4 088 résultats
1941réf. 160481New York: Viking 1941. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. 2 inch scuff on bottom rear panel edge. Light toning on front/rear inner gutters. Rubbing along panel edges. 1 inch open tear at bottom of rear panel. Viking hardcover
1936réf. 08753CUP OF GOLD Mcbride 1929 first printing of the Covici Friede binding in burgundy cloth edges of spine extremities and edge of front cover lightened else just about fine in vg/near fine first state of Covici Friede dust-wrapper with the publishers name blocked out and then reprinted and spelled correctly on the dust-wrapper spine and WITHOUT mention of OF MICE AND MEN on the front dust-wrapper panel which was duh published a year later in 1937 making any who list this title which has this work printed on the front dust-wrapper panel and then adjudicating it as the correct first state dust-wrapper a most dubious scholar and with a small chip missing from the head of the dust-wrapper spine slight fraying to the base of the dust-wrapper spine and some light dust-soil to the rear dust-wrapper panel. Actually a very nice copy of this the second issue of the first edition sheets of the authors first book bound in maroon cloth with the McBride colophon on the last page of text and released here in 1936. Not to be confused with the very common later edition NOT second issue in blue cloth without the McBride colophon on the last page of text . Covici Friede hardcover books
1939réf. 08759THE GRAPES OF WRATH Viking 1939 first edition near fine in bright vg dust-wrapper save for some slight wear and tear and some professional restoration to small sections of the dust-wrapper spine extremities and inner front dust-wrapper hinge. A most collectable and desirable copy of this 20th century American classic and PULITZER PRIZE winner. Viking Press unknown books
1936réf. 08753CUP OF GOLD Mcbride 1929 first printing of the Covici Friede binding in burgundy cloth edges of spine extremities and edge of front cover lightened else just about fine in vg/near fine first state of Covici Friede dust-wrapper with the publishers name blocked out and then reprinted and spelled correctly on the dust-wrapper spine and WITHOUT mention of OF MICE AND MEN on the front dust-wrapper panel which was duh published a year later in 1937 making any who list this title which has this work printed on the front dust-wrapper panel and then adjudicating it as the correct first state dust-wrapper a most dubious scholar and with a small chip missing from the head of the dust-wrapper spine slight fraying to the base of the dust-wrapper spine and some light dust-soil to the rear dust-wrapper panel. Actually a very nice copy of this the second issue of the first edition sheets of the authors first book bound in maroon cloth with the McBride colophon on the last page of text and released here in 1936. Not to be confused with the very common later edition NOT second issue in blue cloth without the McBride colophon on the last page of text . Covici Friede hardcover
1939réf. 08759THE GRAPES OF WRATH Viking 1939 first edition near fine in bright vg dust-wrapper save for some slight wear and tear and some professional restoration to small sections of the dust-wrapper spine extremities and inner front dust-wrapper hinge. A most collectable and desirable copy of this 20th century American classic and PULITZER PRIZE winner. Viking Press unknown
réf. JD29790NY Pynson Printers December 1936 first edition. This hardcover with marbled boards and orange cloth spine is the first separate printing of the Junius Maltby story from Steinbeck's second book The Pastures of Heaven Goldstone & Payne A2f see Morrow 16 issued here with a new title and an epilogue written especially for this book by Steinbeck it is one of only 370 copies for presentation by a number of subscribers to be used as a Christmas gift it includes pen and ink drawings by Donald McKay this is a most interesting Association Copy made at the request of Rockwell Kent who has Signed his name on the presentation page where the requester's name was to have been inserted Kent then added the word "himself" in the area where the presentee's name was to have been filled in Kent was the "house" artist for the Pynson Printers the book is also Signed by Elmer Adler F. B. Adams and John Winterich Sally and Rockwell Kent's modest bookplate affixed to the front pastedown now housed in Kent's custom slipcase. Fine. NY, Pynson Printers, December 1936, first edition. hardcover
1937réf. 205064New York: Covici Friede Inc 1937. First Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket. All 4 flap corners clipped. Rubbing along panel edges. Second issue of first printing after publisher corrected errors. Covici Friede Inc hardcover
1951réf. 530781London: Cowles Magazines Inc. 1951. Softcover. Very Good. Periodical. Quarto. 120pp. Heavily illustrated. A bit musty. Cover with a split and a bit of loss at the spine staples somewhat oxidized modest interior toning very good. Signed by John Steinbeck editor Fleur Cowles and contributor William Ward Beecher. The final issue of this very interesting magazine sent by editor Fleur Cowles along with a warm Typed Letter Signed to artist William Ward Beecher to commemorate the collaboration. Fleur has Signed the magazine on the first page. Beecher allowed the use of a black and white reproduction of a Steinbeck-themed trompe l'oeil painting to illustrate the article "Tortilla B Flat: A Serenade to John Steinbeck Composed on the Typewriter" by Eddie Condon also illustrated with a portrait of Steinbeck by Robert Capa. A note in Beecher's hand laid in says: "N.B. this copy autographed by Fleur Cowles is also signed by John and me-" and indeed Steinbeck has Signed above the painting and Beecher beneath it. Also laid in is a Typed Letter Signed from a Flair employee to Beecher asking him to sign an agreement to reproduce the artwork. A 2001 letter from Steinbeck's son Thom written to supply details about sitting for a portrait by Beecher called the artist a family friend and that his father "maintained an abiding fascination for Beecher's work through the years. A half-dozen examples of the artist's best canvases still brighten our house in New York." A nice association. Cowles Magazines, Inc.) unknown books
1949réf. 018107Los Angeles:Republic Pictures 1949. Book. Fine. Soft cover. Signed by Authors. 4to - over 9¾ - 12" tall. Original Lobby Card for 1949 Film The Red Pony.Signed by Steinbeck.Beautiful Copy Framed. Extra Postage Required. Los Angeles:Republic Pictures Paperback books
1947réf. 29899175 East 78 St. New York City 1947. One page in blue ink on recto of one sheet of personal stationery. 1 vols. 10 x 7 inches. Fine. From the Estate of Burgess Meredith. One page in blue ink on recto of one sheet of personal stationery. 1 vols. 10 x 7 inches. A rapid note on the eve of his trip to Europe to his close friends Burgess Meredith and Paulette Goddard: "Dear Paulette and Buzzy: We're leaving the 20th of June for Paris. We'll be I think at the Hotel Lancaster. If not you can contact us through the Herald Tribune Bureau. Much hurry now and I'm still pretty much crippled. Do you know a dutch painter named Raaul Hynckle sp Since can't pay money now the Dutch publishers want to pay royalties in his work. See you soon John" UNPUBLISHED. unknown books
1946réf. 29904175 East 78th St. New York 1946. 1 p. in ink on recto of a single yellow legal-size ruled note sheet. 1 vols. 14 x 8-1/2 inches. Very good. 1 p. in ink on recto of a single yellow legal-size ruled note sheet. 1 vols. 14 x 8-1/2 inches. Colorful unpublished note from Steinbeck to his friend Burgess Meredith: "Dear Buzz: I've tried to call you several times but your line is either busy or you are out. This devotion has been carried on a coin booth which is little better than the back seat of a packard. We have no phone yet but hope to have one tomorrow or the next day. Mother Marie is building a nest for her new offspring and I am hard at work which immobilizes both of us pretty much. I am going to have lunch with Charlie Lytle remember the Pixie of Park Lane tomorrow May 8 at 21. Maybe you could drop in or maybe you'll be there anyway. I have to ask you something . Meanwhile I'll call you if we get a phone. The hell with the coin box business. John" Provenance: from the Estate of Burgess Meredith unknown books
1947réf. 29900175 East 78 St. New York City 1947. One page in red ink on recto of one sheet of personal stationery. 1 vols. 10 x 7 inches. Slightly faded. From the Estate of Burgess Meredith. One page in red ink on recto of one sheet of personal stationery. 1 vols. 10 x 7 inches. Fine quick personal note from Steinbeck to his close friends Meredith and Goddard. Just after his release from the hospital after falling out of his window and on the eve of his departure for a European tour he writes: " . I got sprung from the hospital the day before yesterday a little wan and weak. I'll have to walk with a stick for some time but otherwise allright. We kind of plan to go to France about the 15 - 20 of June. We'll be at Hotel Lancaster wherever that it - that is if we make it. So much can happen. Everything else seems to be going pretty well. We're going to have our troubles but I'11 tell you about that when I see you. Love to you both . John" UNPUBLISHED. unknown books
1952réf. 18348New York: The Viking Press 1952. First edition first printing. Hardcover. Very good/Very good. 8vo. Apple green cloth blocked in black and deep red. "First published" statement on the copyright page and date on the title page. Cloth sunned along the edges and spine but a very good copy. The first state dustwrapper has the price of $4.50 on the flap and Steinbeck's portrait on the rear panel. The top inch of the spine and the bottom edge have been professionally restored giving a near fine appearance with only light age toning especially to the spine. The rear free endpaper and pastedown have penciled notes made by a former owner apparently references to important passages in the book. . . The Viking Press hardcover books
1946réf. 020854Prague: Sfinx 1946. Second Czech Edition. Hardcover. Near Fine in a Near Fine dustwrapper. Dustwrapper designed by Jaroslav váb. Uncommon edition of this winner of the Pulitzer Prize. INSCRIBED and SIGNED by Steinbeck on the last page of text located at the foot of the translator's notes in which the translator Vladimír Procházka includes an excerpt from a positive review of the translation: ".in reading this translation we forget that it's a translation. How many translations can we say that about" The inscription is under Procházka's printed name and is to him: "For Vladimir Prochazka/Thank you/John Steinbeck." Procházka a lawyer and communist was forced to withdraw from his political activities during the Nazi occupation and translated THE GRAPES OF WRATH along with works by James Joyce and Bernard Shaw. In 1946 he was elected to parliament as a communist and helped draft the new Czechoslovak constitution. Steinbeck most likely inscribed this on one of his two trips to communist Czechoslovakia or possibly in the U. S. when Procházka was serving as the Czechoslovak ambassador to the United States. Sfinx hardcover books
1937réf. 79090NY: Covici Friede 1937. First edition first issue. 186 pp. Light offsetting and paperclip imprint to first leaf else near fine in very good plus dust jacket with tanned spine small chips to tips of flap folds and base and crown of spine and one short closed tear to front panel. NY: Covici Friede unknown books
réf. 06589New York: The Viking Press 1941. Steinbeck and Ricketts - Science Friendship and the Gulf of California First Edition of Sea of Cortez STEINBECK John. Ricketts Edward F. Sea of Cortez. A Leisurely Journal of Travel and Research. New York: The Viking Press 1941. First edition first printing. Octavo 9 1/4 x 6 inches; 235 x 152 mm. x 598 pp. Forty pages of inserted plates many in color. Publisher's green linen over boards front cover and spine lettered in silver map endpapers printed in blue top edge stained orange. Neat ink names on front paste-down. In the original color printed dust jacket extremities a little rubbed with a 3/4-inch closed tear to lower front panel. A near fine copy in a very good dust jacket. An important and unusual work in the Steinbeck canon Sea of Cortez documents the 1940 marine expedition undertaken by Steinbeck and his close friend and collaborator Edward F. Ricketts. Blending scientific observation with philosophical reflection and travel narrative the book is as much a meditation on ecology and human interconnectedness as it is a record of biological collecting along the Gulf of California. The work is notable for its hybrid structure combining a detailed scientific catalogue with Steinbeck's narrative journal - later distilled by Steinbeck into The Log from the Sea of Cortez 1951. Copies of the original 1941 edition particularly in unrestored dust jacket are increasingly difficult to locate in collectible condition. A highly desirable Steinbeck first representing one of the most intellectually ambitious collaborations of his career. Goldstone & Payne A14a. New York: The Viking Press, 1941 unknown books
1932réf. 140938544New York: Brewer Warren & Putnam 1932. First Edition. Very Good. First edition first printing; one of 650 copies of the first issue. Bound in publisher's green cloth with titles in gilt; lacking the dust jacket. Very Good with slight lean and fading to spine. Remnants of dust jacket tipped in and partially removed at front paste down; front and rear free endpapers offset and with light tape ghosts. Pages toned. Steinbeck's second book of which only 1650 copies were bound and 650 of those sold. The remainder were sold to Robert O. Ballou in 1932. Goldstone & Payne A2a. Brewer, Warren & Putnam unknown books
1937réf. 4795New York: Covici Friedi Publishers 1937. First edition. Fine/Near Fine. One of 699 signed copies this one unnumbered. A Fine copy of the book in excellent condition externally and internally. Slight bowing to front board but in all bright clean and unmarked. In a Near Fine slipcase with just a hint of shelfwear. Lacking the original glassine. A coming of age tale as only Steinbeck can tell it. Mischievous and a little destructive Jody Tiflin takes his first step into adulthood when his father Carl gives him an important gift: his first horse to raise up a red pony that Jody names Galiban. Bonding and growing together Jody takes the responsibility of the red pony seriously; he cares for him daily ground trains him gets him into bridle and saddle and excitedly anticipates the day when he'll finally be able to ride Galiban. But before that can happen tragedy strikes. In an accident no one could have predicted Jody loses Galiban learns about the pain of loss and realizes the fallibility of the men who have trained him. An unforgettable story. Fine in Near Fine dust jacket. Covici Friedi Publishers unknown books
1951réf. 530781London: Cowles Magazines Inc. 1951. Softcover. Very Good. Periodical. Quarto. 120pp. Heavily illustrated. A bit musty. Cover with a split and a bit of loss at the spine staples somewhat oxidized modest interior toning very good. Signed by John Steinbeck editor Fleur Cowles and contributor William Ward Beecher. The final issue of this very interesting magazine sent by editor Fleur Cowles along with a warm Typed Letter Signed to artist William Ward Beecher to commemorate the collaboration. Fleur has Signed the magazine on the first page. Beecher allowed the use of a black and white reproduction of a Steinbeck-themed trompe l'oeil painting to illustrate the article "Tortilla B Flat: A Serenade to John Steinbeck Composed on the Typewriter" by Eddie Condon also illustrated with a portrait of Steinbeck by Robert Capa. A note in Beecher's hand laid in says: "N.B. this copy autographed by Fleur Cowles is also signed by John and me-" and indeed Steinbeck has Signed above the painting and Beecher beneath it. Also laid in is a Typed Letter Signed from a Flair employee to Beecher asking him to sign an agreement to reproduce the artwork. A 2001 letter from Steinbeck's son Thom written to supply details about sitting for a portrait by Beecher called the artist a family friend and that his father "maintained an abiding fascination for Beecher's work through the years. A half-dozen examples of the artist's best canvases still brighten our house in New York." A nice association. Cowles Magazines, Inc.) unknown
1964réf. BL-002101New York: Random House 1964. 8 pp. Approx. 6 1/4 x 9 1/4". Printed orange wrappers with black ink in original mailing envelope which has a slight corner crease both in fine condition. Goldstone & Payne A41Steinbeck's introduction to "The Thinking Dog's Man" by Ted Patrick was issued separately in advance of the book as a promotional item; no copies were for sale. This copy once belonged to veteran Milwaukee bookseller Harry Schwartz the mailing envelope bears his address. A fine fresh copy in the original printed mailing envelope of this very scarce Steinbeck "A" item Random House paperback
1949réf. 018107Los Angeles:Republic Pictures 1949. Book. Fine. Soft cover. Signed by Authors. 4to - over 9¾ - 12" tall. Original Lobby Card for 1949 Film The Red Pony.Signed by Steinbeck.Beautiful Copy Framed. Extra Postage Required. Los Angeles:Republic Pictures Paperback
1935réf. 591Classic 1935 hardcover edition of Tortilla Flat by Nobel and Pulitzer Prize-winning author John Steinbeck. Set in Monterey California this beloved novel follows a group of paisanos whose friendship adventures and struggles create a humorous and poignant portrait of life during the Depression era. Considered one of Steinbeck's most important early works Tortilla Flat remains a cornerstone of American literature and a desirable addition to any Steinbeck collection. The spine of the book is slightly loose. Covici Friede hardcover
1959réf. 111852New York: Hastings House Publishers 1959. First edition of this entertaining history of clothing and its impact on the human condition. Octavo original half cloth illustrated. The dedication copy inscribed by the author on the front free endpaper "To John Steinbeck-whose interest in the book when half written encouraged me to complete it. And to Elaine Steinbeck with love to you both Lawrence Lagner Nov 5/ 1959." From the library of John Steinbeck. With an introduction by James Laver. Near fine in a very good dust jacket. Lawrence Langner was a playwright author and producer who also pursued a career as a patent attorney. He founded the Guild Theatre where he supervised over 200 productions. Elaine Steinbeck was an actress in the theatre and met Langner at that time. They continued to be in similar circles after her marriage to Steinbeck. The Importance of Wearing Clothes is an erudite and entertaining history of clothing and its impact on the human condition. Hastings House Publishers hardcover
1947réf. 29899175 East 78 St. New York City 1947. One page in blue ink on recto of one sheet of personal stationery. 1 vols. 10 x 7 inches. Fine. From the Estate of Burgess Meredith. One page in blue ink on recto of one sheet of personal stationery. 1 vols. 10 x 7 inches. A rapid note on the eve of his trip to Europe to his close friends Burgess Meredith and Paulette Goddard: "Dear Paulette and Buzzy: We're leaving the 20th of June for Paris. We'll be I think at the Hotel Lancaster. If not you can contact us through the Herald Tribune Bureau. Much hurry now and I'm still pretty much crippled. Do you know a dutch painter named Raaul Hynckle sp Since can't pay money now the Dutch publishers want to pay royalties in his work. See you soon John" UNPUBLISHED. unknown
1946réf. 29904175 East 78th St. New York 1946. 1 p. in ink on recto of a single yellow legal-size ruled note sheet. 1 vols. 14 x 8-1/2 inches. Very good. 1 p. in ink on recto of a single yellow legal-size ruled note sheet. 1 vols. 14 x 8-1/2 inches. Colorful unpublished note from Steinbeck to his friend Burgess Meredith: "Dear Buzz: I've tried to call you several times but your line is either busy or you are out. This devotion has been carried on a coin booth which is little better than the back seat of a packard. We have no phone yet but hope to have one tomorrow or the next day. Mother Marie is building a nest for her new offspring and I am hard at work which immobilizes both of us pretty much. I am going to have lunch with Charlie Lytle remember the Pixie of Park Lane tomorrow May 8 at 21. Maybe you could drop in or maybe you'll be there anyway. I have to ask you something . Meanwhile I'll call you if we get a phone. The hell with the coin box business. John" Provenance: from the Estate of Burgess Meredith unknown