Laurens Holmes JrBiblio.com
2246 resultados
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ref. V11O-01579No Starch Press. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. No Starch Press unknown
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1898ref. 74285Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 32 x 22 cm une feuille et une serpente Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on Japan paper with wide margins wove paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem; blank tissue guard. Lithograph inspired by the poem Les trophées by José-Maria de Heredia reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898ref. 74287Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 27 x 35 cm une feuille Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's embossed stamp showing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Lithograph inspired by the poem Les trophées by José-Maria de Heredia. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters increased at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""poster mania"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1997ref. AME_9783211828250Springer 1997. 1st. Hardcover. New/New. Springer hardcover
1998ref. USD_9780721611686Saunder 1998. N/A. Hardcover. Used - Like New/Used - Like New. Saunder hardcover
1952ref. 68801Paris: Henri Creuzevault 1952. Fine. Henri Creuzevault Paris 1952 21.50 x 32 cm en feuilles sous chemise et étui Edition illustrated with 14 original woodcuts by Henri Laurens one of 125 numbered copies on Montval laid paper the only issue after 25 Japan or China. Fine copy despite minor worming of no consequence to the first endpapers and half-title page. Henri Creuzevault unknown
ref. 65924With the exception of the frontispiece complete set of sixteen plates depicting the magnificent gardens of Paleis Het Loo. Charming in brownish ink.1. Geheel Gezicht van 't Koningly Luft-hof van Z. B. M. op 't Loo / C. Allard exc. / cum Privilegio;2. 't Konings Huis op 't Loo door de Laan komende van Appeldoorn te zien. / Carolus Allard excudit vum Privilegio Ordinum Hollandiae et West Frisiae;3. 't Konings Huis van de Tuin-zyde met de Fontein van Venus. / C. Allard exc. cum Privilegio;4. 's Konings Tuin met de Klosbaan achter de Stallingen gezien / C. Allard exc. cum Privilegio;5. De Fontein van Hercules met die van de Groote Sprong voor 't Amphitheater / C. Allard exc. cum Privilegio L: Scherm delli: et sculp:;6. Gezicht van 't Amphitheater over de Groote Tuin van 't Hof / C. Allard exc. cum Privilegio L: Scherm delli: et sculp:;7. Het Groote Doolhof / C. Allard exc. cum Privilegio;8. De Cascade van Galathea aan de West-zyde van de Groote Tuin / C. Allard exc. cum Privilegio;9. De Cascade van Narcissus aan de Oost-zyde van de Groote Tuin / C. Allard exc. cum Privilegio L.S:d:S:;10. De Fontein van de Koninglyke door-eengevlochte Naam; voor de Veiver / C. Allard exc. cum Privil.;11. Het Groene Koningins Kabinet / C. Allard exc. cum Privilegio;12. De Koninginne Tuin met 't Groene Kabinet en de Oranjerie van Achteren te zien. / C. Allard exc. cum Privilegio;13. De Groote Rust-Plaatsen; gezien van het Amphitheater tot het End van de Laan / C. Allard exc. cum Privilegio L: Scherm delli: et sculp:;14. De zes-weg by Phaunus na 't Beeld van Ceres te zien / C. Allard exc. cum Privilegio L: Scherm delli: et sculp:;15. De Grot-Sprong in het Kruid-hof / C. Allard exc. cum Privilegio L: Scherm del: et sculp:;16. De Laan na Ceres tegen over 't Beeld van Phaunus / C. Allard exc. cum Privilegio L: Scherm delli: et fec.Disassembled from an album as the sides of the pages are marmorized with the exception of the left margin. Etchings on paper with margins; plate mark: ca. 168 x 197 mm total: 182 x 280 mm; some impressions are blurry probably due to errors in the process of printing. Plate 12 on the external margin presents a small tear. Only state in good condition. Hollstein 34-49. unknown
1897ref. 65680Paris: Pierre Duffau 1897. Fine. Pierre Duffau Paris 1897 23 x 32 cm en feuilles First edition one of 40 copies on China ours one of the 10 copies out of business literati with remark and signature of Paul Albert Laurens . Nice copy despite tiny marginal freckles not serious at the head of some leaflets. Pierre Duffau unknown
1973ref. 20699661973. Collins. 1973. 8vo. Publisher's cloth and dustwrapper; price-clipped otherwise near fine.First edition. New Naturalist 56 hardcover
1848ref. 250501848. Fine. 1848 43.50 x 29.50 cm Dessin et lavis titre et date manuscrits au crayon noir en haut à droite par l'artiste. Original drawing and wash by Jules Laurens. Date and place inscribed in black pencil by the artist at the top right of the work November 1848. Presented in an antique varnished and gilt wooden frame under glass. Minor black mark at the upper left corner and a very small imperfection at the lower right corner; overall a well-preserved piece. Jules Joseph Auguste Laurens was a painter and lithographer born in Carpentras on 27 July 1825 died in Saint-Didier on 5 May 1901. From a family of five children Jules joined at the age of twelve his elder brother Jean-Joseph Bonaventure Laurens who had settled in Montpellier. He enrolled at the École des Beaux-Arts in Montpellier alongside Alexandre Cabanel and mingled with the artistic circles of his brother. From 1842 to 1846 he stayed in Paris to complete his training admitted fifth out of 600 at the École des Beaux-Arts and worked in the studio of the painter Paul Delaroche. From 1846 to 1849 he traveled as a draftsman through Turkey and Persia as part of a scientific mission led by the geographer Hommaire de Hell. Despite the missions failure Hommaire de Hells death unpaid work Jules returned with several hundred sketches drawings and watercolors that nourished his artistic activity. These portfolios are now preserved at the École des Beaux-Arts in Paris in Avignon and in Carpentras Bibliothèque Inguimbertine and museums. From this journey he also brought back works of Qajar art later donated to the Musée Calvet in Avignon and the museum in Carpentras. Upon his return to the Comtat he contributed to the development of the Carpentras library-museum. A collector he donated numerous notable works by recognized contemporary artists Victor Hugo Ingres Auguste Bonheur Eugène Cicéri Gustave Doré etc. Known for his Orientalist paintings and portraits of peasants from Auvergne and Comtat it is in landscape art that he distinguished himself a follower of Corot and the Barbizon school. unknown
ref. 65017The procession and festivities in honor of the arrival of king William III's in The Hague in 1691. Lettered below in Dutch and French: 'Intree van syn Koninglykee Mayesteit in den Hage. / Entree du Roy Guillame dans la Haye le 5 Fevrier 1691'. Likely the plate has been reworked especially on the lower part. The signature of the engraver must have been removed. Signed on the bottom right: 'A. Schoonebeek Exc.' Schonebeek the publisher was a pupil of Romeyn de Hooghe. In the same years - 1691/92 - de Hooghe published with Bidloo a larger version of the publication: Engelands schouwtoneel verbeeldende de voornaamste voorvallen in Yrland van 't Jaar 1690 tot de velttogt van S:K: Mayesteit van Groot Brittanie 1691of which this print is plate nr. 14 p. 343. This same plate was used as image in propagandist broadside sheets of the period see RP-P-OB-76.308 and RP-P-OB-76.307. Etching on paper with margins mounted on cardboard with the tip of one margin; plate mark: 152 x 190 mm total: 170 x 269 mm; rather tired impression especially in the central area yet according to the image of the impression at the Rijksmuseum the metal plate might have been of lesser quality see B-0696-53. Otherwise in good condition. Atlas van Stolk 2860. unknown
ref. 65019The procession and festivities in honor of the arrival of king William III's in The Hague in 1691.Lettered below in Dutch and French: 'Afbeelding van de Eerepoort op de Plaats / Prepresentation de l'Arc de Triomphe sur la Place'.Signed on bottom right: 'L. Scherm fec.'. Signed on the bottom right: 'A. Schoonebeek Exc.' Schonebeek the publisher was a pupil of Romeyn de Hooghe. In the same years - 1691/92 - de Hooghe published with Bidloo a larger version of the publication: Engelands schouwtoneel verbeeldende de voornaamste voorvallen in Yrland van 't Jaar 1690 tot de velttogt van S:K: Mayesteit van Groot Brittanie 1691 of which this print is plate nr. 15. Etching on paper with margins mounted on cardboard with the tip of one margin; plate mark: 152 x 198 mm total: 170 x 277 mm; in good condition. Hollstein 5. unknown
1775ref. 55429à Rome Rome: Aux dépens de La Congrégation de l'Index 1775. Fine. Aux dépens de La Congrégation de l'Index à Rome Rome 1775 9.50 x 16.50 cm 2 parties en un volume relié New edition after the original published at the same address in 1763. 2 title pages and half-title. Contemporary marbled glazed full calf binding. Smooth spine decorated. Modern brown title-label. One corner slightly bumped. Handsome copy fresh. L'arretin is composed of 25 essays and stories on subjects as diverse as Les nègres L'agriculture La chasteté ou le célibat Histoire de maître Pierre etc. These are all violent critiques sometimes direct sometimes satirical or allegorical of biblical teaching the church and its history. Abbé Du Laurens 1719-1793 was a polemical and anti-religious writer whose works are all libertine and licentious but above all profoundly anti-religious. The author does not hesitate to descend into the lowest trivialities to support his criticism but his comic inventions often astonishing earned him praise. Pursued for his books he took refuge in Holland then was imprisoned in Mainz in 1767 to end his days at 74 in a convent. 'This book is a lively and rather ribald critique of the principal stories of the Bible. L'epouse de Suze is a critique of La nouvelle Héloïse. Le sage Pangloss is Solomon the wisest of men this is an original chapter even by its singular biblical quotations. L'histoire de Suzon is that of Susanna and the two elders l'histoire de Godemiché. The origin of these instruments of chamois or velvet that became so common in nunneries. Finally les Couvens de Jésuites is an allegory of the story of Sodom. In a word the entire volume is rather a facetious critique of the Bible and clerical institutions than a simply ribald book'. Gay/Lemonnyer I 263-264. Aux dépens de La Congrégation de l'Index unknown
ref. 17719Paris Egasse Frères 1807. In/12 reliure plein veau tacheté vert et havanne dos lisse à petits fers dorés et pièce de titre rouge roulette dorée sur les plat doré trois tranches 19 planches dont un frontispice Desrais xij f. 185 p. 1 f. On attribue à ce pamphlétaire de nombreux pseudonymes : Du Laurens Lauteur du « Compère Matthieu » Brise-Crosses Laurent dHenriville Modeste-Tranquille Xan-Xung Labbé de Saint-Albin J.-B. Dulaurens G. J. Laurens. Brunet 14153 précise : "les ouvrages de cet écrivain irréligieux et obscène ont été recueillies à Bruxelles en 1823". Le dictionnaire Larousse 19è fait un portrait plus nuancé de l'auteur : Né en 1719 il entre précocement dans les ordres où fait montre d'un esprit vif mais caustique qui le met très tôt en butte à son entourage. Le parlement de Paris ayant lancé en 1761 le célèbre arrêt contre les jésuites Dulaurens depuis longtemps leur ennemi saisit avec empressement loccasion de se venger en composant contre eux une satire violente sous le titre de Jésuitiques. Cependant de crainte des poursuites il s'enfuit en Hollande puis en Belgique en enfin Allemagne où condamné par sentence en 1767 à une prison perpétuelle et enfermé dans une maison de pauvres prêtres à Mayence. Il termina sa peine au couvent surveillé de Marienborn où il mourut à lâge de 74 ans. Le présent titre a été édité la première fois en 1765. Jean et Jérôme vieux amis et musiciens ambulants se querellent. Léchauffourée qui ameute tout Arras tourne au drame : Jérôme à lhôpital se fait émasculer par un vilain chien. Dès lors une Chandelle miraculeuse surgit du cerveau de la victime puis va apparaître sur Arras portée par les mains de Marie. Cette chandelle a le pouvoir de guérir toute personne malade dexcès charnels. Note : La légende dune chandelle miraculeuse à Arras est avérée mais pas pour les mêmes raisons. unknown
1920ref. 40391Paris: Bibliothèque des Curieux 1920. Fine. Bibliothèque des Curieux Paris 1920 14.50 x 23.50 cm relié New edition conforming to the first edition published in 1763 one of 10 numbered copies on Arches paper the only deluxe copies. Bradel binding in full paper smooth spine hazelnut shagreen title-label with minor marginal scratches original wrappers preserved contemporary binding. Work illustrated with a frontispiece portrait of the author. Introduction and bibliography by Radeville and Deschamps. Bibliothèque des Curieux unknown
