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564 results
1983ref. 2136798Paris: Julliard 1983. 778, (4) pages. Gr. 8° (22,5-25 cm) Orig.-Broschur. [Softcover / Paperback].
1982ref. 161273Paris: Éd. Gallimard, Julliard 1982. 362 Seiten. Mit 24 schwarzweißen Abbildungen auf Tafeln im Text. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
1962ref. 106716Paris: Rene Julliard 1962. 516; 555 Seiten. 8° (17,5-22,5 cm). Illustrierte Orig.-Broschuren. [Softcover / Paperback].
2016ref. x-3037640383Jrp Ringier Kunstverlag Ag 2016. Hardcover. New. 296 pages. 13.00x9.75x1.50 inches. Jrp Ringier Kunstverlag Ag hardcover
2013ref. x-9401068828Springer Netherlands 2013. Paperback. New. 600 pages. 9.61x6.69x1.36 inches. Springer Netherlands paperback
ref. G3492006655I5N00LE LIBRAIRE 1899. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. LE LIBRAIRE paperback
ref. ANAIS-2877064506B.DE FALLOIS. paperback. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. B.DE FALLOIS paperback
1986ref. SBBIH-LNKZPQFRQ54PCorgi Childrens 1986. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Corgi Childrens paperback
ref. 96431Zürich JRP / Ringier 2018. Quer-Gr.8° 141. zahlr. Abb. Kart. Tadell. Ausstellungskatalog: Musée Jenisch Vevey.- "1. Es gibt Kunst nur als Behauptung." M.S. "Der Plan ist der erste Schritt für einen Aufbau für eine Konstruktion für eine Skulptur. Der Plan ist zweidimensional ich muss ihn - durch meine Arbeit - in die dritte Dimension verwandeln. Alle meine Arbeiten sind Pläne oder Collagen - umgesetzt in die dritte Dimension ich mache Collagen im Raum. Ich gehe nie vom Volumen aus ich gehe immer von einem Plan aus - den ich in meinem Kopf habe. Der Plan die Form ist zuerst in meinem Kopf. Mich interessiert dass der Plan nicht linear umgesetzt werden kann und es interessiert mich dass ich einen Plan interpretieren muss. Mein Plan ist nicht Theorie'. Seine Interpretation muss eine echte eine wahrhaftige eine eigene Interpretation sein. In der Kunst geht es darum ein Anliegen ein Problem eine Mission zu haben und es geht darum in Not mit Kopflosigkeit und in absoluter Dringlichkeit diesem Anliegen diesem Problem oder dieser Mission eine Form zu geben." T.H. Künstler-Blabla weil mann sonst nichts zu sagen hat. Oh ja und ein paar Obdachlose dürfen sich auch noch missbrauchen lassen und ein wenig mitspielen. Und alles wird mit Versatzstücken wichtiger Denker natürlich nur Männer aufgemotzt. Die asoziale Plastik. Aber der Gewinn geht natürlich an den Grosskünstler eh klar. 010 Zürich, JRP / Ringier, 2018 unknown
2013ref. SONG3037642785Jrp Ringier 2013-03-31. hardcover. Used: Good. 8.00x0.40x11.20. Buy with confidence. Excellent Customer Service & Return policy. Jrp Ringier hardcover
2010ref. 019033Flammarion 2010. Soft cover. Good. Flammarion paperback
1951ref. 85389New York: Julliard Co 1951. Ring_bound. FINE. Large metal ring binder. Laminate layer over faux wood illustrated boards. Miniature replica of a ship Belaying pin affixed to front cover by thick rope to match the seafaring theme. 13" x 10 1/2" pp. 52. Catalogue of fabric samples of woolens and worsteds attached to thick cream-colored paper with faint nautical background designs. Introductory page explains theme and contents. 5 tab separators "Clipper Ship Coatings" "Sea Breeze Suitings" "Sea Foam Dress Weights" and "Round-the-World Colors" each with nautical vignette over faux wood design. Lovely mid-century typography in filigree style cartouches to each leaf. Nearly all samples 100% virgin wool in excellent condition. This nautical themed Julliard catalogue takes inspiration from the "Clipper Ship Era"--an era of American seafaring inaugurated by newly designed American-made vessels in the 1850s. The company writes on its introductory page "The American Clipper Ships were the flower and symbol of civilization's mercantile triumphs. These thoroughbred racers of the sea were in their day as streamlined as are our fashions and way of life today. They were the epitome of American craftsmanship.the sleek slim lines of their hulls never surpassed in beauty." The collection was designed in consultation with the curators and staff and the Marine Museum in Mystic Connecticut. Motifs of seagulls sails light houses and quaint seaside villages recur throughout. The colorful patterned fabric is neatly cut and carefully arranged on each leaf according to printed ID number. Includes tweeds fleeces stock-dyed worsted suiting checkered tweed skipchecksuiting chart checks and more. Descriptions of each kind of fabric uses very vivid imagery. For example the Julliard Tween Suitings is described as "Homespun rustic white pebbles on a beach.words that conjure up an earlier American scene. Pebble Tweed light-weight wool suiting is chic in neutrals nubbed in white lovely too in cross-dyed pastels and brights.Dolphin Tweed a versatile jacket weight is lightly checked and handsome.cross-dyed colors are mauves golds soft tans and stimulating brights." The book is of great interest for the fabric but it is also of interest as an artifact of mid-century advertising--the heyday of "mad men." The company had its roots in the mid-nineteenth century. Augustus D. Julliard founded the textile manufacturing company the Julliard Company in 1866. He became a wealthy and well known American businessman and philanthropist donating to schools hospitals and museums. The famous Julliard School of Music in New York City was named after him. Julliard Co unknown
2017ref. 2-8416657688Difusion Centro de Investigacion y Publicaciones de Idiomas S.L. 2017. Paperback. New. 01 edition. 160 pages. French language. 11.69x8.27x0.39 inches. Difusion Centro de Investigacion y Publicaciones de Idiomas S.L. paperback
2017ref. 2-2221202635Robert Laffont 2017. Paperback. New. 1184 pages. French language. 7.80x5.28x1.10 inches. Robert Laffont paperback
ref. BN319054Klett Sprachen. Softcover. Les mauvaises notes: Französische Lektüre für das 4. Lernjahr Littérature jeunesse Les mauvaises notes: Französische Lektüre für das 4. Lernjahr Littérature jeunesse Claire Julliard Klett Sprachen paperback
2009ref. BN312537La Découverte 2009. 2009. Softcover. Gaza le livre noir Gaza le livre noir REPORTERS SANS FRONTIÈRES RSF Jean-François JULLIARD Camille MANSOUR et Gideon LEVY La Découverte paperback
2016ref. BN629131Titel Scheidegger & Spiess 2016. 2016. Kleines Handbuch der Zeichnungskunst Kleines Handbuch der Zeichnungskunst Enckell Julliard Julie de Halleux Elisa und Emmanuelle Neukomm Titel Scheidegger & Spiess unknown
ref. 500112620Sans date. Bon état unknown
2011ref. H-712-807Blake Mortimer 2011. Good. Former library book. Volume 4. Ammareal gives back up to 15% of this item's net price to charity organizations. Blake Mortimer unknown
1986ref. 220247New York: Dutton 1986. Hardcover. Fine in Fine dust jacket. 8vo. 188 pp. Index black and white photos. Complete with synopses of all seventy-eight television episodes and with many never-before-seen photographs. History of the long running radio & later television program. The book was suppressed at time of publication owing largely to the prevailing attitude that the characters were blatantly racist. This perception seems to have mellowed somewhat in the intervening years. Dutton hardcover
ref. 2020090066.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 270211752X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 3858817694.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 36579Association de Sequana In-4 illustr. unknown
2007ref. C87011Walther Konig. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 152 pages; 80 color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'Œuvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; French Edition; If painting was for Matisse the expression of a "state of condensed sensations" his engravings consisted of "Traits Essentiels" or "essential lines:" they were recordings of a single sensation and rarely passed through any series of stages or reworkings. In fact engraving was a refuge. Marguerite Duthuit-Matisse co-author of a catalogue raisonne of her father's prints describes the graphic work he often executed at the end of a painting session as an "agreeable conclusion." After several experiments with drypoint Matisse turned toward woodcut in 1906 and gave it up almost immediately then worked simultaneously in monotype and etching where he achieved an astonishing tension between surface and line. Later he turned to linocut and to sugarlift aquatint. It is on these projects that the selection in Traits Essentiels focuses: Lithography which Matisse practiced from 1906 to 1952 and with which he was less experimental is excluded. Text in French only. . 2007. 2830602331 . Walther Konig paperback
