1805réf. R320025841GIGUET / MICHAUD. 1805. In-12. Relié plein cuir. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur acceptable. 292 + 292 + 262 pages - Augmenté d'un frontispice pour chaque volume / Dos partiellement arraché en Tome 2 / Auteur, titre, tomaison, fleurons et roulettes dorés.Frises dorées sur les contours des 1ers et 2emes plats. Quelques petites epidermures.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1810réf. R150156152CHAILLOT.. 1810. In-18. Relié plein cuir. Etat d'usage, Couv. défraîchie, Coiffe en tête abîmée, Intérieur acceptable. 288 pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
réf. J01G-01380Harper & Row. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Harper & Row unknown