MARABOUT FLASHLivre Rare Book
528 résultats
1959réf. RO90034503EDITIONS MARABOUT FLASH N°3. 1959. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 151 pages.. . . . Classification Dewey : 30-Encyclopédies générales
réf. 42719VPRT
2017réf. x-3319569031Springer 2017. Hardcover. New. 403 pages. 9.25x6.10x0.98 inches. Springer hardcover
2018réf. 1-3319860313Springer 2018. Paperback. New. reprint edition. 404 pages. 9.25x6.10x0.91 inches. Springer paperback
réf. 70508, Brepols, 2026 Hardback, Pages: xvi + 448, Size:210 x 270 mm, Illustrations:192 b/w, 16 col., 9 tables b/w., 1 music example, Languages: English, Italian, French. ISBN 9782503621845.
réf. 66065, Brepols, 2019 Hardback, xvi + 405 pages, Size:210 x 260 mm, Illustrations:15 b/w, 110 musical examples, Languages: English, Italian, Spanish.*new ISBN 9782503583693.
réf. 70508Brepols 2026. Hardback Pages: xvi 448 Size:210 x 270 mm Illustrations:192 b/w 16 col. 9 tables b/w. 1 music example Languages: English Italian French. ISBN 9782503621845. Summary The figurative arts - or the arts that transcribe the visible - are interested in music in many ways. If we consider the hierarchy of genres particularly formalised at the end of the 17th century with the advent of the academies music is present in religious subjects historical and mythological themes the performing arts genre scenes portraits and still lifes. Artists offered musical motifs using a wide variety of techniques including painting of course but also the graphic arts drawing engraving and the plastic arts sculpture objets d'art and textiles in particular. This multiplicity of themes media and techniques gives us the opportunity to discover common or rarer musical instruments that can be remarkably observed but also musical notations that are sometimes perfectly identifiable particular playing techniques that refer to theoretical treatises or learning tutors and musical ensembles appropriate to a wide variety of circumstances religious rituals festivals urban or court entertainments the performing arts domestic practices. All these visual traces of music raise questions about the place of music among the other arts and about its social and symbolic importance since it suggests or even provokes the affirmation of a status of a terrestrial or spiritual power of an aesthetic or even philosophical choice. The contributions gathered here reflect this diversity during the seventeenth and eighteenth centuries in Italy France Germany Spain and Austria. TABLE OF CONTENTS Florence Gétreau and Fulvia Morabito Preface Spiritual Inspiration Maria Luisa Baldassari Chi era il maestro di Santa Cecilia Dipinti di S. Cecilia e trattati tastieristici nel primo Barocco Galliano Ciliberti Un caso di musica picta: il mottetto In te Domine spes mea attribuito a Giacomo Carissimi Gaëtan Naulleau Le choeur polyphonique dans les planches illustrées du Cæremoniale Episcoporum 1600-1779 : caractéristiques circulation et signification d'un thème iconographique Scenography and Theatrical Art Silvia Bier « Le propre de ce spectacle »: Early French Opera and the Idea of a Synthesis of Arts Adriana De Feo Pietro Pariati and Apostolo Zeno at the Viennese Court: Baroque Spectacle and the Representation of Power Portraits of Musicians Nicola Usula Musica nei ritratti e ritratti nella musica: il caso di Leopoldo i Asburgo 1640-1705 Florence Gétreau The Musical Assembly with Reincken Buxtehude and Theile Painted in 1674 by Johannes Voorhout: Reassessing Its Historiography and Interpretation Vincent Robin Quelques portraits de musettes et de musettistes aux XVIIe et XVIIIe siècles Court Music Images Florence Gétreau Présence de la musique dans l'iconographie du salon de la Paix à Versailles : les peintures et les trophées des bas-reliefs de métal doré Michael Latcham All the World's a Stage: Farinelli at the Royal Court of Spain 1737 to 1760 Cristina Bordas Visual Memory of Farinelli in 21st Century Madrid Iconographic Appendix Abstract and Biographies Index of Names Brepols 2026 hardcover
réf. BN383557Musical Improvisation in the Baroque Era Musical Improvisation in the Baroque Era Fulvia Morabito ed unknown
réf. W20-008ISD19Brepols Publishers 2019-03-14. hardcover. Very Good. 8x1x10. Like new hardback with dust jacket. Minor bump to hardcover lower corners. Pages are clean and unmarked. Brepols Publishers hardcover
réf. 66065Brepols 2019. Hardback xvi 405 pages Size:210 x 260 mm Illustrations:15 b/w 110 musical examples Languages: English Italian Spanish.new ISBN 9782503583693. Summary In the Baroque period there is a large discrepancy between sound entity and musical notation. In a context where the musical tradition handwritten and printed at times suggests the possible execution of a passage at times indicates a specific mode of execution often adapted by the ability of the performer or the musical occasion the margin for improvisation is wide. The in-depth and possibly comparative study of musical sources their historical contextualization their evaluation on the basis of documentary and theoretical testimonies allows us to shed light on the real aural rendering of the synthetic written page. This volume aims to investigate the role and forms of improvisation in Baroque music under many of its multifaceted aspects in a study that will define the links between creative process and executive practice. TABLE OF CONTENTS Fulvia Morabito Introduction Improvisation into Composition David Chung French Harpsichord doubles and the Creative Art of the 17th-Century Clavecinistes Massimiliano Guido Sounding Theory and Theoretical Notes Bernardo Pasquini's Pedagogy at the Keyboard: A Case of Composition in Performance Javier Lupiañez - Fabrizio Ammetto Las anotaciones de Pisendel en el Concierto para dos violines RV 507 de Vivaldi: una ventana abierta a la improvisación en la obra del 'Cura rojo' Josué Meléndez Peláez Cadenze per nali: Exuberant and Extended Cadences in the 16th and 17th Centuries Marina Toffetti Written Outlines of Improvisation Procedures in Music Publications of the Early 17th Century: The Second 1611-1623 and Third 1615-1623 Book of Concerti By G. Ghizzolo and the Motet Iesu Rex Admirabilis 1625-1627 by G. Frescobaldi Issues of Performance Practice Giovanna Barbati «Il n'exécute jamais la Basse telle qu'elle est écrite»: The Use of Improvisation in Teaching Low Strings Anthony Pryer On the Borderlines of Improvisation: Caccini Monteverdi and the Freedoms of the Performer Laura Toffetti «Sostener si può la battuta etiandio in aria». Testi e contesti per comprendere l'invenzione e la disposizione del discorso musicale nel repertorio strumentale italiano fra Seicento e Settecento Rudolf Rasch Improvised Cadenzas in the Cello Sonatas Op. 5 by Francesco Geminiani Contemporary Treatises Pedagogical Works and Aesthetics Valentina Anzani Il mito della competizione tra virtuosi: quando Farinelli sdò Bernacchi Bologna 1727 John Lutterman Re-Creating Historical Improvisatory Solo Practices on the Cello: C. Simpson F. Niedt and J. S. Bach on the Pedagogy of Contrapunctis Extemporalis Francesca Mignogna Accompagnamento e basso continuo alla chitarra spagnola. Una cartograa della diffusione dei sistemi di notazione stenograci in Italia Spagna e Francia tra xvi e xvii secolo e loro implicazioni teoriche Guido Olivieri Naturalezza o articio: riessioni su improvvisazione e virtuosismo italiani in Francia nel Settecento Neal Zaslaw «Adagio de Mr. Tartini. Varié de plusieurs façons différentes très utiles aux personnes qui veulent apprendre à faire des traits sous chaque notte de l'Harmonie» The Art of Partimento Simone Ciolfi Cantata da camera e arte del partimento in Alessandro Scarlatti. «An Historical Link between Baroque Recitatives and Development Section of the Sonata-Form Movements» Marco Pollaci Two New Sources for the Study of Early Eighteenth-Century Composition and Improvisation Giorgio Sanguinetti On the Origin of Partimento: A Recently Discovered Manuscript of Toccate 1695 by Francesco Mancini Peter van Tour «Taking a Walk at the Molo»: Partimento and the Improvised Fugue Abstracts Biographies Index of Names Brepols 2019 hardcover
2019réf. 1085981Brepols Publishers 2019. 1st. hardcover. New. 132x16x168. Brepols Publishers hardcover
2001réf. 1330609PN. New. 2001. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2024réf. x-3031746074Springer 2024. Paperback. New. 465 pages. 9.25x6.10x9.25 inches. Springer paperback
2024réf. x-3031746783Springer 2024. Paperback. New. 547 pages. 6.10x1.11x9.25 inches. Springer paperback
2024réf. x-3031747038Springer 2024. Paperback. New. 471 pages. 9.25x6.10x9.21 inches. Springer paperback
2024réf. x-3031747224Springer-Nature New York Inc 2024. Paperback. New. 438 pages. 9.25x6.10x9.25 inches. Springer-Nature New York Inc paperback
2024réf. x-3031745000Springer-Nature New York Inc 2024. Paperback. New. 483 pages. 9.25x6.10x9.21 inches. Springer-Nature New York Inc paperback
2018réf. x-3319950975Springer 2018. Hardcover. New. 318 pages. 9.25x6.25x0.75 inches. Springer hardcover
2019réf. x-9811389497Springer 2019. Hardcover. New. 556 pages. 9.25x6.10x1.42 inches. Springer hardcover
2013réf. x-3642354661Springer 2013. Hardcover. New. 2013 edition. 440 pages. 9.25x6.25x1.25 inches. Springer hardcover
2010réf. x-250353533XBrepols Publishers 2010. Hardcover. New. bilingual edition. 565 pages. 10.50x8.50x1.50 inches. Brepols Publishers hardcover
réf. 10250901like new. unknown
réf. 10250901-nnew. unknown
1960réf. RO90034554EDITIONS MARABOUT FLASH N°42. 1960. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 147 pageS.. . . . Classification Dewey : 20-Bibliothéconomie et sciences de l'information
réf. lc_45878Magellan & Cie; miniatures édition (5 mars 2009)
