23 110 résultats
2011réf. 451562Alfred A. Knopf 2011. First Edition. Hardcover. Near Fine. 514 pages. First edition first printing. A near fine copy in a near fine dust jacket. Jacket has a few scuffs and is slightly edgeworn. Else fine. Gee Joan if only you were French and male and dead. New York art dealer to Joan Mitchell the 1950s She was a steel heiress from the Midwest Chicago and Lake Forest her grandfather built Chicago s bridges and worked for Andrew Carnegie. She was a daughter of the American Revolution Anglo-Saxon Republican Episcopalian. She was tough disciplined courageous dazzling and went up against the masculine art world at its most entrenched made her way in it and disproved their notion that women couldn t paint. " Joan Mitchell "is the first full-scale biography of the abstract expressionist painter who came of age in the 1950s 60s and 70s; a portrait of an outrageous artist and her struggling artist world painters making their way in the second part of America s twentieth century. As a young girl she was a champion figure skater and though she lacked balance and coordination accomplished one athletic triumph after another until giving up competitive skating to become a painter. Mitchell saw people and things in color; color and emotion were the same to her. She said I use the past to make my pictures and I want all of it and even you and me in candlelight on the train and every lover I ve ever had every friend nothing closed out. It s all part of me and I want to confront it and sleep with it the dreams and paint it. Her work had an unerring sense of formal rectitude daring and discipline as well as delicacy grace and awkwardness. Mitchell exuded a young smoky tough glamour and was thought of as sexy as hell. Albers writes about how Mitchell married her girlhood pal Barnet Rosset Jr. scion of a financier who was head of Chicago s Metropolitan Trust and partner of Jimmy Roosevelt. Rosset went on to buy Grove Press in 1951 at Mitchell s urging and to publish Henry Miller Samuel Beckett Jean Genet Jack Kerouac Allen Ginsberg et al. making Grove into the great avant-garde publishing house of its time. Mitchell s life was messy and reckless: in New York and East Hampton carousing with de Kooning Frank O Hara James Schuyler Jane Freilicher Franz Kline Helen Frankenthaler and others; going to clambakes cocktail parties softball games and living an entirely different existence in Paris and Vetheuil. Mitchell s inner life embraced a world beyond her own craft especially literature . . . her compositions were informed by imagined landscapes or feelings about places. In" Joan Mitchell" Patricia Albers brilliantly reconstructs the painter s large and impassioned life: her growing prominence as an artist; her marriage and affairs; her friendships with poets and painters; her extraordinary work. " Joan Mitchell" re-creates the times the people and her worlds from the 1920s through the 1990s and brings it all spectacularly to life. Alfred A. Knopf hardcover
2015réf. 12757Kunsthaus Bregenz. Very Good . 2015. Hardcover. 9783863357948 4to 182 pp VG in pictorial boards as issued without dust jacket minor wear to tips else a clean minimally handled copy. Text in English & German. Lavishly illustrated in color and b&w. Scarce. . Kunsthaus Bregenz hardcover
2018réf. 2688new york: cheim & read 2018. 2018. new york: cheim & read. isbn: 9781944316150. 10.5 x 10.5 inches. hardcover. bound in pictorial paper wrappers. book condition: sealed. as new. cheim & read unknown
2017réf. 22591Drawing into Painting is a survey of works by Joan Mitchell 1925–92 on canvas and paper from 1958 through 1992 the year of her death. For Mitchell drawing and painting were related but autonomous activities. Her pastels can be as dense as oil paintings and her oil paintings can be as light and airy as watercolors. The book includes art from each decade of her career with a formal range spanning flurried strokes and gestural lines of rhapsodic color to darkly massed forms and complex multi-panel formats. Mitchell's move to France in 1959 as Mark Rosenthal writes in his essay "suggests an aesthetic choice whereby she submerged American artistic developments within a profound embrace of French Impressionism." This decision represented a departure from the influences and goals of her colleagues in the New York School and harked back to her student days at the School of the Art Institute of Chicago. Very Good book in Good jacket. Mildly bumped edges. Dust jacket shelfwear edge tears. Cheim & Read hardcover
1994réf. 4732In fine condition clean and unmarked. Robert Miller Gallery hardcover
réf. 0944680011.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. ria9781644231180_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1985réf. 21529like new oversize pb smallcats Xavier Fourcade paperback
2017réf. 1517MINT OVERSIZE HC expedited and international shipping not available Cheim & Read hardcover
1989réf. 106252Robert Miller Gallery 1989-10-02. Hardcover. Like New. 12x10x0. As new clean tight and bright oblong format hardcover in clear acetate jacket. oversized and overweight. e36 Please email for photos. Robert Miller Gallery hardcover
1989réf. g601Robert Miller Gallery 1989-10-02. Hardcover. Very Good. VG clean & square linen boards have slight wear firm corners & sound binding no markings of any kind a sound copy. Ships with care & respect. Robert Miller Gallery hardcover
1996réf. 022283Robert Miller Gallery New York 1996. Book. Fine Condition. Stiff Wrappers. Slim volume 56 pages with 22 illustrations 18 in color. Stiff Illustrated wraps. Design by John Cheim. Published on the occasion of the exhibition from the Robert Miller Gallery New York NY April 9-May 4 1996. Biographical Chronology. Robert Miller Gallery, New York Paperback
réf. ANAIS-0975331752Cheim & Rea. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Cheim & Rea hardcover
2010réf. 94826Gallery. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 72 pages; 33 illustrations including 32 in color. -- with a bonus offer-- . 2010. 1935263242 . Gallery hardcover
réf. 113865Harry N. Abrams New York 1997. Oblong 4to 204pp colour and black and white illustrations. A very good hardback copy in like dust jacket. Front endpaper creased. . Harry N. Abrams, New York, 1997 hardcover
1993réf. 32562New York: Robert Miller Gallery 1993. A fine copy in yellow cloth boards in fine illustrated jacket. First Edition. Quarto. An elegant catalogue published on the occasion of Joan Mitchell's memorial exhibition at Robert Miller Gallery designed by John Cheim. Illustrated with full page color reproductions of 14 of her final works 1992; introduced by a moving text from John Ashbery. Concluding with a portrait of Mitchell from photographer David Seidner. New York: Robert Miller Gallery unknown
2024réf. SKU1741665David Zwirner Books 2024-09-03. hardcover. New. 9x0x12. New Book Ships with Tracking David Zwirner Books hardcover
1985réf. 214377New York: Xavier Fourcade Inc 1985. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran April 3 through May 4 1985. Includes with the covers 19 color illustrations. A near fine copy in stapled wrappers with some very minor wear. Uncommon. Xavier Fourcade, Inc unknown
1986réf. 214378New York: Xavier Fourcade Inc 1986. First edition. Softcover. 24 pages. Exhibition catalog for a show that ran April 3 thorugh May 10 1986. Features the text of an interview between Yves Michaud and Mitchell. Includes a total of 22 color illustrations. A near fine copy in stapled wrappers with some minor wear to the top of the spine. Uncommon. Xavier Fourcade, Inc unknown
1976réf. 214379New York: Xavier Fourcade Inc 1976. First edition. Softcover. 12 pages. Exhibition catalog for a show that ran November 23 through December 31 1976. Includes with the cover a total of 10 color illustrations. A very good plus copy in stapled wrappers with a small spot to the front cover and some other minor wear. Internally a clean copy. Uncommon. Xavier Fourcade, Inc unknown
réf. 1543084Kunsthaus Bregenz. Collectible - Very Good. Condition: Very Good; Hardcover no dustjacket as issued. Book is in Very Good condition with clean covers and pages sharp corners and a tight square binding. Light shelfwear only. First Edition. Photos upon request. Kunsthaus Bregenz hardcover
1991réf. 30520New York: Robert Miller Gallery 1991. Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by Joan Mitchell held at Robert Miller Gallery NYC March 26 - April 20 1991. Stiff card machine-folded once to 4 pages; 7.5 x 10 inches opens to a 15x10-inch illustration. Condition: Light foxing/age-toning to the front and back otherwise Fine. Laid-in is a 1991 7-page article on the artist clipped from the NY Times Sunday Magazine written by Deborah Solomon and photographed by David Turnley. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted. Robert Miller Gallery unknown
1997réf. 30537New York: Cheim & Read 1997. Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by Joan Mitchell and John Chamberlain titled "A Juxtaposition" and held at Cheim & Read NYC November 19 1997 - January 9 1998. Stiff card machine-folded twice to 6 pages c-fold; 2 color illustrations; text by Klaus Kertess; 8 x 10 inches opens to 24 inches. Condition: Hints of handling/shelving otherwise Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted. Cheim & Read unknown
réf. 30546Exhibition Announcement Cards. This is not a book. Six original announcement cards for exhibitions of work by Joan Mitchell held in NYC plus 29 items on the artist clipped from magazines. Cards: "The Presence of Absence" Cheim & Read 2002 notecard 4 pages 5 x 7 inches; "Working with Poets" Tibor de Nagy 2002 notecard text by Bill Berkson 7 x 7; "Larger than Life" Mary Ryan Gallery 2004 card printed both sides; 9 x 6.25; "Prints from the Foundation" Susan Sheehan Gallery 2006 card printed both sides; 6 x 9; "Paintings and Pastels" Lennon Weinberg 2008 notecard 5 x 7; and "Paintings from the Fifties" Lennon Weinberg 2011 notecard 5 x 7. Press releases: "my black paintings" Robert Miller Gallery 1994; and "Sunflowers" Cheim & Read 2008 plus the gallery-issued photo-copy of the David Hickey text from the catalogue of that show. Also included are 2 exhibition reviews and a 10-page essay by Richard Kalina clipped from an art magazine. Finally in the lot there are 23 advertisements for exhibitions auctions and announcements from the artist's foundation all clipped from magazines. Condition: The cards are all Fine; the clippings have all been carefully removed from the source material; the editorial matter appears complete. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. unknown
2002réf. 331898New York: Cheim & Reid 2002. hardcover. fine. Mitchell Joan. Essay by Nathan Kernan. 13 paintings reproduced in full color. Tall thin 4to pictorial boards. New York: Cheim & Reid 2002. A fine copy. Cheim & Reid unknown