528 résultats
2020réf. x-9811550921Springer Nature 2020. Hardcover. New. 631 pages. 9.25x6.10x1.38 inches. Springer Nature hardcover
2021réf. x-9811550956Springer Nature 2021. Paperback. New. 631 pages. 9.25x6.10x1.27 inches. Springer Nature paperback
2023réf. x-9819935911Springer Nature 2023. Hardcover. New. 376 pages. 9.25x6.10x0.91 inches. Springer Nature hardcover
réf. 46563178-nnew. unknown
2015réf. x-2503555357Brepols Publishers 2015. Hardcover. New. multilingual edition. 450 pages. 10.70x8.40x1.20 inches. Brepols Publishers hardcover
2021réf. SKU0612783Cengage Learning 2021-09-07. hardcover. New. 8x0x10. New Textbook Ships with Tracking Cengage Learning hardcover
réf. 42269856-nnew. unknown
2018réf. x-3319950975Springer 2018. Hardcover. New. 318 pages. 9.25x6.25x0.75 inches. Springer hardcover
2013réf. x-3642354661Springer 2013. Hardcover. New. 2013 edition. 440 pages. 9.25x6.25x1.25 inches. Springer hardcover
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2017réf. x-1118905849John Wiley & Sons Inc 2017. Hardcover. New. 250 pages. 9.50x7.00x1.00 inches. John Wiley & Sons Inc hardcover
réf. A9781032251004Hardback. New. This book discusses the major issues currently affecting the accountability of executive power in Europe. hardcover
réf. 30752378-nnew. unknown
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2010réf. x-250353533XBrepols Publishers 2010. Hardcover. New. bilingual edition. 565 pages. 10.50x8.50x1.50 inches. Brepols Publishers hardcover
2022réf. x-1108845517Cambridge Univ Pr 2022. Hardcover. New. 250 pages. 9.25x6.18x0.79 inches. Cambridge Univ Pr hardcover
2022réf. BN247845Cambridge University Press 2022. 2022. Softcover. Digital Entrepreneurship Digital Entrepreneurship Vincenzo Morabito Cambridge University Press paperback
réf. DADAX1118905849Wiley 2017-08-14. 1. hardcover. New. 6.10x1.10x9.10. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
réf. 23958873-nnew. unknown
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réf. 70508Brepols 2026. Hardback Pages: xvi 448 Size:210 x 270 mm Illustrations:192 b/w 16 col. 9 tables b/w. 1 music example Languages: English Italian French. ISBN 9782503621845. Summary The figurative arts - or the arts that transcribe the visible - are interested in music in many ways. If we consider the hierarchy of genres particularly formalised at the end of the 17th century with the advent of the academies music is present in religious subjects historical and mythological themes the performing arts genre scenes portraits and still lifes. Artists offered musical motifs using a wide variety of techniques including painting of course but also the graphic arts drawing engraving and the plastic arts sculpture objets d'art and textiles in particular. This multiplicity of themes media and techniques gives us the opportunity to discover common or rarer musical instruments that can be remarkably observed but also musical notations that are sometimes perfectly identifiable particular playing techniques that refer to theoretical treatises or learning tutors and musical ensembles appropriate to a wide variety of circumstances religious rituals festivals urban or court entertainments the performing arts domestic practices. All these visual traces of music raise questions about the place of music among the other arts and about its social and symbolic importance since it suggests or even provokes the affirmation of a status of a terrestrial or spiritual power of an aesthetic or even philosophical choice. The contributions gathered here reflect this diversity during the seventeenth and eighteenth centuries in Italy France Germany Spain and Austria. TABLE OF CONTENTS Florence Gétreau and Fulvia Morabito Preface Spiritual Inspiration Maria Luisa Baldassari Chi era il maestro di Santa Cecilia Dipinti di S. Cecilia e trattati tastieristici nel primo Barocco Galliano Ciliberti Un caso di musica picta: il mottetto In te Domine spes mea attribuito a Giacomo Carissimi Gaëtan Naulleau Le choeur polyphonique dans les planches illustrées du Cæremoniale Episcoporum 1600-1779 : caractéristiques circulation et signification d'un thème iconographique Scenography and Theatrical Art Silvia Bier « Le propre de ce spectacle »: Early French Opera and the Idea of a Synthesis of Arts Adriana De Feo Pietro Pariati and Apostolo Zeno at the Viennese Court: Baroque Spectacle and the Representation of Power Portraits of Musicians Nicola Usula Musica nei ritratti e ritratti nella musica: il caso di Leopoldo i Asburgo 1640-1705 Florence Gétreau The Musical Assembly with Reincken Buxtehude and Theile Painted in 1674 by Johannes Voorhout: Reassessing Its Historiography and Interpretation Vincent Robin Quelques portraits de musettes et de musettistes aux XVIIe et XVIIIe siècles Court Music Images Florence Gétreau Présence de la musique dans l'iconographie du salon de la Paix à Versailles : les peintures et les trophées des bas-reliefs de métal doré Michael Latcham All the World's a Stage: Farinelli at the Royal Court of Spain 1737 to 1760 Cristina Bordas Visual Memory of Farinelli in 21st Century Madrid Iconographic Appendix Abstract and Biographies Index of Names Brepols 2026 hardcover
